Art

John Muafangejo Style, 2013. Linoleum block print on paper. Edition of 5. Elia Shiwoohamba was born in 1981 in Windhoek, Namibia. He graduated from th...

Karen Shahverdyan „Autumn balance“ 90 X 110cm, oil on canvas

Mary Taylor, c.1934 - Cecil Beaton (Portrait Photography/Fashion Photography) Inscribed 'Mary Taylor' in unknown hand and stamped with photographers copyri...

El cuerpo cubre al cuerpo, lo habita como amargos espejos. Le come la cara como secuencia pecaminosa. Ameba comecerebros que no sabe amar, que deja cicatrices...

Medium: Oil on Canvasboard Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s w...

Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...

Abstract Canvas. Vibrant colors. Blues. Pinks. Greens. Whites. Yellows. About the Artist: Francine Tint is a New York based abstract expressionist painter. She studied pai...

Acrylic on Paper

With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view.

Fritz Aigner (1930 - 2005) was an Austrian artist who has been a solitary figure in the Austrian art scene of the 20th century throughout his life, defying any categorisation of art ...

"Tomàs Martínez Sunyol was born in Dieulefit (France) in 1964 and was surrounded by art from a young age. Both his father, Joaquim Martínez Lerma, and uncle, Álvaro Sunyol, were pain...

'Jean Shrimpton In Evening Dress' Limited Edition V&A Portfolio silver gelatin fibre print. Jean Shrimpton modelling a dress, John French (1907-66), England, 1961 © Victoria and Alb...

"United Together" is part of a series called "Spoken" by artist Kelvin Agyepong Ansong which depicts the fierce fight women around the world continue t...

American, 1897-1986 Reuben Nakian, born August 10, 1897 in College Point, New York enjoyed a long and distinguished career, maintaining his innovative spirit and creativity over mor...

Alison Underwood's work evokes various emotions of desires as her artwork proves to display the ideas of temptation and anticipation. These profound feelings are demonstrated in the ...

Work on canvas by Anne Neukamp

large scale highly detailed photograph of European beach Nizza by Frank Schott 44 x 69 inches (112 x 175cm) signed edition of 10 48 x 75.5 inches (122 x 192cm) signed edition of 7...

With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view.

'Scottsdale Home' by Slim Aarons Guests by the pool at the home of Wayne Beal in Scottsdale, Arizona, January 1973. You cannot almost feel the heat! Guests relax around the beautif...

(59 x 45 inch framed + $2,000) New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social me...

On Land (2006) by Frank Schott, large scale photograph of classic red wooden row boat in dry California desert landscape 26.5 x 40 inches (67 x 102cm)...

This beautifully minimalist photograph was shot in Zurich. Pops of red accent the surrealist scene. This is a limited edition color photograph. Number 1 of 8 is currently available, ...

On Blue Oil on Canvas 30.5 by 30.5cm Valerie Ng’s abstract paintings are created through explorations in colour, light, form and texture. A dynamic balance of strokes and subtle var...

Hand signed by artist on back side, bottom part of the artwork

The United Nations Building is positioned next to the Chrysler Building. Two iconic New York City architectural masterpieces are juxtaposed from the precise lens of veteran New York ...

Abstract Canvas. Vibrant colors. Blues. Pinks. Greens. Whites. About the Artist: Francine Tint is a New York based abstract expressionist painter. She studied painting at P...

Watercolor on paper

TECHNICAL INFORMATION: Jim Dine Watercolored By Jim Dine 2015 Watercolor and copperplate etching 42 x 56 1/2 in. Edition of 6; each piece is unique Pencil signed, dated and numbered...

large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 48 x 48 inches (122 x 122c...

Isabel Turbán layers paintings with transfers, acrylic, charcoal, and other mixed media onto canvas or paper. Her abstract paintings manifest memory, cultural experience, and politic...

From the wonderful animated world of Hanna-Barbera's Flintstones comes a fresh new twist to the ever lovable Dino! The beloved pet dinosaur in the cartoon is now a cool piece for art collectors in the real world. Ever wondered what it would be like to have a pet dinosaur? Now you can with the XXRAY Plus: Dino! XXRAY Plus: Dino is captured in Jason Freeny...

Medium: Oil on Canvasboard Signature: Unsigned Dimensions: Sight Size 18.00" x 24.00;" Framed 28.50" x 35.50" Cover for Fate Magazine - August 1953 The original cover painting by H.W. McCauley used for the August 1953 cover of Fate (True Stories of the Strange and Unknown), illustrating "The Gods of Voodoo" by North Hildabrand. In this offering a dancing pin...

Medium: Oil on Canvas Signature: Unsigned

Old New York, Brooklyn Heights Promenade, 1972, Bathed in magical golden light. There is a sense of loneliness akin to Edward Hopper paintings where ...

This work is unique. Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation numb...

Martin Reyna Untitled, 2015 Mixed media on paper 18 x 24 in (45.72h x 60.96w cm)

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...

Sculpture, ballerina by Folkert de Jong

"Alexei Ravski unites landscape painting with the art of the surreal in his dramatic, large-format compositions. Meticulous in technique, they are marked by a striking use of perspe...

Lithograph

Medium: Pen and Ink Cardstock Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) of the lovely Patricia Morison recreating her...

Jordi Díez Fernández graduated from the Universidad Complutense de Madrid with a degree in Fine Art and honours in sculpture. He started his profe...

an homage to Caspar David Friedrich, towering thunder clouds over the Mediterranean Sea, captured with a large format camera to allow epic scale photograph...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

Donald Sultan (Born 1951) Black Lemon on Yellow, 2018 Color silkscreen with enamel inks and tar-like texture on 2-ply museum board 39 x 39 in. Edition of 40 Signed by artist

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled SFE-003 (Blue, Red and Yellow), 1982 Technique: Original Hand Signed and Inscribed E...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Martin Reyna le Bois, 2015 Mixed media on paper 59.05 x 76.77 in (149.99h x 195w cm)

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left Caricature by George Wachsteter (1911-2004) of Dr Albert Hibbs on NBC-TV`s Saturday morning educational progra...

"Quiet, The Dove (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200. The prints in the portfolio w...

PIDO AYUDA title means looking for help and this came up when during the painting João Cardoso found an article that had the same title and it was about a...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

'Tennis In The Bahamas' by Slim Aarons It really doesn't get much more fabulous than this. A realtively new discovery in the Archive -two fashionably dressed women in tennis outfit...

Nick Veasey Boombox 47 x 47 inches Edition 9 Digital C print Diasec Framed Signed and numbered Also available in the following size 23 x 23 inches / Edition 25 Nick Veasey X ray Art...

Acrylics, inks, archival spray on custom stretched canvas. Triptych of Two Horses at play. Subdued palate. About the Artist: My process often moves m...

Sam Francis Untitled 1995 Etching in colours, Edition of 35 53.3 x 45.7 cms (21 x 18 ins) SF17887

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Piccillo is a skilled draftsman, and his nuanced use of shadow and scale highlight this ability. Joseph Piccillo’s signature graphite and charcoal drawings...