1920s Art

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Work on canvas mounted on cardboard Silver wooden frame 45 x 50 x 4 cm Wildhaus (Toggenburg) mit den Kurfirsten

Original Italian poster: Impermeabili Moretti by Leopoldo Meticovitz. Archival linen-backed original Italian vintage poster IMPERMEABILI MORETTI. This pre-art deco poster is in v...

Signed upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Beautiful landscape depicting an idyllic view of a stream at College Lake with craftsman home in Watsonville, California by William Lemos (American, 1861-1942), c.1920s. Signed "Lemo...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Antique American impressionist coastal seascape painting. Oil on board. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent condition, ready ...

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck w...

Delicate and vibrant mid-1920's depiction of a nude woman sitting on the edge of a bathing pool by John Jay Baumgartner (American, 1865-1946). Soft light filters through dense foliag...

This haunting and evocative painting by Jean Lurçat showcases the artist’s remarkable ability to blend Surrealism, symbolism, and poetic landscape into a deeply atmospheric compositi...

This superb Royal Academy Art Deco exhibited portrait oil painting is by artist Walter Westley Russell. It was painted in 1927 and exhibited the same year entitled Mrs Guy Houlder, p...

A unique, original silver gelatin black and white photograph. The subway construction in Place de la Bastille, Paris, November 1928. Features: Original Silver Gelatin Print Photograp...

Jim’s of Lambertville Fine Art Gallery is proud to offer this work by Frederick Carl Frieseke (1874 – 1939). Frederick Carl Frieseke was a member of the third generation of American painters to inhabit and find inspiration from Giverny, France. His use of bright colors and light, to depict the female figure, defined the style of the Giverny group during his residence, synthesizing aspects of Impressionism and Post-Impressionism. Born in the United States, Frieseke studied at the School of the Art Institute of Chicago and the Art Students League in New York. In 1898, he moved to Paris to enroll in the Académie Julian, where he studied under Benjamin Constant and Jean-Paul Laurens. During this time, Frieseke also briefly studied with James A. Whistler, who would prove to be a great inspiration in Frieseke’s early works. From Whistler, Frieseke adopted a tonalist palette and a decorative approach to figurative painting. While in Paris, Frieseke’s works were featured at the American Art Association of Paris and in several annual salon exhibitions. His painting, “Before the Mirror...

Louis Icart, After, French (1888 - 1950) - Louise, Year: Of Original: 1927, Medium: Lithograph, facsimilie signature, Edition: 122/300, Image Size: 20 x 14 inches, Frame Size: 2...

Raphaël DROUART Mythology : The Hesperides Nymphs, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25 cm (c. 12,7 x 9,5 in) Edited for the 'Imagier de la ...

Artist: Man Ray (American born, 1890 - 1976) Title: MRS ROWELL Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st Ed...

Seibutsu (Still Life) A Vase and Apples Color woodcut, 1925 Signed on the mount (support sheet) From: Dojin zasshi, Hanga Magazine, Volume 8, No. 8 Condition: Excellent Image/Sheet ...

Within the fascinating world of vintage poster art, Rudd's original poster for "Escargots Ménetrel Exquis! Exquis!" whisks us away to a time when gastronomic pleasures were celebrate...

This striking 1925 poster, issued by the Secours Ouvrier International (International Workers’ Aid), is a powerful example of interwar political graphics advocating international sol...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Antique French impressionist cityscape oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in a period impressionist wood molding. Ex...

'Mother Nursing Her Baby', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil pai...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...

Cognac Pellisson is a French liquor poster from circa 1920, by famous poster artist Leonetto Cappiello. It is a typically whimsical Cappiello design featuring the oversized keg of Co...

Charming early 20th-century impressionist oil on panel depicting a sunlit coastal scene. Two seated figures rest along a grassy bluff, overlooking calm blue waters where small boats ...

Walpurgis Nacht is a drawing with pen and Indian ink on paper, realized by Alfred Kubin in 1920, Hand-signed. Provenance Zevi Collection Milan. Included a frame. In very good co...

Hand Signed. Edition of 130 pieces. This artwork is from the collection "Dix danseures"  Ref. Duthuit 481 Very good condition.

Rene Charles Edmond HIS 1877 - 1960 Signed antique oil painting. Canvas Size: 18 x 22" (46 x 56cm) Outside Frame Size: 24 x 28" (60 x 70cm) Provenance: This was owned by the highly ...

Serene depiction of Loch Na Keal, Iona, Scotland by William Mervyn Glass, Royal Scottish Academy and Scottish Academy of Artists (PSSA,SSA) (Scott...

Adriaan Lubbers, 'Times Square', lithograph, 1929, edition 50. Signed, dated, titled, and editioned '(50)' in pencil. A fine impression, on cream wove paper, with full margins (2 1/2...

This art historically interesting oil on panel painting is by Scottish artist David William Gunn. Painted in 1927 it is of Caithness harbour in Scotland. The style is Scottish Cubist...

The annual Furriers Ball in Paris was advertised by such Art Deco luminaries as Charles Gesmar, Maurice Milliere and the unknown Asta Tigri who designed both this poster and the imag...

An exceptional, museum-quality work by the renowned contemporary artist Juan Muñoz, this print titled “Furniture XIV” belongs to the Furniture Series and is signed and numbered 14/15...

Separe is an original offset and lithograph realized by George Grosz. The artwork is the plate n.22 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

This vibrant and highly theatrical poster by Jean Dylen for Chocolat Pupier is a superb example of the playful, eye-catching advertising style that defined French posters of the inte...

Etching and drypoint on laid paper realized by Chagall in 1922/23, and belonging to the suite "Ma Vie" Hand signed and numbered. Edition of 78/110 prints. State II/II. Published by...

Wonderful early 20th Century study of Jean Leon Gerome Ferris's 1885 Lion and Sun landscape "The Two Majesties." Unsigned. Condition: One tear professiona...

Provenance Kaplan Gallery, London Commander Jeoffroy Littleton Lowis, London (acquired from the above, 1966) Acquired from the above by the present owner, 2006 Exhibited London, Kap...

Carmel by the Sea - Beach, California Coastline 1927 Oil on Linen Seascape oil painting of the Carmel coastline by Charles Henry Harmon (American, 1859-1936). Vibrant blue Pacific w...

Superb poster with radiant colors realized by Leonard Richmond 🇬🇧 (1889-1965) around 1925. This artist was particularly known for his railway posters. During the First World War, Richmond served as the official war artist...

Laura Greenwood (1897-1951) Waterfall Landscape, ca. 1925 Oil on artist board, measuring 16 x 20 inches; 23 x 27 inches framed measurement. Signed lower right. Condition: the pi...

Marie LAURENCIN Two Girls with a Dog (1928) Stone Lithograph Printed in Atelier Mourlot Printed signature in the plate On China paper 42 x 31 cm (c. 17 x 12") Excellent condition

Pencil signed by both Luce and Jacques Villon (Villon etched the image) and numbered 120/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris. Catalogue Raisonne:...

"Eternal Problem" - 1924 Etching on Paper Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...

A unique, original silver gelatin black and white photograph. Paris, La Place De La Bastille, November 1928. Features: Original Silver Gelatin Print Photography. Press Photography. P...

This watercolour is hand signed and dated in pencil by the artist "Heckel 22" [1922] in the lower left image. It is also hand titled in pencil “Grauer Tag” [Grey Day] in the lower l...

A unique original silver gelatin black and white photograph. The Tuileries Garden in Paris under the snow, France, 26th of January 1926. The Parisians braved the cold at the end of ...

Work on canvas Still life at tea time This captivating still life presents a harmonious arrangement of everyday objects on a wooden table. To the left, a finely detailed glass carafe...

Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...

Oil and pencil on board. Signed "Boleslaw Biegas" Note: We do not ship uninsured. We require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and relia...

French pencil drawing of tree, circa 1920. The artist's perspective lends a sense of upward movement to this piece, as the tree's branches seem t...

This original vintage poster was created in 1920 by renowned poster artist, Leonetto Cappiello. It is printed in an oversize format with English text using stone lithography. The fin...

Romeo and Juliet is a modern artwork realized by Alexandra Exter in 1921. Costume sketch,  photpe print. Includes frame:44 x 33 cm

Leonetto Cappiello produced yet another stunning poster in 1922 for Veuve Amiot Champagne. It was noted as the “sparkling wine of kings,” hence Cappiello's choice of a royal central ...

William Malherbe (1884-1953) Signed lower right Dated 1928 Oil on Canvas 27x22 inches unframed 34x29 inches Framed Carved American period Frame Good Condition William Malherbe was ...

Raoul Dufy, French (1877 - 1953) - The Hare, Year: circa 1920, Medium: Woodblock on thin wove paper, Image Size: 8 x 7.75 inches, Size: 11.5 x 9 in. (29.21 x 22.86 cm), Description...

Gorgeous California landscape titled, "Sunrise on Tin Mountain, Death Valley" with Oak in foreground and mountains and Eucalyptus trees in background by Edward Langley...

"Female Model, Seated" From E. Strache, Handzeichnungen folio After Egon Schiele (1890 – 1918), AUSTRIA Signed in the plate “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCH...