Vertical Abstract Paintings

Hunt Slonem "Tulip" on Gold A single flower gestured in green, yellow and red on a metallic background in a vintage frame Unframed: 10 x 8 inches Framed: 16 x 14 inches *Painting is...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic display of love encapsulated in these miniature hearts, leaving us with impressions of color and impasto paint effortlessly. This piece features oil paint on wood encased in a white contemporary floater frame. An ideal gift to spoil yourself or someone you love, this stunning original oil painting brings style and grace to any small or medium-sized space. Create an installation to fill any space, they are perfect as a big group or just single. This painting is signed by the artist verso and it comes comes housed in a contemporary white floater frame and ready to be displayed with hanging wire on verso. Art measures 10 x 8 inches Framed measures 11.5 x 9.5 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art studio and has been painting ever since. Shaoul later traveled to Israel and Hungary, and studied abroad for 2 years at the Budai Art Institute, which created lifelong experiences that still influence her art today. Upon her return to New York City, she continued her artistic education at the Art Students League, working under the tutelage of Joseph Peller, Gregg...

Mixed Media, signed & dated lower margin. Art: 36"x 12 1/2" Frame: 45 1/2"x 21 1/2" BORN 1947 - GRAND RAPIDS, MICHIGAN His mother always thought he was just a little bit of a rebel. And not just because he mixed his paints and painted out of the lines on his paint-by-number pictures. To this day, John Baughman marches to his own drummer, which is apparent when viewing his multi-media artwork. That is also part of his charm. Growing up in rural Western Michigan, John was the oldest of five children. There were no artists in his family, but he was interested in drawing at a very young age; he differed from most young artists in that he wanted to be experimental rather than ordinary. A kind, neighbor lady, Paula Larson, who was a Director of Art, encouraged John to keep his interest in art by always leaving artistic materials on her kitchen table. They were open to him whenever he pleased. John's father was an executive for GM and hoped his son would grow up to be an engineer. John loved...

This 48" x 34" mixed media painting, 'Surfacing II,' by Dragana Milovic features an abstracted geometric composition featuring 3d objects adhered to th...

Hunt Slonem "Manor" Pink Diamond Dust Bunny A single rabbit gestured in pink and white on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *Pa...

Henry Woolway, Celebrate Tomorrow, 2023 Acrylic on Canvas 61 x 92 cm (24 x 36.22 in) Artwork is set in a stained red wood frame with a 5mm shadow gap ...

Lilly Muth's architectural paintings transport viewers on a visual journey to a different world, where imagination knows no bounds and the boundaries between reality and fantasy blur...

Gary John has been a street artist since 1985. Originally from Seattle, Washington, he moved to Venice Beach, Los Angeles in 2003 and began selling his work on the Venice boardwalk. ...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

This striking abstract oil painting on canvas by Jean Soyer features dramatic contrasts of deep blues, vibrant reds, and shadowy black tones. Measuring 25.6 inches by 21.3 inches, th...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Untitled 557 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

"Harmonia 43-9" is a framed acrylic painting on canvas by David Skillicorn, with two intertwining circles in pink and deep blue. This piece is finished in a silver floater frame wit...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 14.75 x 11 inches condition: excellent provenance: all the paintings we ha...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

'Portrait of Woman in Yellow', oil on cardstock paper (circa 1970s), by Raymond Debiève. A cubist portrait of this lovely young woman at her window is ...

"Fort Smith Hotel, 2024" is a captivating original oil on canvas by Hiroshi Sato, a contemporary master of the medium known for his meticulous attention to light and form. Measuring ...

"Composition orange et noir (Orange and Black Composition)” is an oil on canvas painting, in bold colors a by French, Cubist artist, Fernand Leger. Fernand Léger was among the most...

This Modern Abstract Expressionist painting by Stanley Bate features a vibrant and unique palette. Made with oil paint on canvas, the painting is modeled after the famed painting by ...

"Sarpta" is an original oil on canvas painting created by Antoni Tapies. This is a fantastically dark mid-century abstract painting. There is a monstrous figure barely visible on the left side of the painting. Also a sinister face breathing smoke out of the right side of the painting. This piece is perfect for a collector that enjoys a more avantgarde style. Tapies signed...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Verso signiert und datiert (Feb 1995) Die Schüttbilder sind charakteristisch für Hermann Nitsch. Die Anwendung der Schütttechnik wird aus dem Schaffen des Wiener Aktionismus heraus ...

This bold and imaginative painting by Serg Graff, titled “Jump into the Painting № 1,” is a vibrant fusion of acrylic and oil on canvas in a richly textured fantasy abstract style. T...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, yellow, bee, p...

"Rainforest Walk I" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

This contemporary abstract faceless portrait of Frida Kahlo, with a touch of impressionism and expressionism, was created by French artist Natalya Mougenot. Titled "Frida in Blosso...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in red, brown, tan, and black set against a light background. Curr...

This painting is part of a series inspired by place. I often wonder why I notice some places in nature while other equally beautiful places go virtually unnoticed. I look for what el...

Ristvedt works as comfortably in a hard-edge methodology as she does in a fluid, more gestural style. The hard-edge painting, C Major is tuned perfectly. A master at letting go and a...

This contemporary abstract painting by Paul Fournier captures the night sky. With a career spanning more than six decades, Paul Fournier has established himself as one of Canada’s m...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas.

Jimmy Ernst Personal Equation, 1950 Signed and dated lower right Oil on canvas 41 x 39 1/2 inches Provenance: Laurel Gallery, New York Grace Borgenicht Gallery, New York Collection ...

A warm, enveloping ethereal painting, made for contemplation and wonder. A story that never ends, is never the same. A romance. A dreamscape. That is "My thoughts flood back to you",...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

video copyright by the artist and Bentley Gallery, Inc. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Title: 1960's British Surrealist Oil Painting - ''Campanula Association' Abstract Study Medium: Oil on board, unframed Size: 6 height x 3.75 width Condition: Good Provenance: all th...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

This abstracted figure painting by Juniper Briggs is made with mixed media on Arches paper with deckle edges. It features a warm, contrasting palette an...

Steven H. Rehfeld (American, born 1954) "Celeste en Blue" 2019 Oil paint, Paper, Newsprint, Resin, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. "C...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Bertha G. Davis (1911-1997) Untitled, ca. 1960's Oil on cradled masonite panel. 16 x 20 inches; 24 x 28 inches framed. Signed lower left. Artist estate stamp on verso. Vintage custom wormy chestnut frame. A painter of cityscapes, landscapes, and abstracts in Texas, Bertha G Davis was primarily a self-taught artist whose style was influenced by her early life experiences in pre-World War II Lithuania and later Mexico. Her style is expressionistic*, relying on color to denote her profound feelings. She works primarily in watercolor and acrylic with some mixed media*. She is the daughter of Abraham and Dvora Germaize of Vilna, Lithuania and grew up in Jewish ghettos in Vilna, Alita, and Kovno. Davis was influenced by her father who was a decorative wood-worker and carpenter in Lithuania. The family of five daughters and a son escaped to Mexico City in the late 1920’s because of Jewish oppression. The images and emotions she experienced had no outlet. She was known as a beauty, and at age 17 was named Jewish Miss Mexico, barely able to speak Spanish having just emigrated from Eastern Europe. Irving Davis, a merchant from Texas who had also come from Eastern Europe via Cuba, saw her at this event where she was crowned Jewish Miss Mexico, and three days later asked for her hand in marriage. They moved to a small town in Texas, raising a family. Her daughter, Sylvia, was born when Davis was 20 and they were inseparable. As Sylvia became an actress, painter, and sculptor, Davis was amazed at the capacity for creativity. Davis didn’t begin her own artistic journey until she was 47, when her daughter Sylvia Caplan encouraged her to try. She was inspired by this daughter who gave her a drugstore palette of watercolors, paper and brushes and told her to “just try.” Davis did not put down her palette and brushes until her death in 1997. Bertha G Davis was primarily self-taught but maintained a style oriented toward color and texture that reflected her strong feelings. Most of her early work was done while she lived in McAllen, Texas where she was known for her contribution to art and showed her work and the work of other artists at the Bertha Davis Gallery. She studied with Stewart Van Orden, at Pan American College in 1960-61; and was a student at the Art Institute San Miguel Allende, Mexico, 1965. She was also a student of Harold Phenix...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

A pop piece depicting Abraham Lincoln juxtaposed with the American 5 Dollar Bill. With impasto painting, and quick brushwork we are drawn to the movement, as the artist is able to en...

This abstracted figure painting by Juniper Briggs is made with mixed media on cold pressed paper with deckle edges. It features a warm, contrasting palette and captures an abstracted...

By Fernand Léger Medium: Mixed Media on Paper Size: 28" x 21" Framed Size: 39.25" x 32" An glorious example of a Master Cubist, Fernand Léger, featuring bold primaries and stately s...

Ana Hefco's "White Sand Beach #32" is an original, hand made resin painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aerial/satellite...

ANY custom charges/taxes etc.. ARE INCLUDED in the final price agreed. The item is located in central London, United Kingdom. The painting will be shipped rolled without stretcher ...

Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament. "Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage". Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988. Bio Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy. During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...

Composition Cubiste (Cubist Composition) Acrylic on canvas 60 x 50 cm A bold and structured cubist composition by Grégoire Mathias, balancing angular abstraction and muted vibrancy through ochre, slate blue, and cream tones. A refined homage to classical Cubism, ideal for collectors and interior designers alike. This acrylic on canvas painting titled Composition cubiste by French artist Greg Mathias exemplifies his distinctive interpretation of geometric abstraction. Influenced by the analytical Cubist movement, the work distills reality into a symphony of angles and layered planes. Triangular and faceted shapes intersect and overlap in a carefully constructed composition, creating visual depth without relying on traditional perspective. Mathias plays with a restrained yet impactful color palette of ochre, slate blue, pale teal, charcoal, and warm neutrals, giving the piece a harmonious architectural balance. The composition invites the eye to travel across textures and interlocking forms—an exploration of spatial tension and rhythm. Though the artist is best known for his Diachronic Cubism, this painting is rooted in a more analytical approach. It recalls early 20th-century abstraction, where reality is fragmented into geometry and form is prioritized over narrative. The result is a piece both timeless and contemporary—suited for refined interiors that embrace strong visual identity. Perfect For: Interior designers sourcing geometric abstract wall art for modern or transitional spaces. A standout piece for accent walls, entryways, hallways, or home libraries. Ideal for collectors seeking statement cubist art in a classic color scheme. Especially suitable for art-forward interiors with modernist or Bauhaus elements. Keywords: Greg Mathias, Composition cubiste, French abstract art, analytical cubism, geometric abstraction, modern cubism painting, acrylic on canvas, blue ochre abstract, cubist wall art, contemporary European art, interior design wall piece, vertical wall art...

Claude Vermette R.C.A. is a Canadian ceramist and painter who was born in Montreal, Quebec, August 10, 1930 and who died in Sainte-Agathe-des-Monts, April 21, 2006. Artist of international reputation, he made important contributions to the ceramic arts in Canada As a ceramist who worked in the architecture field, Claude Vermette is a pioneer in Québec and in Canada with regards to this type of artistic expression. The bursts of colours of his ceramics, the warmth of their hues and the play of their textures brought a human dimension in architectural spaces that were often grey and frigid. In his abstract paintings as well as in his prints and watercolours, Claude Vermette pursued this bold approach while constantly renewing and expanding the possibilities of colour and light. His work works with gradations of color field and shifting light. A native of Montreal, Quebec, Claude Vermette studied art under the guidance of Brother Jerome, c.s.c. at Notre-Dame College while also attending the Collège Saint-Laurent and the college of the Clercs de Saint-Viateur for his academic studies. Through his contact with Brother Jerome, he met Paul-Emile Borduas and joined the Automatiste group of emerging artists. They were influenced by Surrealism and its theory of automatism. Members included Marcel Barbeau, Roger Fauteux, Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Marcelle Ferron and Françoise Sullivan...

Charles Collins hails from a family of New Orleans artists. His late mother was a noted painter as his sister currently is, and he has a son who is a glassblower. His work has not be...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 30L x 24H.

Na Kumuwaiwai Hohonu, Underwater Spirt - Hawaiian Symbolist Figurative Hawaiian symbolist nocturnal figurative of glowing whispy figure underwater with mountains and red coral garden by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 10 inches condition: excellent provenance: all the paintings we ha...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Sam Maitin (1928-2004). Seated Figure, ca. 1970. Charcoal, gouache and decorative paper collage. Measuring 15.5 x 20.5 inches; 22.75 x 27.75 inches framed. Signed lower left. Excellent condition. Period frame original to the piece in mahogany with natural wood grain on sides and 22k gold leaf gilt face. After graduating from Simon Gratz High School, Maitin won a scholarship to the Pennsylvania Museum School of Industrial Art (now the University of the Arts). A painter, printmaker, sculptor, muralist, graphic designer, political activist, and beloved teacher, Maitin headed the Visual Graphics Communication Laboratory at the University of Pennsylvania’s Annenberg School for Communication from 1965–1972 and served on the board of Woodmere Art Museum from 1995–2004. He received a number of awards, including a 1968 Guggenheim Foundation Fellowship. He created murals and other public art for the Children’s Hospital of Philadelphia, the University of Pennsylvania, Temple University’s Kornberg School of Dentistry, the Please Touch Museum, and Hahnemann University Hospital, among others. Maitin's work is museum collections in the United States and Europe, including (but not limited to): Philadelphia Museum of Art Library of Congress, Washington, D.C. National Gallery of Art, Washington, D.C. Museum of Modern Art, New York Tate Gallery, London Bauersche Geisserie, Germany Oakland Museum, California Pennsylvania Academy of the Fine Arts The Currier Gallery of Art...