Panel Abstract Paintings

Born and raised in New York City, Jeannie Motherwell inherited a love of painting from her father, Robert Motherwell, and stepmother, Helen Frankenthaler, two pillars of mid-century ...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

Acrylic on 3 wood panels Each panel measures 6 x 24 x 2 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall measurement for pic...

In this black acrylic word painting on white wood, Aron Hill paints three words that use the prefix 'pro,' meaning advancing or projecting forward -- two verbs and an adjective. As both visual imagery and language, words in artwork give powerful direction to thought. While text in art is not new – think of illuminated letters in medieval manuscripts...

A staccato of fine horizontal and vertical dashes in crimson, white and turquoise light up a horizontal composition of pastel blue, pink, yellow and green on a blue-slate ground in t...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

This abstract painting by artist Ned Martin features a blue heron in profile, looking to the right side of the canvas. The background is composed of blue, silver, and black squares t...

Acrylic on wood panel 15 x 16.5 x 1.5 inches This minimalist, non-objective painting is the work of Ginny Fox, whose process is based on overlapping streaks of paint. Working with r...

Russell Shoemaker Hovering Oil on Panel Year: 2010 Size: 24x18x1in Signed and dated by hand on verso COA provided Ref.: 924802-1702 Tags: Abstract, Vibrant, Drips, Neon, Gestural, C...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with bold brush stokes creat...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

Katrina Revenaugh Get Happy Diptych Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2018 Size: 24×20in (each) Overall Size: 24x40in (if hung horizontally) Signed: ...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Katrina Revenaugh Double Time No. 2 Archival Pigment Ink, Acrylic, Oil Pastel, Tissue and Spray Paint on Birch Panel Year: 2021 Size: 30×24in Signed: On Verso COA provided Ref.: 9248...

Sky blue, pink, yellow, maroon and red abstract geometric contemporary painting by Houston, TX artist Peter Healy. The piece depicts colorful stick figures against a gray and pink-is...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

Time Changes by Mary Scott [2022] Time Changes is an original work by Mary Scott. This painting is inspired by the deep sea, wide skies and changing weather here in Cornwall. Painted dominantly in blue and white, I wanted it to evoke that place between the sea and the weather, the elements in motion. Painted dominantly in shades of white and ‘Prussian blue’, it was created with many layers of oil, cold wax and fine rock powder with abstract expressionistic mark making resulting in a rich surface patina. The work will be framed in a dark blue tray...

Jennifer Bricker-Pugh Tangerine Materials: Mixed Media on Panel Date : 2019 Dimensions : 12"x1.5"x12 Signed by hand COA provided Description: In my opinion, color is an artists most ...

Signed "Tom Benrimo" at lower right The overall dimensions including the frame are 35 x 41 inches

James Minden 51902 Holographic style painting- incised plastic and acrylic on wood panel 44 x 36 inches 2019 To get a sense of the holographic effect look at the video on that vime...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Untitled 2023 (black-purple) (Abstract painting) Acrylic and oil on panel — Unframed. Jasper van der Graaf is a Dutch artist known for his large-scale murals. His art is defined by ...

Katheryn Holt (American, born 1952) "Breakwater IV" 2020 Mixed Media, Wood Panel, Wire The artist signed the back of the painting. "Breakwater IV" by Katheryn Holt is a stunning 48"...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

Steven H. Rehfeld (American, born 1954) 'Untitled' 2022 Oil paint, wood panel, wood The artist signed the back of the painting. In this 18" x 18" abstract, Steven Rehfeld crafts a v...

Chris Liberti is a favorite with collectors here and abroad. Gesture, color, and surface enliven the new harmonies and patterns Liberti creates as he wor...

Untitled 2024 (purple-beige) (Abstract painting) Acrylic and oil on panel — Unframed. Jasper van der Graaf is a Dutch artist known for his large-scale murals. His art is defined by ...

Matt Magee Map - Spirit Level, 2020 Oil on panel 48 x 48 in (121.9 x 121.9 cm)

Steven H. Rehfeld (American, born 1954) 'Untitled' 2022 Oil paint, wood panel, wood The artist signed the back of the painting. About the Artist: Introducing Steven H. Rehfeld, a di...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

“Hush” is part of my Tapestry series of semi abstract paintings that explore the simplification of shape, space, colour and texture in places I have visited. Some of these are specific to landscapes around my studio in Surrey, the South Downs and Devon but mostly they are a visual amalgamation of experiences, like a patchwork of memories and feelings from one or many places. Tapestry-like landscapes with bold mono-tone blocks which reflect the shadowy-shape of evergreen trees against more open hills and meadows. I see more when I’m not focused on the detail, painting intuitively with a mix of acrylics, inks, chalk and oil pastels to capture an emotive response to a place rather than the reality of a specific landscape. Brush strokes and marks are layered and carved with fluid lines that create imagined dream-like patterns. “Hush” is painted on a wood panel with muted shades of slate, moss, pebble and shell, contrasted with a bold graphic swathe of charcoal. Tamara Williams...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features nearly opaque light blue circles, arranged in an overlapping pattern to create ...

This is a one-of-a-kind original textural abstract artwork by San Diego artist, Alexander Arshansky. Its dimensions are 12"x12"x1.5". It is unframed. A Certificate of Authenticity wi...

Russell Shoemaker Fluorescing Oil on Panel Year: 2010 Size: 22x15.5x1in Signed and dated by hand on verso COA provided Ref.: 924802-1703 Tags: Abstract, Vibrant, Drips, Neon, Gestur...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

A.L. Woods’ geometric abstract acrylic paintings are developed using a combination of repeating triangular shapes and subtle color variations inspired by nature, including oceanic co...

Blue, Orange, Green - Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition by Charles David Francis (American, ...

Cynthia Rojas creates her paintings with an insistent, intuitive line and colorful, eccentric shapes. Annual trips to Mexico have had a major influence on her palette and vintage te...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

"Copse" is an oil painting with chalk and graphite on wood panel, and measures 16" high by 12" wide. It is finished with a clear resin across the surface, lending the artwork a particular warmth and liquidity that is rare and lovely to behold. Typical of the artist, the painting is a mystery despite its apparent simplicity – the landscape with trees on the horizon, the wide full sky bearing down with clouds and light. The picture surface is very interesting – drawn lines and painterly brushstrokes to be sure, but note the speed and swift conviction of those brushstrokes. All of it held, as if in time, by the resin layer acting as a lens to both transmit this picture and admit light to the picture. A true artifact. From Will Hudson...

Jennifer Bricker-Pugh King of Brooklyn Acrylic on Panel Year: 2021 Size: 20x20x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Re...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Jennifer Bricker-Pugh Teather and Tie Acrylic on Panel Year: 2021 Size: 18x24x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1085 Jennifer is an A...

Here is "Somewhere A Rose", oil on linen, diptych, 48 x 72 inches. Gail Chase Bien paints thinly layered oil on linen over extended periods (from months to years) to complete a singl...

Mat Tomezsko's "NOW" series of mixed imedia street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acryli...

Contemporary colorful abstract landscape painting by New Jersey based artist Russ Rubin. The work features an otherworldly landscape winding in muted desert...

David Cheifetz's "Black Light" (2024) is an original, handmade oil painting that depicts a surreal still-life featuring a variety of candles on a white tablecloth. About the Artist:...

David Shevlino's classic American city scape with highlights of orange with cream building, blue sky, green trees and the upcoming stop sign, beautifully li...

David Collins has an ongoing interest in space and memory. Many of Collins’ memories relate to his family’s history in inventing Cold War era technology. Personal recollections of sp...

Untitled 2024 (purple-white) (Abstract painting) Acrylic and oil on panel — Unframed. Jasper van der Graaf is a Dutch artist known for his large-scale murals. His art is defined by ...

David Shevlino female figures beautifully link traditional representation with abstraction. Through Shevlino’s sensuous application of paint, his use of broad brushstrokes followed b...

My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice. Within t...

Sarah Helen More is a Seattle-based west coast artist with an eclectic history that spans from her birthplace of Hartford, Connecticut to her hometowns of Portland, Oregon and Houston, Texas. She was raised with an appreciation for her parents’ passions, including her father’s rock and mineral collection...