Wall Decorations

Fabulous vintage Howard Behrens original large-scale limited-edition hand-signed “Hillside at Fira” fine art serigraph on paper #246 of 250. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. There was a nick in the lower left side of frame that we have filled and touched up. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1988. Fira Santorini, Greece… WOW!! If you’ve never been there, you’re about to feel as though you have. Howard Behrens has managed to preserve the magnificent, picturesque atmosphere and breathtaking scenic views of Fira Santorini Greece in this phenomenal original large-scale hand-signed limited edition fine art serigraph on paper called “Hillside at Fira.” This is #246 of 250 which was professionally matted and framed and is waiting to grace your home with fabulous panoramic cliffside views and charming hillside archeology from the island of Greece. At 44 x 53 this serigraph is large scale and the depth and detail in the buildings and distant mountains pulls you in… You’re standing on the edge of the hillside… you can feel the breeze in your hair, the warm sun on your face, and you can smell the salty air coming off the beach below. The tide is rolling in. Can’t you hear the crashing of the waves against the huge rocks and boulders in the distance? Fira Santorini is enchanting, relaxing, and a geographical treasure. Wouldn’t it be wonderful to travel in time...

18th century Giacomo Guardi old master painting of Venetian Lagoon. Provenance. Old master painting in oil on canvas by the artist Giacomo Guardi (1764...

Jose Manuel Giraldez Ramos Abstract Oil Painting, Cuban American Artist Offered for sale is a colorful oil on canvas painting by Cuban-American artist Jose Manuel Giraldez Ramos tit...

Bit map throw blanket 04 by Luft Tanaka Studio A colorful graphic throw blanket / wall tapestry woven out of 100 % cotton yarn based on digital pixel art created using an early bitmap drawing software from the 1980s and 1990s. The cartoon like clip-art graphic makes it a perfect addition for a kid's room and grown-ups looking for a touch of 90's throwback. Measures: 37" x 52" / 94cm x 132cm Please inquire if you're interested in other sizes: 50" x 60" / 127cm x 152cm 60" x 80" / 152cm x 203cm The Bit Map Series is based on digital “doodles” Luft makes using Kid...

Ray McLendon is a second generation of Florida African American painters called "Florida Highwaymen". His father (Roy) was an original Florida Highwaymen artist. The original highway...

Heart Installation With Frame II by Hatsu Dimensions: D 6 x W 67.8 x H 67 cm Materials: Ceramic. All our lamps can be wired according to each country. If sold to the USA it will be ...

Titled 'In the Berkshires', this charming oil painting by Jane Bostwick captures a timeless autumnal moment in the rural hills of western Massachusetts. A weathered farmhouse and two...

17th century Italian old master painting Madonna and Child with St. Anne and St. John the Baptist. Important Tuscan School Old Master painting in oil on a hand shaved wood panel. ...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Portrait Of A Gentleman, Oil On Canvas, Early 18th Century

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

"The Tears of Saint Peter", Follower Domenikos Theotokopoulos- El Greco 19th Century El Greco Museum. Toledo, Castilla la Mancha, Spain. Saint Peter's Tears El Greco (1541-1614) Oil...

Beautiful tile mural with the "GENTLEMAN" motif finely painted. Tile mural size: 76.7"H X 47.2"W (195cm X 120cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin: Portugal Production...

A significant contemporary aboriginal painting by Kathleen Petyarre (1940-2018) in 2010. The painting was a rare oversize piece, exceptionally executed in earthy colors, showcasing m...

The simplicity of Helen Oh's still life paintings is deceptive. Upon closer look, the viewer sees the faint shadows cast onto the reflective surface of the table along with the delic...

Discover Sansui, a captivating new piece that embodies the quiet beauty and profound depth of Japanese aesthetics. With its intricate play of lines and rich contrasts, this piece evokes the spirit of traditional Japanese ink wash painting, reimagined through a contemporary lens. The sweeping curves and textured details suggest a landscape in motion—perhaps the wind over water or the flow of a mountain stream—drawing the viewer into a meditative exploration of form and rhythm. The palette, dominated by a luminous interplay of blacks, silvers, and muted golds, captures the essence of wabi-sabi: the beauty of imperfection and the passage of time. Sansui resonates with an artful sophistication, perfect for spaces that seek to balance modernity with a sense of the timeless. From the same studio that brought you Les Terrains...

Italian modern large and very colorful abstract painting, 1980s. Decorative wall work, in fabric, with abstract subject and square-shaped frame in light wood. Background with a predo...

Original oil on canvas by Impressionist artist Lee Reynolds. Black cat walking on a window ledge of a stone house with three dimensional curtain blowing. Overall light crazing. Image...

It is a geometric, simple and contemporary piece with a lot of personality that will complement any space. You can hang the piece on a wall or place it on a table and lean it against the wall. Material: Base:beige traslucid resin in satin finish. Spheres: traslucid beige resin with marbleized...

Introducing a Modern Design meets Neo Classic with a touch of Bohemian flair! Elevate your space with our exquisite macramé hangings. Crafted from natural materials like cotton rope ...

Bit map series 01 by Luft Tanaka Studio A multicolored and visually striking throw blanket / wall tapestry woven out of 100 % cotton yarn. Measures: 50" x 60" / 127cm x 152cm (custom sizes available upon request) Reversible. Opposite side has the same design with inverted colors. The Bit Map Series is based on digital “doodles” Luft makes using Kid...

"Contemplación" by Beatriz Cota is a mesmerizing work of art that captivates the viewer's imagination and emotions. With a masterful blend of colors, form...

This superbly handcrafted abstract wooden art wall sculpture panel was designed by French artist Maxime Tendero (1927-1998) in 1973. Mounted on a wood plank covered with gray jute, t...

Very rare Curtis Jere Motorcycle wall sculpture. This signed and dated piece from 1992 seldom comes up for sale. In great vintage shape.

Nobody Could Sleep - Abstract painting by American artist Jim Condron The painting is one of a series based on the Maryland landscape where Condron reside...

Walljewel white onyx by Lisette Rützou Dimensions: 15 x H 42 cm Materials: Rose, green and white onyx. Lisette Rützou’s design is motivated by an urge to articulate a story. In...

This magnificent Tapestry has benefited from a deep cleaning and a careful check by our experts in our artisanal Workshop. It is now ready to adorn your interior. Artist: Elie Greko...

Italian 18th Century Miniature Capriccio with Ruins and Figures attr. to Giovanni Panini. Beautifully executed Gouache miniature painting of Roman ruins and figures. It is attribute...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

An unusual bronze sculpture by noted Tampa FL sculptor Jerry Meatyard, made in 1978 and titles "Hydra". Mounts on the wall and measures approximate 13.5" H, 7" W, 4" D. Very heavy wi...

Pair of stunning 17th / 18th Century Italian School oil on canvas mounted on board paintings of Lions and Leopards. Italian artists incorporated ele...

Peder Brøndum Sørensen (1931-2003), Danish painter. Oil on canvas. "Figures and Houses by the Sea." Modernist motif. 1972. Signed. In perfect condition. Dimensions: 41 cm x 31 cm. T...

I have owned this Patrick Nagel original silkscreen “Seated Man” since it was released in 1981. I was in fashion college then and Patrick and hi...

Beautiful tile mural with the "GENTLEMAN" motif finely painted. Tile mural size: 91.45"H X 59"W (232.5cm X 150cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin: Portugal Productio...

A playful and graphic layering of marble patterns that utmost depict the ALTIS aesthetics. Hues of blushes and burgundies are reflected amidst the marbles, hand-woven cotton and copp...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

Magnificent Italian 17th century Portrait of Virgin Mary measures 52 x 68 cm without the frame. The colors are stunning and the paintin...

This chintz pattern was famously used by designer Albert Hadley for his client Nancy Pyne. It's one of our most sought-after designs. Since Schumacher was founded in 1889, our fami...

This wall hanging is a one of a kind heirloom piece, inspired byFrank Lloyd Wright and the Prairie School architects, and Joseph Albers studies on colors. The entire process of cre...

This Wall Hanging Brass and Glass Shelving Unit is part of Amuneal’s Collector’s Shelving System and features our precision machined brass fittings ...

Pair of old master paintings by August Querfurt (1696-1761). Oil on panel, one signed with initials in the lower left. Two scenes depicting hawking parties from the 18th century. ...

Gustavo Olguín Mexican Artist Art piece titled: DE CODICES Mixed Media with Volcanic Ash and Oil 39.5 X 31.5 x .75 D Original unrestored preowned vintage condition. See all images. L...

Peder Brøndum Sørensen (1931-2003), Danish painter. Oil on canvas. "Figure by Houses and Sea". 1977. Signed. In perfect condition. Dimensions: 51 cm x 41 cm. Total with frame: 69 cm ...

Large signed and dated print titled "Mississippi Night Lights" by artist Yvonne Jacquette circa 1986. Very nice and vibrant print. Dimensions: 1.5" depth...

A pair beautiful petite hand carved cherub angel Heads, found at an estate sale in Germany. Made by a woodcarver in the Tyrollean Area in Austria, this area is well-known for their w...

Superb traditional oil painting by living Artist Daniel Van der Putten, depicting an Irish rural snow scene near Kinvara in County Galway, a view of a Sixteenth Century Irish Castle ...

A rare exhibition poster from a Mies van der Rohe show at Musee de Pedagogique, Paris, circa 1950s. Great example of graphic design/architecture...

Helmut Newton - "The Kisses of Bordighera". 1982 Original Poster Editions du Désastre. Dimensions: 60 x 80 cm In excellent condition.

The intersection of fine art and high design. Original silver gelatin print by Roxanne Lowit of Paloma Picasso displaying some of her pieces for Tiffany’s in New York City. Print i...

Sculpture Plate Arnaldo Pomodoro Ceramiche Rossicone, Milan Italy, 1982 Lusterware Ceramic Plate Limited Edition 30/50 Artist Sign under the base Excellent Condiction

An interesting still life, signed, illegibly, ca' 1930's-30's. Oil on canvas, nicely done in a gild wood frame.

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Artist: John Patrick Dugdale (New York, b. 1960) Title: The Spirit Eye Medium: Cyanotype Year: 1998 Edition: number 3/12 Measurement: H 14", W 11"...

79102 Vintage Egyptian Kilim Tapestry Rug, 02'07 x 04'08. This captivating handwoven wool Egyptian pictorial tapestry is a vibrant artifact of cultural life in Egypt, depicting an an...

This beautiful Painting titled “The Wren Song” by English Artist Alan M Hunt, early Twentieth Century. Complete with its original modern frame. Signed l...

Michael Costantini abstract painting titled "The Sea". Acrylic on artist board. Signed and dated 2002. Signed on verso and lower right corner. 17 inches high. 22 inches wide. 2.75 i...

An abstract painting by Venezuelan artist Alejandro Rios. Rios is known for creating largely abstract landscapes that disappear through the texture a...

These wall-mounted basketball hoops combine marble, onyx, copper and hand-woven cotton thread to pay homage to the ancient elements of their inspiratio...