Wood Wall Decorations

This elegant 1840s oil painting shows Christiane Friedericke Dreysel, born Teuscher, wife of German cotton manufacturer Julius Dreysel. She is seated at a table and wears a high-nec...

Set of Six Roe Deer Trophies on Carved Plaques Germany around 1880 A set of six antique Black Forest roe deer (Capreolus capreolus) trophies mounted on carved wooden plaques. The tr...

Handcrafted "Our Lady of the Sacred Heart, pray for us" banner. It must have taken a highly skilled seamstress an enormous amount of time to create this impressive religious banner....

Peder Mønsted, 1859–1941 This atmospheric painting depicts a tranquil North African oasis where Bedouins and camels are gathered beneath towering palm trees. Rendered with Mønsted’s...

Vintage Scandinavian Modern wall unit system 2 bay in walnut wood. Unmarked. Attribution Poul Cadovius for Royal System. Two cabinets wit...

Pastoral Scene: 18th Century Needlework on Silk This exquisite piece of needlework, crafted on silk during the 18th century, depicts a serene p...

Exceptional oil on wood panel period abstract gift 1970, large format approaching an impressionist atmosphere ... water lily. work commissioned for a palace on the Italian coast near...

Art Deco kitchen board wood and brass vienna around 1920s Brass polished and stove enameled The wood is white painted

From our Hand-Painted Furniture Collection, we are pleased to introduce you to our Fuchsia Otello Screen. Nature has always been a source of inspiration for our hand-decorated furn...

Lepautre 1652-1716 was a French drawing artist and engraver,architect. He was appointed to the French royal design department headed by Mansart and later by Robert de Cotte in the la...

An Extraordinary Pair of early 20th century carved wood Panels depicting the Four Seasons. Tall narrow unpainted panels with high relief carved decoration with motifs of the Four Sea...

Danish modern teak wall unit designed by Poul Cadovius, Denmark, circa 1960s. This piece is contains of 4 shelves and one cabinet with sliding doors. This piece is completely adju...

Early 19th century French school featuring poet Homer and Glaucus' daughter after Francois Gerard's work, oil on canvas circa 1815 - 1820. The painting depicts the time when Homer ha...

Rare Large "Tower of Babel" painting in patinated and engraved bronze and pewter with vibrant enamel cloisonne, colorful hand-painted enamels and unique sculpture frame by Philip & K...

A rare and important massive late 19th century half hull model ship of the steel screw steamers "CZAR" and CZARITZA" built by Sir W. G. Armstrong, Mitchell & Co. Builders, Newcastl...

This is an old Japanese wooden board called “Mochiita” (rice cake board). It was used during the Meiji period (1860s-1900s) and is made of pine wood with a rich texture. As the name ...

Pair of English Regency Chinoiserie Exotic Wall Brackets with Gilt Orb Tassels England 20th Century This exquisite, large-scale pair of English Regency-style Chinoiserie wall brackets, made in the 20th century, embodies the exotic elegance reminiscent of the famed Brighton Pavilion. Each blackened and gilt bracket showcases a scalloped demilune...

Featured in the book A Savannah Experience, by Myrtle Jones, this large pastel painting is one of the artist's finest paintings. Acrylic on canv...

A sun-drenched provençal landscape is brought vividly to life in this large 20th century post- impressionist style oil-on-canvas. Undulating hills in the distance provide an evocativ...

A collage of cut out and pasted baby chick lithographs, circa 1900. Retains original antique frame; never removed. 12 ¾ inches wide by 16 ⅝ inches tall; 1 inch deep

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

A great ice axe that was made by the renown blacksmith Fritz Jörg in the small area of Zweilütschinen in the Interlaken-Oberhasli district. One side of the head is inscribed with “F. JORG ZWEILUTSCHINEN BERNER OBERLAND”. It has a wonderful patina that only comes with age. It features its a solid wooden shaft, curved adze and a traditional shaped spike. A wonderful old wooden ice axe from the heart of the Swiss Alps to add that extra decoration touch to your home or mountain lodge...

Bark cloth or tapa cloth mounted on plywood and trimmed in mahogany. Bark cloth, or tapa, is not a woven material, but made from bark that has been softe...

Pair of 19th century neoclassic steel engraving prints. Professionally matted and framed.

A Japanese ukiyo-e triptych, this framed Kabuki theater woodblock print captures the energy and drama of Edo-period performance. The scene unfolds across three panels, each meticulou...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Original 8x10 inches Publicity Film Movie Still for Addams Family Values (1993) featuring Christopher Lloyd. Publicity (film/production) stills were created to help studios promote ...

These WHITE WASH LEATHER collage tiles are made in modular sizes and SOLD BY THE SQUARE FOOT, NOT PER TILE. The tiles can be hung on any wall surface and in any configuration. Each panel is composed randomly and therefore, no two panels are alike. They are made from upcycled leather cuttings from our furniture company and mounted on 1/2" plywood MDF. The arrangement and installation of the panels can be decided by the client. Please see attached specification sheet with the installation guide in the image gallery for further details. MINIMUM ORDER: 8 SQ/ FT Bio: Peter Glassford...

Large Purvis Young Abstract Outsider Folk Art Painting on Board, Attributed Offered for sale is a large attributed Purvis Young (1943-2010) abstrac...

Belgium / 1950 / painting / Edmond Sanders / wood, canvas / Mid-century / Vintage Beautiful oil painting on board by the famous Belgian painter Edmond Sanders (1898 - 1961). Edmond ...

Anonymous Belgium; ca. 1650-1700 Wood (walnut?) Approximate size: 22.75 (h) x 18.5 (w) x 10 (d) in. The scale of this sculpture indicates its original setting was either in the cen...

Extremely rare, vividly hued, oversized Lee Reynolds Vanguard Studios Mid Century Modern Abstract Still Life Oil Painting Framed and Signed Very exciting Reynolds find as we have n...

Black Forest Antique Roe Deer Trophy on Carved Plaque 1940s A vintage roe deer (Capreolus capreolus) trophy on a wooden carved plaque. The trophy was shot in the 1940s in Germany. G...

Lovely custom framed 19th century botanical fern engravings from Prof. Dr. Otto Wilhelm Thome's "Flora von Deutschland", published in 1886. Thomé (1840–1925) was a famous German bota...

JACQUES VAN AALTEN (Belgian/American 1907-1997) - 'New Orleans' - Vintage hand colored print on paper - signed and titled in the print - co...

Maurice Picaud, known as Pico (1900-1977), was a French architect, decorator, and painter trained at the École Boulle. A collaborator of Jacques-Émile RUHLMANN, he also made a name ...

France / 1930 / mirror with storage / wood, copper / Art Deco / Mid-century A French mirror cabinet with two small hooks for your keys inside. The mirror has a frame of embossed dec...

The Skateroom with the Van Gogh Museum set of three skateboard decks 7-ply Canadian Maplewood with screenprint Measures: each: 31 H x 8 inches approx. 31 H. x 24 inches when inst...

Large Antique Taxidermy of a Water Buffalo, Austria ca. 1900 A very large stuffed African water buffalo (Bubalus arnee) from a noble estate in A...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

The most elegant hand painted wallpapers since 1898, this grand scale Gracie panel, in a silver leafed carved frame, depicts an Asian-style flowering tre...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

Pair Great Black Forest Wall Sconces with Deer Horns, Germany ca. 1900 An antique pair of Black Forest sconces for candles. Each made of original deer horns which are mounted on a t...

A large oil-on-canvas painting, representing an exotic dreamy palm tree on a colourful pastel backdrop. Entitled ‘Palm’s Parade’, and dated 1980, the painting borders a palm tree with a snapshot of three palm trees on the top right. This painting is the epitome of 1980s American interiors, with its bold pastel shades and abstract shapes. A true 1980s Florida/Palm Beach and Miami artwork...

This hand-carved wooden object is an Indonesian wall hanger for displaying batik textiles, woven tapestries or works of embroidery. The hanger is carved with a pierced, low relief de...

"Correas" is a wall mounted bookshelf, designed by Miguel Mila' and manufactured by Dessie', featuring 3 or 4 shelves, fixed to two or three uprig...

Selection of Joan Miro color lithographs, French, circa 1960s. They are from the limited edition folio “Derriere le Miroir”, published by the legendary Galerie Maeght, circa 1960s. P...

"Horses Plaque" in patinated and engraved bronze and pewter with hand-applied green, blue, yellow and red enamel cloisonne by Philip and Kelvin LaVerne, American 1960's (signed “Kelvin Philip LaVerne” on front). The background and trim of this work are in patinated bronze. The gradation and tones of the enamel cloisonne horses are completely captivating. Reference: ALCHEMY: THE ART OF PHILIP AND KELVIN LAVERNE written by Evan Lobel with Kelvin LaVerne, published by Pointed Leaf Press in 2024, this design is shown on page 91 in the section titled Historical Civilizations Series with the caption from the original LaVerne catalog, “Ming horses...

large French trophy panel, glorifying the attributes of agriculture, that was hand-carved in bas relief during the 1900’s. Trophy plaques became popula...

Amuneal's Charred Pine, Steel and Bronze Shelving with Formed Returns. This single bay Loft Shelving Series unit is wall-mounted to support five shelves, using custom machined brass fittings on bent steel posts. Amuneal’s proprietary machined hardware clamps onto the posts so that the shelves can be easily adjusted at any time. The burnt oak shelves are milled in house from pine before being hand-finished using the traditional Shou Sugi Ban process of burning the wood. Ebonized oak is a similar looking alternative black wood option. Once completed, the shelves are sealed with a protective coating that keeps that burnt finish from rubbing off. The combination of blackened steel posts, machined and patinated brass hardware and the charred oak shelves make this a stunning and sculptural shelving...

Bev Doolittle "Doubleback" signed and numbered print 5531/15000 Camouflage bear hidden in image. Triple mat with very unusual high-end cutting that ext...

Wooden barometer signed Burlinson Ripon made in the mid 19th century. Silver-plated brass dial engraved with weather indications and the name of the m...

A beautiful oil painting, depicting a pack of hunting dogs in the field, made by the French artist Marie-Didière Calves. The style is somewhat impressionistic. Seen up close, a bit ...

The mirror is made by F.C Mailand Hansen, a well known glazier from Copenhagen, Denmark. The mirror is dated to between 1900-1910. It is in neoclassical Revival style, and has an ama...

Set of four hand made and painted tiles professionally framed it wood frame , depicting caricatures from The Carnival of Venice. Which is annual festival held in Venice, Italy. The festival is world-famous for its elaborate masks. The celebration takes place over ten days in which people dress up and take part in organized parades or simple processions on the street. The costumes are seventeenth-century Venetian dresses.

Sepia photogravure titled "Kalispel Camp" depicting native figures in the foreground with kayak and teepee and rolling hills in the distance. The photogravure is titled lower left "K...

A large vintage Japanese exhibition poster featuring the “Umbrellas” work of Christo, 1987. Framed in an acrylic box and ready to hang.

Painting with Summerly High Mountain Landscape ca. 1900s A beautiful impressionist oil painting depicting a summerly high mountain landscape with a mountain hut and peasant woman in...

A late 19th Century French School still life in the style of Fantin-Latour. A well-executed Impressionist style oil on canvas depicting detailed objects of an opulent household: a ceramic basket weave bowl of apples, a lady's fan propping open a small book, next to a gold lournette on a pink beaded chain. In the background is a tall pewter candlestick...

Nicely framed collectible print by listed artist Fukaye Roshu, circa 1960s very nice condition stamped certificate in the back as shown.