Cabinets

With its characterizing and intriguing shape, the LOVE cabinet is an expressive bill, a two-dimensional poster that speaks of love. The union between aesthetics and function makes th...

With its characterizing and intriguing shape, the LOVE cabinet is an expressive bill, a two-dimensional poster that speaks of love. The union between aesthetics and function makes th...

Red Lacquered Cocktail Cabinet with Carved Lotus Motif and Brass Lotus Handle. A contemporary twist to the beautiful lotus motif inspired from our Phara...

A Japanese Meiji period red cabinet from the late 19th century, with sliding doors and drawers. Created in Japan during the Meiji period, this cabinet attracts our attention with its...

A Chinese late Qing Dynasty period red lacquered compound cabinet from the early 20th century, with raised panels and carved friezes. Crea...

Cabinet Lensvelt Job cabinet red, an archetype of the Classic storage cabinet designed by Studio Job, with a special twist. The case has a gigantic gold-colored key that gives the...

One unit or four? Doors or drawers? Go sexy with black and walnut or keep it light and fun with maple and pink? The chapman credenza allows you the freedom to choose exactly what sui...

An ingenious challenge against the force of gravity, the Drop, by Nendo, is a two-sided column bookshelf offered in 3 different heights. The Drop bookshelves are made of Matte lacque...

Red lacquer cabinet with painted motif and painted calligraphy. Two drawers inside and one removable shelf. We carry fine quality furniture with elegant ...

This 2 doors small sideboard ( "mini-bahut") is a hand-crafted reproduction of the French Directoire Style at the end of the 18th century. This ...

Armored jewelry chest with pullout / pull-out necklace bars. Available in three finishing variations. See information below for details of finish...

Elie red brass elephant bar storage cabinet by Matteo Cibic is a grand elephant with a lovable brass head and a smart red uniform. It opens up as a fantastic sculptural cabinet. “...

A sculptural piece of functional decor, this wardrobe boasts the dynamism and elegance typical of Karim Rashid's design. Frame, shelves, and doors are made of red-lacquered MDF, boas...

Campaign style cabinet with two drawers, two doors, and hand-cast polished brass hardware has a “drift” white painted finish with subtle grey di...

Eccentric Italian futurist showcase cabinet from the 20's. The cabinet has applications inserted later, such as skull-shaped designs and designs on the sides of the cabinet in the sh...

A Chinese Qing Dynasty period red lacquered cabinet from the 19th century, with chinoiserie décor. Created in China during the Qing dynasty, this cabinet captures our attention with ...

This sideboard with lacquered wooden structure, available in 9 colors. The sliding doors, with book like opening system, are silk-screen printed...

This cabinet is a handmade and modernized interpretation of the French Directoire style at the end of the 18th century. This period is remarkable with its straight, classical and timeless lines. This traditional high buffet...

"Agresti 'Privato' safe for jewelry, available in three finishing options. See information below for details of finishing variations. Copper: Jewelry case in hammered copper finish s...

A Chinese Qing Dynasty style red lacquer cabinet from the 20th century, with gilded chinoiserie motifs and carved apron. Created in China during the Qing Dynasty, this cabinet featur...

Midcentury goatskin parchment two-door cabinet with bronze pulls and bronze ball feet.

Indoor steel cabinet with two doors. Doors and sides realized with flat metal strips welded at varying angles, which allow to look through. Two internal shelves in steel.

A Chinese red lacquered Qing Dynasty period cabinet from the 19th century, with round brass medallion, drawers and carved gilded apron. Created in China during the Qing Dynasty perio...

A Chinese red lacquered three-section stackable cabinet from the early 20th century, with polychrome lacquer. Created in China during the early years of the 20th century, this red la...

A Chinese Qing Dynasty period cabinet from the 19th century, with original red lacquer, hand-painted golden scenes and carved apron. Created in China during the Qing Dynasty, this red lacquered cabinet features two doors fitted with ornate bronze hardware, opening to reveal inner shelves, two hidden drawers and a removable panel concealing an additional compartment. Adorned with traces of a golden hand-painted Chinoiserie décor, the cabinet showcases a carved apron in the front. With its red and gold tones and Chinoiserie motifs, this 19th century Chinese Qing Dynasty lacquered...

Red lacquer cabinet with gilt motif with inside two drawers shelf and bottom space. We carry fine quality furniture with elegant finished and has been appea...

This 19th century Chinese cabinet is simple in design and features a round face plate with pierced knobs and metal pulls, an apron and an apron-head spandrel. The cabinet is painted ...

Modern white chip carved door cabinet with two section interior with an adjustable shelf to each section. Dimensions: 60" W x 18.5" D x 35" H.

1980s German abstract design heart shaped iron TV cabinet.

A Chinese red lacquered apothecary-inspired cabinet from the early 20th century, with 32 drawers and petite double doors. Created in China durin...

Cabinet and TV table Smoked glass, brass Measures: Height 33.86 in. (86 cm) Width 84.65 in. (215 cm) Depth 23.23 in. (59 cm) 190 kg.    There is a se...

Tommi Parzinger design Chinese red lacquer credenza with polished brass mounted hardware. High quality construction and attention to details, newly lacquered in the original color ...

Pair of Mid-Century Modern parchment covered two door cabinets on ebonized bases. In the style of Karl Springer.

An antique Chinese Ming Dynasty style red lacquered console cabinet from the early 20th century, with five drawers and double doors. Born in ...

The splendid steel panels composing the silhouette of this stunning cabinet are welded in a geometric array of different directions to create an exterior visual aesthetic that reveal...

The Blossom chest of 6 drawers by Ercole Home has a 6-drawer front, with white wash finish on oak wood. Handcut glass mosaic in variety shades of white and ivory decorate the surfac...

Introducing Earl Grey, a small storage unit born from the visionary design of Archer Humphryes Architects—a testament to simplicity, elegance, and functionality. Crafted with meticul...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) Toolbox is a modular container with drawers and aluminum numbered handles so you won’t...

Playhouse Modular Showcase Cabinet by Matteo Cibic is a modular cabinet that can be used singularly or be grouped as customized cabinets. The modules may be with or without doors. I...

Pair of Asian Chinese-style (19/20th Century) red lacquered 2 door armoire cabinets with a large round brass applique and trim with a bottom drawer and fitted interior.

Soko 3-cabinet sideboard is available here in a lacquered finish and internal shelving, as well as in 9 color finishes to choose from. The doors are milled with drawings on their sur...

An ingenious challenge against the force of gravity, the Drop, by Nendo, is a two-sided column bookshelf offered in 3 different heights. The Drop bookshelves are made of Matte lacque...

An ingenious challenge against the force of gravity, the Drop, by Nendo, is a two-sided column bookshelf offered in 3 different heights. The Drop bookshelves are made of matte lacque...

Celebrating the classic forms of cabinetry design, the Remo cabinet, being both warm and elegant, is a blank canvas for Architects and Designers to work with home decor. It will inte...

Antique Lacquered Chinese Cabinet With Original Paint. The unique shape and paneling on the cabinet doors creates the great visual impact of th...

Agresti Il Passatempo chest with 4 watch winders. Available in two variations, please see information below for variation details. Ebony: Polished ebony chest with 4 watch winders en...

Very rare pair of black lacquer with cinnabar doors cabinets with handsome cast and carved brass hardware with excellent patina.

Kiki van Eijk designed Floating Frames as a collection of handmade objects in anodized aluminium wire. Each piece is meticulously handmade in her worksh...

A statement piece in any dining or living room, this bar cabinet combines bold colors in a sleek and essential silhouette enhanced by sophisticated details. The glossy red china poly...

Agresti Il Forziere Delle Ore armored Chests for 9 Winders. Two variations available, please see information below for details. Ebony: Armoire in polished ebony with safe, anchorable to the wall. Biometric opening device and emergency key system. Watch winders entirely made in Switzerland. Secret compartment, inside lined in ultrasuede. Safe covered with polished ebony and black leather. Bulletproof glass...

Tudor cabinet uses simple symbolic forms to emulate the theatrical architecture, opulence and culture of the 16th century. Iconic forms loyal to the Tudor period...

Defined by pure geometry, this bar cabinet is as functional as it is sophisticated and will elevate any dining room with its bold colors and modern lines. The red china polyurethane ...

18th century Mexican Colonial cabinet made of white cedar, intervened first in the 19th century, restoration in some of gilt drawings.

Palace drink cabinet with two doors, one sliding shelf, two interior adjustable shelves and with interior lighting. Electrification only approved for Europe. Lacquered with tie dye ...

An eclectic piece of luxurious sophistication, this cabinet will make a statement in any interior. Bold and elegant, it features a Canaletto walnut structure that comprises an elongated top and base enclosing two tall doors...

An elegant red lacquer armoire, red lacquer front with fine hand-painted muted gold gilt motif, black lacquered sides, brass fitting. Beautiful col...

This pair of early 19th century red lacquer cabinets is an extraordinary find. When placed beside each other, what remains of the finely-painted decoration comes together to form a s...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...