Mid-Century Modern Cabinets

A solid maple cabinet designed by Van Keppel Green and produced by Brown Saltman, USA, 1950s.

Paolo Buffa, wardrobe or armoire, chestnut, Italy, 1940s This rare wardrobe has a subtle decorative character and is created by the talented Italian designer and architect Paolo Buf...

A solid teak wall-mount box with a gallery top and a flip-down storage bin.

Valzania, sideboard, parchment, ebonized wood, Italy, 1940s Rare sideboard with six drawers designed and created by Valzania in the 1940s. The sideboard is fully covered in a light ...

Rare wall cabinet by unknown designer. Produced by Lotos Werkkunst in Germany.

Stelle Marine, unique cabinet by Roberto Giulio Rida. Spectacular six-door cabinet covered in textured, silver-mirrored glass panels. Three sides inset with vintage Murano glass flowers...

A wood, brass and rattan cabinet designed and produced in the United States, 1940s.

Guillerme et Chambron for Votre Maison, wardrobe, oak, France, 1960s. This grandiose armoire is a good example of excellent woodwork by virtue of the well-designed construction base...

Cabinet designed by Ib Kofod-Larsen, Denmark, 1960s. Teak. Marked. Dimensions: H: 81 cm /2' 8'' W: 91 cm / 2' 11 3/4'' D: 48 cm / 19''

American Mid-Century (1950s) walnut three-drawer chest of drawers with rattan-wrapped dowel drawer pulls and four tapered brass legs with circular brass feet. (T.H. Robsjohn-Gibbings...

American Mid-Century (1950s) two-door mahogany cabinet with brass ring-shaped door pulls, resting on four small concealed casters. (T.H. ROBSJOHN-GIBBINGS FOR WIDDICOMB MODERN).  

A wooden cabinet designed by Renzo Rutili and produced by Johnson Furniture Company, Grand Rapids Michigan, USA, circa 1950s.  

Rare "sculpted bronze" wall-hanging cabinet by Paul Evans Model PE 40 for Directional. The front fitted two bi-fold doors , the top inset with typical slate top. Incised signature an...

Cupboard, oak, metal, lacquered wood, France, 1960s. This piece of furniture can be used for various occasions. You can use it as a vitrine to showcase your valued belongings, such ...

An oak and metal wall hanging cabinet designed and produced in the United States, 1960s.

This unique statement piece / cocktail cabinet by Italian artist-craftsman Aldo Tura displays his distinct use of goatskin that Tura was well known for. His quality of craftsmanship which can be attributed to the limited series production, sometimes limited to only the prototype and often used unconventional materials including; eggshell, parchment, leather and wood veneering. This fine original 1950s example was retailed by Blanch L. Markley Shoppe in Lima Ohio, which retailer label is present in pull out drawer. Featuring a Trompe-l'œil book-form with mirrored upper interior with glass shelving and interior lighting above a single pull-out drawer with large antique coin styled drawer pull. The exterior door is hand painted with a Renaissance styled scene. Sitting atop a black lacquered X-leg base with brass sabots. This stunning 1950s Italian collectors piece can function as a bar cart, cocktail cabinet or dry bar and is an apt conversation starter, injecting some Italian chic in to any room concept. It would be perfect as part of; a European styled villa, Modern Renaissance apartment, Rococo inspired abode, Italian Modern condo or Eclectic studio. Would also work excellent for a hotel cafe, lobby bar or restaurant or in any commercial project. MEASUREMENTS: H 47.75" x W 23" x D 15" CONDITION: Overall good vintage condition. No keys are included but it uses vintage skeleton...

A oak cabinet / dresser designed and produced in the United States, 1960s.

Unit furniture of Philippine mahogany with white Masonite panels consisting of a module with sliding Masonite doors and a double wide module with an open front. Designed by Harvard-educated, Boston-area architect, designer, and urban planner Carl Koch as a corollary to his prefabricated Techbuilt houses and produced in 1955. Koch was a pioneering champion of prefabrication in housing in mid-century America, first with his much-publicized but ill-fated all-steel Lustron houses in the late 1930’s, then with his more successful wooden Tech-Built houses, introduced in 1953. In At Home with Tomorrow, his 1958 paean to prefabrication, he lays out his opposition to the traditional hammer-and-handsaw construction methods that remained dominant even with conceptually modernist structures. His designs generally hewed to a regional brand of modernism rather than orthodox international style, taking into account local topography and climate—his iconic form is an A-frame with a pitched roof, more sensible in New England winters than a flat roof (though there are such Techbuilt designs). The basic Techbuilt formula suggested that modular, industrial production methods of the components combined with knock-down shipping and on-site assembly equalled lower cost and less waste. Variety and individuality could be achieved in how the elements were combined. This underlying philosophy involving modularity, flexibility, and industrial production methods applied to Spacemaking furniture as well, although interestingly enough, the furniture design preceded the architectural application, as Koch (et al) had submitted a version to the 1947 MoMA Low-Cost Furniture Competition (and so these units also preceded the famous 1951 Eames Storage Unit, a conceptually similar idea executed with metal framing). The furniture line began with requests for freestanding wardrobe...

Stacked and fastened "Studio Group" modular units composed of walnut, angled steel, and lacquered masonite. with sliding doors at top and an open compartment at bottom. The “Curtainw...

This midcentury, limed oak two-door armoire by the celebrated French designer Robert Guillerme, was created as part of a line of design he produced for the company Votre Maison. Hand...

A walnut cabinet designed and produced in the United States, 1960s.

Modular "Studio Group" cabinet composed of walnut with a white micarta top, lacquered masonite doors and panels, and angle-steel pulls and frame. The “Curtainwall” principle applied to furniture, allowing easy extension in either a vertical or horizontal direction. An elegant riff on the Eames ESU, designed by Norman Cherner (along with Matthew Cooper) and manufactured by the Multiflex Corp circa 1954. The Studio Group was featured in George Nelson’s Storage book and was a MoMA Good Design selection in 1954. The present unit has two sliding door cabinets flanking a bank of three drawers. Behind each pair of sliding doors is a black masonite bottom and white masonite back. The frame, which disassembles to a large degree, is held together with brass buttons that are optionally visible on the outside (MoMA preferred visibility as expressive and suitable to the piece). Cherner famously designed the narrow-waisted Plycraft armchair along with an award-winning furniture line for Konwiser and was the author of the 1953 book Make Your Own Modern Furniture. Along with a nine drawer chest of drawers and a double-tall unit...

Iconic 2 door cabinet model 146 in white lacquer with brass studs, etched brass pulls, and inset milk glass top by Tommi Parzinger for Parzinger Originals 1950s (signed “Parzinger Originals” on inside of drawer). This beautiful cabinet exudes the refined elegance. It is beautifully made and very chic. Reference: Parzinger Originals Inc. catalog published in the 1950’s...

3 Door credenza model 2160 in walnut with raised panels on doors and tapering legs by Gio Ponti for M.Singer & Sons, American 1950's. The interior is b...

Maison Regain, etarage / shelf cabinet, elm, France, 1960s This cabinet in elm combines a simplified yet complex design with nifty, solid construction d...

Ico Parisi for Brugnoli Mobili, desk, cabinet, walnut, walnut veneer, brass, Italy, 1959 Acknowledged master of Italian mid-century design Ico Parisi has created an impressive numbe...

Guillerme & Chambron, cabinet, model 'Thierry', oak, France, 1960s. This mischievous sideboard mirrors the European Gothic Revival period of the nineteenth century by means of the heavy black stained wood. The design seamlessly blends with any interior bringing the old antiquated ambience into your home. The whole construction is solidly built showing the typical characteristics of the designer duo Guillerme et Chambron, par example the graphic pattern of carved lines on the sliding door panels, add a wonderful rhythmic and haptic surface to the front. The whole corpus rests on a stable base arranged in two columns, which results in a sculptural appearance. Functionality comes into play through the availability of great amount of storage space. Looking from left to right, the smaller cabinet is arranged through a drop-down door with a built-in shelve and three extended drawers. The interior of the grand part is furnished with multiple shelves. The combination of color and specific design characteristics underline the essence of the design, resulting in a bold, luxurious cabinet...

Curio or display cabinets are versatile pieces of furniture that offer a creative way to showcase its owner’s interests and style. This unique cabinet not only serves a functional purpose, but thanks to its unique characteristics, it is a charming and stylish addition to any space. A glass display cabinet can transform an entire room. A glass display cabinet gives the perfect opportunity to put a collection on display. Books, cards, figurines, art, liquor, and an infinite amount of other trinkets can be put on display in a sophisticated, stylish manner, especially in open designs such as this European cabinet. The solid wooden structure has subtle decorative elements paired with simpler solutions like the straight face frame and top. European cabinetmakers and designers created versatile and functional models from solid wood. This cabinet is an exemplary European 20th century design, with a single shelf in the middle. Dividing the space in two, the shelf makes the design perfect to display anything as the sides are made of glass. This creates a classic look, while the open front allows the most eye-catching detail to stand out: the orange velvet inlay. Delicate objects can be safely stored and displayed on the soft velvet, and visually it creates an accent that draws the eye. The lower part is equally enticing with four thin, Marlborough-reminiscent legs and carved details. The display cabinet style is designed for displaying curios, which are simply collections and treasured items. With its beautiful wood surfaces and velvet accent shelf...

High board / room divider / bookcase, lacquered wood, Italy, 1960s. This eccentric cabinet contains eight different sized separate elements and is executed in largely white lacquer...

Florence Knoll custom wall-mounted cabinet by Knoll Associates for H.J. Heinz Co, Pittsburgh. This custom wall-mounted cabinet with a Calcutta marble top...

Very beautiful wall cabinets entirely in wood in the style of Ico Parisi. The structure is in wood, inside the cabiner there are 2 shelves that could be used for little collection, b...

Maurice Pré, cabinet, oak, brass, glass, France, 1950s This exquisite highboard in solid oak is designed by the French designer Maurice Pré (1908-1988) in the 1950s. It features a v...

This is a spacious burled wood 4 door cabinet. The use of the patterning created by the burl of the grain creates many interesting images, some appearing to be faces. The outer cabinets have 2 shelves each, 1 being a pull out shelf and the other 3 can be adjusted higher or lower depending on your needs. Holes were cut and drilled to the back of the cabinet by previous owners, convenient for electrical chords. The center storage area juts out 4 inches adding depth to the piece. It sits on a laminated brass base. Sleek and stylish, this piece is ready to go as a media cabinet or simply as a beautiful burled wood storage...

Wall cabinet, anonymous. Sweden. 1960s. Pine. Measures: H: 56 cm W: 41 cm D: 26 cm Interior D: 19-23 cm Height between shelves: 19.5 cm and 22 cm Drawer height: 7 cm

Danish mid-century walnut bedside table / commode with a bottom cabinet with a fall-front drawer and brass drawer pull with an open compartment above with four dowel legs. (JENS RISOM).

Wall cabinet, anonymous, Sweden. 1960s. Pine. Measures: H: 56 cm / 1' 10" W: 41 cm / 1' 4" D: 27.5 cm / 11".

Wall unit, teak, maple, lacquered wood, brass, glass, Italy, 1950s. This Mid-Century Italian wall unit seamlessly integrates form and function, captivating with its aesthetic allure...

Studio B.B.P.R. (Lodovico Barbiano di Belgiojoso, Enrico Peressutti, Ernesto Nathan Rogers), cabinet, walnut, brass, lacquered metal, Italy, 1960s. This delicate small cabinet is ...

Sideboard attributed to Axel Einar Hjorth for NK, Sweden. 1940s. Oak and leather. Measurements: H: 56 cm / 22'' W: 118 cm / 3' 10 1/2'' D: ...

Cabinet on stand model 2135 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Cherry wood and alder root veneer. Signed. Dimensions: H: 140 cm / 4' 7" W: 105 cm / 3' 5 1/2"...

Guillerme et Chambron for Votre Maison, trunk or side bench, oak, brass, France, 1960s This rare cubic blanket chest is made by the designer duo Guillerme & Chambron. This particula...

Cupboard, oak, glass, brass, aluminum, Belgium, 1970s. This very expressive cupboard features a clear rhythm and flow that has been achieved through a thoughtful layout that is per...

Vitrine, marble, brass, glass, silk moiré, France, 1950s.   This is a refined midcentury brass vitrine of exquisite craftsmanship, presumably made for the high-end boutique French ...

This gorgeous multi-level shelving system was designed and manufactured by the Brazilian design icon, Jorge Zalszupin and his company, L’Atelier. When it comes to Zalszupin’s line of modular pieces (Modulados Compiníveis), simplicity and clarity are the main characteristics. Similarly to Danish production, treating the wood with special care was a core concept for Zalszupin. The versatile industrial design of these pieces offers a variety of typologies and combinations of modules that can be creatively combined to satisfy every need and interest. The pieces include drawers as well as diverse consoles with doors that feature locks. These modular pieces made by L’Atelier follow the idea of Louis Sullivan: “form follows functions”, which is exemplified by this piece. The modules are made of the Brazilian wood ‘caviuna’ with a beautiful finish in wood-block collage. The six wooden legs support the units in an understated way, leaving the units to be the main visual pieces. The pieces feature “inverted” handles in pairs, that are distinctive of Zalszupin, and contribute to the elegant and modern look of this shelving system. Condition: In good vintage condition. Wear consistent with age and use. Some modules have some small scratches and marks. Dimensions: 98.42 in W x 15.95 in D x 104.33 in H 250 cm W x 40.5 cm D x 265 cm H About the designer: Jorge Zalszupin was born in Warsaw, Poland, in 1922. He graduated as an architect in Romania in 1945. His importance for Brazilian design has been articulated in several publications so far. In addition to being the owner of the l'Atelier furniture factory of modern furniture, Zalszupin led a unique initiative: he coordinated a team of designers working for four different factories in the same business group, the Forsa Group. Zalszupin immigrated to Brazil in 1949 and after a brief stay in the capital, he settled in São Paulo, a city that was then entering a cycle of great industrial growth and great cultural transformations. In the first half of the 1950s, he opened an architecture office, having José Gugliota as a partner. When he got tired of designing exclusive furniture manufactured for his clients' homes, he decided to join a group of woodworkers and started to produce smaller series. This was how l'Atelier came into being, which eventually began to manufacture office furniture and went from a carpentry shop with handcrafted products to an industry with serial production. The first piece in this series was an armchair nicknamed 'Danish' by employees. It was first created in 1959. In the early 1970s, because of serious financial problems, l'Atelier was sold to a business group. The sale was finalized with Zalszupin's 'pass' as director of product research and development. Thus, Zalszupin expanded the team of designers - which already had Oswaldo Mellone - incorporating Paulo Jorge Pedreira and Lílian Weimberg permanently. The designers named the new group Forsa, and started to act as a sort of creative laboratory. The technical possibilities offered by four distinct industrial plants were enhanced by the team of designers. In this way, Hevea, which produced plastic commodities, won a very sophisticated product line in design and established a brand: Eva, for household items, sold in supermarkets. L'Atelier itself started using injected plastic, producing partition panels...

Cabinet, anonymous, Sweden, 1950s. Brazilian rosewood and mahogany. Dimensions: H: 136 cm / 4' 5 1/2" W: 94 cm / 3' 1" D: 44 cm / 1' 5 1/4". This noticeable mid-century piece is a...

This chic cabinet in black lacquer studded with tigers eye cabochons and with walnut stained feet was designed by Patrick Dragonette for Dragonette Private Label. Featuring touch lat...

Wim Rietveld, bookcase, black and white coated metal, The Netherlands, 1960. This free-standing bookcase was originally designed by Wim Rietveld for the famous Dutch high-end department store De Bijenkorf in 1960. The clear structure of the shelf creates a striking design. All horizontal shelves are colored black and in contrast with the white vertical elements. Due to the expressive unsymmetric arrangement of the two white sides and the white element functioning as a backwall, the black shelves...

Vittorio Valabrega, console with drawer, walnut, leather, metal, Italy, 1940s This console by the Italian designer Vittorio Valabrega is sculptural and elegant. Note the details i...

Rare Knoll leather tab storage case, can hang on wall or sit on bench. Walnut, with original faux laminate top.

Cabinet, anonymous, Denmark, 1950s. Oregon pine. This charming piece is an exquisite example of Danish cabinetmaking. The visible corner joints and the stretcher’s through mortise...

Modern glass showcase cabinet with steel & glass fittings and 2 large sliding glass front doors with 8 glass shelves above an ebonized base with 2 sli...

Silvio Cavatorta, wardrobe, mahogany, birch, nickel-plated brass, Italy, 1950s.  Italian wardrobe in mahogany and birch by Silvio Cavatorta. The wardrobe is visually structured in three parts. One large compartment with three doors and one door on each side. The inside is accessed with angular brass handles and keys that contrast nicely with the wood. Special feature are the two metal legs in front that rise all the way upwards. The interior is equipped with multiple drawers, shelves, mirrors and cloths...

Børge Mogensen Danish Mid-Century Modern Oak Bookcase Cabinet Over Dresser Item # 904VPK13Z An incredibly striking bookcase cabinet from the third quarter of the 20th century, the f...

A solid walnut open cabinet or vitrine with three adjustable glass shelves and a solid glass paneled back.

Two-piece custom cabinet of birch with black-and-white lacquered fronts, designed by Elaine Lustig Cohen (1927-2016) circa 1961 for her own townhouse on the Upper East Side in New Yo...

Mahogany, blue tinted mirror, brass. 2 interior shelves that can be adjusted & original brass key. Wood has recently been refinished. 2 more additio...

Chest of drawers, anonymous, Denmark. 1950s. Rosewood and brass. Dimensions: H: 121 cm/ 3' 11 1/2" W: 80 cm/ 2' 7 1/2" D: 51.5 cm/ 20 1/4"

A walnut dresser designed by Gio Ponti and produced by M. Singer & Sons, New York, America, 1950s. Labeled.