Paintings

Vintage West coast seascape by an unknown artist. Waves are crashing against a rocky shore, with beautiful sky. The painting is signed by this talen...

Beautifully and sensitively painted, this view of a young, nude male model, facing away from the viewer, places him in an artist's studio or atelier, with painters and their easels v...

Farmyard Scene with Chickens, Medium: Oil on canvas, Signed: L.J. Cruise, 1911, Criuise (1861-1945), Berks County, Pennsylvania Dimensions: Frame: 35 inches high x 55 31/2 inches wide; sight: 29 inches high x 48 3/4 inches wide This oil painting by Bucks County artist Louis J. Cruise depicts a farmyard scene. A chicken emerges from a farm building, with eight other chickens and a cockerel below. All of the birds are either standing or pecking on the straw pile, as are three other small birds. To the back right of the painting is a wood fence, beyond which is a grass field and woods. The painting is framed in a wide gilt frame. Cruise was a prolific artist who painted a variety of subjects, including landscapes, still lifes, and portraits. He was a member of the Bucks County Academy of Fine Arts and the Philadelphia Sketch...

Canvas painted in linen representing an elegant Art Deco style, on a background in green tones. Contemporary French work.

Oil on masonite depicting a charming country landscape in summer. Signed and dated 1938 lower left. The pale green and brown colored fields of a farmstead are separated by fences wi...

Decorate a living room, library or study with this important antique painting. Created in Italy circa 1850, and set in the original carved gilt wood frame, the hand painted canvas titled "Madonna of the Harpies", depicts the Virgin Mary holding her Child, our Lord, Jesus Christ; She is flanked by Saint John the Evangelist, and either Saint Francis or Saint Bonaventure. The large religious painting...

Highly atmospheric and winning, this American Scene painting of three young men waiting for the next train in downtown Indianapolis -- perhaps...

Created by Andre Margat in 1929, this gouache pastel painting depicts two baboons with bright and vivid colors. The vibrant red, orange and yellow tones; The baboons themselves have ...

Mid-19th Century painting of fancy young boy in a beautifully giltwood and hand-painted frame (not original frame). The canvas itself is 20" x24". Paint is very stable even though cr...

California Eucalyptus school pair of miniature framed Impressionist landscape paintings - painted in watercolor and gouache on paper (applied to boar...

A melancholy painting of still life in late 1800s. Oil on canvas, signed and framed. From Norway, Scandinavia. Later frame.

Captivating modern oil on canvas painting of a business man and woman taking a romantic soujourn on a showery spring day. Signed lower right McKean, titled to rear and presented in a dark wooden stepped frame. ADDITIONAL INFORMATION Unframed Height: 73 cm Unframed Width: 38 cm Condition: Excellent as new Condition Circa: Contemporary Materials: Oil on Canvas SKU: 299 ABOUT Graham McKean In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham is presently registered as a self-employed artist, painting full-time from a W.A.S.P. studio at the harbour side in Irvine, Ayrshire. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith...

Group of Three WPA Era Paintings, American, circa 1930s-1950s. From left to right, they are: 1) Brick mason oil painting, American, circa 1930s. It ...

Art Deco painting depicting panther in the wild. Unusual dimensional treatment with all the paint. Look closely at the texture of this piece. In an original frame that also has a pai...

The painting shows Magdalene with a crucifix. The intimate composition raises the inner contemplation and penitence of the biblical figure to be the subject of the artwork. The oil ...

Landscape with lake. Oil on canvas. Century XVIII. Landscape with a sunset situated on a lake, with some mountains in the background and some trees and a hut in the foreground. Sli...

O/7661 - Pair of gilt wooden frames with rounded corners. Perfect for two mirrors, as well as two paintings. Beautiful also in a modern environment.

Erwin Waldow - Fox in the Snow 60 x 80 cm - canvas without frame 70 x 90 cm - frame included Oil painting on canvas, signed lower right. 1920s era.

Italian male nude oil painting on wood panel, circa 1930. Stunning and unusual framed Italian male nude oil painting on a wood panel. This Italian A...

Impressionist New York City bustling train station city-scene depicting the "EL" train with pedestrians in a starry, yet energetic way. Busy New Yorker’s daily travels with the sun setting on the elevated train. From early childhood to the present, Willett, a natural talent carried on the tradition in the arts. Currently as a painter in the New Hope, Bucks County Impressionist...

A white flower arrangement with green hues. Signed by Clément Serveau. Dated 1937. Made in France This timeless oil on canvas, created by Clement Servenau in 1937, is a captivating work of art. The painting features a delicate bouquet of white flowers arranged in a vase, set against a pastel colors background. The precision and skill of the artist is evident in every brush stroke, creating a realistic and almost three-dimensional depiction. The curved edges of the vase, which glistens in the light. Its graceful shape adds a sense of balance to the composition, both in terms of texture and color. The flowers themselves seem almost alive, with the way that the petals and stamens catch the light and create a vibrant, lively atmosphere. The vibrant yellow and pink soft whites hues of the blooms stand out against the grays and pinks of the background. The overall effect of this painting is one of serenity and beauty, a quality that Clement Servenau undoubtedly aimed to achieve. His mastery of brushstroke and color is evident in this piece, making it a stunning example of his expertise. With its vibrant colors, beautiful details, and captivating composition, this oil on canvas from 1937 is certainly a timeless piece. Born in Paris in 1886, Clément-Serveau studied at the Ecole des Arts Décoratifs in Paris and also at the Ecole des Beaux-Arts under Luc-Olivier Merson. Whilst at the latter he received the Chevanard award. In 1905, he started exhibiting at the Salon des Artistes Indépendants. After leaving the Ecole he developed his repertoire to include mural decorations...

A brilliant example of Art Deco-era painting which celebrated American manufacturing with stylized images of gears and Industrial architecture, this gouache painting by Paolo Garrett...

Art Deco oil on canvas painting depicting a female figure with a fawn.

Art Deco painting in oil on canvas illustrating a young nude woman, pensive, half lying down, in front and the face resting on her right hand. Her skin is clear and she wears a short hairstyle in the fashion of the 30s. A certain light emanates from this work which takes up a classic theme of Western art: the female nude. This Art Deco painting is not signed but can be linked to the work of the French...

Beautifully and sensitively painted, this WPA-period portrait of a young man in an unusual setting -- perhaps a boiler room or plumbing closet -- was executed by Dorothy Van Loan...

An exquisitely detailed and evocative 1883 neoclassical oil painting on canvas by English-American artist George Vaughan Curtis depicting a s...

Lazarska Stéfania (1887-1977) – Polish painter from the école de Paris Beautiful portrait representing a smiling woman wearing a hairstyle and hat typical of the 1930s. In its original Montparnasse...

This is an antique landscape oil painting, mountain landscape painting with snow, early XXth century.  It is an antique painting, from t...

A brilliant reminder of how early the Art Deco style we know today emerged in France, this vividly-painted depiction of Mowgli, the protagonist of Rudyard Kipling's "The Jungle Book," widely acclaimed around the world, was painted by Georges Barbier around 1918. The young man is shown here fully nude...

This large antique oil painting was done by the well known Willem Hendriks of the Netherlands in approximately 1920 in his signature realistic style. The painting is an oil on canvas and is titled "The Old Well" and depicts a Dutch woman...

Rare circular Art Deco scenes of the Smoky Mountains with date and details rendered behind the paintings. Beautifully hand painted in vivid hues and original circular gilt frames. Em...

A portrait painting of a woman in blue on a masonite board. This piece is unsigned but was brought from the artists' residence. The subject wears a blue jumper with a dark collared shirt underneath. Her hair is brown, and upswept into a low bun. The back side is an abstract mixture of pink dots. This piece was painted by the late Oklahoma artist...

American original oil painting on canvas in contemporary gold frame. This is a portrait of Edward W. Blaisdell (1845-1924) a prominent architect who worked primarily on the coast of New Hampshire and Maine. He designed everything from bridges to summer homes to coastal inns. He designed the Grand Passoconaway Inn in York, Maine, which was the center piece of a resort that had all of the latest innovations of the late 19th century incorporated into its structure. He is known for his large shingle style homes that still influence much of coastal Maine architecture. This handsome portrait of a handsome man...

Georges Pierre Guinegault (1893 – 1952) – Reclining nude oil on canvas – 1950 ca. 50 cm x 100 cm without frame 62 cm x 112 cm with frame Signed lower center, original white lacquered frame. Georges-Pierre Guinegault Georges Guinegault...

This antique framed oil painting was done by Bernard Pothast of the Netherlands in approximately 1920 in his realistic style. The painting is done on canvas and depicts an interior scene of a Dutch mother in period dress with her children. The painting is framed in its original gesso frame with a small brass name plate...

This pair of 19th century chromolithographs by Daumont presents two views of the grand foyer and loggia of the Paris Opera. On one, there is a view of a detail of a bay decorated with an "Italia" medallion painted by Paul Baudry...

Vintage circa late 20th century gouache on thin paper of woman by Marilyn Lanfear (1930-2020) Texas. Part of the series Portrait of Mona ( from a photo...

"THE OLD CITY GATE, ST. AUGUSTINE, FLORIDA - 1893" IN OIL ON PHOTOGRAPH AFTER JOHN L. STODDARD Unsigned, after the 1893 photograph by John L. Stoddard for "Portfolio of Photographs of Famous Cities, Scenes and Paintings" Item # 906TYX05P An intricate and very finely detailed scene that simply embellishes the 1893 photograph by John L. Stoddard from his volume "Portfolio of Photographs of Famous Cities, Scenes and Paintings" published by the Werner Company of Chicago. The scene is executed on a dense mahogany panel with gently bevelled rear edges, set inside carefully painted black framed lines hidden just behind the edge of the frame. The precise detail in the walls, the horse, the carriage and the seated riders is riveting and is much assisted by the photograph behind the oil. Built by the Spaniards during the 16th century to protect the settlement of St. Augustine, the wall stretched from shore to shore...

This large antique origina painting was done by well known Anoine Blanchard of France in approximately 1920 in his signature Impressionistic style. The painting is done with oil pain...

'Jazz' a Contemporary oil on canvas painting by Vera Jefferson depicting trumpets, saxophones and a double base amongst a stylised abstract background. ...

This classic example of Social Realist art was painted by Rollin Crampton as a study for a WPA mural -- perhaps never executed -- in the 1930s, when he was s...

Beautiful French Art Deco colored lithograph of a woman with two Russian wolfhounds signed Renart, in the style of Louis Icart. This handmade lithograph is hand colored and signed by...

Painting St. Michael the Archangel, by a neoclassical painter of the 1800s. Oil on canvas; 210 x 140 cm The painting with the large dimensi...

Antique miniature watercolor portrait of a woman in a neoclassical style, set without glass in a brass frame. Measures: 1.875” x 0.125” x 1.87...

Superb framed lithograph representing a swimming pool surrounded by colonnades with a couple of dolphins leaping out of the water in the background. We find in the foreground 2 sharks revolving around an old car (a Bugatti Type 57...

Portrait of a woman, Art Deco, 1930 Portrait of a woman, painting on wood panel with its original frame, unsigned, Art Deco, 1930. Painting - h: 59 cm, w: 42 cm Frame - h: 70 cm, ...

Art Deco Nude by John Montroue, signed in lower right corner and reverse reads - "Grace" Air brush technique by John Montroue, 8/70. Dramatic silhouette of a female nude, cubist/mode...

Superbly painted in a brilliant palette of gold, deep pink, green and gray, this quintessential Art Deco illustration depicts a golden female figure with a fashionable hat...

Barry Leighton Jones Large Oil on Canvas Painting Children Clown Parade and Dog, "The Minstrels". Item features signed lower left corner, "Leighto...

Vintage 1930's handmade Chicago area guest book. Hand carved wood cover, over 20 beautifully rendered botanical and floral watercolor and gouache painting...

Painted by Dunbar Beck, one of America's most accomplished and successful muralists, this painting of a half-nude man floating over a succession of dancing couples below was one of a...

DIMENSIONS: Height: 16.25 inches Width: 13.5 inches Depth: 2.25 inches Frame width: 2.5 inches ABOUT MODEL Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945) was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. Her success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of ‘27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sanchez Mejias. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940.[7] She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the UK, the Netherlands, Belgium and the USA, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943, she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honors she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honor her merits in the field of culture. ABOUT ARTIST Emmanuel Fougerat (French, 1869 – 1958) was a renowned French painter, museum curator and art historian. A former student of the Regional School of Fine Arts in Rennes, Fougerat studied in the studio of Albert Maignan and that of Jean-Paul Laurens in Paris. He was appointed director of the Nantes School of Fine Arts and was also the founder and curator of the Museum of Fine Arts in the same city. Emmanuel Fougerat was named Chevalier of the Legion of Honor in 1912. In 1923, he was placed on temporary leave from the French State in order to carry out a mandate as director of fine arts education in the Province of Quebec, Canada; where he served as an art teacher and director of the École des beaux-arts de Montréal from 1923 to 1925. Emmanuel Fougerat’s paintings are in the following public collections: • Nantes Museum of Fine Arts, France. • Museum of Modern Art in Paris, France. • Rennes Town Hall: permanent decorations. • Museum of Fine Arts of Saint-Nazaire (destroyed in 1944), France • National Museum of Fine Arts of Quebec, Canada. Emmanuel Fougerat is also the author of works on several French painters, including Albert Besnard, Paul Baudry...

This is a Marine oil painting, which represents a Marina with Atlantic Coast, the North Sea, The Ocean.  The work represents a glimpse of a rocky coastline typical of Northern Franc...

Pierre-Victor GALLAND (1822-1892) ‘Les Quatre Eléments’ Four, oil on canvas. France, Circa 1873. Each painting depicting one of the cardinal elements personified as a female figure in the presence of its most evident attribute. Painted with strong light and colour. Earth panel depicts one of the four elements in a compelling fashion with an ascendent female figure robed in flowing drapery with foot and arm extended reaching skyward: each with attendant putti below. Earth is shown swathed in robes of greens and white, with a fanciful foliate headdress of lush leaves and bullrushes. Air leaps effortlessly into the sky draped in blush pink and holding a slender fruiting bough. Fire ascends dramatically into the sky holding forth a flaming torch and draped in bright burnished orange and grey, her image seemingly lit from a fire kindled below by an ignipotent putto. Water suitably draped in billowing azure blue with a translucent undergarment, holds aloft a bubble representing water is portrayed with shimmering translucent wings, an attendant winged putto pulling at her hem. Under the Second Empire, Haussmann’s transformation of Paris went hand in hand with the construction of luxurious mansions for the new haute bourgeois. Gallards extensive work for wealthy patrons such as Lionel de Rothschild and Edouard André, led him to become one of Paris’s most admired and sought-after decorative artists. His fame quickly spread and led him to carry out projects outside the capital for, among others, Baron von Derwies in Nice, Prince Narischkine in Saint Petersburg and William Vanderbilt in the United States. Literature Pierre-Victor Galland, Un Tiepolo français au XIXe siècle. Published in 2006, Somogy, Piscine-musée d'art et d'industrie André Diligent, Musée départemental de l'Oise (Paris, Roubaix, Beauvais). ISBN 978-2-7572-0027-8. (in French) Materials Oil on Canvas Provenance Acquired in France with four other panels (The Four Seasons), at the end of the 19th century by Herman Ossian Armour (1837-1901), businessman, and founder of the Armour Meat Company and American humanist. He brought them back to his USA residence at Fifth Avenue, New York Bequeathed to Mary Armour...

This framed antique painting is being attributed to the well known Canadian artist Frank Leonard Brooks, and dates to approximately 1920 and done ...

Art Deco cubist painting of guitar player by Bela De Kristo. Strong cubist style and colors, original and of the period. The image representing a solo g...

Bouquet of roses by Hermine David, oil on cardboard linen, signed. Framed. Hermine Lionette Cartan David (19 April 1886 in Paris – 1 December 1970 in ...

Beautiful painting by the Polish-Belgian artist Mécislas de Rakowski. The painting shows a flower still life in a Chinese vase. Beautiful display of delicate white flowers against a...