Abstract Paintings

Arctic Light-Orange Sun Unsigned Gouache on Japanese fibrous paper Series: Tundra Paintings Exhibited: Karl Zerbe, Gouaches of the Artic Nordness Gallery, (Madison Avenue, NY) Feb 3 through Feb 23, 1958 Cat. No. 12 (label with work, see photo...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting comes housed in a modern black frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

Painted by Victor di Gesu (American, 1914-1988) circa 1955, and with Di Gesu estate stamp verso. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art C...

Abstract Composition is a small yet significant artwork made by Paul Bony, a famous French artist active in the mid-20th century. The artwork is in excellent state of preservation. ...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 25 1/4 x 32 1/4 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Antique American modernist signed abstract oil painting. Oil on board. Signed. Framed. Image size, 24L x 20H.

Vintage American modernist oil painting by Morris M. Shulman (1912 - 1978). Oil on board, circa 1955. Housed in a vintage frame. Signed. Image size, 28 by 20.

This superb large abstract oil painting is by Italian born but South African based artist Armando Baldinelli. It was painted circa 1958 after Baldinelli left Italy for South Africa a...

Antique American modernist oil painting by Victor De Pauw (1902 - 1971). Oil on board, circa 1950. Framing available. Image size, 24L x 27H. Signed.

Vintage modernist harbor view by Aksel Jorgensen (1883 - 1957). Oil on board, circa 1957. Signed. Displayed in a period frame. Image size, 24"L x ...

Oil on paper. Signed and dated 'Walinska 57' (lower left). image size 20 x 13 1/2 in. framed size 28 1/3 x 22 1/2 inches Provenance Martha Jackson Gallery Anderson Gallery, Buffalo...

This superb British Abstract Expressionist oil painting is by noted artist Bernard Kay. It was painted in 1957 and is titled Cosmos. The composition is loose block forms of colour in...

Federico Castellon Boats in the harbor, ca. 1950 Oil on paper 25 1/5 × 17 3/10 in 64 × 44 cm (without frame) Frame included

This Untitled Abstract Composition signed by the Polish Born artist Zvi Mairovich, originating from Haifa Israel, Circa 1950. Features a highly gestural abstracted landscape in hues ...

A Welsh artist, Morgan studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the Benton End ar...

Mid century modern art with inscription in french verso. It was traded with another artist.

This superb British Abstract Expressionist oil painting is by noted artist Bernard Kay. It was painted in 1958 and is titled Blue Psalm. It is painted in a palette of blue tones with...

Huguette ARTHUR-BERTRAND Title: Kablonn - Powanu Technique: Oil on Canvas Dimensions: 92 x 73 cm Date: 1959 Signed Huguette Arthur-Bertrand was the leading female membe...

A great abstract composition by the well known french painter Pierre Jourda, (1931-2007), painted in 1958. An important dimension, it is not framed. Pierre Jourda À Paris, il décou...

Antique American modernist abstract oil painting by Adele Becker (1929 - 2021). Oil on canvas. Framed. Signed.

This striking 1950s abstract oil on canvas painting, created by Henriette "Yetti" Stolz in 1956, features a captivating blend of brown, white, black, and gray tones. Signed by the artist in the lower right corner, the piece showcases Stolz’s modernist approach to abstract figurative art. The painting is presented in a vintage frame with overall dimensions of 42 ¾ x 16 ¾ inches, while the image size measures 42 ¼ x 16 ¼ inches. Provenance: Estate of the Artist, Henriette "Yetti" Stolz. The painting is in good condition—please contact us for a detailed condition report. About the Artist: Henriette "Yetti" Stolz, born in 1935 in Serbia, emigrated to Denver, Colorado, in the early 1950s with her family after WWII. She attended East High School before pursuing her art studies at Colorado College in Colorado Springs during the mid to late 1950s. While there, Stolz was influenced by modernist artists, including Mary...

Signed lower right Agnes Hart was born in Meridan, Connecticut. She studied at the Ringling School of Art in Sarasota, Florida; at Iowa State University with Josef Presser, Paul Burlin and Lucile...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Jacques Zimmermann was born in Antwerp in 1929. He said: "The abstraction is not for me or a genre painting, nor a limit. It is a starting point. From there, by the automatic gesture...

Antique American modernist abstract oil painting by Majorie Shaw Kubach. Oil on canvas. Framed in a minimal white wood frame.

Antique American modernist abstract oil painting by Adele Becker (1929-2021). Oil on canvas. Framed. Signed.

Antique American signed modernist flower still life oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 30H.

You are viewing a modernist acrylic painting by Robert Blair in which the artist has utilized a comb to create designs within the painting. Robert Noel Blair (American, 1912-2003)...

Dynamic French abstract fusing various shapes and patterns with bright and bold hues, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Archival ...

Antique European flower field oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 18H.

Persephone Oil on canvas, 1952 Signed lower left (see photo) Titled reverse "Persephone" Signed "V. 52" Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label Condition: two very small flakes of missing paint Canvas size: 20 1/8 x 16" Frame size: 20 7/8 x 16 3/4" Provenance: Estate of the artist Dehn Heirs An important painting by the artist. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn (1922-2005) Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Angelo Ippolito Untitled, 1952 Signed and dated on the reverse Oil on canvas 16 x 36 inches Provenance: Gloria Torrice Estate of the above Liana Torrice, West Orange...

Salvatore Grippi was my art professor at Ithaca college from 1970- 1971 Who was doing paintings like this in 1950? Jackson Pollack, Willem De Kooning and Salvatore Grippi, and a few...

Calvert Coggeshall Untitled, 1958 Oil on Canvas 38 H. x 36 W. inches Provenance: The artist's estate Calvert Coggeshall worked as an abstract painter and interior designer primarily in Maine and New York City. From 1951 to 1978, he exhibited regularly with the Betty Parsons Gallery, and later with its successor, the Jack Tilton Gallery. Born in Whitesboro, New York, Coggeshall started his career as an interior designer, working on commissions for clients in the New York City area. He later consulted on the interior designs for Henry Dreyfuss' line of cruise/cargo ships called American Export, popular from the 1940s through the 1960s. In the 1940s, he also worked with inventor Arthur Young to design interiors for the first full-sized scale of Bell helicopter models...

The Estate of the artist

Antique American abstract expressionist oil painting. Oil on canvas. Signed in monogram. Framing is available!

An unsigned mid century modern American abstract painting

Large colorful sculptural abstract painting by Texas artist Patrick Cronin. Painted with acrylic paint and mixed media, dated 1986.

Sewell Sillman Red, circa 1958 Acrylic on masonite 18 x 36 inches Upon attending Black Mountain College in Asheville, North Carolina, Sewell Sillman’s life was arguably altered for...

Small longitudinal dark green and yellow toned portrait by Houston, TX artist Pat Colville depicting a young pregnant woman with short hair and a sleeveless top. The subject's striki...

You are viewing an abstract expressionist painting by American female artist Harrier Holden Nash. Harriet was born and raised in Brooklyn, New York, and lived with her husband in ...

Oil on canvas, signed lower right The painting will be framed at the same price.

David Redpath Michie Scottish, 1928-2015 Modern City Scene Oil on board 30 by 40 in, w/ frame 33 ¼ by 43 ¼ in Signed lower right, dated 1955 Son of the painter Anne Redpath, David ...

A modern abstract painting by American female New York City artist Irene Zevon titled Nocturne created in 1956. This is an experimental work for Zevon. She utilized aerosol paint...

"House, and Flowers, and Moonlight," an original oil on canvas by Ralph Rosenborg, is a piece for the true collector. In 1988, Louise Nevelson wrote: "Ralph Rosenborg was the first recognized pioneer whose experimental art announced the coming of Abstract Expressionism in the United States during the mid-1930s. Rosenborg was the first to introduce and instruct Jackson Pollock on Abstract Expressionism while at the Non-Objective Painting Museum in the early 1940s, which became the Guggenheim Museum. Ralph Rosenborg is The American Artist. Rosenborg produced daring artworks and explored the possibilities of movements that are expressive of ideas, sensations and passions intended to provoke pure emotions." Both the technical talent of Rosenborg and his choice of subject matter pair perfectly with custom wood frame. This masterful work is perfect for those who have an affinity for abstracts, abstract expressionism, landscapes, and color-rich works. This Rosenborg painting has an important history, with the rare provenance of moving through both Sothebys and Christies auction houses, as well as two notable dealers including Nat Halper and H. Marc Moyens. Full provenance details are outlined below. Artist: RALPH ROSENBORG (1913-1992) Title: HOUSE, AND FLOWERS, AND MOONLIGHT Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT AND ON VERSO Year Created: 1957 Country of Creation: UNITED STATES Canvas Dimensions: 22.25 x 28.25 INCHES Frame Dimensions:* 33.25 x 39.25 x 1.875 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY RALPH ROSENBORG IN GREAT CONDITION AND FEATURING ITS BEAUTIFUL CUSTOM WOOD FRAME. ORIGINAL ARTIST LABEL IS AFFIXED TO VERSO, AS WELL AS SOTHEBY'S AND CHRISTIE'S LABELS. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED Provenance: CHRISTIE’S, NEW YORK, JAN 12, 2010 COLLECTION OF H. MARC MOYENS SOTHEBY’S, NEW YORK, APRIL 1, 1998 COLLECTION OF NATHAN (1907-1983) & HELEN HALPER (1908-1996), MA HCE GALLERY, PROVINCETOWN, MA (OWNED BY NATHAN HALPER) About the Artist: Ralph Rosenborg, an American painter, was known for his abstract paintings that inclined not toward geometric form, but rather the interpretation of nature. Rosenborg was born in New York in 1913, his talent for the fine art appearing early. While still in high school, he won a scholarship to classes at the American Museum of Natural History, meeting Henriette Reiss, who he continued to study under privately well after the classes ended. Reiss had worked with Wassily Kandinsky earlier in her career, and as such introduced Rosenborg to the vast arena of vanguard European ideas, as well as provided him a broad-based instruction in music, literature, and art history. After four years, Rosenborg was ready to exhibit. He did so initially in group exhibitions at ACA Galleries, and later in Mayor La Guardia’s 1934 Mile of Art at Radio City. He quickly gained notoriety, and began to show frequently throughout the 1930s, leading up to his first solo exhibition at the Eighth Street Theater...

An original 1950's unsigned abstract. This whimsical bright work comes housed in a contemporary natural wood frame presentation which signs on the w...

Drip Abstract Composition Canvas 36x24 with frame 42x29.5 Artist signed illegibly lower right corner, Gallery Kabutaya Japan label on revers stretcher. Mid-Century Modern drip abstr...

Signed lower right: "Kupferman". Inscribed lower right: "1204". Titled, signed, dated, and inscribed verso: "EG: 1,204.J / "September Landscape, 1967" / Lawrence Kupferman". From the...

Born in Terrenoire in the Loire, France, self-taught painter Charles Marcon was encouraged by Madeleine Castaing and Paulette Jourdain. Marcon exhibited throughout Paris and in Arles...

Leopoldo Gonzales Jr Born 1921 San Antonio Artist Image Size: 48 x 36 Frame Size: 52 x 40 Medium: Oil / Casein Circa 1958 Mid Century Modern "Penguin" Signed and titled on verso. ...

Unique red, green and white abstract image on canvas. White portion of the canvas is elevated from the rest of the image. Canvas is not framed. Painting is signed by the artist on th...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

The texture of this artwork is both subtle and engaging. Standing far away this painting invites the viewer to step forward and see up close the eye-catching texture Ottesen created....

This original abstract oil and metal foil on board painting titled Warlock by George Cecil Carter (1908-1987) dates back to the 1950s. The piece is a striking example of Abstract Expressionism, painted in dynamic shades of dark blue, gray, white, orange, and purple. The artist's use of textured metal foil and oil paint creates an intriguing interplay of light and shadow, enhancing the piece's modernist appeal. Signed by Carter in the lower right corner, and titled and dated on the verso, this unique work is presented in its original George Nix frame, measuring 30 ¾ x 36 ¾ inches, with the image size itself measuring 23 ¼ x 29 ¼ inches. About the Artist: George Cecil Carter was born in 1908 in Woodward, Oklahoma, and became a prominent figure in the Colorado Abstract Expressionist scene. Despite having no formal artistic training, Carter developed a distinctive style, influenced by his diverse life experiences. He worked in various industries, including as a coal miner, gold miner, and machinist at Schneebeck's Industries in Colorado Springs for 20 years. During this time, Carter honed his artistic skills under the mentorship of Charles Bunnell, a painter from the Broadmoor Academy. Carter’s works reflect the boldness and emotional intensity of Abstract Expressionism, with vivid colors and strong compositions. He worked primarily out of Colorado Springs and Canon City, Colorado, and exhibited his art nationally, including shows in Texas and Illinois. His contemporaries included fellow Colorado artists such as Al Wynne, Mary Chenoweth...

Composition Inspirée par le Credo de la Messe en C Mineur de Bach by Serge Charchoune (1888-1975) Oil on canvas 116 x 73 cm (45 5/8 x 28 3/4 inches) Signed and dated lower right, Charchoune 1959 This work is accompanied by a certificate from Pierre Guénégan. Literature: Pierre Guenegan, Charchoune Catalogue Raisonné, vol. 4, 1951-1960, Lanwell & Leeds Ltd., 2011, no.1958/012, p. 208 (illustrated) Artist biography: Russian-French artist and poet Serge Charchoune was born at Bougourouslan in Russia and studied painting at Moscow Academy of Art. In 1912 after deserting the army he arrived in Paris and immediately enrolled as a student of the Cubist painter Henri Le Fauconnier. Upon the outbreak of the First World War Charchoune took refuge in Barcelona in Spain where he befriended exiled Parisian Cubists Marie Laurencin, Albert Gleizes and Francis Picabia. Seizing the cultural moment, during the 1920s Charchoune briefly formed his own Parisian Dada group called Palata Poetov (the House of Poets), created a Russian-language Dada magazine...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

San Francisco Bay area abstract expressionist painting by Honora Berg (American, 1897-1985). A nocturnal setting adds more interest and dimension. Estate stamp on verso "Estate of Honora Berg-Larry Miller Fine Art" Unframed. 36"H x 30"W. Larry Miller 1958-2003, Larry was a specialist in bay area abstract artists and purchased numerous bay area artists estates. He purchased the entirety of the Honora Berg Estate and we purchased many of those works directly form Larry. Honora Berg, an Abstract Expressionist and Bay Area Figurative School artist, studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon...