Early 20th Century Paintings

Vase of flowers is an original modern artwork realized by Karl Albrecht Buschbaum in the early 20th Century. Mixed colored oil on canvas. Hand signed on the lower margin K. Albrech...

Portrait of a Lady, c. 1900 Oil on canvas 36 x 28 1/2 in. Framed: 37 3/4 x 30 1/2 in.

This lovely Victorian genre oil painting is by noted animal artist Arthur William Redgate. Painted circa 1900 the scene is a farm horse having a drink at a water trough outside a tav...

The Bark 'Black Eagle' cutting in at Chesterfield Inlet

L'Arbre au Bord de l'Eau by Paulémile Pissarro (1884-1972) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lower left, Paulémile. Pissarro - 1928. Executed in 1928 This wor...

Nikol Schattenstein (1877 - 1954) Day at the Beach Oil on canvas 27 3/4 x 33 1/2 inches Signed lower left Provenance: Descended in the family of the artist Estate of Howard Aronso...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followe...

Antique Autumn Fall Landscape Pumpkin Harvest by Andrew Dwight Kennedy. Framed. Signed.

Alfred Richard Martin Liverpool 1871 – 1939 Johannesburg British-South African Painter 'Portrait of a Zulu Girl, KwaZulu-Natal, South-Africa' Medium:...

Medium: Oil on Canvas Laid Down on Board Signature: Inscribed with Title (Lower Center) Joseph Christian Leyendecker created the Arrow Collar Man in 1905 for Cluette, Peabody & Comp...

This lovely large Victorian landscape oil painting is by noted British artist Daniel Sherrin. Painted circa 1900 the painting is entitled Close of Day. The composition details a land...

Antique impressionsit oil painting of a cityscape. Oil on canvas, circa 1925. Signed. Displayed in a period frame. Image, 18"L x 22"H.

Susan Ricker Knox 1874-1959 was a famous Female American Impressionist painter. She studied at the Drexel Institute in Philadelphia with Howard Pyle and the Cooper Union Art School ...

Young Arab Soldier with Dog is an original modern artwork realized by a French painter in the first years of the XX Century. Original Oil painti...

Signed and titled oil on canvas riverscape by sought after French impressionist painter Pierre Eugene Montezin. The work depicts a view of a river in autumn. The trees that line the ...

Wright Barker (British School 1864-1931) Barker was a well-known painter of equestrian and highland scenes, though landscape and genre subjects are known. ...

George Hornemann, is an unknown painter of either Swiss, Austrian or German extraction. Our curators have so far been unable to trace this artist where we are wondering if the name a...

Samuel Fulton Scottish, (1855-1941) A West Highland Terrier Oil on canvas, signed & dated 1921 Image size: 17.5 inches x 13.5 inches Size includ...

Victor Simonin (Belgian, 1877-1946). An antique oil painting on board titled "Still Life of Flower and Fruit." This abstract still life work depicts a colorful botanical bouquet of f...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Work on canvas Gray wooden frame 46 x 58.5 x 5.2 cm This work of art beautifully captures the essence of a peaceful, bucolic landscape. The trees, painted with vigorous brushstrokes,...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resting her head on her arm. Signature: Signed lower right and titled on original artist's label verso Dimensions: Framed: 16"x19" Unframed: 10"x13" Provenance: Original artists label verso for Georges Lemmen at 96 Avenue Coghen , Brussels Private collection - Brussels Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

This art historically interesting oil on panel painting is by Scottish artist David William Gunn. Painted in 1927 it is of Caithness harbour in Scotland. The style is Scottish Cubist...

Medium: Oil on Canvas Signature: Signed Lower Right Illustration for the poem “The Radiant Christ” by Ella Wheeler Wilcox for Delineator Magazine, published December 1907. Ella Whe...

Very impressive impressionist coastal scene. Oil on canvas. Framed. No signature found.

Artist: Harold Bennett, British (1880 - 19??) Title: Brigsley Village, Lincolnshire Year: 1920 Medium: Oil on Board, signed Size: 13 in. x 15.75 in. (33.02 cm x 40.01 cm) Frame Size:...

INSIDE SCENE - Italian figurative oil on carboard painting, cm.17x29, Carlo Passarelli, 1900s

Early 20th Century Oil Painting "Fishing" by E. Smette c.1917 Antique oil painting of a group of young friends fishing on the backyard dock. Original oil on canvas. Signed in the l...

A fine oil on canvas by Scottish listed artist John Campbell Noble RSA. Painted circa 1911 it is a fine example of Scottish Impressionism and ...

Eduardo León Garrido (Spanish, 1856-1949) A very Fine oil on panel "Dressing for the Ball" depicting 18th century interior scene of a young 'High Society' maiden getting dressed for ...

Early 20th Century oil on canvas view of Collioure in the south of France, home to the Fauvists. The painting is initial signed E.L.Y bottom right (as yet undeciphered). The location...

This charming highland scene depicts a Scottish loch painted in shades of icy blue. The artist used gestural brushwork to convey texture in the sweeping landscape, capturing the scen...

Signed and dated divisionist landscape oil on canvas by Belgian post impressionist painter Modest Huys. This stunning piece is titled "Radiant Autumn - Wak...

Matthew At The Piano, dated 1969 by EDWARD HALL (1922-1991) Large 20th century portrait of Matthew at the piano, oil on canvas by Edward Hall...

Composition 16 is an original painting realized by Clément Kons (1879-1956). The artwork is on tempera and in very good conditions. Image Dimensions: 32...

Signed and dated oil on original canvas by French post impressionist painter Paul Madeline. This beautiful work depicts a mill on the bank of a river - water cascading over the rocks...

Helene Marie Margueite Perdriat (French, 1894-1969) Signed: Helene Perdriat (Lower, Right) " The Catch ", c. 1920 Oil on Canvas 39 1/2" x 32" Housed in a 3" Stepped Frame Over...

Graceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painte...

A fine early 20th Century copy of the original portrait (by an unknown artist) of Ann Heron (nee Vining). The sitter is a solemn young woman in a white dress and red cloak. The paint...

Ivan Summers: 1889-1964. Well listed and important American impressionist. He has had auction results as high as $6,670. He studied at the St. Louis Scho...

Signed lower right, 'M. Bomund' for Marius Madsen Bomund (Danish, 1882-1963). Additionally inscribed, verso, 'Madsen Bomund', titled indistinctly, 'Studie fra ...' and dated 1915. M...

Louis Valtat (1869-1952), Nature morte aux pigeons Oil on canvas, huile sur toile, Signed: L Valtat LR, Signée: L Valtat Canvas: 15.15 x 18.1 Inches (38,5x46 cm) Framed: 25 x 28...

Oil on canvasboard. Framed. No signature found.

A wonderful impressionist still life with flowers by Canadian American artist George Loftus Noyes (1864-1954). Noyes was born in Ontario, Canada to American parents, moved to America...

An early 20th century French impressionist oil, depicting a beached fishing boat on mud flats at daybreak, with a town on the far bank. The artist's short, thick strokes of paint hav...

Signed, verso, in Cyrillic, 'Аlexander Yurievich Tyutrin', (Russian, born 1951) dated 1982 and titled, 'Kazantipsky Bay'. Old attached label verso, from 'Art Salon-Shop', bearing a...

Beautiful early 20th century Bay Area landscape attributed to California artist Florence Bugbee Banham (American, 1856-1934). This small scale horizontal landscape depicts a peaceful...

English Victorian Antique landscape, Figures gathering Primroses. Cowleigh Woods, North Malvern, UK John Bates Noel was born John Noel Bates in Worcester in 1870. He was the son of ...

Skilled and very beautiful watercolor by I. P. Gardner from the 1920s to 1930s. Artist is well known for her watercolors of life in the Middle East during that period. Signed lower l...

Kunze Alfred Chemnitz 1866 – 1943 German Painter View of Funchal – Madeira, Portugal Signature: Signed bottom right and dated 31 Medium: Oil on canvas Dimensions: Image size 47 x 57...

Hans Zatzka, Austrian (1859-1945) A Fine Oil on Canvas "Portrait of Haunz Javorasky Als Knabe Dressed as a Sailor" within a carved gildwood frame. The charming portrait depicts a sea...

A beautiful and very interesting French oil on canvas depicting a view over a North African town, probably in Morocco. The work is striking and well painted with lovely impasto brus...

Antique impressionist landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready...

Nicely painted American school sunset sailboat seascape. Oil on board. Framed. Signed.

Still Life with Mediterranean Seafood Madyol Jacques Brussels 1871 – 1950, Belgian Painter Signature: Signed bottom left, verso inscribed "Poissons de la Méditerranée" Expo Jan. 84...

New York City artist Eliot Candee Clark was well known for his impressionist landscapes. He was the son of painter Walter Clark. Many of his paintin...

Otto Vautier is a renowned Swiss painter, born in 1863 in Düsseldorf. He was influenced by a family of artists and developed his style during his training in Munich and Paris. Vautie...

"Woman by Basin" by Philadelphia born modernist and surrealist painter Leon Kelly, is a framed and matted portrait of a female nude. The 22.5" x 17.75" mixed media on artist board i...

Oil on board. Signed in oil, lower left recto, and inscribed "no. 20" in watercolor verso. With the "Douane Centrale" ink stamp verso. Provenance: Private collection, Chicago.

Jerusalem is an original old master artwork realized by Ludwig Viktor Krämer (1861-1949) in 1900. Oil on Canvas, Includes frame 98 x 145 cm Hand signed by the artist and dated 19...