1920s Art

A sensitively drawn and highly-detailed study for a three-panel set of stained glass windows showing the ascension of Jesus by angels and mortals. Initialed, lower right, 'EB-J', an...

Medium: original woodcut. Executed in 1920 for Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 3/4 inches (275 x 210mm); the ima...

This stunning British 1920's tempera oil on board painting is by noted artist John Young Hunter. It was painted circa 1927 and the composition is a f...

Small head in pencil. original drawing painting. The work is signed with the atelier's seal André Derain (Chatou, June 10, 1880-Garches, September 8, 1954) was a French painter, ill...

This exquisite lithograph and pochoir after Andre Lhote (1885–1962), titled Femme allongee (Reclining Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (...

Villa Ravà, Biblioteca (Library) Architectural drawing, china ink on paper monogrammed lower right in pencil: M.P. Titled upper left: Villa Ravà – Biblioteca A finely detailed arch...

Polar Bear by François POMPON (1855-1933) An original edition sculpture made in white enameled porcelain biscuit. Stamped in the paste "S 1927 DN" (S for "Sèvres" – dated 1927 – DN...

Henri AMEDEE-WETTER (1869-1929) Life in the Sea : Mermaid Maternity, 1922 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blin...

A 1928 woodcut on paper of a self-portrait of notable Chicago Modernist artist, Emil Armin. Artwork size: 10 1/2" x 8". Archivally matted to: 12 1/2" x 14 1/2. Signed, titled and numbered in pencil. Edition 7/30. Emil Armin was born in Radautz, Austria in 1883. By the age of 10, Armin was orphaned and was raised by his older siblings. He supported himself by working in restaurants and drew in his spare time. In 1905, at the age of 21, Armin immigrated to Chicago. He began studying at the Art Institute of Chicago in 1907, but financial difficulties forced him to start and stop a number of times, finally graduating in 1920. He studied with George Bellows and Randall Davey. Armin was an integral part of Chicago’s 57th Street Art Colony and exhibited in both the more avant-garde Chicago No-Jury Society Shows, as well as the more formal and conventional Chicago Society of Artists Exhibitions, the Chicago Renaissance Society and Art Institute of Chicago (1922-1949) exhibitions. He taught at Hull House...

Signed lower left and dated 1921. This radiant landscape bursts with Beal’s signature vibrancy and plein air spontaneity. In the foreground left, a flourishing mango tree fans its l...

Jules PERRICHON (1866-1946) Cannes : View from California Park, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind sta...

Work on wood

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (202 ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

We are pleased to offer a captivating small oil painting by the Swedish artist Georg Stoopendaal. Despite its modest dimensions of 14 x 18.5 cm, this piece exudes a powerful presence...

A unique original silver gelatin black and white photograph. Street musicians and singers in Lyon, France, circa 1930. Street musicians playing accordion with singers in Lyon, Franc...

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Very finely painted American modernist flower still life oil painting. Framed. Oil on board. Signed lower right. Image size, 12H by 17L.

There is no one alive who can paint and draw like Dean Cornwell. How can that be? They do not train artists the way they did. He was Norman Rockwell's favorite illustrator. The prese...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 7 ¾ x 10 ½ inches unframed, 14 ½ x 16 ½ inches framed, signed, dated, and located lower left as follows: “David McCosh...

Work on canvas Molded frame in plaster and gilded wood 81 x 94 x 6 cm Geneva landscape painted on the back of the canvas This captivating work depicts a rural landscape, rich in d...

A unique original silver gelatin black and white photograph. In the eastern suburb of Paris, France, in June 1926. A view of the canal with its barge boats in Charenton le Pont, an ...

Presenting a monumental original etching by French artist Albert Decaris. Decaris won many honors in France during his extensive career. "Leda and the Swan", depicts the mythologi...

Picture yourself stepping into a breathtaking spring day in Texas, where the sun bathes the landscape in warm, golden light. In this exquisite painting by Dawson Dawson-Watson, an in...

Emile BOIZOT Paris, Luxembourg Garden - 1920 Original woodcut Handsigned in pencil Numbered /165 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 14x10 cm. Frame measures 25x20 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Luminoso quadro con mazzo di fiori arancioni su fondo verde

The 1930 green edition of the Paris-France bearer bond carries with it the weight of transition. Issued just after the Wall Street Crash of 1929, this certificate offered a lower int...

Original, 1920s vintage gelatin silver print by famed photographer Tina Modotti of a mural fresco by Diego Rivera depicting peasants and workers. Photograph size: 6 3/4 x 9 3/8 inc...

Signed with printed title on the front of the print. Very early parmelian print by Ansel Adams.

Beautiful signed oil on board landscape circa 1920 by sought after post impressionist painter Victor Charreton. The piece depicts a figure walking through green rolling fields with h...

Italian life-size plaster sculpture , figure of the Callipygian Venus, after the antique Roman marble statue. Aphrodite Kallipygos, or Callipygian Venus literally means “Venus of ...

Edition of 340 copies including 33 original engravings. Copy on vélin Montgolfier d'Annonay, including: - 11 etchings by J. Daragnes, H. David, P. Ganon, P. Guastalla, J. Hechr, Cha...

Camille BELTRAND (1877-1951) Peaceful Landscape in Normandy, 1924 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp ...

Still Life American Scene Social Realism 20th Century Woodstock Modern Dudensing Konrad Cramer (1888 – 1963) "Black Glass Bowl and Napkin" 16 ½ x 14 inches Oil on Board Singed lower...

Luminous 1900 landscape of lake with mountains in background and stunning Aurora Borealis; a canoe rests on the shoreline by R. Briston (American, 20th Century). Signed lower left co...

Mary Elizabeth Price Dahlias and Lustre, circa 1925 Signed within a cartouche lower right, titled verso Oil and gold leaf on Masonite Oval 16 1/4 x 22 inches Provenance The artist F...

'Moonlight Sonata' by William Ritschel. Munich School, National Academy, California, Carmel, Panama-Pacific International Exposition ---- Partial signature, lower right, "..chel", ...

Signed lower right: Raoul Dufy and dedicated: a François Berthault Provenance François Berthault, Paris as a gift from the artist Perls Galleries, NYC Mr. and Mrs. Peter Rubel, NY, ...

ANONYMOUS (20th century) Café Collas, Pearls of the Indies, 1927 Original lithograph poster (La Semeuse workshop) On paper, 113 x 74 cm (c. 45 x 30 in) INFORMATION: Beautiful vinta...

This original early 20th-century oil painting by American artist Robert Alexander Graham captures the natural beauty of Golden, Colorado in a richly atmospheric Western landscape. Th...

Work on canvas Gilded wooden frame 42 x 49,5 x 5 cm

"Bronze Statue - Ife, Nigeria" is a bronze sculpture created in circa 1920. This figure has short legs and a short torso, but a large head. They held out their hands with two objects...

Henri LE SIDANER (1862-1939) The Pink Tablecloth, 1928 Original drypoint etching Signed in the plate On vellum, 28 x 20.5 cm Very good condition, minor flaws at the edges of the page

Printed by Oscar Consee, Munich, 1922 Not much is known about this Stockholm-based cabaret act. Translating literally as Bat Man, we see a young dancer tease an oversized bat wearing a monocle -- a truly bizarre but beautiful design. (text by Jack Rennert) Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery...

THOMAS HILL McKAY (1875-1941) ARCH ROCK - SANTA MONICA, CA c. 1925-30 Watercolor, signed lower right. Sheet 14 x 18 inches.. Additional full sheet study on verso.. Generally good c...

This vibrant 1928 original poster by Georges H. de Pogédaïeff announces the theatrical spectacle Coq d'Or, presented by Anatole Dolinoff as part of a celebration of Russian artistic ...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Artist: Man Ray (American born, 1890 - 1976) Title: MRS ROWELL Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st Ed...

A richly atmospheric early–mid 20th century oil landscape by Raphael Lillywhite depicting the Colorado Rocky Mountains in full autumn color. The composition captures a sweeping Weste...

Provenance: Barry Friedman Gallery, Modernism Fine Arts, New York. Estate Stamped. Thilo Maatsch (1900-1983) Thilo Maatsch has an epiphany at age 16 when, having been taken to Berlin’s prestigious Avant Garde art gallery Der Sturm, he’s mesmerized by the work of Franz Marc, and determines to be an artist. Eleven years later, he’ll one day recall with pride, his work exhibits there. Born and raised in 1900 Braunschweig, Germany, Maatsch by age 18 forms "Gesellschaft der Freunde junger Kunst" (Society of Friends of New Art) with Rudolf Jahns and Johannes Molzahn. Its members include soon-to-be-famous Lyonel Feininger, Paul Klee and Wassily Kandinsky, who promotes Maatsch and becomes something of a father figure. Introductions to collector Otto Ralfs in Braunschweig and the esteemed painter Heinrich Vogeler in Worpswede over the next two years influence his expanding body of work. By 1922 Maatsch has a growing family to support, and as his art fails to provide this he begins training to be a teacher, a vocation he’ll fall back on repeatedly throughout his life. His first assignment is that of primary school teaching in Holzminden. 1924 sees Ralfs purchasing a Maatsch work and hanging it alongside the now well-known names of Mondrian, Kandinsky and Klee. The following year Ralfs launches an entire exhibition of the Society of Friends of New Art. Because of his day job, Maatsch is unable to realize his wish to study at the Bauhaus, the avant garde epicenter in Weimar and later, Dessau. But thanks to Kandinsky, Klee and Laszlo Moholy-Nagy, he’s allowed to occupy their studios and study with them during school holidays. His befriending of Kurt Schwitters during this time explains why Maatsch is often included in the so-called Schwitters Group. In 1925 he joins the Novembergruppe (November Group) and exhibits annually in the renowned Große Berliner Kunstausstellung (Great Berlin Art Exhibition...

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The Kelpie of Snooziepool - William Heath Robinson illustrated this whimsical fantasy work featuring a semi-nude beauty in a pool of water with children. Based on the Metropolitan ...

From a Portfolio printed by Mother Jones. Authorized copy. Stunning reproduction. Limited Edition. Certification of Authenticity. Embossed with stamp stating from the original negat...

"Le Rouge Cloitre sous la neige" oil painting on canvas by Louis Clesse 20Th c. Wonderfull oil on canvas by Louis Clesse , Belgian School (1889 -1961 ). Clesse was a Belgian figurat...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

This elegant circa 1920 poster by Constant Duval, one of the premier illustrators of early 20th-century French tourism, captures the allure and prestige of the Pavillon Royal—a seasi...

André MANTELET MARTEL (1876-1953) View Of The Pantheon, Descartes street, Paris Ve area, 1926 Charcoal on paper Signed, dated and located lower left 60 x 44 cm Provenance; former Jac...

"Derby Spectator" by Topical Press Agency A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. Unframed Paper S...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...