Veneer Case Pieces and Storage Cabinets

Produced in the 1960s by Celina Decorações, this wall cabinet is made of plywood with rosewood veneers, with beautiful grains and color variation. It has two drawers connected by a s...

Walnut Sideboard by Ginger & Jagger Dimensions: D 56 x W 220 x H 79 cm. Materials: American Walnut and brass. Finish: Body in American Walnut veneer in matt; drawers and shelves in S...

Mid Century Modern vintage commode or sideboard from cherry wood designed and executed Italy 1950s. A wonderful sideboard or commode shows solid cherry wood, maple tree veneer, plywo...

A fine English Georgian mahogany bow front sideboard with conforming top with crossbanded veneer border surmounting a case with central frieze drawer with green felted flatware inser...

Pair of French 1940s maple veneer bedside table/commodes with 2 drawers and having burnished brass trim, drawer pulls, and sabots with inSet mirror tops (PRICED AS Pair) Minor damag...

Large Rectangular Floating Shelf with Close Back and One Large Sculptural Wooden Pebble Accent, Sereno by Joel Escalona — What happens when the practical becomes art? What happens ...

A shaped cabinet with a scrolled bonnet, a centre compartment with door opening to two shaped shelves, flanked by curved side compartments (one shelf inside at the left). Below is a ...

LOTV Vinyl Cabinet by Pastform Dimensions: D 40 x W 175 x H 57 cm Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobel, Brandy...

The Special Tree is a tree in which two lovers write the promise of an everlasting love. The Special Tree sideboard is a redesign of the original cabinet....

This Danish modern highboy dresser features hardwood construction, teak veneer with original finish, five dovetailed drawers with unique wood pulls, brass lock with working key, and ...

A blond wood burr veneered and ebonized pedestal desk with inset leather top and diamond design inlaid ends. The design is taken from Biedermei...

A French Louis-Philippe walnut four-drawer commode from the 19th century with bookmatched décor and white marble top. Experience the elegance and craftsmanship of the 19th century wi...

This stunning serpentine-shaped burr Walnut partners desk features satinwood crossbanding and a panelled hide writing surface. The pedestals are flanked with hand carved lion heads, ...

Borraz dry bar on wheels, solid oak and oak veneer, open pore finish. Pivoting door with an ivory stained space with glass and mirror shelves. Removable tray on top, two small ashtra...

Stunning details offered in this credenza, which would be perfect for a foyer or your main entrance to welcome guests and offer a place for them to set their belongs down. This Blonde Credenza...

Lorn Vinyl Medium Cabinet by Pastform Dimensions: D 38 x W 100 x H 105 cm. Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobe...

Empire chest of drawers hand-made in the Emilia Romagna region of Italy in the early 1900s using walnut. The chest has typical empire lines, with an overhanging top drawer and column...

This mid century modern Highboy dresser by Blitz features hardwood construction, original limed oak finish, five dovetailed drawers with bentwood pulls, and tapered legs. Dimensions...

Small Danish vintage chest of drawers with three drawers. Sculpted pulls and legs in solid teak. Suitable also as a bedside table or side table. Good vintage condition. Wood with na...

This mid century modern writing desk features hardwood construction, beautiful walnut veneer with original finish, four dovetailed drawers, wood top, and tall tapered legs. 

Matchin...

Discover an exquisite early Biedermeier armoire from southern Germany, boasting a timeless design that dates back to 1815-1820. Crafted with a beautiful walnut veneer, this elegant p...

Marb Chest of Drawers by Pastform Dimensions: D 40 x W 100 x H 75 cm. Materials: Stained and varnished wood, and marble. Available in different wood color finishes: Whiskey, Rum, BPA, Nobel, Brandy, Schwarz, and Natura. Please contact us. Rooted in a good tradition The Pastform Furniture...

Henning Kjaernulf for Bruno Hansen, teak sideboard, Denmark 1960

Mid-Century Modern Console Alma, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Alma console table embodies the essence of the soul, featuring an authe...

Casa Botelho’s Cupid collection has become a beautiful representation of strength and seduction. Pairing a strong and sturdy frame with a unique blend of materials and textures, cupid oozes glamour and offers an addictively sumptuous aesthetic. The cupid wardrobe...

Modern Walnut and Bronze Buffet Designed by Greg Sheres; "Valencia". In Stock The Valencia Buffet is a sophisticated modern dining cabinet feat...

Live the real Made in Italy luxury life style with this cozy red bar counter. Solid baroque wooden structure, radica veneers, black lacquered finish with hand decorated gold leaf details and a real leather upholstered front. Modenese Interiors...

This exclusive credenza is originally designed as a custom shoe cabinet. It is uniquely created by assembling striped geometric wooden veneer pieces together, portraying a 3D illusio...

Magnificent Antique French Louis XV Rococo Armoire. This cabinet is in remarkable condition considering its considerable age. Imported from Europe featuring exquisite carved details ...

A fine quality late 19th Century French marble topped side cabinet, with radiating veneers, floral marquetry inlay, gilded ormolu mounts, two doors opening to reveal shelves within. ...

A petite Dutch walnut cabinet from the 19th century, with single drawer over door and bronze mounts. Created in the Netherlands during the 19th century, t...

Handsome vintage Mid-Century Modern pair of chests of drawers labeled Made in Brazil by Singer composed of hardwood frames with 7 drawers each, carved wood pulls, and veneered partic...

LOTV + Cabinet by Pastform Dimensions: D 41 x W 175 x H 57 cm Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobel, Brandy, Sc...

This original Biedermeier chest of drawers dates back to 1820 and was made in Southern Germany. The four drawer commode has a gorgeous walnut veneer. The uppermost drawer is slightly...

Form TV stand is a high quality product by Mambo Unlimited Ideas, crafted in polished or matte wood veneer structure and feet, combining natural oak, natural walnut, dark walnut and ...

An Empire style bachelor’s chest. Decorated on all sides with panels of feather crotch mahogany veneer, gilded rosettes, and fluting on the shoulders and legs. Inside are two shelves...

Maple root on solid conifers. Single-door cabinet in cylindrical shape. Corpus on corresponding frame. Gering marble top surface with light-grey grain. Partially ebonised. Interior s...

This stunning Mid Century chest of drawers by Gianfranco Frattini is a true statement piece for any room. It has a beautiful Rosewood veneer finish and smooth features, with cup hand...

A 19th century, French secrétaire with beautiful feathered woodwork, eucalyptus fillet inlay with Louis XVI style detailing. The wood grain veneer is artfully arranged in geometric p...

A person’s identity isn’t an immediate perception but, instead, it has to be unveiled. The Unveil sideboard portraits the unknowns of human Identity. ...

An English mahogany chest from the 19th century, with serpentine front and diamond motifs. Rooted in 19th-century English craftsmanship, this mahogany chest of drawers showcases the ...

Danish Mid-Century Modern Teak cabinet by Illum Wikkelsø for Soren Willadsen This cabinet was designed by Illum Wikkelsø and produced by Danish company Soren Willadsen in the 1950s....

Beautiful antique Biedermeier Corner Cabinet in cherry veneer from South Germany around 1820.Cherry veneered on softwood. Partly ebo...

Cylinder burl walnut pedestal cabinet. Late empire. Oak beautifully veneered with walnut. A large front door that opens to reveal a set of four shelve...

A French walnut commode from the 19th century, with butterfly veneer and grey marble top. Created in France during the 19th century, this walnut commode features a grey veined marble...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

This small Biedermeier dresser dates back to around 1830. The four drawer commode has a very pretty walnut veneer on top, sides and front. I...

This pair of Austrian Biedermeier petite commodes from the mid-19th century features exquisite veneered tops with rectangular banding over two small drawers. Each central oval mounte...

If you’re looking for a stunning antique Biedermeier chest of drawers, this piece from Southern Germany is a must-have. Dating bac...

Mid-Century Danish wooden rectangular server cabinet / credenza in a fine veneer with two tambour doors (plus lozenge-shaped metal sandwiched pulls) revealing five central pull out d...

Outstanding baroque cabinet with fall top secretaire, South Germany, 1750-1760. Beautiful walnut veneer with exquisite figural and landscape marque...

A wonderful tall pair of French Louis XVI kingwood cabinets with outstanding oval Sevres style porcelain plaques depicting cherubs, covered with gilt ormolu mounts, each with a singl...

Elevate your space with the Eek Dresser - a fusion of elegance, rarity, and the humbling power of nature. This is your invitation to become part of the narrative of creative luxury. The Eek Dresser is a captivating four-drawer dresser that seamlessly merges the opulent essence with Moooi's distinctive design philosophy. Created by acclaimed Dutch designer Piet Hein Eek, this timeless masterpiece is meticulously crafted from powder-coated steel and adorned with the enchanting Woodblock Beetle Fern Wallcovering. The smooth finish and natural grain of the wood veneer inlayed into delicate floral motif elevate the piece to a work of art, celebrating the beauty of nature in its purest form. Originally curated into the Moooi collection in 2002, the Eek Dresser now reemerges in an exclusive limited art series comprising only 10 impeccably crafted pieces. This dresser stands as a testament to refined craftsmanship and a seamless fusion of artistic brilliance. The allure goes beyond aesthetics. Each drawer, each curve, reflects the embodiment of clean lines and meticulous attention to detail. • Materials: Powder coated steel, Woodblock Beetle Fern Wall covering • Limited Edition of 10 pcs, #1/10 • Height: 100cm (39") • Width: 100cm (39") • Depth: 50cm (20") • Weight: 100kg/220lb • Year of design: 2002, Piet Hein Eek • Relaunched for Moooi Editions...

Biedermeier One-Door Wardrobe, Berlin 1815-20 This elegant Biedermeier one-door wardrobe is a fine example of timeless craftsmanship, featuring a mahogany veneer accented with intric...

A beautiful pair of petite rosewood chests or nightstands designed by Henning Korch for Silkeborge Mobelfabrik. Each with five drawers, interiors are made of mahogany with brass pull...

Olga plays with organic shapes through intricate detailing, set out to define its position as a functional piece of abstract art. Olga emulates the geometric forms found in Russian suprematism...

Italian Mid-Century (1950s) sideboard with a burled birch veneer, having two exterior cabinet doors with ribbon design brass door pulls and a scalloped carved edge, centering three d...

Art Deco vintage shelf or flower stand from walnut, green marble glass and brass details 1930s Vienna. A beautiful Art Deco shelf or flower stand from s...

The design of this stunning dresser with mirror is attributed to Silvio Cavatorta in the 1950s. It's characterized by a catchy sculptural design of the cabinet and surmounted by a v...

An Italian walnut veneer commode from circa 1940 with four drawers and linear brass inset hardware. This Italian walnut commode from circa 1940 captures the essence of refined elegan...