Oil Abstract Paintings

Oil on canvas

Oil on canvas

Artist: Gao, Renjie The member of the Hudson Artists Society, New York Agent of BRUNO MASSA Gallery, France Six Worldwide well-known art sales website agent KOONESS/1STDIBS/ARTPRICE/...

Oil on canvas. Signed, dated, and titled verso. 46.5 x 36 in. 47.5 x 37 in. (framed) Custom framed in a maple floater. Charles Strong, who was born in Greeley, Colorado on Christmas Day in 1938, was one of the youngest artists of the San Francisco School of Abstract Expressionism. He was a colleague of vanguard artists such as Elmer Bischoff, Richard Diebenkorn, Jack Jefferson...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

A painting by Nathan Oliveira. "Mask" is a Post-War painting, acrylic, earth, and oil on canvas by Bay Area Figurative artist Nathan Oliveira. The artwork is signed and dated in the ...

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

signed (lower right); signed, titled, dated and marked with the artist’s thumbprint (on the verso) PROVENANCE Portal 11 Art Gallery, Kiev, Ukraine (acquired from the artist)

The artist constructs his spirit animal through mixed media. 48" x 60" Spray Paint, Oil, Construction Paper, Acrylic, Pastel, Marker

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

Jim’s of Lambertville is proud to offer this artwork by: Arthur B. Carles (1882-1952) Born in Philadelphia, Pennsylvania, Arthur Carles was a painter whose work went through phases...

‘PORTAL 1 ( PROSPERO) Abstract Oil and Acrylic on birch ply panel was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' - 5TH NOVEMBER – 12TH DECEMBER 2021 Sarah Pickstone's work is in the collections of The Royal Academy of Arts Societe Generale UK Art Collection Saatchi Collection The Walker Art Gallery National Museums of Liverpool The Mercer Art Gallery collection – Yorkshire Museums British School at Rome Teaching is an intrinsic part of Sarah Pickstone's practice and is currently 2019 – Mentor Turps Banana Painting...

Rebeca Mendoza Serie de los rosas #4, 2015 Oil on canvas 55 x 79 in (139.95h x 199.9w cm)

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’re not sure whether it’s intentional or inadvertent. And then you discover he is the son of a notorious Dominican admiral, that the tyrannical dictator Trujillo was best man at his parents’ wedding, that his mother was a fabled high-society beauty, that he grew up on battleships and estancias before going, inevitably, to Brown. Even more surprisingly, Santana stayed in Providence for graduate studies at the Rhode Island School of Design, where he received his degree in architecture, soon plying his trade in Manhattan and his adopted city of Savannah, where he eventually set up his own firm. Astonishingly, in this era of CAD, he draws every detail entirely by hand. Considering his tweeds, his bow ties, his drawl and debonair dress, it is perhaps not surprising to learn that Santana’s architectural taste is strongly neo-classical, inspired by the vernacular Palladianism of antebellum Georgia, with of course a touch of the Postmodern. Santana’s detailed and decorous architectural plans for his clients are complemented by drawings created for solely for himself -- exotic imaginary cityscapes and urban fantasias, like the dreams of Sir John Soane channeled through Aldo Rossi or John Hejduk...

The first time I heard the words “abstract expressionism” I was in New York, trying to grab another day of leave before the army shipped me overseas. At that time in 1952, while brow...

Katharina Hormel paints minimalistic every day scenes of life. The people she portrays are out and about going about their daily life, enjoying a walk...

"Shimmering Skyline II" Abstract Painting 27.5" x 39" inch by Ahmed Farid Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is an autodidact Egyptian painters...

"PST" Mixed media painting 36" x 24" inch by Ben Cope 2022 Photo on deconstructed paper with oils and paint pigments Mixed media oil on wood Ready to hang ...

Anne Russinof's newest works are part of a series in which she intimates baroque ceiling patterns. Having long been inspired by architectural forms and patterns because they provide ...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts two delicate butterflies in ascension placed in a wonderful golden landscape with blue, red and yellow background. Slonem traces his famous crosshatch details throughout the piece, with thick use of paint and elegant accents. Inspired by nature and a genuine love for animals, Slonem's paintings encompass unique inspirations drawn from the world. While viewing this piece in person, it is as if we are surrounded by beauty and encased effortlessly in a golden seascape. This painting invites us to celebrate nature and the simplicity of flight from the elegant world of the butterfly. This painting is signed and dated by the artist on verso and it comes housed in a simple vintage frame...

"Spring Thaw" by Modernist painter, Stanley Bate is a textured and energetic abstract painting, created in the early 1960s. Bate, who was inspired by his Abstract Expressionist peers...

Katharina Hormel paints minimalistic every day scenes of life. The people she portrays are out and about going about their daily life, enjoying a walk in the park, cycling, playing f...

Portrait. 1975, oil on plywood, 32x27,5 cm Abstract portrait Robert Elibekyan (1941) (Armenian: Ռոբերտ Էլիբեկյան; born 21 April 1941) is an Armenian pa...

A modern abstract collage and oil on panel by American artist James Koenig.

Artist: Jack Brusca, American (1939 - 1993) Title: Metallurgy Year: 1968 Medium: Oil on Canvas, signed, dated and titled verso Size: 20 x 20 in. (50.8 x 50.8 cm)

Steven is now one of the top emerging artists in the U.S. His works are ground breaking, bold and imbued with unflinching disregard to painting conventions. ...

Vivid mid century landscape of autumn trees blurring into colorful abstraction by Helen Gleiforst (American, 1903-1997). Presented in a giltwood frame. Image size: 10" H X 8" W. G...

"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...

Abstract gouache on paper drawing in a palette of beige and soft blue with accents of sienna red and dusty yellow Created by Hudson ...

Acrylic on canvas 43.30 x 47.20 in unstretched

Painting of downtown Manhattan.

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem...

Jim’s of Lambertville is proud to offer this artwork by: James Lechay (1907 – 2001) Born in the Bronx in 1907, James Lechay spent most of his childhood in Brooklyn before moving to Joilet, Illinois at age 13 to live with his uncle after his mother passed away. In 1928, he received his B.A. in psychology from the University of Illinois. The next year, he attended one week of graduate school before leaving to study under his brother, the painter Myron Lechay, in New York. At his brother’s studio, James began to associate with other artists of the time such as Milton Avery, Mark Rothko, Arshile Gorky, William Zorach, and Raphael and Moses Soyer. From Myron, James Lechay learned to train his eye to observe natural forms and developed a philosophy dependent upon the relationship built between the artist and the subject. Lechay became engaged in the social and political issues of Depression-era New York and even joined the social realism movement for a brief time in the 1930s. He operated as the leader of the Artists Union while employed by the Works Progress Administration (WPA). With the WPA, Lechay traveled to Las Vegas, New Mexico, where he established a gallery and exhibited the works of Milton Avery, Max Weber, and other WPA artists. Despite his association with many artists and artistic communities in New York in the 1930s and 40s, Lechay opposed adopting a style due to its popularity and commercial success. His use, however, of large brushstrokes from Abstract Expressionism, the flattened plane of Modernism, and the simple compositions of early Abstraction created a combination of styles completely his own. A painter of a vast range of subjects, including still lifes, portraits, and landscapes, Lechay was known to reduce these forms to their visual essentials. Lechay often did not date his paintings as he frequently reworked them, even after they were exhibited, calling his pieces, “finished at all stages and never finished”. In 1945, Lechay was hired by the University of Iowa’s art department, where he worked alongside Mauricio Lasansky, Humbert Albrizio, Carl Fracassini, and Byron Burford...

Victoria Kovalenchikova’s abstract artworks are an outlook on the transformation of the world surrounding us; a shout in the cold infinity of cosmos. Kovalenchikova expresses through...

Contemporary Art, Abstract Painting Oil on canvas 100x100cm Signed About the artist Dario Sandoval (1993) Guadalajara, Jalisco. His main focus is oi...

Colorful vintage abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009), circa 1970. From the e...

The Finding Space series of work was inspired by images I had seen through shop windows at twilight. With only vague references to objects, I have tried to capture a sense of the lig...

Robert Marc Untitled Oil on Canvas Signed 60 x 80 cm 80 x 100 cm (Framed) The painting is rich and complex with a palette and surface quality that warms and harmonises his ge...

Vintage American school abstract expressionist cityscape painting. Oil on board, circa 1968. Signed. Displayed in a period frame. Image, 24.5"L x 20.5"H.

Thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations in cheerful, exuberant color. Little moments in vibrant shades of oran...

From amber skies to purple mountains the brigade of trees stand guard over the inlet. In this multi-faceted abstract expressionist marine landscape, painted with many nuances of col...

Mushroom rain mantra. 2002, oil on canvas, 95,5x90,5 cm Abstract composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, ...

Jack Wilson "ABC Time" Oil Painting c.1966 Fine vintage geometric abstract oil painting signed and dated by Jack Wilson 1966. Original oil on canvas. The...

Mirtha Moreno Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to th...

Antique American modernist abstract landscape signed oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 18H.

Oil paint and mixed media on repurposed bulletin board. Note, the wood border is part of the artwork, not to be mistaken for an actual "frame."

Colour--bold and bright juicy shades of orange, yellow, purple and green play off a pale blue backdrop in this delightful still life by Montreal born artist Mel Davis. She creates ab...

Artist: Vahagn Ghaltaghchyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Abstract Art Year: 2023 Title: Harmony Size: 18" x 14" x 0.8''...

A modern abstract mixed media painting with the figure of a man by the ocean by contemporary Maine artist Troy M. Stafford (21st c). Troy Stafford is an artist that has lived on both the East and West Coasts and he currently resides in Brunswick, ME. Troy is a multifaceted artist that paints and creates using mixed media. He builds and creates extraordinary picture frames and is a furniture designer and maker. His work is in many private collections as well as in the permanent collections of The Fine Arts Museums of San Francisco, The New Britain Museum of American Art, Portland Museum of Art, North Carolina Museum of Art, and The Columbia Museum of Art among others. Artist Statement: “I have always been drawn to making things, the idea to make something where nothing had previously been felt right to me at an early age. Growing up in the desert I loved going to the dump...

A modern abstract mixed media painting with two figures by contemporary Maine artist Troy M. Stafford (21st c). Troy Stafford is an artist that has lived on both the East and West Coasts and he currently resides in Brunswick, ME. Troy is a multifaceted artist that paints and creates using mixed media. He builds and creates extraordinary picture frames and is a furniture designer and maker. His work is in many private collections as well as in the permanent collections of The Fine Arts Museums of San Francisco, The New Britain Museum of American Art, Portland Museum of Art, North Carolina Museum of Art, and The Columbia Museum of Art among others. Artist Statement: “I have always been drawn to making things, the idea to make something where nothing had previously been felt right to me at an early age. Growing up in the desert I loved going to the dump...

Antique Italian modernist flower still life oil painting by Giorgio Celiberti (1929 - 1960). Oil on canvas, circa 1960. Signed on verso. Displayed ...

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

Rabbit’s Choice by contemporary artist Maria Cohen was the central work of the eponymous series and has been a part of the artist's graduation exhibition from Camberwell College of Arts held at South London Gallery in September 2021. The work is exploring sexual identity...

Artist: Vahagn Ghaltaghchyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Abstract Art Year: 2023 Title: Home Size: 20" x 16" x 0.8'' in...

Rene Beckley. City Streets, 1965. Oil on artist board, 16 x 20 inches; 18 x 22 inches framed. Signed and dated lower right.