Fabric Wall Decorations

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

1950s Ruth Fulton WPA Abstract Impressionist Painting of Sailors on a Boat Offered for sale is a 1950s Ruth McConnell Fulton (1905-2003) WPA School Impressionist painting depictin...

Peruvian Cuzo School Oil on Canvas of the Archangel Raphael, 19th Century. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, foll...

HENRI FRANCOIS PERRET French, b. 1825 Lavandières au bord de la rivière Oil on canvas signed lower left "H. Perret" 17 1/4" H x 26 1/8" W [frame] 12 7/8" H x 21 7/8" W [canvas] ...

Antique 19th century Austrian painting. Oil on canvas artwork depicting a female portrait, a young noblewoman in a pose of good pictorial quality. Pai...

Vintage festive abstract oil on canvas with a simple lathe frame bu Barbara Tuch.

Pierre Adrien Chabal-DUSSURGEY (1819-1902) Designer - BEAUVAIS TAPESTRY MANUFACTORY Maker - Important Antique Louis XVI style floral tapestry settee back fragment - the floral tapestry finely woven in wool and silk threads with garlands and swags and tassels - all centered by a powder blue ground cartouche with white roses within an oval frame - suitable for framing - France - circa 1855. Excellent antique condition - minor fading and loss - areas of wear/thinning - no apparent restoration - minor stains and soiling with signs of age and use. Size/dimensions - 35" (91.5 cm.) wide x 24" (61 cm.) high. Pierre Adrien Chabal-DUSSURGEY - born Pierre Adrien Chabal in 1819 in Charlieu and adopting the professional name of CHABAL-DUSSURGEY - well known for his paintings and studies of flowers in gouache and oils - attended the School of Fine Arts in Lyon - exhibited at the Paris and Lyon salons - he worked with the Gobelins Tapestry Manufactory and the Beauvais Tapestry Manufactory after 1849 designing tapestries, rugs and tapestry covers for seating - he designed tapestries for the Élysée Palace and worked with Empress Eugenie on furnishings for the small salon at the Élysée Palace and two salons in the palace of the Empress in Biarritz - tapestry covered furniture...

A large French Point de Loiselle Renaissance style tapestry, or wall hanging, entitled "Le Jardin de Bagatelle" after a fresco over a fireplace at the Château de Fontainebleau near P...

A large 18th Century French Aubusson verdure tapestry. Lots of lush, verdant foliage frames the view on to castle ruins. The tapestry is in good condition, with all its borders intac...

Framed wall tapestry made by Finnish artist Riitta-Maija Oksanen for Helmi Vuorelma OY. Jute, straw and wool used creating a minimalistic 3-dimensional ...

Beautiful vintage French Aubusson style tapestry with a nice design of Typical 18th century verdure, depicting a green country landscape with a pond. Bring a little reminder of natu...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

An 18th century French Felletin chinoiserie mythological tapestry, size 11'6"H x 17'9"W. This grand mythological tapestry depicts a mythological forest scene, with various satyrs and other mythological figures reveling in Dionysian fashion in the confines of the woodland setting. Finely detailed, with nimble articulation of figures and form, the piece also incorporates chinoiserie motifs, with stylized trees and bushes that have Oriental styling. The lower right corner of the primary field features both the town mark and weaver's mark, as well as the French symbol of the fleur de lis. The tapestry is enclosed within an elaborate outer border, featuring pendant...

A German genre painting depicting a doctor’s visit to a little girl, 19th century. canvas: 17 by 20 ¼ inches frame: 24 by 27 inches

Painting of a casual, abstract female body in oil on newspaper by Antonio Guanse, Paris 1963 The woman's body lolls casually under the artist's brushstrokes. The abstract depiction ...

Verdure Le Chemin, Tapestry from the Aubusson Factory - Signed, Bolduc - 190lx110h - No. 1514 Weaver: Manufacture Aubusson Era: 19th century Style: Greenery Condition: Perfect condi...

Superb macramé wall tapestry made in Spain in the 1970s. Large format. Handmade tapestry composed of different textures and materials creating unique patterns and reliefs. All the ro...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Tajikstan Ready to go on a wall. Fra...

A beautiful late 19th century French Aubusson tapestry depicting a hunt scene with a hunter mounted on horse with two hounds chasing a stag through a forest...

Vintage Mid-Century Decorative Wall Panel - Iconic Retro Art Elevate your interior with this striking vintage decorative wall panel that embodies the spirit of mid-century modern de...

3750 Screen print on Irish linen of an Englishman and his bull dog Linen applied to board Set in a custom wood frame

Gorgeous 17th Century Antique Italian Silk Embroidery Textile, Country of Origin: Italy, Circa Date: 17th Century

Spectacular Mid Century Modern, Scandinavian, Evelyn Ackerman Style Hand Tufted, Freeform, Colorful, Wool & Cotton Textile Art Wall Hanging. Exciting color burst of shapes and form...

André Verdet, born August 4, 1913 in Nice and died December 19, 2004 in Saint-Paul-de-Vence, was a French poet, painter, sculptor, and ceramist. Date/Place of Birth: August 4, 1913, ...

18/19th Century Floral Still Life, Oil On Canvas, Painting in an 18th century giltwood Frame. Painting has a colorful profusion of flowers in a gray-silver colored urn. Flowers are i...

ntique Aubusson Tapestry Wall Hanging French and dating from early 19th century Hand woven in wool. Armorial shields to all four borders. Weave...

Discover the elegance of modern French tapestry with the exquisite "Floride" (Florida) design by Jean Michel Lartigaud. This limited edition masterpiece, woven in vibrant shades of o...

A late 19th Century French School still life in the style of Fantin-Latour. A well-executed Impressionist style oil on canvas depicting detailed objects of an opulent household: a ceramic basket weave bowl of apples, a lady's fan propping open a small book, next to a gold lournette on a pink beaded chain. In the background is a tall pewter candlestick...

78236 Late 18th Century Antique French Aubusson Verdure Tapestry, 04'01 x 06'00. Bathed in the soft glow of Rococo refinement, this handwoven antique French Aubusson tapestry from th...

18th century old masters oil painting attributed to Claude Joseph Vernet, France. View of a Mediterranean port at sunset. Great pi...

Wonderful and very rare Japanese tapestry made in the 1900s, made of woven silk and cotton, of absolute fineness. The tapestry is developed in length ...

Tapestries were ubiquitous in the castles and churches of the late medieval and Renaissance eras. At a practical level, they provided a form of insulation and decoration that could be easily transported. In addition, the process of tapestry weaving, where every stitch is placed by hand, enabled the creation of complex figurative images on an enormous scale. This is an excellent example of 16th century Flemish Renaissance Tapestry...

Signed Pietri French Mid-Century Modern framed oil painting resting nude woman. Traditionally those paintings were hung above the bed in a master...

Original French handmade petit point / needlepoint wall tapestry or wool embroidery, circa 1950s stretched on a modern wooden frame. colourful geometri...

19th century American Portrait of Joseph Stringham (1776-1834) Oil on Canvas Later Giltwood Frame Presenting an exquisite 19th-century ...

This is a gorgeous antique Early 17th century Flemish Verdure landscape tapestry depicting a beautiful and rich summer scene of a countryside with lush trees and vegetation, and bird...

A two-fold Japanese screen by the Rimpa school artist Sakai Hoitsu (1761-1828), Japan, 19th century, Edo period. This small Japanese folding screen pai...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Ignacio Burgos "El Abrazo(The Hug)" Mixed Media Painting, Spain Offered for sale is a mixed media on canvas titled "El Abrazo" which translates to "The Hug" from a series of the sa...

A 19th Century river shore oil painting, transitioning from the a Barbizon School to the Impressionist Style, with wild flowers and sand in a low angle. A well conserved painting by Auguste Michel Nobillet...

FORMAE is a macrame / woven fiber art tapestry (wall hanging) created by Tamar Samplonius. Lead time: 6-7 weeks 'Formae explores the impact of simplicity in both design and struct...

An incredibly rare early Japanese Cinderella poster. The RKO Radio's logo indicates that it is most likely an early 1950s re-release or, possibly, a ...

Exquisite midcentury Egyptian tapestry, inspired by the Ramsès Wissa Wassef School Tapestries. Featuring a stunning nature-themed design with animals, birds, and fish, adorned with v...

A Flemish Figural Tapestry Panel Dating from late 17th century Hand woven in naturally dyed wools and silks Depicting a Maiden playing a musical instrument within a garden setting...

Early 19th century English framed sampler, unsigned. Simple with a Georgian brick manor house, crowns, etc. below an alphabet & numbers. Frame scuffs. ...

Fabulous supersized vintage Italian advertising poster from 1926 for Bitter Campari. We love the striking design by Marcello Nizzoli which delivers maxi...

Well done original oil on canvas beautiful colors nice subject, circa 1980's, framed unsigned the frame its nice but shows some wear as shown.

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

Rare large wool tapestry from the sixties representing a jungle. Inspired by the douanier Rousseau with tropical birds and plants, it is very decorative. Great quality and condition.

Exceptional Chinese textile depicting classic Chinese scenery of flowers, garden , pagoda, playground ,market and people. All in vivid and beautiful colors on a vibrant red backgroun...

This wall hanging is all over hand-embroidered Suzani design, silk & cotton ground and the embroidery thread is 100% silk. Suzani, which means "embroidery" in Uzbek, began around ...

Splendid oil portrait on canvas of Count Bailiff Ludovico Caprara (1731-1812), as indicated by the writing inside the "tabula ansata," at the bottom of the frame of the painting. The...

This painting has heavily textured acrylics in shades of greys and white on canvas. The artist created the piece using multiple techniques like palette knife, brush and chalk. The bl...

Monolithic wool wall tapestry by artist Calman Shemi dated 1978. Can be hung horizontal or vertical. Calman Shemi Argentine/ Israeli 1939 - Tapestry Signed and dated near lowe...

Large-format painting of a mythological scene with references to Triton and other sea creatures as well as male nude figures by Aksel Jorgensen (1887 Copenhagen - 1957, ibid.). The p...

This is a Pair of Oil Paintings of Concert of Birds. They depict different birds perched in a branch of a tree. It appears that there is a music paper attached to the tree in one of ...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finish with a wooden frame. Ready to go on any wall. The item ...

Tanka of Imminence Leo Manso 567 6th Ave NY Mixed media collage on wood board

Nice original American sampler wrought by "Mary Nelson", circa 1837. The alphabet in capital letters and proverbial A,B,C's appear at the top in brown, each letter separated by a qua...