Paintings

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 10x14 cm. Frame measures 20x25 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

A charming study of a determined looking woman seated on a bench surrounded by woven baskets. One hand propped on her him and another through the handle of her basket, she looks to t...

The price is intended for the couple of paintings. Expertise by Prof. Giancarlo Sestieri. This pair of paintings by Giovanni Domenico Gambone (1720 – 1793) depicts an architectura...

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...

Oral Expertise by Lisa Greaves. Hendrick Govaerts' work takes place between two centuries: between the end of the 17th and the beginning of the 18th century. Flemish by origin, his ...

Antique American impressionist nocturnal seascape by John Rummell (1861 - 1942). Framed. Signed. Artist Bio: John Rummell (American, 1861-1942) was a noted landscape and portra...

This lovely Art Deco portrait oil painting is by noted British prolific society portrait artist Leon Sprinck. Painted in 1924 it is a half length portrait of a beautiful blonde woman, stood smiling at the artist/viewer, her head tilted to one side. We don't know the sitter's name or her relationship to the artist but her pose suggests a degree of familiarity and warmth between them. She is wearing a sleeveless black dress with beautiful Art Deco motifs, a long string of pearls...

Rendered with an alla prima paint application and quick gestural brushstrokes, "Tender Family Portrait - Mother and Child" reflects Margery Ryerson's deep knowledge of academic training. Reyerson studied with Robert Henri at The Art Students League. This painting is aesthetically pleasing and communicates a sense of maternal tenderness from a female artist. Margery Ryerson did a book on her former teacher. Henri's philosophical and practical musings were collected by former pupil Margery Ryerson and published as The Art Spirit (1923), a book that remained in print for several decades. Signed. Lower Left Margery Austen Ryerson (September 15, 1886 - 1989) was an American artist, painter, etcher, lithographer and watercolorist.Her work is included in the collections of the Smithsonian American Art Museum Biography Ryerson earned her Bachelor's of Fine Arts in English from Vassar College in Poughkeepsie, New York, after attending private schools in Morristown. She went on to study under Charles Hawthorne at the Cape Cod School of Art in Provincetown, Massachusetts, and with Robert Henri at the Art Students League in New York. During the years 1920 through 1940 Ryerson taught in New York settlement houses. There she got the privilege to paint and draw the children in their care. The subjects of these paintings were often the children of the underclass and immigrants. Her artistic technique and subjects gained universal recognition and appealed to many people. Miss Ryerson is most known for her portraits...

With a "cassetta" frame in gilded and carved wood. Publications: - Expertise by Prof. Egidio Martini; - G. M. Guidetti, in From Sacro to Profano. The Giorgio Baratti...

Female Illustrator of the Golden Age, Ruth Mary Hallock, paints a sensitive, heartwarming portrait of Mother and Child in a post-impressionist style. Richly saturated hues and gestur...

Rivière Saulaie à Lyons-la-Forêt, Eure by Paulémile Pissarro (1884-1972) Oil on canvas 60 x 73 cm (23 ⁵/₈ x 28 ³/₄ inches) Signed lower left, Paulémile - Pissarro. Signed and titled...

Jacob De Wit (Amsterdam, 1695 - 1754) attributable/ workshop Pair of Cupids with Garland of Flowers Oil on canvas 91 x 103 cm. - Framed 104 x 115 cm. Provenance: Christie's (London, Old master Painting 12.12.1996) lot 82 This magnificent composition depicts two cupids holding a garland of flowers, placed on a fine architecture with bas-reliefs and masks, presumably the top of a fountain. One of the two cupids sympathetically holds a part of it with his hands, while his head turns towards the viewer; the second cupid, on the other hand, must have clumsily broken the thread holding its end, and is sitting sullenly with a torch and a tear streaking his chubby cheek. The work, given its stylistic features and compositional taste, can be attributed to the Flemish artist Jacob de Wit (Amsterdam, 1695 - 1754), or to an artist from his workshop, with his typical triumphal and opulent style, which reveals clear influences from Rubens and Van Dijck, but also from Gerard de Lairesse...

Expertise by Prof. Giancarlo Sestieri. Vincenzo Re (Parma, 1695 – Napoli?, 1762) born in Parma, was an Italian scenic designer who during his career worked as initially an assistant...

Portrait of a young boy, full-length in a blue velvet coat and breeches, standing on a stone terrace in a park landscape, playing with a spinning top....

This absolutely charming portrait of a Pekingese dog called Dodo is attributed to much loved Scottish artist Samuel Fulton. Famous as an animal artist and chiefly a painter of dogs, this has got to be one of his best if you are a Pekingese fan. Painted circa 1920, Dodo, a lovely little black and tan dog is sat profile but is turning to look at the artist/viewer. Beneath him is a beautiful orange and brown Persian rug...

The Fox Hunting Party, dated 1770 John Nost SARTORIUS (1759-1828) - names of the hunting party fully inscribed by the artist verso Large 18th Century English Fox Hunting Party land...

Outstanding early 18th-century portrait of a seated Spaniel dog in a landscape with an array of fruits. Attributed to the work of Tobias Stranover. ...

Expertise by prof. Giancarlo Sestieri. Vincenzo Re (Parma, 1695 – Napoli?, 1762) born in Parma, was an Italian scenic designer who during his career worked initially as an assistant...

Oil on canvas. The depicted scene is set in a closed environment with a wide window which provides a glimpse of landscape. Three cherubs are sitting on benches and they are playing w...

A delightful painting, oil on paper laid on panel, with beautiful Gainsboresque colouring. This is a fine Old Master circa 1770 landscape in the 18th century Romantic landscape tradi...

This representation of Saint Michael fighting Satan shows a dynamic composition enriched by the special use of color together with an intense chiaroscuro that serves to give the work a special atmosphere. Areas of intense color are created together with darkness, light and reflections that highlight poses, bodies, as well as flying forms or intense glows. On the central axis that organizes the composition, the triumphant figure of the archangel about to beat a figure, incarnation of evil, stands out. Represented using a sotto in su view, that is, from the bottom up, Miguel's triumphant pose stands out while leaving no doubts about the defeated attitude of the demonic being who appears naked lying on the ground. The formula makes possible to clearly highlight the outcome of the fight, his triumphant figure unfolds occupying a large part of the work, showing a clear attitude of combat, endorsed with the sword that he brandishes in his right, and the shield and armor that cover him. His person is further energized with the great cape that flies, highlighting the pose of his body arched and thrown forward to attack the representatives of Evil. The work, with its color, its chiaroscuro, and its dynamism, is an interesting sample of the neo-Baroque expressions of the 18th Century, the period in which Jacopo Cestaro...

This lovely large Impressionist view of St Paul's from the Thames is by Dutch artist Jacobus Cossaar who also worked under the name Ko Cossaar. It was painted during his eight years ...

This Beautiful British 18th century British Old Master portrait oil painting is by noted artist Joseph Highmore. Painted circa 1740 it is a half length portrait of a young woman, Eli...

Lyrical landscape painting by William Scwartz. A Song Without Words (1927) Oil on canvas 16" x 20" 21 ½" x 25 ½" x 2 ½" framed Signed and dated "W.S. 27" lower right. Titled and dated "A song without Words by William S. Schwartz Chicago 1927" verso. About this artist: Born in Smorgon, Russia in 1896, William Schwartz began studying art at a young age. He immigrated to the United States as a teenager, and worked briefly as a house painter. Schwartz eventually ended up in Illinois, and studied with Ivan Trutnev and Karl Buehr at the Art Institute of Chicago. He held a variety of jobs, including as a singer, but ultimately pursued painting as a vocation. Despite choosing art over music, his interest in music would influence several of his paintings - notably his Symphonic Forms series. In Chicago Schwartz was friends with many other modernists of the time including Ivan Albright, Aaron Bohrod, and Anthony Angarola...

An elegant study of a young lady, possibly a fragment taken from a larger composition. Well presented in an oval mount and gilt effect frame. Unsigned. On canvas.

Signed lower right, 'Helge' for Helge Jensen (Danish, 1899 - 1986) and painted circa 1925. This Danish Post-Impressionist first studied with Harald Giersing (1915-1916) before initi...

Signed upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...

Oil on canvas Image size: 30 1/4 x 25 inches (77 x 63 cm) Original hand carved gilt frame Provenance Private Estate, England This is a very fine example of Kneller's work in the early 18th century. Here, the emphasis is placed directly on the sitter's alluring femininity, with this being enhanced by the falling hair around her shoulder. This looseness of focus is created with a free fluidity of brushstrokes. He has used a Rembrandt-esque technique of subtle tones in the face, and we can see how Kneller often allowed the bluer ground layer to show through when suggesting the darker flesh tones.The painterly technique seen here is an excellent demonstration of Kneller’s style. The bold handling of the flesh tones is Kneller at his most emphatic, while the sizeable areas of dark grey ground we see are indicative of his method of painting quickly, developed by this stage in his career to cope with the many demands of a large circle of patrons. The same effect is used for the shadows in the face: rather than paint darker colours on top of the pink flesh tones, as most artists would have done, Kneller instead painted in the reverse order, using the ground layer for his dark shadows, and then painting the lighter colours on top. Often he worked with an almost dry brush in strong firm strokes. Here the flesh tones have been rapidly, almost roughly painted, with bold areas of impasto giving way to areas where almost no paint has been applied at all, a trick that allowed Kneller to use the blue-grey ground layer to show darker flesh tones. Godfrey Kneller...

Thepainting accompanied by an expertise drawn up by prof Ferdinando Arisi that wrote: This pilgrims' stop is a typical work of Paolo Monaldi active in Rome be...

Artist/ School: Italian School, early 18th century Title: Mary Magdalene attended by Cherubim Medium: oil painting on canvas laid on board, framed Size: painting: 34cm x 49cm ...

Ville by LÉOPOLD SURVAGE (1879-1968) Oil and graphite on canvas 73.4 x 60 cm (28 ⁷/₈ x 23 ⁵/₈ inches) Signed and dated lower right, Survage 24 This work is an early 1924 painting...

David Morier (1705-1770) Portrait of a gentleman in red military uniform Oil on canvas Canvas Size - 32 x 24 in Framed Size - 39 1/2 x 31 in Provenance: Sale, Christie's London, 21s...

Signed post impressionist still life oil on canvas circa 1928 by French painter Jean Dufy. This vibrantly coloured work depicts red and yellow flowers in a vase with pears placed bes...

Sparkling landscape painting on canvass by Marion Butler Ewald of Pennsylvania. The painting measures 28" x 26" and is contained in a frame that measures 39" x 37". The painting is m...

David Gauld RSA (1865-1936), Winter Snow, Dunlop, 39.3 x 49.5 cm (framed 63 x73 cm) , Oil on canvas.

Oil on canvas. In the depicting scene, three cherubs are play-acting: one of them is wearing a smiling mask and is trying to scare his mate, while the last one is dressed up like a p...

Georges D’Espagnat was a Post-Impressionist painter, muralist, illustrator, and theater designer. After moving to Paris at the age of 18 to study painting, he became involved with pr...

Ornamental Flowers in a Classical Still Life Composition Italian School, circa 1780's period oil painting on canvas: 32 x 42 inches antique gilt frame: 38 x 48 inches condition: over...

Great Wall Street piece by John R. Grabach (March 2, 1886 – March 17, 1981) with expressive colors and figures. Grabach was a renowned American painter, best known for his evocative...

The 1700s was the golden age of still life, particularly in Northern Europe (but also in Italy and Spain). There is considerable demand for these kinds of paintings, mostly from a n...

Chinese painter (18th century) - Oriental scene. 57 x 73.5 cm without frame, 66.5 x 82 cm with frame. Oil on canvas, in wooden frame. Condition report: Lined canvas. Good conditio...

This lovely Impressionist Colourist oil painting is a fine example of the work of noted Scottish landscape and animal artist George Smith. He was particularly known for his paintings...

Bulldogs Hunting A Badger, 18th Century attributed to Charles TOWNE (1763-1840) Large 18th Century English School hunting scene of Bulldogs Hunting a badger, oil on canvas laid to...

Philippe, Duke of Orléans (1674 -1723), Regent of France Workshop of Jean Baptiste Santerre (Magny en Vexin, 1658 - Paris, 1717) French school circa 17...

Panel 1 (with boats below arch): 50x37cm; 60x47cm (framed) Panel 2 (with cliffs): 44.5x34cm; 54x44cm (framed) These panels are fine examples of the scagliola technique, perfected by...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Charles Morris Young (1869 – 1964). Born in Gettysburg, Pennsylvania Charles Morris Young lived most of his life in Radnor. He was recognized as a pioneer in creating American Impressionist landscapes, especially snow scenes. Young is also known for his golfing, equestrian, and hunting scenes. He studied at the Pennsylvania Academy of the Fine Arts with Thomas Eakins, Robert Vonnoh, and Thomas Anschutz. In 1897, Young set off to Paris with his wife, for continued art studies at the Academie Colarossi. Living for a time in Giverny, he became acquainted with Claude Monet, recalling how in moments of frustration Monet would throw paintings...

This lovely Art Deco portrait oil painting is by noted British artist James P Barraclough. Painted circa 1923 it is a seated portrait of a young woman holding a book on her lap. She is wearing a blue satin dress with lace cuffs and collar and is gazing warmly at the artist and viewer. The illumination on her features is superb. A lovely Art Deco period oil portrait...

Oil on canvas by Charles Kvapil, France, ca.1920. "On the edge of the lake". with frame: 78x58.5x6 cm - 30.7x23x2.4 inches - without frame: 65x46 cm - 25.6x18.1 inches. 15M format. S...

Roman school late 17th - early 18th century - Follower of Niccolò Codazzi (Naples, 1642 - Genoa, 1693) Pair of fantastic architectural whims with class...

Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Antique American impressionist oil painting portrait. Oil on canvas. Signed. Framed.

Work on cardboard Golden wooden frame 41 x 51 x 6 cm

Follower of Pietro da Cortona (18th-19th century) - Venus appears to Aeneas as a huntress. 50 x 60 cm without frame, 80.5 x 90 cm with frame. Antique oil painting on canvas, in a c...

Antique oil on canvas painting depicting the mystical marriage of St. Catherine. The scene takes place in the foreground, and the Madonna is seen holding the Child toward St. Cather...

The Penitent Magdalene French School, 18th century oil painting on canvas, framed canvas: 30.5 x 25 inches framed: 39 x 33 inches condition: exc...

A fine large full-length portrait of an English Setter stud in a landscape. Painted by J C Wilson in 1921, this oil gouache oil on canvas is a beautiful depiction of the breed. The...

Jacob Kramer is a Jewish artist who migrated with his family to Leeds to escape the Russian pogroms when Kramer was only eight. This portrait oil painting was painted when Kramer was...

Classical Figures in Ancient Landscape Italian School, 18th century oil on panel, painting: 9 x 12 inches provenance: private collection, Paris condition: very good and sound condition