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Early Production LC2 Loveseat Sofa by Le Corbusier for Cassina, c. 1965, Signed

About
Details
- CreatorCassina (Manufacturer),Charlotte Perriand (Designer),Le Corbusier (Designer),Pierre Jeanneret (Designer)
- Design
- DimensionsHeight: 26.25 in. (66.68 cm)Width: 54 in. (137.16 cm)Depth: 29 in. (73.66 cm)Seat Height: 19.75 in. (50.17 cm)
- StyleBauhaus (Of the Period)
- Materials and Techniques
- Place of Origin
- Period
- Date of Manufacturecirca 1965
- ConditionWear consistent with age and use. Good vintage condition with age appropriate wear. Ideal either for reupholstery or use in a room where vintage items are welcomed. See description for greater details.
- Seller LocationLos Angeles, CA
- Reference Number1stDibs: LU1330221450162
Shipping & Returns
- ShippingRates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.Ships From: Long Beach, CA
- Return Policy
A return for this item may be initiated within 14 days of delivery.
About Charlotte Perriand (Designer)
A pioneer of modernism in France, Charlotte Perriand was one of the most influential figures in 20th-century design and architecture. In her long career, Perriand’s aesthetic grammar constantly evolved, moving from the tubular steel furniture of the “Machine Age” to a lyrical naturalism.
Perriand’s studies at the Ecole de L'Union Centrale de Arts Decoratifs left her enthralled by Le Corbusier and his vision of a new, rational architecture. In 1924, she joined his studio to design furniture along with Pierre Jeanneret, Corbu’s partner and cousin. Together, they devised some of the finest examples of early modernist furniture, including two icons of the era: the “B306” chaise with its swooping frame and hide upholstery; and the chunky, steel-framed “Gran Confort” club chair. Collaborative design produced another Perriand triumph: in the early 1950s, she and Jean Prouvé were engaged to produce desks, worktables and bookcases for the University of Paris. The bookcases — slim pine shelves with brightly painted aluminum dividers — are minimalist masterpieces.
By the end of that decade, Perriand’s aesthetic had changed completely from the earliest days of her career. She produced a series of furniture in ebonized wood: chairs with gentle S-curve legs, front and back; tables with elliptical tops. In the mid-1960s, she adopted an almost rustic look, designing simple chairs with dowel-cut frames and rush seats. Yet everything in Perriand’s oeuvre is beautiful, whether it’s the centerpiece of a décor or an accent. Charlotte Perriand’s work is in every great design collection, public and private. Works on these pages will show you why.
Automaton is the premier source for early-production originals of hard-to-find 20th-century designs and functional art, serving a range of clients, from celebrities and interior designers to aficionados with modest budgets. Its 20,000-square-foot Los Angeles space is packed with rare examples of designs from a large repertoire of such...
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