Late 20th Century Abstract Paintings

Jürgen Möbius (*1939 Großenhain), Black form surfaces on red painterly ground. Oil on hardboard, 50 x 60 cm, 51 x 61 cm (frame), signed "Möbius" and dated "[19]81". - Small paint chip in upper right corner, otherwise good condition. Gallery frame with slight signs of wear. - The Double Origin of Painting - About the artwork In the painting black, optically dominant forms can be seen, which in their arrangement at right angles to each other have a proto-architectural character. They are, so to speak, always already given original forms. At the same time, however, the forms are surfaces of color, and thus genuine painting. In order to make the painterly character of the painting clearly visible, Jürgen Möbius has applied red-toned strokes that have preserved the brushstroke. These are traces of an act of painting. The diagonal layers of red strokes merge into the upper white area, which oscillates between brushwork and homogeneous flatness, while the central white field, into which a black bar protrudes, has a decidedly planar character. The sharp contrast between the autonomous black surface forms, reminiscent of Kasimir Malevich, and the free brushstroke, which is not bound to any motif, creates an enormous pictorial tension, which is conveyed by the white, but at the same time is intensified by the virulent black-and-white contrast. In addition to the tense contrast of form and color, there is also a contrast between the dynamic of the brushstroke and the static of the black surface forms, whereby the diagonal alignment of these forms also gives the static a dynamic, while at the same time the layered brushstrokes have something static about them. Added to this structure of tension is the fact that the painting ground, the unprepared hardboard, is clearly present as such in the picture. In this way, it becomes clear once again that we are not dealing with an autonomous cosmos of form and color, as in Suprematism, but with a painting created by the artist's hand. With this work, Jürgen Möbius explores the possibilities of painting and thematizes painting in terms of its twofold origin, the trace of the guided brush and the painterly form, which gains its independence precisely by absorbing the brushstroke into itself. About the artist From 1959 to 1965 Jürgen Möbius studied painting at the University Institute for Art and Work Education in Mainz. He also studied philosophy and art history at the University of Mainz. Afterwards he worked as a freelance artist in Mainz. At first, Möbius created material reliefs and installations, then, around 1974, he turned increasingly to conceptual art and added cinematic means. During this phase he wrote the manifesto-like essay "Principles of Supranatural Landscape" (1979). From 1981 on, Möbius concentrated on painting and searched for artistic ways to "treat intellectual and sensual perception equally in the fusion of representational and abstract pictorial elements" (Wolfgang Zemter). He found inspiration on his study trips to Thailand and Sri Lanka. "The pure painting of Jürgen Möbius flows through us as a timeless expression of memory and energy, ploughing our perception and bringing us the happiness of seeing authentic, immovable form. - Philippe Büttner Selection of solo exhibitions 1969 Galerie Würzner, Düsseldorf / Galerie Gurlitt, Mainz 1972 Städtische Galerie, Mainz 1973 Galerie Schloss Ringenberg Rathaus, Kleve 1974 Röderhausmuseum, Wuppertal 1976 Galerie Glasing, Osnabrück / Städtische Galerie, Herne 1977, 1997, 2004 Märkisches Museum, Witten 1979 Studio M, Bamberg / Staatstheater, Darmstadt 1980 Galerie Stolànovà, Wiesbaden / Mittelrheinmuseum, Koblenz 1982 Galerie Dornhöfer, Mainz 1984 Galerie Neumühle, Schlangenbad 1985 Landesmuseum, Mainz / Kunstverein, Ludwigshafen / Nassauischer Kunstverein, Wiesbaden 1986 Museum, Bochum / Galerie der Stadt Iserlohn 1987, 1990 Galerie Klaus Kiefer, Essen 1987, 2000 Galerie Ulrike Buschlinger, Wiesbaden 1988 Kunsthalle Darmstadt 1988, 1992, 1996, 1999 Galerie Leonhard, Basel 1992, 2002 Galerie Zulauf, Freisheim 1994 Galerie Remy, Vallendar 1995 Sendezentrum des Zweiten Deutschen Fernsehens, Mainz 2001 Collegium oecumenicum, Bamberg / MVB Forum für Kultur und Wirtschaft, Mainz 2006 Adam Gallery, London Selection of group exhibitions 1969 ‘International Graphic Arts’, Galerie Dalléas Bordeaux, Paris 1975 ‘Deutscher Künstler-Bund’, Dortmund 1979 ‘Man and man’s Images’, Märkisches Museum Witten 1980 ‘Love-Dokuments of our Time’, Art Hall Darmstadt and Art Association Hannover 1982 ‘Work - Progress – Position’, Nassau Art Association Wiesbaden 1983 ‘Principle Hope – Utopic Aspects in Art and Culture of the 20th Century’, Museum Bochum 1986 ‘Selfportraits’, Gallery Klaus Kiefer Essen 1987 ‘The Dying and Death’, Gallery Klaus Kiefer Essen 1989 ‘Where are You, Revolution – Freedom, Liberty, Egality, Fraternity to-day’, Museum Bochum 1990 ‘Flight – a Problem within the Memory of Man’, Kunsthalle Darmstadt ‘Art and War 1939 – 89’, House of Cultures Berlin 1991 ‘Material and Form’, Pillnitz Castle Dresden and Pfalz Gallery Kaiserslautern 1995 20 Years Exhibitions, Chrämerhuus Langenthal, Schweiz 1998 ‘Works on Paper’, Klaus Kiefer Gallery Essen 2000 ‘Acquisitions 1900 – 2000’, Mittelrhein-Museum Koblenz 2001 ‘Strange Pictures’, Klaus Kiefer Gallery Essen 2002 ‘10 Years Buschlinger Gallery’, Buschlinger Gallery Wiesbaden 2004 ‘Eternal Space – Pictures and Sculptures’, Dome of Bamberg 2005 Art Fair Chicago, Adam Gallery, London Selected Bibliography Mittelrheinisches Landesmuseum (Hrsg.): Jürgen Möbius - Neue Bilder, Mainz 1985. Kunstverein Darmstadt (Hrsg.): Jürgen Möbius. Bilder 1985 - 1988. Kunsthalle Darmstadt, 26. Juni - 14. August 1988. Red. Dorit Marhenke, Lyrik Marcus Schiltenwolf, Düsseldorf 1988. Gabriele Prusko (Hrsg.): Jürgen Möbius. Mit Texten von Philippe Büttner und Ralph Mieritz, Basel 1992. Wolfgang Zemter (Hrsg.): Jürgen Möbius - Aktuelle Arbeiten. Märkisches Museum der Stadt Witten, Bönen 1999. Wolfgang Zemter (Hrsg.): Jürgen Möbius. Flieger in meinem Zimmer und Beruhigte Zone, Bönen 2004. Dama Gallery...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

Red and brown abstract by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" lower left. Unframed,...

"Princess Diana" is an original oil painting created by Alayna Rose. This piece was created shortly after the death of Princess Diana in 1997. The painting effectively captures the distance and sadness surrounding the event. Alayna Rose did not set out to make a tribute painting...

Gutai Object, Paris Period by Takesada Matsutani Important organic abstraction in polyvinyl acetate adhesive on vinyl by Takesada Matsutani (Japanese, b. 1937). Titled "Objct" on verso. Signed and dated (1983) on verso with "Japan, Paris, S.F" delinated. Unframed. Image size: 47"H x 37"W. x 3"D Condition: Good: some bending and creasing to thinner edge areas top center and all corners, vinyl on lower right corner and under signature. One image shows a patch of vinyl tape, this is the artists access port for adding air under the acrylic glue to pump up the area. We will mount on Sturdy foam core and make the conservation minor fixes to the vinyl layers prior to shipping. From the early sixties to the early seventies, Matsutani was a key member of the ‘second generation’ of the Gutai Art...

Matthias Alfen’s series of Janus figures are an innovation in figural art predicated on the advances made by the Futurist sculptor and painter Umberto Boccioni and the Modernist Alberto Giacometti. The qualities of chance and spontaneity, necessarily excluded in the sculptural work, are clearly evident in his drawings and paintings. “Psychograms” of unchoreographed hand movements display wide variation, repeatedly playing through one form after another. In the end, this multitude of variation serves to enhance the logic, consistency, and seductively rich appearance of Alfen’s designed sculptural works. Represented by Gallery Schuckin in New York, Paris, France, and Moscow, Russia. Matthias Alfen’s was strongly influenced by his family’s experience during World War II. His grandfather Klemens Alfen (1894-1955) was an accomplished painter and photographer, recognized for his landscape photography and for his technique (Special Honors for Excellence in Photo-Print Technology, 1932). He enjoyed the friendship and support of many in the artistic community, a community largely influenced by its German Jewish members. Having lost his entire circle of friends under Nazi oppression. Klemens, although not Jewish, also suffered under the Nazis for refusing to join them and struggling in post-war Germany, which had nothing to offer an artist like him, Klemens took his own life. At around the age of 16 he worked for some weeks as an assistant at his uncle’s art studio. Fritz Koenig...

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, 1988, impasto details, warm pink brown with green hues, unsigned, dated and with artist's studio stamp to verso,...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner T...

“Liberty Garden”, a large resin on canvas. Dated 1972 and signed on verso by Walter Darby Bannard (1934-2016), an American artist. Can be hung horizontally or vertically. Bannard ...

Artist: Stephanie Peek – American (1940- ) Title: Umber Garden Year: 1996 Medium: Oil on Canvas Size: 10 x 10 inches Signature: Signed, dated, titled on reverse by the artist Condit...

"Tin Can Hands" 1995 by Mason Rader A graduate of the L. Jeffrey Selznick School of Film Preservation at the George Eastman House in Rochester NY with a B...

Work on Arche paper

Evocative abstract expressionist figurative painting of earth-toned highly abstracted couple by Michael William Eggleston (American, 20th Century). ...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Oil on Canvas, apparently unsigned, marked "Burnt Umber" and stamped "Studio Elfi Schuselka" to verso, unstretched, unframed...

An acrylic painting by Roy Ahlgren circa 1970. A geometric abstract painting utilizing bright contrasting color blocks in a modern form. Signed verso, unframed. Artist: Roy Ahlgren, American (1927 - 2011) Title: Red Blue Variations...

Antique American abstract cubist composition "Terra Firma Theme 10" by Augustus Goertz (Born 1948) . Oil on canvas, circa 1958. Housed in a period gilt...

Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a lens of minimalism and geome...

Detailed surrealist landscape depicting a barren, desert-like scene with small boats by Clayton Anderson (American, b. 1943). Signed "CLAY ANDERSON" on v...

George McClancy (1930-2014) abstract pattern triptych painting. Acrylic on canvas 75W" x 48H" George McClancy received a MA in painting from Catholic University in Washington DC, ...

Red Strike - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece is a ...

La obra va firmada en la parte inferior y fechada del año 1981 Se presenta enmarcada (leves signos de uso en la enmarcación) Medidas de la obra: 92 x 73 cm. Medidas del marco: 103...

Gorgeous vintage pink and blue ombre abstract by Maureen Fenton-Hansen (American, 1946-2007). Signed and dated "Fenton '74" on verso. Unframed. I...

9 - White Black and Red is a contemporary artwork realized by Genny Puccini in 1977.  Mixed colored collage on paper. Hand signed and dated on lower right margin.

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and inscribed verso oil painting on canvas, unframed canvas size: 18 x 22 inches condition: overall ...

Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73. Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.) Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada, Richard Pousette-Dart, Leon Polk Smith, Forrest Bess, Sonia Sekula, Herbert Ferber, Seymour Lipton, Eduardo Paolozzi, Alexander Liberman, Barbara Chase-Riboud, Richard Lindner, Agnes Martin, Ellsworth Kelly, John Walker, Patrick Ireland...

Sunset Garden - Textured Expressionist Composition in Acrylic on Canvas Textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Drips of col...

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...

Signed twice, verso, on stretcher 'Marsha Straus' for Marsha Rogow Strauss (American, 1944-2008) and painted circa 1995. A substantial and vibrant oil abstract comprising massed, ov...

Tom Holland (American, b. 1936) Hopps fiberglass and aluminum with epoxy paint Mixed Media Wall Sculpture 1982, hand signed and dated Dimensions: 65.5 X 78 X 10 inches Tom Hollan...

Brunette Muse - Original Abstract Expressionist on Canvas Abstract expressionist figurative composition of a woman by California artist Harald "Harry" Dry Schmidt (American, 1933-19...

William Stephens Shields, Jr., 1925 - 2010 "Dreamer's Forest" 1994 Oil on panel 48"x36" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil and Refining Company. Industrial: Hughes Tool Company, General Electric, United States Steel, Phelps Dodge, Sylvania Television, Texas Gulf Sulphur, Litton Industries, Houston Lighting and Power Company...

Work on Arche paper

Crystal Blue Persuasion - Original Oil Painting on Canvas with Quartz and Shell Multicolored, iridescent abstract composition by Judith W Winslow (JW) (American, 1943-2023), circa 1...

abstract composition on canvas. Signed

"Letter G" Minimalist Expressive Composition in Acrylic on Canvas Gestural composition by Midwest American artist Robert E. Deasy (b. 1938). A swirl of black paint cuts across a whi...

Pewter Wash 48”x48” Oil on Canvas Abstract Art Soothing Colors Gray Tones As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustrati...

Abstract Conceptual painting. it has a lacquer resin like finish to it. it is reminescent of the pored resin works of Gaetano Pesce. it is not framed. Siren Bliss was born Michael W...

Edward Avedisian Gouache Watercolor Abstract Painting on Arches paper. (notebook cover not included) Unsigned, (bears name verso in pencil.) Dimensions: 10" X 14" Late 1970s, early 1...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and inscribed verso oil painting on canvas, unframed canvas size: 18 x 22 inches condition: overall ...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed dated 84' canvas size: 20 x 24 inches condition: overall very good,...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on loose canvas mounted to a canvas wood panelling, unframed canvas size: 31.5 x 16 inc...

This 37" x 26" oil on linen was painted by Robert Bonaparte in 1980. It is characterized by its abstract stylistic qualities and the various forms and shapes depicted. At its center ...

"The Old Boardwalk" - 1998 Original Abstract Expressionist on Canvas Colorful abstract expressionist painting titled "The Old Boardwalk" by Charles David (Dave) Francis (American, 2...

Moonrise Over the Mountains -Abstracted Landscape in Acrylic on Canvas Mountain landscape by California artist Charles "Dave" Francis (American, 1951-2018). An abstracted landscape ...

Bright and vibrant abstracted landscape depicting the Wyoming mountains on a summer day by Erle Loran (American, 1905-1999). From a collection of his works. Estate stamp on verso. Un...

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, impasto details, in blues and grays, apparently unsigned, artist's studio stamp to verso, unframed. 24" H x 14" ...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Andrei Korovin (Russian) "Insanity of Autumn", Abstract Oil on Canvas, 35.50 x 35.50, Late 20th Century, 1990 Colors: Orange, Green, Yellow, Blue, Brown, Red

Modern abstract interpretation of a traditional European aristocratic portrait complete with crown, elongated neck, bustier neckline and a hint of a cinched waist titled "Card Illusion" "Иллюзия карты" by Vadim Kurov (Russian Federation, b-1947). Signed by the artist lower right corner Вадим Куров (Bagum Kypot) (Vadim Kurov); signed and dated "99" on verso. Presented in a rustic giltwood frame. Image, 37.13"H x 26.13"W. Vadim Kurov graduated Art Industrial School. VM Mukhina. Member of the Russian Union of Artists and the International Association of Artists. Lives and works in St. Petersburg. Born in the city of Kazan, USSR, in 1947, graduate of the Kazan School of Art, graduate of the St. Petersburg Academy of Art and Design. The main topics of work: theatrical compositions, ballet world, a fantastic portrait, literary - philosophical still-life and landscape. His paintings are in the collections of European countries, as well as in the collections of the Museum of Theatre Arts of St. Petersburg, the Ministry of Culture, the State Museum of Fine Arts in Kazan, the Georges Pompidou Museum, the Cultural Center of Los Angeles, State Museum of Contemporary Art, Miami Museum, Prague Modern Art, the Museum of the Soviet and Russian Art Shanghai. EXHIBITIONS (partial list): 1989/90 – participation in the exhibitions/auctions of Drouot-Richelieu, Paris 1991 – 10-10 Gallery, St. Petersburg1991 – Nurland, Norway 1991 – Hamilton, Canada 1992/1993/1994/1995 – “New Romantics of St. Petersburg” (Zerkalo/ATUS Galleries) 1994 – MALAUKSIA Gallery, Helsinki, Finland1996 – Bremen, Germany 1997 – personal exhibition at the Zerkalo Gallery, St. Petersburg 1998 – Vincent Louis Gallery...

Bihead the Ears is a contemporary artwork realized by Tommaso Cascella in 1990 MIxed colored acrylic painting on canvas. Hand signed, titled and dated on the back. A beautiful abs...

Kimono with Rope Texture - Collagraph Master Plate Master plate for collagraph printmaking featuring a kimono with rope texture in warm neutral peach tones, by California artist Pat...

Signed lower right

Blue, Pink & Red Abstract in Watercolor on Paper A bold abstract expressionist watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). Bright sections of yellow, pink, orange, and red are divided by dark blue lines. Although some shapes are repeated, there is not a definitive pattern, which creates a dynamic composition. Signed "Les Anderson" on verso. From the estate of Les Anderson in Monterey, California. Unframed. Paper size: 14"H x 20"W. Les (Leslie Luverne) Anderson(American, 1928-2009) owned and operated the Bear Flag Gallery in San Juan Bautista...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Oil on Canvas, apparently unsigned, stamped "Studio / Elfi Schuselka" to verso, unframed. 22" H x 29" W. Provenance: From th...

Allen Kubach (American) "Untitled: Blue Linear Abstract on Green" , Oil on Canvas, Monogram signed on rear canvas, Late 20th Century, 1997 Colors: Blue and Green Allen Kubach and Marjorie Shaw Kubach were two married artists who explored their artistic styles together throughout their careers. The artists showed their works largely throughout New Jersey and New York, sometimes joining together for the same exhibits. The works that Detour Gallery has acquired are representative of the pair’s time in which they explored abstraction. These works were made in a postwar era, following the art world’s shifted focus on New York as the center for new modern art. Art at this time was evolving, and the experimentation of abstract expressionism, geometric abstraction, and minimalism evidently paved the path for later artists such as Allen and Marjorie. As noted in the New York Times by Vivian Reynor, Allen Kubach “specializes in strong colors, expressing them in vertical and diagonal grids laid one on top of another.” In such a manner, Allan reflects these contemporary ideals that were taking New York by storm in the 1960’s and 70’s. The linear focus and non objective use of color found in Allen’s work correlates to that of the pioneers of abstract and minimalistic work such as Sol Le Witt...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Joachim Czichon Untitled Gestural Abstract Composition Medium: Gouache Year: 1984 Signed and dated by hand Edition: Unique Size: 16.4 × 11.5 inches C...

PHILIP WOFFORD Dutch (Andre Emmerich Gallery), 1975 Acrylic on Canvas painting 73 inches x 73 inches x 2 inches Hand signed, titled and dated on the verso This is a unique painting ...

This oil on paper painting is by noted artist Carol Fremlin (1933-). It measures 29 x 23 inches (41.5 x 34.5 inches framed). It is composed of oil and pa...