Landscape Paintings

By the river. Canvas, cardboard, oil, 55.5x70.5 cm

Frederick Charles Freder (1895 - 1954) The Sacred City of Kairouan, Tunisia, 1922 Oil on canvas 26 1/4 x 32 1/4 inches Signed lower left and on the frame; with "From The Estate of Fr...

Beautiful and vivid California mountain lake landscape. Circa 1970. Signed lower right "C. Sokolovsky." Displayed in rustic giltwood frame. Image, 20"H x 24"W.

Oil on canvas painting by the well known American artist, Charles Levier. Signed lower left. Titled and signed verso. Circa 1970. This painting shows Levier at his best combining t...

La Baie des Anges a Nice et le Casino is a lovely gouache on paper from 1928. The work is fully authenticated by Fanny Guillon-Laffaille and is listed in the Raoul Dufy Catalogue Rai...

Miniature oil on board original painting of a view of Place du Tertre in Montmartre, Paris. France. Circa 1975. Signed illegibly lower right. Condit...

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

This original 1926 signed oil painting by 20th cenutry artist Charles Ragland Bunnell (1897-1968) beautifully captures the expansive Colorado prairie landscape. Created while Bunnell...

Abstract Urban landscape. 1970 circa Abstract Geometric Composition with Figures and Architecture Artist: Unattributed Date: Circa 1970 Medium: Oil on cardboard Dimensions: H 65 c...

Compelling fauvist seascape with boldly colorful ocean waves and glowing sunset by Northern California artist John Ramm (American, 1879-1948), 1929. Impasto brush strokes add depth and interest to high voltage color palette. Signed lower right corner and dated on stretcher "29" . Condition: Good; minor edge losses professionally restored/in-painted. Signature slightly augmented to enhance readability. Image size: 22"H x 28"W. The son of German immigrants, John Henry Ramm was the son of German immigrants, and his father had been a Duke in his native land. Ramm moved to San Francisco in 1893 and worked as an apprentice to a photographer. He married Nettie Hoist in Sacramento and they lived in San Francisco. He was a close friend of painter Manuel Valencia...

Jordi Curos - View of Barcelona - Oil on cardboard Oil measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He trained at the O...

Susan Ricker Knox 1874-1959 was a famous Female American Impressionist painter. She studied at the Drexel Institute in Philadelphia with Howard Pyle and the Cooper Union Art School ...

Oil on cardboard without frame. Signed A. Ramseier Swiss artist from 19th century

We originally had the name of the actual bay in Canada this fine painting depicts, but have been unable to dig it up. At any rate, it shows a number of sailboats with sails lowered, ...

Antique American impressionist oil painting of a fall landscape by George A. Renouard (American, 1884-1954). Oil on board. Signed. Framed.

St. Paul de Vence, France signed by Josine Vignon (French 1922-2022) ...

A beautiful, moody & atmospheric summer landscape painting by South Carolina artist June Rutledge, ca. 1925. Artwork size: 24" x 30". Rutledge...

"Reflections in the Pond" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworld...

Landscape with mountains, south of France. Oil on cardboard on canvas, 38x53 cm

Woman and Child in the Woods - Midcentury Abstracted Landscape in Oil on Canvas Dramatic abstracted painting of a woman holding a child in the woods by Maley (20th Century). This pi...

Marshes and trees in Summer colors by an American (signature illegible) artist. Circa 1970s. Reminiscent of the Florida Highwaymen style. Ruby Velve...

Earnest David Roth, American (1879-1964), View of Segovia, Spain, circa 1922. Signed lower right: "E. D. Roth". Gallery label verso. Panting dimensions: 30.25 x 30.13 inches. Framed dimensions: 37.75 x 37.75 inches. Roth studied painting at the National Academy of Design under Edgar Ward...

Signed lower right, 'André Prévot-Valéri' (French, 1890-1959) and painted circa 1920. André Prévot-Valéri was the son of the landscape painter, August Pr...

Serene early 20th century landscape of a winding creek in verdant country side with a distant farmhouse in the background, by an unknown artist (American, 20th Century), c. 1920. Pre...

Oil on canvas glued to board. Oil measures 25x40 cm. Frameless. Illegible signature.

Vintage Grand Canyon Impressionist Landscape Majestic impressionist landscape of the Grand Canyon in beautiful vivid colors by an unknown artist (American, 20th Century). The viewer...

Wonderful atmospheric landscape titled "Reggel a reten" (Morning in the Meadow) by artist Wrabel Sándor (Austro-Hungarian, 1926-1992), 1979. Signed, titled and dated on verso and ga...

This painting is part of our exhibition American Coast to Coast: Artists of the 1930s Subway Construction, c. 1928, oil on board, 19 x 15 ¾ inches, signed upper left, artist and title verso; exhibited: 1) 12th Annual Exhibition of the Society of Independent Artists, The Waldorf Astoria, New York NY, from March 9 to April 1, 1928, no. 864 (original price $250) (see Death Prevailing Theme of Artists in Weird Exhibits, The Gazette (Montreal, Quebec, Canada), March 8, 1928); 2) Boston Tercentenary Exhibition Fine Arts and Crafts Exhibition, Horticultural Hall, Boston MA, July, 1930, no. 108 (honorable mention - noted verso); 3) 38th Annual Exhibition of American Art, Cincinnati Art Museum, Cincinnati, OH, June, 1931 (see Alexander, Mary, The Week in Art Circles, The Cincinnati Enquirer, June 7, 1931); and 4) National Art Week Exhibition [Group Show], Montross Gallery, New York, New York, December, 1940 (see Devree, Howard, Brief Comment on Some Recently Opened Exhibitions in the Galleries, The New York Times, December 1, 1940) About the Painting Ernest Stock’s Subway Construction depicts the excavation of New York’s 8th Avenue line, which was the first completed section of the city-operated Independent Subway System (IND). The groundbreaking ceremony was in 1925, but the line did not open until 1932, placing Stock’s painting in the middle of the construction effort. The 8th Avenue line was primarily constructed using the “cut and cover” method in which the streets above the line were dug up, infrastructure was built from the surface level down, the resulting holes were filled, and the streets reconstructed. While many artists of the 1920s were fascinated with the upward thrust of New York’s exploding skyline as architects and developers sought to erect ever higher buildings, Stock turned his attention to the engineering marvels which were taking place below ground. In Subway Construction, Stock depicts workers removing the earth beneath the street and building scaffolding and other support structures to allow concrete to be poured. Light and shadow fall across the x-shaped grid pattern formed by the wooden beams and planks. It is no surprise that critics reviewing the painting commented on Stock’s use of an “interesting pattern” to form a painting that is “clever and well designed.” About the Artist Ernest Richard Stock was an award-winning painter, print maker, muralist, and commercial artist. He was born in Bristol, England and was educated at the prestigious Bristol Grammar School. During World War I, Stock joined the British Royal Air Flying Corps in Canada and served in France as a pilot where he was wounded. After the war, he immigrated to the United States and joined the firm of Mack, Jenny, and Tyler, where he further honed his architectural and decorative painting skills. During the 1920s, Stock often traveled back and forth between the US and Europe. He was twice married, including to the American author, Katherine Anne Porter. Starting in the mid-1920s, Stock began to exhibit his artwork professionally, including at London’s Beaux Arts Gallery, the Society of Independent Artists, the Salons of America, the Cincinnati Art Museum, the Whitney Studio and various locations in the Northeast. Critics often praised the strong design sensibility in Stock’s paintings. Stock was a commercial illustrator for a handful of published books and during World War II, he worked in the Stratford Connecticut...

Antique American impressionist coastal seascape painting. Oil on board. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent condition, ready ...

Rivière Saulaie à Lyons-la-Forêt, Eure by Paulémile Pissarro (1884-1972) Oil on canvas 60 x 73 cm (23 ⁵/₈ x 28 ³/₄ inches) Signed lower left, Paulémile - Pissarro. Signed and titled...

La Lac de Castillon (Provence) by Josine Vignon (French 1922-2022) ...

French Landscape signed by Josine Vignon (French 1922-2022) ...

Original oil on canvas painting of a Parisian street scene done in post impressionist style by the Portuguese artist, Hilario Roberto. Street scene complete with iconic Parisian flo...

Arctic Stream in Forest Landscape with Lush Greens & Blues by 20th Century British Artist, Jack Strickland Art measures 16 x 20 inches Frame measure...

W. A. Slaughter (1923 - 2003) Dallas / San Antonio Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas "Bend in the Creek" Texas Hill Country Biography W. A. Slaught...

This lovely Impressionist Colourist oil painting is a fine example of the work of noted Scottish landscape and animal artist George Smith. He was particularly known for his paintings...

Sunny alley cardboard/oil, 87x65.5 cm, 1971

Sunny forest cardboard/oil, 90x70cm

Serene landscape by notable California artist Tom Olson (American, b. 1927). Signed and dated in the lower right corner. Titled on verso in upper right corne...

Manuel Isidor Valle Micolau (1874-1959) - Spanish village landscape - Oil on cardboard Oil on cardboard 11.5x19 cm. Frame measures 22x28 cm. Photographer and artist from Lleida trai...

Finely painted American impressionist seascape painting. Oil on board. Signed. Framed. Measuring 14 by 20 inches.

Signed oil on panel impressionist seascape circa 1920 by Paul Emile Lecomte. The work depicts the entrance to a busy port as the sun begins to set. The dying light is illuminating th...

Derrick Latimer Sayer, (1917-1992), British. Fine field study in oil paint on board circa 1970's. He studied under Henry Moore and Graham Sutherland at Chelsea School of Art. Afterw...

Signed lower right, 'C. Sideman' for Carol Joy Sideman (1925-2021) and painted circa 1975; titled, verso, on old artist's tape, 'Surf and Rocks'. Carol Sideman received her Bachelor of Arts degree from the University of California at Berkeley and, subsequently, attended the Oaklands College of Arts and Crafts. Sideman specialized in architectural illustration...

This watercolor is part of our exhibition America Coast to Coast: Artists of the 1930s Circus Wagons, 1927, watercolor on paper, signed and dated lower left, 10 x19 ¾ inches (sight), provenance includes Stary-Sheets Art Gallery (Gualala, CA); J. Ralph & Louis Stone Foundation; presented in a newer metal frame behind glazing About the Painting Millard Sheets was only twenty years old and in his third year of studies at the Chouinard Art Institute when he painted Circus Wagons. Despite his youth, Sheets was already an accomplished artist who had publicly exhibited his work and won prestigious prizes. Within several years, he would have his first solo exhibition at one of Los Angeles’ premiere galleries and become a painting instructor at his alma mater. In Circus Wagons we already see Sheets deft handling of the watercolor medium and his interest in the California Scene. In this case, Sheets captures a back lot view of a traveling circus, a subject he sometimes returned to, including in a color screen print in the collection of the National Gallery. Sheets made a career by painting what he knew and observed firsthand. This approach allowed Sheets to capture with authenticity the details of each narrative. Even with a narrowly limited palette and an economy of brushstrokes, Sheets effectively depicts the southern California scene with its strong and mysterious shadows, as well as the workers and circus animals. Seen through the hindsight of his six-decade long career, Circus Wagons offers a fascinating insight into the early development of California Scene painting which would by the mid-1930s become the best recognized style on the West Coast. About the Artist Millard Sheets was the dean of California watercolorists. His list of accomplishments is so extensive that his entry in Who was Who in American Art is over forty lines. Born in Pomona, California, Sheets became a painter at an early age, winning a prize at the Los Angeles County Fair in 1918. By the mid to late-1920s, Sheets became a regular at art exhibitions in the western part of the United States, winning several additional prizes before he reached the age of twenty-five. Sheets studied at the prestigious Chouinard Art Institute from 1925 through 1929 with Frank Tolles Chamberlin and Clarence Hinkle and had his first solo show with Los Angeles’ Dalzell Hatfield Gallery in 1929. During the 1930s, Sheets was invited to exhibit at almost every major American Museum and in many ways, his work came to represent the California watercolor school...

Fauvist signed oil on canvas riverscape circa 1920 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the R...

Medium: Oil on Canvas Signature: Signed Lower Left Story illustration for “Toward the Millennium: When Adam Delved and Eve Span” by F. Britten Austin, published in The Saturday Even...

Antique American impressionist seascape signed oil painting by Morris Hall Pancoast (1877 - 1963). Oil on board. Signed. Framed. Image size, 16L x 12H.

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on panel, 14 ½ x 18 inches unframed, 22 x 25 ½ inches framed, inscribed “painted by David McCosh Property of Edward b. Rowan” and numbered “8” verso Exhibited: The First Exhibit of the Iowa Artist...

Jim’s of Lambertville is proud to offer this artwork by: William Langson Lathrop (1859 - 1938) Deemed the “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887 at the Art Students League. Lathrop first moved east in the early 1880s and took a job at the Photo-engraving Company in New York City. While there, he befriended fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop’s early years as an artist were ones of continuing struggles. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together and traveled to Europe with Henry Snell in 1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 40 Frame Size: 38.75 x 48.75 Medium: Oil on Panel Applied by Palette Knife Dated 1977-1978 "Sunset" Costa Brava Spai...

This beautiful oil on canvas painting is by Serop Vardanian (1914-1997). Vardanian is best known for his depictions of trees, and this one, titled “The...

"Noah's Ark", Monkeys in Trees w. Crocodiles, Richard DeTreville 1924 San Mateo A lively, large-scale vertical painting of Macaques monkeys in the trees abo...

A fresh Spring landscape by a very well noted French Impressionist and son of famed Henri Martin. Would bring a lovely window type view to any room as the colors are fresh. Brushwo...

Gorgeous vibrant oil painting of the ocean waves crashing along the rocky shore with dramatic light beaming down from the sky by Anthony Muscat (Malta, ...

Beautiful impasto seascape of the ocean tide along the rocky shore of Natural Bridges State Beach in Santa Cruz, California, by an unknown California artist...

Alfred John Billinghurst (1880-1963) . A very good oil on canvas by the English Impressionist . A view of Kynance Cove near The Lizard in Cornwall . Bill...