Pop Art Mixed Media

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

Mark Kostabi Plate for Rigatoni Alla Catanese - Da Ciro - New York, NY, 2001 Silkscreen on ceramic plate; Microwave and Dishwasher Safe 10 1/5 in diameter Artist signature fired into the plate on the underside and numbered from an edition of 510. Edition 36/510 Makes a wonderful gift! This beautiful, whimsical limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare, was designed by American artist Mark Kostabi. In 2000, Buon Ricordo America, Inc. commissioned famous American artists to design plates for their flagship US restaurants. In 2000-1, Kostabi designed the present work for the NY Italian restaurant...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Keith Haring Crawling Baby & Three Eyed Smiling Face stickers circa early/ mid 80s. Set of 2. Originally produced by Haring for his first solo gallery exhibition in 1982, then later sold/given out at Haring's New York Pop Shop throughout the 1980s. Iconic vintage original 1980s Haring collectibles that work well in any collection. Medium: Vintage self-adhesive stickers featuring original design by Keith Haring; offset printed. Approximately 3 inches square in size. Very Good overall vintage condition. Keith Haring Pop Shop History: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

Silkscreen/Collage on Retail Bags

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

Soñar Que Tiene Las Manos Muy Grandes, 2014 Found images transferred to acetate film, collage, acrylics, and graphite. Mixed Media on %100 Cotton Paper Imag...

French School, circa 1970's paper stuck on canvas with cut out magazine shapes 21.5 x 15 inches provenance: from a private collection in Paris, France The painting is in sound condit...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* "LA Gangstars" is one of the street art style Oliveira is adventuring on. The resin, the glitter and the cars are addition to make the piece even richer and more interesting. The French Bulldogs are now America's favorite dog. After more than 3 decades with the labrador reign, the 'Frenchies' are now the kings and queens of the dog world. This piece is also an homage to Los Angeles, its skyline, the beautiful weather and the busy traffic with fancy cars. These two are 'Billy' and 'Veronica', the gangstar couple who terrorize the greater Los Angeles, controlling the distribution of dog treats in South California. Don't mess with them. Whichever dog you own, this couple with the Los Angeles skyline...

A freestanding 3-dimensional work that wonderfully captures both the spirit and draftsmanship of this great American artist. I have included a pic of an identical sculpture in this s...

This circular portrait painting by Natasha Lelenco belongs to the Currencies series and centers on themes of gender identity, migration, and queer resilience. Rendered in striking cr...

Circular portrait in red and blue with Spanish text, addressing identity, origin, and perceived value through the visual logic of currency. Currency #236 is a painting in acrylic on...

Maurizio Donzelli is an artist that explore with happiness the human world. His pop and colorfully artworks are brighting and positive. Title "Drawn of about" 2016 Signed on the bac...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Red Grooms Redgrooms, 2004 Hardback monograph with 3-D sculptural pop-up (signed and numbered in red marker on the artist's designed book plate) Signed and numbered 101/400 in red marker on the artist's designed book plate 13 × 10 × 1 1/2 inches Makes a superb gift! Lavishly illustrated with a pop-up/multiple taken out of the book with its signed & numbered label is often removed, exhibited under plexiglass, and sold separately for several thousand dollars. This fully pre-assembled pop-up with integral base at rear is a re-working of Grooms' iconic New York Taxi of 1986 - which in turn was based on his earlier giant Ruckus NY taxi sculpture...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* A handful of artist 'masters' colorful dots but all or most are d...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Circular female portrait with Russian inscription, exploring expectation, displacement, and symbolic value through the format of a sculptural painted coin. Currency #238 is an acryl...

Orange Portrait Painting, Mixed Media, Pop Art-Face Break, in Color A B O U T T H I S P I E C E : "Face Break, in Color (Cortney-A2-1)" is Fine Co...

This original and unique of a kind artwork by Natasha Lelenco, part of the Exchange Currencies series, presents a hyperrealistic profile portrait painted with acrylics in ochre and y...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. In this case, the painting is a profile por...

In "Currency #234", Natasha Lelenco presents a striking portrait set against a vibrant pink background, rendered in vivid green tones that give the profile a surreal and almost alien...

**New Year's 90 Days Sale Until April 30th** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* This piece took over a month for the artist to com...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

Charles Fazzino (American, b. 1955), Katz's Delicatessen, Mixed Media on Paper, 1981, ink, marker, and acrylic, signed and dated lower right, cerused wood frame. Image: 9" H x 12" W;...

Taylor Swift Original (Cat) Created out of unplayable vinyl records and their packaging on canvas 48 × 30 in 121.9 × 76.2 cm Frame included

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

"Hepburn Hermes", 2019, 100 x 75 cm, is a mixed media work by German artist Devin Miles. The mixed media work on canvas creates an impressive depth and three-dimensionality due to th...

"WOW-American Express", 2021, 30 x 30 cm, is an acrylic pop-art mixed media sculpture work by German artist Devin Miles. The mixed media work on canvas creates an impressive depth an...

Urban Graffiti Cartoon Manga Art entitled 'Under the Influence' by British Street Artist Chris Pegg. Chris Pegg is a self-taught artist from Lancashire, UK....

This circular green-toned portrait explores themes of exclusion, invisibility, and erasure within identity discourse. The facial features appear blurred, almost erased, dissolving into an ambiguous presence that resists clear representation. This visual distortion is mirrored by the inscription itself—scratched, overwritten, and rendered unreadable. The deliberate removal of legibility evokes the frustration of miscommunication and the social marginalization of those whose narratives remain silenced. About the Series Part of Natasha Lelenco’s Currencies...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

Robert Indiana Set of Four Glass Coasters, ca. 2011 Silkscreened glass coasters Sticker label, Accompanied by museum label (shown), not signed 3 1/2 × 3 1/2 × 3/10 inches Unframed Me...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

This one of a kind, Resin work on masonite and Claybord measures 40x30x3". It combines images of Ceravolo's original super hero paintings with a mixture of images from vintage comic books. Once Ceravolo is satisfied with the composition he then seals in resin this one of a kind image on 3" thick Clayboard. This art was exhibited at The Backus Museum in Florida. Ceravolo's paintings are in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. His Large scale paintings have received international acclaim for more four decades and his art came to popular attention when he was commissioned to create 5 large scale oil on canvas portraits of Linda Ronstadt, Jackson...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

This mixed media piece is 48x48x.25 without the frame. This piece is framed with an orange lacquer frame. With frame the dimensions are 50x50x2 approx. Weighs 45lbs. These are ha...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* 100% Done by hand. Using premium automobile vinyl tapes place an...

Keith Haring Pop Shop, 1986: Vintage original 1980s Keith Haring Pop Shop bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop logos, plus bright, lush colors which make for a unique framepiece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame piece within reach. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Rachel Bergeret, stylist by trade, created her heroine more than 10 years ago. We call it ''La Parisienne'': The wavy hair, the dominance of gold by Gustav Klimt, the audacity of Tou...

Born in 1982, on the shores of Europe's most beautiful harbor, ODart draws its inspiration from the constant wonder and analysis of a world in perpetual mutation."The world is a poem...

Ivan Chermayeff born London, United Kingdom, 1932 Chermayeff was one of the greatest American graphic designers, the son of the Russian born, British architect Serge Chermayeff. Ivan...

"As Rose", 2015, 130 x 130 cm, is a mixed media work by German artist Devin Miles. It depicts Hollywood icon Marilyn Monroe. The mixed media work is done on brushed aluminium and cre...

Originally from North London, Andrew Cotton received his art education at the prestigious Central St. Martins School of Art in Holborn, London. His work is now found in galleries thr...

Hand painted - acrylic on canvas - 1/1 In 1999 BustArt began his artistic career with classic Graffiti. Until 2005, he became familiar with the whole spectrum of Graffiti and reache...

In this original acrylic paint on paper Jose Palacios depicts "Macrogarden 18", in a pop art style. He uses vibrant blue, red, orange and fluorescent green shapes to create his composition. Palacios' work is characterized by it's geometry, precision of his figures and the use of a refreshing and bold palette. Jose Palacios was born in Spain in 1970. A self taught artist, he began his career in the world of comic books and illustration publications. He later transitioned to graphic design and street art. Jose was greatly influenced by the "Movida Madrileña" an explosive cultural period in the 1980's during Spain's transition from dictatorship to democracy which produced arist's such as Ceesepe, Fernando Vicente, Ana Juan, Ouka Leele and Javier de Juan.

This Pop artwork is an hand-lacquered ABS piece and it is composed by two parts: the arrow and the capital letter A. The installation decided by the artist would put in evidence the dualism of the world: the two pieces, POP art and Abstract art. The Man is represented by the PVC and the Nature by the art. Art and Culture. Gianantonio Abate...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Sade Pop Art Portrait Acrylic and vintage pages on cradled plywood. Ready to hang with artist signature at the back. Original Created: 2022 Subjects:...

hard to photograph image What's Love Got To Do With It (comes framed in white frame) Art size is 24x18 framed 26x20 Grease Pencil on Photograph Unique *installation photo is for sca...