Fabric Wall Decorations

Oil on canvas of a pair of swans flying over the reeded edge of a body of water, silhouetted against a blue and white sky. Signed, LL: Arthur R. Eakin American, circa 1900's. Dime...

Large ornate gilt wood framed oil on canvas painting floral bouquet still life by American Artist James Moran. Skillfully applied textured flowers in a vas...

SIN, is a handwoven textile wall piece, named after the ancient Mesopotamian Goddess of the Moon. It is handwoven in Turkey, by the women weavers of Anatolia. The 50% of the income ...

FORMAE is a macrame / woven fiber art tapestry (wall hanging) created by Tamar Samplonius. 'Formae explores the impact of simplicity in both design and structure. The fiber artwor...

Edouard Cortes (French 1882-1969) oil on canvas in a fine gilt frame. From a fine Madison CT estate. Turn of the century. Guaranteed as authentic. 13 by 18 1/2" Unframed. Cortès was...

A beautiful wool tapestry, or small rug, named 'Bialy Potok' which translates to 'A White Stream', designed by artist H. Sulkowska for the Polish company 'ZWW' (Zakopiańskie Warsztat...

Very beautiful mid century polish tapestry Kilim, with beautiful native design and nice colors, entirely hand woven with wool on cotton foundation. ✨✨...

Hand-sewed rice straw art by ARKO. Title: Composition Marcato (B) This is one of the series named "Composition XX" Her works have the feelings of...

Dating from 1976, about 20 years after Ramses Wissa Wassef established his tapestry workshop in the 1950s, this monumental tapestry by Samina Ahmed...

Overscale blossoms in a radiating pattern make a delicate and dreamy statement. The natural sisal ground adds dimension and textural allure. • Sold in 8 yard increments. • M...

Abstract oil on canvass of tonal greens, pinks and yellows with back wandering line structure, signed and dated Lois Foley '81. This example is in very fine original condition, clean...

One of the most important contemporary French painters is Luciano Di Concetto whose stylized work is becoming famous worldwide. His work displays contrasts of light and dark, richne...

18th century Tapestry Handwoven Wool & Silk Tapestry Palm Tree 8x12 226cm x 359cm 7'5" x 11'9" circa 1880 "This is very fine antique Flemish tapest...

A truly iconic collaboration between Andy Warhol and Chanel no.5 began in 1985 when Warhol produced a selection of screen print artworks as part of his ADS series. The pieces were th...

A French Aubusson mythological tapestry from the late 17th century. This tapestry describes the myth of Pan and Syrinx after Ovide’s Metamorphoses. The God Pan pursues the nymph of t...

Large still life oil on canvas Painting Artwork. Unsigned, believed to be early 20th Century as judged by the frame. In good antique condition with minor knocks, marks, age related ...

English school, oil on canvas fishing boats alongside dock signed by English portrait and landscape painter Frederick Stead, (1863-1940). Antique wooden frame. Great subtle color and...

1920s Mat size Persian Senneh floral rug Details rug no. 9923 size 1' 4" x 2' (41 x 61 cm) Antique Senneh rugs are one of the most distinctive of all Persian rugs, even though the ...

A period hand woven horizontal rectangles in two yellows and off white in a strict 'implied verticals' geometric Bauhaus or Black Mountain Design. Approximately 26 x 25.75 x 3/8".

Pair of Elegant 19th Century Hand Painted French Boiserie Wall Panels. Panels are painted on canvas and later mounted on a board. Framed in simple white wooden frames. Each panel fea...

Very sensual, large original oil on canvas of a beautiful reclining red headed nude woman, by famous deceased listed Dutch artist, Leo Jansen (1930-1980). T...

The category Antique Paintings Portraits of Dogs features an oil painting on canvas with a portrait of a Pomeranian Breed dog or Dwarf German Spitz, named after the Pomeranian regio...

VIGON (after) "The coronation of Mélinte and Ariane" Tapestry from the Royal Manufacture of Aubusson second half of the 17th century. Woven in wool and silk This interesting tapestry...

Märta Maas-Fjetterström - Barbro Nilsson Scandinavian Modern A beautiful vintage handwoven textile by Barbro Nilsson at Marta Maas-Fjetterström, framed in dark oak with glass backg...

74417 18th Century Antique Indian Medieval Wall Tapestry after the Battle of Karnal in 1739. This beautiful antique Indian painted tapestry is done on a canvas. It features a hunting battle scene with kings, kingsmen and royalty with multiple types of animals ranging from horses, elephants, lions, birds, peacocks and leopards. This tapestry is possibly in relation to The Battle of Karnal in 1739. The Muhammed Shah fought with Nader Shah...

This fish is a work of art. It's something different than a normal wall mural. Let yourself be inspired. According to the previous owners, this fish was acquired in the 1960s and 197...

This wall hanging is a one of a kind heirloom piece. Taking inspiration from brutalism, mid-century abstraction, and Joseph Albers studies on the interaction of color. The entire pr...

A scarce and sought after country-of-origin poster for the first release of the first James Bond film. Based on Ian Fleming's novel of the same name, the 1962 release of 'Dr. No' fir...

French Baroque tapestry fragment depicting a scene from Greek mythology, Poseidon and Amphitrite, circa 1690. Attributed to Isaac Moillon, Pari...

Gorgeous 17th Century Antique Italian Silk Embroidery Textile, Country of Origin: Italy, Circa Date: 17th Century

Original art work. Texture canvas with hand carved zig zag line, gesso, acrylic and oil with thin wood frame. The art + design continuum of form, space, color theory and texture.

Carlo Mismetti “Miscar” Dipinto Olio su Tela 1972. Misure: Altezza 82 cm Larghezza 63 cm Olio su tela In buone condizioni conservative, presenti segni del tempo dovuti all’ut...

Overscale 1970s Rosalie Atkins Abstract Oil Painting on Canvas "Red Sky" Offered for sale is a 1970s over-scale Rosalie Atkins oil painting on canvas titled "Red sky". This graph...

A beautiful pair of tapestry fragments, hand-woven in Brussels during the 1500s. At roughly 99 inches (over 8 feet) long, the fragments were, originally, vertical borders to a large ...

Mid Century Impasto Cityscape by Coletta. Nice heavy brushstokes made up this amazing cityscape. Deep colors of purple, black, white and yellow make up this busy composition. Perfect...

Rune P. Swedish artist. Oil on canvas. Modernist landscape, mid-20th century. The canvas measures: 89 x 64 cm. The frame measures: 2.5 cm. Signed. In very good condition. 20th c...

This superbly handcrafted abstract wooden art wall sculpture panel was designed by French artist Maxime Tendero (1927-1998) in 1973. Mounted on a wood plank covered with gray jute, t...

Beautiful large vintage school map, school poster about ergot (Claviceps purpurea), a fungus that grows on the ears of cereals such as rye and wheat and other grasses such as cocksfo...

Very beautiful mid century polish tapestry Kilim with beautiful native design and beautiful colors, entirely hand woven with wool on cotton foundation....

Large Jean Picart Le Doux "Horizon Marin" tapestry handwoven at Atelier Pinton in Aubusson France. Signed. Limited edition. Virtually no signs of wear. ...

This wall hanging is all over hand-embroidered Suzani design, silk & cotton ground and the embroidery thread is 100% silk. Suzani, which means "embroidery" in Uzbek, began around ...

Massive oversized Jansport backpacks. One red. One green. Over 2.5 feet tall. 400% larger than a normal backpack. Cool advertising piece. Great objec...

Monolithic wool wall tapestry by artist Calman Shemi dated 1978. Can be hung horizontal or vertical. Calman Shemi Argentine/ Israeli 1939 - Tapestry Signed and dated near lowe...

Celebrate the rich heritage of Asian craftsmanship with this exquisite 100% silk Suzani textile, meticulously hand-embroidered by skilled artisans. A true work of art, this piece emb...

A Baroque Brussels tapestry from the 17th century, signed by Marcus de Vos, depicting Proserpine (Persephone) reaching for a pomegranate and on the right side a dragon, probably from...

Fiber art wall hanging sculpture by Michigan artist Jane Knight (1928-2013) circa 1980s 9 element piece composed of jute rope and red / orange woolen...

Remarkable Spanish colonial late 18th/early 19th-century painting of Lady of the Rosary, Madonna and Child, or Virgin Mary. Oil on canvas Cuzco school painting...

Antique Tapestry French Figural Tapestry Verdure Battle 5' x 8'10" (5' x 9') 152cm x 269cm Circa 1900 "This is an Rare Antique French Aubusson Tapestry with monogram signat...

This is a magnificent set of four antique Italian oil on canvas paintings of the Four Seasons by Guiseppe Mazzolini (1806 - 1876), signed. These stunning paintings features four po...

Four panel wall sculpture that measures 48" x 30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, grey and tan. Ha...

A magnificent antique wall tapestry Flemish and dating from 17th century Very fine weaving depicting Mythical Dragon like creatures in a woo...

A beautiful and quite engaging large Mid-Century Modern tapestry/wall hanging. The piece appears to be made of yarn or wool using a hand latch hook technique. The piece features a ...

Wonderful and very rare Japanese tapestry made in the 1900s, made of woven silk and cotton, of absolute fineness. The tapestry is developed in length ...

Pretty 19th century French tapestry cardboard with a nice design of swing game featuring a young man standing pushing a young girl sitting on the swing. At a setting in the woods, be...

This is a beautiful oil on canvas painting of the view of the The Grand Canal in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right 'A Pollentine, 19th century in date. This beautiful landscape captures a striking view of the Grand Canal, it features a busy canal scene with gondoliers in the foreground, in the distance the facades of Saint Mark's complete the painting. Housed in it's original and beautiful gilt gallery frame. Several examples of his work have sold at top auction...

Carlo Mismetti "Miscar" Oil on Canvas Painting 1972. Measures: Height 82cm Width 63 cm Oil on canvas In good conservative condition, present signs of time due to use and age....

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Place this long and narrow antique tapestry in a staircase or in between two windows for a pop of color. Handwoven in Aubusson, France, circa 1860, this gorgeous verdure wall piece h...