Enamel Necklaces

Nouvelle Bague Rose Necklace with Enamel and Diamonds in 18k White Gold Chain Length 16" C2871GP

Nouvelle Bague Enamel and Diamonds in 18k White Gold Diamonds 0.41 carat total weight Chain Length 16" E281VF

Modernist chain necklace designed by Burberry This is a beautiful long belt-collar created during the modernist period by Burberry, back in the 1960's. This rare piece has been mast...

Antique 15ct 625 Gold Locket with engraved foliage detailing enhanced by a black enameled belt design ( some chipping to the enamel edges ) unmarked for gold content tested with XRF ...

Created circa 1910 by Louis Comfort Tiffany of Tiffany & Co. with the collaboration of Julia Munson, this necklace is formed of 18K gold and plique-à-jour enamel. It is designed as a...

Likely created circa 1903-1907, this plique-à-jour enamel and natural pearl pendant brooch with chain by René Lalique is set in 18K gold. The modified triangular form, composed of chased 18K gold, centers two stalks of seaweed among pale green plique-à-jour enamel seawater, symmetrically bordered by rampant lions joined at the top at the tips of their tufted tails, the reverse counter enameled, suspending a natural saltwater pear-shape pear with rose tones. A work of subtle homage to Brittany and its wild coastline, this flowing form harmoniously combines motifs evoking the marine flora and history of this noble-spirited region of France so beloved of late 19th century artists. Product Details: Item #: N-21379 Artist: René Lalique Country: France Circa: 1903-1907 Materials: 1 natural saltwater pearl (measuring approximately 9.85 x 8.62 mm); Plique-à-jour Enamel; 18K Gold Signed: LALIQUE Documentation: Accompanied by GIA report #6237144602 dated December 13, 2023, stating that the pearl is natural and of saltwater origin. Macklowe Gallery Curator's Notes: French artists like Monet and Gaugin discovered the "emerald coast" of Brittany, Western France, in the 1880s. They captured the independent spirit of the inhabitants, dressed immaculately in their distinctive regional attire, engaged in traditional rural and seaside pursuits such as haymaking, tending animals, fishing, and journeying in groups on foot through the countryside to attend mass. Another activity that captured the artists' imagination was the more unusual activity of the seaweed harvest. Gaugin and others captured these Breton "Goemoniers'" quiet dignity as they performed this backbreaking work, raking, drying and burning the massive stacks, variously employing horsedrawn carts or the more strenuous hand barrows...