Abstract Paintings

This thick-layered and textured piece in oil colors lives from the contrasting colors of day and night. The bright side reaching out to the dark colors to enlighten them... Enjoy! ...

Bold, Bright, Bursting with Color! Original, One of a Kind Painting, Acrylic on Canvas by Renowned Canadian Artist Jasmin Aldin. Date of Creation: 2011 Medium: Acrylic on gallery w...

Title: Epitome Giraffe Africa Colorful Striking Abstract Nature Investment Bold Joy This work is part of a series. It is part of my story... It portrays my truth, abundant energy, ...

Series: Figurative Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice tha...

Series: Figurative Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice tha...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Good To Go" rolls ahead in an infinite celebration...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Fast Forward" races ahead in an infinite celebrat...

In 'Manhattan Window,' the riotous use of color takes center stage, a symphony of bright yellows and greens that collide with contrasting tones of black, red, and blue. The canvas pu...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) -...

Oil on canvas Ihar Barkhatkou is a Belorussian artist born in 1988 who lives and works in Tbilisi, Georgia. He is graduated from Belarussian State Academy of Arts in 2011 located in...

Ole This Way That Way Oil, Marble Powder, Collage On Canvas 20" x 16" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of pain...

A large scale uniquely textured abstract painting by Contemporary artist Svetlana Shalygina. Subtle stencil detailing combined with her soft palette and intricate texture. **It is ...

I wanted to create something bright and colorful, and at the same time keep it classy and stylish. No wonder why I choose one of the most famous and recognizable sculptures David as ...

This abstract painting from series “Organic Forms” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. Signed certifica...

Title: Enigma Portrait Striking Artwork Vibrant Dream Harmony Ecstasy Triumph Vivid Flowers Face Nature This exclusive, one of a kind large portrait surrounded by the abundance of ...

"LA life" Acrylic on Paper Painting 18" x 24" inch by Tetiana Kalivoshko Tetiana Kalivoshko is an American-based Ukrainian artist who specializes in painting, sculpture, and art ins...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

„SAILING“ written in ICAO-Alphabet, which is indespensable while sailing. 80 x 80 cm / 31.5“ x 31.5“ in Acrylics on canvas /texture/wind rose in silver leaf Shipment...

Paul Brach (American, 1924-2007). "Ahola #13". Oil on canvas. Ex. David and Marion Porter estate. Inscribed on the reverse "Ahola #13 1992, Paul Brach for David - 80 more." This painting was given to Paul's good friend David Porter on his 80th birthday. The East Hampton, NY artist David Porter (1912-2005), was a personal friend of the artist. Included is an exhibition catalogue of Paul Brach paintings. In good condition. Painting measures 23 1/2" x 23 1/2" without the frame. Minimalism, Monochrome Painting in shades of purple...

"Habitual I", 2023, Paris, France This rich and cerebral abstract painting uses a subtle but powerful color palette of brown, pink, and white oil paints and wood stain to create visual texture and depth. The artist selected a French, antique postal...

This is a unique modern PMS abstract acrylic painting that will make a statement in your home or office. This piece has a mature, beautiful and dark neutral modern design aesthetic. ...

3775 Oil on canvas colorful Surreal oil on canvas in a black frame

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Nuptials" explodes with color in an infinite cele...

A lively, bright red botanical pattern against a mauve background with a deep cobalt blue bird perched on a tree. Signed, dated and titled on verso. Pastoral and bucolic still life...

Hyper Cuber Series. 1978. Gouache on Acrylic on Canvas. 20 x 24 inches

Oil on canvas Ihar Barkhatkou is a Belorussian artist born in 1988 who lives and works in Tbilisi, Georgia. He is graduated from Belarussian State Academy of Arts in 2011 located in...

Contemporary Art, Abstract Painting Acrylic on canvas 150x200cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naciona...

There are many masterful abstracts out there, however, to be able to find ones on such a goliath scale is few and far between. To be able to create such massive abstracts, and not lo...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

"Perfect Timing" is a perfect example of Hunter's highly fluid, expressionistic style -- which so often results in arresting images with a sense of depth and sculptural form. Black ...

Your Angels are with you, make your wish and let them hold your dreams in their loving arms. Original oil painting on a wooden panel This artwork will be delivered with sighed Cert...

Painting titled "Totem" and dated 2021 by Jeanne Cosimano. Painting is gouache on paper and framed. The painting was recently included in a solo exhibition at Gallery 2112...

#1642 (Abstract painting) Oil on Canvas/Wood — Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that wi...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Running for the Border" races ahead in an infinite...

This is a gallery quality, PMS abstract acrylic painting for your home or office. It was painted with the highest quality materials and will make a statement in your space. This piec...

DAVID SKILLICORN Meloday III 48.00w x 36.00h x 2.00d in $5,500.00 “The real purpose of painting is to give pleasure. My work is an expression of joy. Joy in color. Joy in gesture. Jo...

Partha Shaw - Untitled - Acrylic on Paper. 20 x 30 inches This work will be shipped flat without frame. Style : Shaw works mainly with landscapes, but handles them in a very cont...

Antique American signed abstract expressionist oil painting. Oil on board. Signed. Framed. Image size, 24L x 18H. Circa 1960. This painting has a nice period frame and stong co...

CHRIS BRANDELL Black Marble 2 • oil, mixed media on canvas 50.00w x 60.00h x 2.00d in $7,500.00

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Rumble" shakes with gestural color in an infinite...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

This Collage it was creates with acrylics & handmade Japanese paper. A floral blossoming compositions inspired in the beauty of impermanence and the passage of time.

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Motivated" vibrates in an infinite celebration of...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Over the Top" vibrates in an infinite celebration...

"Vallauris" is a mixed media painting on canvas by Andrée de Frémont. Within this square canvas, a composition of profound blacks, nuanced grays, striking reds, vibrant yellows, an...

This is a gallery quality, PMS abstract acrylic painting for your home or office. It was painted with the highest quality materials and will make a statement in your space. This piec...

Robert’s work incorporates small poetic texts, often in a childlike manner. She did not utilize conventual tools, such as a paintbrush, but moved the paint with her hands. Though rig...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

Paddy Japaljarri Stewart came from Mungapunju in Australia, just south of Yuendumu in the Northern Territory. As a young man he worked on cattle properties at Mount Allen, Mount Denn...

Signed lower right, "Cucaro" for Pascal Cucaro (American, 1915-2003). An icon of the Beat years in San Francisco's North Beach, Pascal Cucaro was the winner of numerous medals and a...

This abstract painting from series “Geoforms” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. Signed certificate of...

Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...