Panel Abstract Paintings

acrylic, mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textur...

Appendix 2 is an original painting realized by the Italian artist Salvatore Travascio in 2003. This is an oil painting on paper, on a wooden support. Hand-signed on the back. Perfec...

Katheryn Holt (American, born 1951) "Dewey Weber Revisited" 2023 Oil paint, Mixed Media, Wood Panel, Stretcher Bars The artist signed the back of the painting. Artist Statement: We ...

Red And Blue Composition is a beautiful painting realized by the Belgian artist Martine Goeyens in the 2000s. Acrylic on plywood. Hand-signed on the lower right margin. Very good c...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

"Spirit Trees 2" by C. Clinton is 16 x 16 inch acrylic painting of abstracted trees and spaces between the branches. The acrylic painting on panel is unframed and signed on the back ...

Nude Lipstick 2 [2021] Original Oil and oil stick on deep edge cradled panel Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Inspired by a series of haiku poems by poet and mum, Stella Pierides, that were written in response to shared family stories and experiences of lockdown. Maria Pierides...

Mid Century Modern Abstract Painting by Don Clausen C.1959 Early abstract by Clausen Original oil on board Dimensions 48" wide x 28.25" high The frame measures 52" wide x 33.25" ...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Butterfly is a contemporary artwork realized by the Belgian artist Martine Goeyens in 2018. Acrylic on table. Hand-signed by the artist in black ink on the lower left margin. Unique...

This geometric abstract acrylic on canvas painting is part of Weaver's "Cubes Divided into Three" series. Squares, rectangles, triangles, and polygons appear in shades of blue, purpl...

Water Lights is a delicate artwork realized by the Belgian artist Martine Goeyens. Acrylic on panel. Hand-signed on the lower right corner. Very good conditions. The artwork shows...

Dan Pelonis’s "Speedboats" combines repetition and abstraction to reflect on motion and cultural memory. The painting depicts rows of minimal red-and-white speedboats gliding against...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 76 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of blue and pink creates its own essences of form atop washes of whites and green. Spil...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Panel Year: 2023 Style: Abstract Art, Title: Red Wind Size: 18" x 21" x ...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Panel Year: 2023 Style: Abstract Art, Title: Spirit Dance Size: 21" x 18...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Panel Year: 2023 Style: Abstract Art, Title: Serenade Size: 24" x 24" x ...

Born and raised in New York City, Jeannie Motherwell inherited a love of painting from her father, Robert Motherwell, and stepmother, Helen Frankenthaler, two pillars of mid-century abstraction. She studied painting at Bard College and the Art Students League in New York. Continuing with her art after college, she became active in arts education at the Bruce Museum in Greenwich, CT. Later, relocating to Cambridge, MA, she worked at Boston University for the graduate program in Arts Administration 2002 - 2015. She served on the Cambridge Arts Council Public Art Commission from 2004 – 2007 and is currently on the Provincetown Arts Magazine Board of Directors, an Honorary Art Advisor Member for Rochester Museum of Fine Arts (NH), and is on the Advisory Board for Joy Street Artists Open Studios in Somerville, MA. Her work has been featured in public and private collections throughout the US and abroad. Jeannie’s studio is in Somerville, MA. She is represented by the M Fine Arts Galerie...

Multi-layered oil paint, inked paper on repurposed wood panel. Title is from the final act of Puccini's "Turandot."

Born and raised in New York City, Jeannie Motherwell inherited a love of painting from her father, Robert Motherwell, and stepmother, Helen Frankenthaler, two pillars of mid-century abstraction. She studied painting at Bard College and the Art Students League in New York. Continuing with her art after college, she became active in arts education at the Bruce Museum in Greenwich, CT. Later, relocating to Cambridge, MA, she worked at Boston University for the graduate program in Arts Administration 2002 - 2015. She served on the Cambridge Arts Council Public Art Commission from 2004 – 2007 and is currently on the Provincetown Arts Magazine Board of Directors, an Honorary Art Advisor Member for Rochester Museum of Fine Arts (NH), and is on the Advisory Board for Joy Street Artists Open Studios in Somerville, MA. Her work has been featured in public and private collections throughout the US and abroad. Jeannie’s studio is in Somerville, MA. She is represented by the M Fine Arts Galerie...

Chris Liberti is a favorite with collectors here and abroad. Gesture, color, and surface enliven the new harmonies and patterns Liberti creates as he wor...

Born and raised in New York City, Jeannie Motherwell inherited a love of painting from her father, Robert Motherwell, and stepmother, Helen Frankenthaler, two pillars of mid-century abstraction. She studied painting at Bard College and the Art Students League in New York. Continuing with her art after college, she became active in arts education at the Bruce Museum in Greenwich, CT. Later, relocating to Cambridge, MA, she worked at Boston University for the graduate program in Arts Administration 2002 - 2015. She served on the Cambridge Arts Council Public Art Commission from 2004 – 2007 and is currently on the Provincetown Arts Magazine Board of Directors, an Honorary Art Advisor Member for Rochester Museum of Fine Arts (NH), and is on the Advisory Board for Joy Street Artists Open Studios in Somerville, MA. Her work has been featured in public and private collections throughout the US and abroad. Jeannie’s studio is in Somerville, MA. She is represented by the M Fine Arts Galerie...

Angela Lane’s three-dimensional abstract works are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit of ...

Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and seamlessly connects back to itself. "Iteration II" combin...

James Minden 51902 Holographic style painting- incised plastic and acrylic on wood panel 44 x 36 inches 2019 To get a sense of the holographic effect look at the video on that vime...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

Born and raised in New York City, Jeannie Motherwell inherited a love of painting from her father, Robert Motherwell, and stepmother, Helen Frankenthaler, two pillars of mid-century abstraction. She studied painting at Bard College and the Art Students League in New York. Continuing with her art after college, she became active in arts education at the Bruce Museum in Greenwich, CT. Later, relocating to Cambridge, MA, she worked at Boston University for the graduate program in Arts Administration 2002 - 2015. She served on the Cambridge Arts Council Public Art Commission from 2004 – 2007 and is currently on the Provincetown Arts Magazine Board of Directors, an Honorary Art Advisor Member for Rochester Museum of Fine Arts (NH), and is on the Advisory Board for Joy Street Artists Open Studios in Somerville, MA. Her work has been featured in public and private collections throughout the US and abroad. Jeannie’s studio is in Somerville, MA. She is represented by the M Fine Arts Galerie...

HUBLOT CARIBBEAN BLUE is a small-scale, mixed-media assemblage on wood that captures the raw materiality and ephemeral beauty of the natural world. Created following a trip to the C...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

Tatiana Flis’ “Observer Effect” is a 48 x 36 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. A black and white grid of rectangles for...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

This is a one of a kind original abstract oil painting on wood panel by Southern California artist, Daniel Ketelhut. Its dimensions are 18" x 18" x 1.5". It is unframed. A certificat...

This is a one of a kind original abstract oil painting on wood panel by Southern California artist, Daniel Ketelhut. Its dimensions are 24" x 18" x 1". It is unframed. A certificate ...

Oil on panel.

"Swing" is an oil painting with chalk and graphite on wood panel, and measures 16" high by 12" wide. It is finished with a clear resin across the surface, lending the artwork a particular warmth and liquidity that is rare and lovely to behold. Typical of the artist, the painting is a mystery despite its apparent simplicity – a girl or young lady on a swing...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

Orazio De Gennaro's Scorched Valley is a 40 x 40-inch abstract painting on panel. The main colors are different shades of blue, red and gray. De Genn...

Mixed media on Korean traditional paper (Jangji) & wood panel Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea....

Another in the series of my semi abstract landscapes inspired by the South Downs in West Sussex. We have wonderful skies on the South Downs and they are a constant source of joy and inspiration. ADDITIONAL INFORMATION: Sunbleached by Polly Dutton...

Joanne Ungar's unique process involves layering pigmented wax over cardboard forms to create a geometric composition of color. Ungar's process begins by the artist flattening three-...

Jeri Ledbetter, CAMELIA 111, Mixed Media on Panel, 60.00 X 60.00 in, $10,000.00, mixed media White, Grey, Black, Red Jeri Ledbetter is inspired and compelled both by nature’s odditi...

Untitled 5 (JF 22) (Abstract Painting) Gesso wash, pencil, and oil on wood panel — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper colla...

Abstract interior. Oil on panel. 2022.

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Hunt Slonem "Mandeville" Black and Yellow Bunny A single rabbit gestured in black on a yellow background in a vintage frame Unframed: 8 x 6 inches Framed: 12.5 x 10.5 inches *Painti...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) Abstraction with White Border 16 x 12 inches Estate stamp verso Oil on p...

Voyeur is a monochromatic architectural painting and a cityscape. It is Oil and Acrylic on Wood Panel, 30x30. It is sold individually or as a diptych with Ruled by Shapes/Destroyed by Geometry. Jason Wright was born in the United States (1975). He studied Painting and Graphic Design at the Corcoran College of Art and Design in Washington, DC. Jason was immersed in art from a young age, illustrating and designing graphics for the surfing, skateboarding, and snowboarding industry. Apart from his current body of work, he is an accomplished mix media painter, as well as a medaled action sports athlete. His current work focuses on the theory of shelter, and explores the relationship between the simplistic shape of a home and it's ever presence in our lives, his work is generally rendered in a dusk, dawn, or full moon setting. Wright’s passion for HDR and long exposure photography...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

Pink Over & Under (Abstract Painting) Gesso wash, pencil, and oil on wood panel — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper collag...

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of black, red, and purple creates its own essences of form atop washes of whites and gr...

Abstract, interior / exterior figurative. colorful, abstract brushwork, loose perspective similar to Anselm Kiefer Oil on panel.

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST: Jean Feinberg is a NY based artist whose wall constructions - paintings on found wood and paintings on painted plywood - a...

Edward Avedisian ( 1936-2007 ) 17.5 X 8.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Alber...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

Born and raised in New York City, Jeannie Motherwell inherited a love of painting from her father, Robert Motherwell, and stepmother, Helen Frankenthaler, two pillars of mid-century abstraction. She studied painting at Bard College and the Art Students League in New York. Continuing with her art after college, she became active in arts education at the Bruce Museum in Greenwich, CT. Later, relocating to Cambridge, MA, she worked at Boston University for the graduate program in Arts Administration 2002 - 2015. She served on the Cambridge Arts Council Public Art Commission from 2004 – 2007 and is currently on the Provincetown Arts Magazine Board of Directors, an Honorary Art Advisor Member for Rochester Museum of Fine Arts (NH), and is on the Advisory Board for Joy Street Artists Open Studios in Somerville, MA. Her work has been featured in public and private collections throughout the US and abroad. Jeannie’s studio is in Somerville, MA. She is represented by the M Fine Arts Galerie...