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1850s Art

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Period: 1850s
Landscape with Herd
Landscape with Herd

Auguste-François LièvreLandscape with Herd, 1854

$2,244

Landscape with Herd

Located in ROUEN, FR

19th-century French School oil on canvas by Auguste-François Lièvre, titled “Landscape with Herd” (Paysage au troupeau). Signed and dated 1854.

Category

French School 1850s Art

Materials

Oil

Études D'Androgynes - Original Lithograph by Paul Gavarni - 1850s

Paul GavarniÉtudes D'Androgynes - Original Lithograph by Paul Gavarni - 1850s, 1850s

$236

Études D'Androgynes - Original Lithograph by Paul Gavarni - 1850s

By Paul Gavarni

Located in Roma, IT

Études D'Androgynes is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing...

Category

Modern 1850s Art

Materials

Lithograph

Pas Coquette - Lithograph by Paul Gavarni - 1850s

Paul GavarniPas Coquette - Lithograph by Paul Gavarni - 1850s, 1850s

$283

Pas Coquette - Lithograph by Paul Gavarni - 1850s

By Paul Gavarni

Located in Roma, IT

Pas Coquette is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Fr...

Category

Modern 1850s Art

Materials

Lithograph

A. Karr - Original Lithograph by Paul Gavarni - 1850s

Paul GavarniA. Karr - Original Lithograph by Paul Gavarni - 1850s, 1850s

$283

A. Karr - Original Lithograph by Paul Gavarni - 1850s

By Paul Gavarni

Located in Roma, IT

A. Karr is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

Category

Modern 1850s Art

Materials

Lithograph

M'am Abraham - Lithograph by Paul Gavarni - 1850s

Paul GavarniM'am Abraham - Lithograph by Paul Gavarni - 1850s, 1850s

$283

M'am Abraham - Lithograph by Paul Gavarni - 1850s

By Paul Gavarni

Located in Roma, IT

M'am Abraham is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Fr...

Category

Modern 1850s Art

Materials

Lithograph

'Maple River' original color lithograph by John Mix Stanley
'Maple River' original color lithograph by John Mix Stanley

John Mix Stanley'Maple River' original color lithograph by John Mix Stanley, ca. 1860

$950

'Maple River' original color lithograph by John Mix Stanley

By John Mix Stanley

Located in Milwaukee, WI

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' Along with the image, Stanley also noted in the report of the Maple River: "It would be an excellent plan for an emigrant travelling through the country, before reaching one of these rivers on which he expects to camp, to catch a few frogs, for the purpose of fishing in these streams, which abound pike, picarel, and large catfish. Frogs are by far the best bait that can be used." This note from the artist perhaps describes some of the actions of the figures in the camp in the foreground of the image. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 13.25 x 16.25 inches, frame Artist 'Stanley Del.' lower left Entitled 'Maple River' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE VIII' upper right Framed to conservation standards using 100 percent rag matting and Museum Glass to inhibit fading; housed in a brass-surface aluminium moulding. John Mix...

Category

Romantic 1850s Art

Materials

Lithograph

The Portrait - Original Drawing - 1853

The Portrait - Original Drawing - 1853, 1853

$295

The Portrait - Original Drawing - 1853

Located in Roma, IT

The Portrait is an original artwork, pencil and ink on paper. Is dated 1853 on the lower right. Passpartout cm 25x28,5 The artist represents an interior scene, under an intimate vie...

Category

Modern 1850s Art

Materials

Pencil

'Victor's Camp - Hell Gate Ronde' original John Mix Stanley lithograph
'Victor's Camp - Hell Gate Ronde' original John Mix Stanley lithograph

John Mix Stanley'Victor's Camp - Hell Gate Ronde' original John Mix Stanley lithograph, ca. 1855

$1,150

'Victor's Camp - Hell Gate Ronde' original John Mix Stanley lithograph

By John Mix Stanley

Located in Milwaukee, WI

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. Stanley shows here the stop the Stanley Party made at the junction of the Bitterroot and Hell Gate, in present day Montana. While there, the Party met with the Flathead Chief by the name Victor, as is shown in the image. The figures and their encampment are dwarfed by the vast landscape around them, indicating the sublimity of these new American territories. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Victor's Camp - Hell Gate Ronde' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXXI' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...

Category

Romantic 1850s Art

Materials

Lithograph

'Kettle Falls, Columbia River' original color lithograph by John Mix Stanley
'Kettle Falls, Columbia River' original color lithograph by John Mix Stanley

John Mix Stanley'Kettle Falls, Columbia River' original color lithograph by John Mix Stanley, ca. 1860

$950

'Kettle Falls, Columbia River' original color lithograph by John Mix Stanley

By John Mix Stanley

Located in Milwaukee, WI

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' When it came to depicting the Columbia River, as seen in the present print, Stanley chose to depict the river's characteristic rock formations and choppy waters. The figures in the image give the viewer a sense of the vase scale of the imposing landscape. Other explorers that reached the site years before the Pacific Railroad Survey, such as Lewis and Clark, observed this scene with wonder and awe – and it is clear Stanley felt the same way. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 13.25 x 16.25 inches, frame Artist 'Stanley Del.' lower left Entitled 'Kettle Falls, Columbia River' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XLVII' upper right Framed to conservation standards using 100 percent rag matting and Museum Glass to inhibit fading; housed in a brass-surface aluminium moulding. Print in overall good condition; wrinkles in upper margin and upper right corner; frame in excellent condition. John Mix Stanley...

Category

Romantic 1850s Art

Materials

Lithograph

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