Abstract Paintings

Vintage Indonesian modernist nude oil painting. Oil on canvas. Framed. Signed.

This is a collaboration between Marshall Simpson (1900 – 1958) and Roslynn Estelle Middleman (1929 – 2003), 100-10, by 1958, oil on Masonite, signed and titled verso, 22 x 30 inches,...

Antique American modernist abstract oil painting. Oil on board. Framed. Image size, 5.5L x 7.5H.

Vintage signed American school guitar still life oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 22L x 18H.

An original modern abstract by American artist James Koenig. This work created in 1954 is featured in the Draw Near exhibition currently on view at Benjaman Gallery.

This superb British Abstract Expressionist oil painting on board is by noted artist Bernard Kay. It was painted in London in 1955. This striking painting is a mix of shades of black ...

Wonderful scene of the Moulin Rouge cabaret nightclub at Place Pigalle in Paris. Painted in wonderful moody blue and red colors. Size includes frame. Abram Abraham Krol was born Jan...

A dramatic, Expressionist Coastal landscape showing a view of white-capped jade green breakers crashing against a rocky shoreline, with a distant mountain painted in shades of scarlet, slate blue, and indigo rising in the background. Signed lower right, "Beamish", titled verso and painted circa 1960. Provenance: The Vincent Price Collection...

William Pellicone (American 1915-2004) Mixed media, pyrography, oil on wood carving painting. Dated 1958 Title - Enthymeme #14. Oil painting on carved and burnt distressed wood panel. Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58. Label on reverse with a typed definition for Enthymeme. Dimensions: 27 inches high, 42.5 inches wide. Metal wrap frame. Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959. William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York. William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts...

Vintage modernist abstract painting by Suzanne McCullough (b.1916). Oil on canvas. Housed in a period frame. Image size, 24L x ...

Very impressive mid 20th century abstract cityscape painting. Oil on canvas. Framed. No signature found.

Antique American modernist cityscape oil painting. Oil on board. Signed. Framed. Image size, 16L x 11.5H.

Vintage American modernist abstract Maine landscape painting. Watercolor and gouache on paper, circa 1960. Signed on verso. Image size, 30...

Genre: Modern Subject: Abstract Medium: Oil Surface: Canvas Country: United States Sabina Teichman: (1905-1983) Studied at Columbia Univ. (BA, MA), also with Charles J. Martin and Arthur J. Young. Exhibits include WMAA, Art USA, 1958, PAAM, Butler Institute Amer. Art, Audubon Artists Ann., Womens Westchester Center. Sabina Teichman's paintings have a touch of fauvist vitality and responsiveness and color. Her Lyrical Paintings convey the great joy of life which is hers. the joy is so profound that it cannot be obtained in traditional art forms and so it has become necessary for Sabina to create new forms to express the euphoria. As the dynamic colors emerge from her luxuriously coated brush, she surrenders to a newly realized adventure in abstract expressionism. A boldness belies he femininity which yields an exciting style and a joyful freshness. Sabina Teichman illuminates the canvas with strokes of color that affect the very soul of the viewer , for she feels that color inspires the inner being of man. Her response to color elation. Dynamic colors emerge from the luxuriously coated brush of this artist, surrendering to her newly realized adventure in abstract impressionism. A boldness belies her femininity which yields an exciting style and a joyful freshness. Sabina Teichman illuminates the canvas with strokes of color that affect the very soul of the viewer, for she knows as did Goethe, that color inspires the inner being of man. Sabina Teichman's own response to color is elation. Widely known as a figurative painter, one reviews her earlier style only to find that all shapes lived within the surrounding of abstract settings which now dominate her most recent paintings. The Vatican Museum's collection of contemporary art has acquired Sabina Teichman's painting The Prophet given in response to an expressed desire of a representative of Pope Paul VI, who said that, to the best of his knowledge, it was the first painting by a living American to become part of the Vatican. Member of Audubon Artists, Provincetown Art Association Argent Galleries, New York, 1947. Salpeter Gallery, New York, 1949, 1952, 1954. Shore Galleries, Boston, 1955. A C A Gallery, New York, 1957, 1960, 1963, 1969. A C A Gallery, Rome, 1965. Orpheus...

Antique American modernist abstract oil painting by Adele Becker (1929 - 2021). Oil on canvas. Framed. Signed.

Antique American modernist New England barn oil painting. Oil on canvas, circa 1960. Signed illegibly. Image size, 24L x 20H. Framed in a period f...

Genre: Modern Subject: Abstract Medium: Oil Surface: Canvas Country: United States Dimensions: 18" x 24" Dimensions w/Frame: 18.5" x 24.5" Cubist Surrealism, reminescent of the Later Pop Art works of Roy Lichtenstein. Alan Tompkins a prolific artist, he continued to paint into his 100th year and strongly desired one thing: to be remembered for his art. “I’m not a hobbyist, I’m not an educator,” said Tompkins. “I want to be remembered as a painter.” Tompkins produced thousands of paintings, many showing the influence of Cubism and abstract art, during a long and productive career. Tompkins played a pivotal role in the formation of the University of Hartford. He was director of the Hartford Art School in 1957 when it merged with the original Hillyer College and the Hartt College of Music to become the University of Hartford. He served as director until 1969 and then taught art history and visual studies until his retirement in 1974. A graduate of Columbia University...

James Johnson (American, 1925-1963) M-62, c. 1950s Oil on canvas 46 x 46 inches In the late 1950s, Johnson moved with his wife Marjorie and their new born son from Berkeley Californ...

Signed lower right, "Gilberg" for Robert Gilberg (American, 1911-1970) and dated 1954. A substantial, mid-century gouache abstract comprising pendant geometric forms in pastel tone...

Abram Abraham Krol was born January 22, 1919, in Pabianice (Lodz), Poland. Abram Krol went to France in 1938 to study civil engineering at the University of Caen. In 1939 at the be...

Antique American impressionist landscape painting by Genevieve Pierce Law (1906-1995). Oil on board. Framed. Signed.

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed illegibly.

Herbert Siebner (1925-2004) was a German-born Canadian painter whose work is characterized by its expressive use of color and texture, and its exploration of themes of war, exile, an...

Wonderful mid century modern mixed media abstracted Northern California landscape by Hilda Davidson Kaster (American, 1912-2008), circa 1950. The artist uses layers of mixed media earth tones and natural textures such as leaves and bark to create the aesthetic of the deep forest of Sebastopol, California. Signed lower left corner, on verso with exhibition and gallery labels. Unframed: Image 18"H x 24"W. Hilda Davidson Kaster was born in Oakland, California in 1912 to Russian Jewish immigrant parents. She went to New York in the early 1930s to study art. At the Traphagen School of Design, she was a student of Moses Soyer and William Gropper, who were founders of the Ashcan School. Later in the 1930s she worked as a commercial artist and designer for I. Miller Shoes...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

When it comes to abstract painting, the creation date is important. At the height of Abstraction Expressionism, overlooked Academic Artist John Atherton created a wonderfully complex painting that embodies many of the characteristics of what was going on in Mid-Century American Art. The work is simultaneously abstract as it is representational. Like a Bento Box, it's divided into sections by dividers. On close inspection, each section stands on it's own as a beautiful mini-painting yet coalesces as part of the whole. From a distance, it is eye-pleasing, but as the view gets closer and closer, new structures and details gloriously reveal themselves. This is an important painting and not unlike the work of Joaquín Torres-García. It was done in the last year of the artist's life. Signed lower right. Canvas is relined. Framed size: 30 x 41.25. The work is best viewed with top gallery lights to bring out color. Color will look different under different lighting conditions. Atherton exhibited at the famous Julien Levy Gallery in New York and his fine art is mainly associated with Magic Realism. He participated in the seminal 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. The Museum of Modern Art has 4 Atherton paintings in its collection. As an Illustrator, Atherton did covers for the Saturday Evening Post, Fortune and Holiday Magazine...

A mid-century gouache on board painting by American female artist Harriet Holden Nash depicting an abstract Matisse like floral composition in shades of green and black. The board i...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed verso. Dated 1950.

Antique American modernist abstract oil painting. Oil on canvas. Framed.

An original oil on canvas painting by American female painter Irene Zevon.

Robertson K. Mygatt (American, 1862-1919) Uplands Oil on panel, 5 1/4 x 6 5/8 inches FRAMED: 9 x 10 1/2 inches (approx.) Exhibition label on verso: "Salamagundi Club/Thumb-box Exhibi...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated verso. 49.5 x 34.5 in. 51 x 36.25 in. (framed) Custom framed in a maple fl...

This stunning post-cubist and colorist still life oil on board painting is by A. Rigollot (France, 20th Century). Colorist painting is characterized by intense color use, which becom...

Abstract oil painting on canvas by the french painter François Jousselin. Not framed. Signed and dated 1954 François Jousselin, né à Laval le 27 octobre 1926 ...

Experience the vibrant artistry of Harold Town with "Wall Jumping," a striking piece offered from the artist's estate. As a co-founder of Painters Eleven, Town was instrumental in br...

Harry Crowley (1898-1979) oil on board, 1954. Abstract Expressionist. Titled on the verso “Slow Solitude.” Measures: 33 x 38. Frame: 42 x 47. In excellent condition and in the origi...

"Les Competiteurs" by American modernist painter Leonard Nelson is a 36" x 26" oil on canvas abstract figurative painting, created in 1952. The work is framed in classic black and si...

Gorgeous oil and watercolor on paper by abstract expressionist artist Adine Stix. Beautiful shades of pink, purples, cobalt blue with s hint of orange cover the paper to create the h...

A modern abstract expressionist oil painting signed illegibly and dated 1956.

3910a Surreal oil on canvas set in a black frame Two clowns on a flying balloon Signed W.Morinet

An original abstract expressionist painting by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose work is in collections a...

Irene Rice Pereira Composition with Figure, 1951 Inscribed, signed and dated Salford/Pereira 2/51 (lr); inscribed I Rice Pereira/2669 Great Clowes St/Sa...

Signed and dated 1958 lower right. Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right. 50.5 x 38.25 in. 51.5 x 39 in. (framed) Custom framed in maple. Theodore Franklin (“Ted”) Appleby, Jr. was born January 28, 1923 in Asbury Park, New Jersey to a very prominent family in Monmouth County. He attended the Pauling School in New York and studied at the atelier of John Corneal. On December 12, 1942, Appleby enlisted in the U.S. Marine Corps, subsequently seeing action in the Marshall Islands. Upon the conclusion of the war, he was stationed for a year in Yokohama, Japan, where he studied local engraving techniques. In 1947, after returning home, Appleby moved to Mexico for a year to study mural painting in San Miguel de Allende. Following his sojourn in Mexico, Appleby briefly returned home to the U.S. before ultimately relocating to Paris. There, he joined a lively community of expatriate American artists involved with what would come to be known as the “School of Paris.” Appleby befriended fellow Americans Sam Francis and Jackson Pollock, exhibiting extensively throughout France with the former. He also regularly visited the atelier of Fernand Léger, and was represented in the "Salon de Réalités Nouvelles" and the “Salon d’Automne” during the 1950s and 60s. From 1955 to 1961, Appleby participated in group exhibitions in Chicago, Leverkusen (Germany), Lisbon, London, and Paris. He also had three notable solo exhibitions during this period: Studio Facchetti, Paris (1956); Martha Jackson Gallery, New York (1957); and the American Cultural Center, Paris (1959). In 1957, Appleby’s work was presented at the 62nd American Exposition of Painters and Sculptors at the Chicago Art Institute, where he was awarded the Norman Wait Harris Bronze Medal and Prize. Answering the famed artist André Lhote’s call to help save the village of Alba-la-Romaine in the Ardèche, Appleby and his wife - the artist Hope Manchester - purchased a home in the village in 1950, ultimately settling there until their deaths. Source: Taylor Graham Gallery

André Masson, French (1896 -1987) - Deux Visages en Rouge et Bleu, Year: circa 1950, Medium: Oil on Canvas, Size: 8.75 x 6.5 in. (22.23 x 16.51 cm), Frame Size: 15.25 x 13 inches...

This vibrant work by noted 20th century American artist, Joel Durand, employs a bold palette and sophisticated approach in this dramatic and abstracted sti...

Very finely painted modernist landscape by Robert Noel Blair (1912 - 2002). Watercolor and gouache on paper. Signed Image size, 23 by 31 inches. In excellent original condition. ...

A lovely still vintage Impressionist still life that is almost all the way to abstraction, with the color passages around the fruit and flowers gently blending into one another. Comes framed, but I think it's worthy of a larger gold frame...

Black,White,Picasso,abstract Atelier stamp lower right Dora Maar, original name Henrietta Theodora Markovitch (Marković), (born November 22, 1907, Paris, France—died July 16, 1997, ...

"Untitled (Sacred Family)" is a powerful abstract oil painting on board by renowned American artist Charles Ragland Bunnell (1897-1968), created circa 1950. Signed by the artist in the lower right corner, this striking piece portrays an abstract interpretation of several figures grouped together, capturing the essence of human connection. The dynamic composition is enhanced by vivid, contrasting colors of black, red, blue, green, orange, yellow, and white, creating a sense of depth and movement within the piece. This exceptional painting is presented in a vintage frame with outer dimensions of 34 ½ x 29 x 1 ¼ inches, and the image size measures 23 ½ x 18 ¾ inches. It remains in good condition, showcasing Bunnell’s mastery of color, texture, and abstraction. Expedited and international shipping options are available—please contact us for a quote. About the Artist: Charles Ragland Bunnell, born in 1897 in Kansas City, Missouri, developed a deep passion for art from a young age. His early artistic explorations included drawing on walls and textbooks, eventually leading him to study at the Broadmoor Art Academy (now Colorado Springs Fine Arts Center) under the GI Bill in the early 1920s. After marrying fellow art student Laura Palmer...

Moody blue night with rain and wind rendered in a post-impressionist style somewhat like that of Albert Marquet

Gorgeous oil on panel by Harold Cohn. Beautiful reds - the photo does not do the painting justice. The texture of the flowers is stunning. The piece is fra...

Bernard A. Kohn American, 1905-1989 The Great Spirit in the Sky Oil on board 30 by 45 in, w/ frame 35 ¼ by 50 ½ in Signed and dated 1958 Bernard A. Kohn was born on the 21st of Nov...

Portrait of Man San Francisco Bay Area Figurative Movement Figurative portrait of a man by San Francisco artist Peter Witwer (American, 1928-1968). Unsigned from a collection of his work. Provenance estate of Peter Witwer, Lost Art Solon. Image 32"H x 26"W Frame, 32.5"H x 26.5"W x 1.75"D Posthumous show of the artists work exhibit card on verso. Born George Peter...

Expressionist Abstract Composition With Orange and Blue Colors Canvas size 24"x32" gold leaf frame 27"x35", signed lower right corner. Sandro von Lorsch German painter born 1921-19...

American artist Hellier (20th Century) designed this stunning post-cubist constructivist oil on canvas painting. The artwork "Ste Augustine" uses earth tones juxtaposed with green to...

Remo Michael Farruggio American, 1905-1981 Signals Oil on canvas 24 by 35 in. W/frame 28 by 39 in. Signed lower right & titled on stretcher “Signals” Circa 1959 Remo Michael Farru...