Prints and Multiples

Sidewalk (FS.II.304) from MOCA's 'Eight by Eight' portfolio is a screenprint on paper, 29 x 42 inches, signed 'Andy Warhol' and numbered 167/250 lower left. From the edition of 349 (there were also 30 AP, 45 TP, 3 TPPP, 6 PP, and 15 HC). Framed in a contemporary gold leaf, closed-corner frame. LITERATURE Frayda Feldman and Jörg Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, New York, 2003, II.304. In 1983, Warhol created Sidewalk for the Eight by Eight to Celebrate the Temporary Contemporary portfolio. The portfolio itself consisted of eight prints created by various artists as a fundraising vehicle for the MOCA in Los Angeles. The participating artists included: Richard Diebenkorn, Sam Francis, David Hockney, Ellsworth Kelly, Robert Rauschenberg, Niki de Saint Phalle, Jean Tinguely, and Andy Warhol. The Eight By Eight portfolio was printed in an edition of 250. Warhol also produced 45 unique trial proofs for the Sidewalk edition. Warhol's contribution of Sidewalk is based on his own photograph of film stars' signatures, footprints, and handprints as they appeared at the Grauman's Chinese Theater in Hollywood, CA (now called TCL Chinese Theater). This particular shot showcases Cary Grant, Judy Garland, Jack Nicholson and Shirley Temple. “Much of Warhol’s work was concerned with celebrity, but while he cultivated the appearance of the ultimate fan, often celebrating the glamour of the American dream and its cultural heroes, his works also challenge the beliefs intrinsic to those ideals. It was Warhol who famously declared that everyone could have fifteen minutes of fame. The immortalising nature of appearing in Grauman’s forecourt of the stars, where one’s name is set in concrete for future generations, seems a way to counteract this idea of such fleeting fame.” (“Andy Warhol Sidewalk...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. Th...

Letter to the World (FS.II.389) from the Martha Graham portfolio is a unique trial-proof screenprint on paper, 36 x 36 inches, estate-stamped, initialed and numbered with its authent...

Andy Warhol Catalogue Raisonne Reference: Feldman & Schellmann II.5 Marilyn Monroe I Love Your Kiss Forever Forever, 1964 Color lithograph on two pages wove paper (from the Artists & Collaborators hand signed edition of 1 Cent Life Portfolio, Estate of the artist Robert Indiana) Edition 85/100 Hand signed by Andy Warhol on the front; numbered 85 on the colophon page a copy of which is affixed to the back of the frame Framed: Elegantly floated in a museum quality wood frame with UV plexiglass A copy of the colophon page has been affixed to the back of the frame. This is the first time the work has been removed from the original signed portfolio acquired from the Estate of Robert Indiana, one of the artists in 1 Cent Life. Framed: elegantly floated and framed in a museum quality wood frame with UV plexiglass This iconic 1964 Andy Warhol lithograph, splayed across two separate pages, is from the Deluxe, hand signed edition of only 100 of the legendary 1 Cent Life Portfolio - one of the most important and celebrated artistic collaborations of the 1960s. Provenance is superb as this was part of the complete portfolio acquired from the estate of Pop Artist Robert Indiana. (There was also an unsigned regular edition of 2000) "Marilyn Monroe I Love Your Kiss Forever Forever" is Warhol’s first depiction of Marilyn Monroe. Unlike later portrayals of the classic Hollywood star’s likeness set against vibrant colors, here Warhol has detailed a focused image of Monroe’s most seductive and elusive feature - her lips - set against a stark white backdrop. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Andy Warhol, along with the European COBRA artists to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints, was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Andy Warhol lithograph...

In the dynamic realm of Pop Art, Andy Warhol's 1986 exhibition poster, "10 Statues of Liberty," stands as a testament to the artist's enduring fascination with iconic American symbols. Published by Galerie Lavignes-Bastille in Paris, this oversized vintage poster...

Untitled, 1975 Lithograph 29 1/4 x 22 1/4” Edition of 125

"Goethe" is a silkscreen in colors made by Andy Warhol in 1982. The work is signed and editioned in graphite, lower left, "70/100 Andy Warhol". The artwork size is 38 x 38 inches. Th...

SAM FRANCIS: Limited Signed Deluxe Edition (Hand signed and numbered by Sam Francis), 1982 Deluxe limited edition hardback monograph with cloth boards, held in special slipcase of ts...

Sam Francis The Coldest Stone (Lembark, 15), 1960 Lithograph on BFK Rives wove paper with deckled edges 25 × 36 inches Signed and numbered 8/65 by Sam Francis on the front in graphite pencil on the front Unframed Marvelous 1960 Sam Francis lithograph...

Andy Warhol U.N. Stamp, II.185, 1979 Offset lithograph on Rives paper 8 1/2 x 11 inches From the edition of 1000, written in the bottom edge Signed by the artist in both the lower ri...

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...

LOT:20230223EM01 Signed by the artist and numbered with a rubber stamp on the reverse Edition 113 of 250 Printer: Salvatore Silkscreen Co., Inc., New York Publisher: Factory Addition...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

A very good impression of this color lithograph on Rives. Signed and numbered 4/50 in pencil by Francis. Printed and published by The Litho Shop, Inc., Santa Monica, with the blind s...

Sam Francis Untitled 1989 Aquatint, Edition of 20 44.5 x 32.4 cms (17 1/2 x 12 3/4 ins) 22.9 x 15.2 cms (9 x 6 ins) SF15235

A very good impression of this color lithograph on Waterleaf white wove paper. One of 25 Roman numeral impressions, aside from the Arabic numeral edition of 100. Signed and numbered ...

Sam Francis Untitled (Lembark, L-240 (SF-259)), 1980 Colored lithograph on BFK Rives paper with deckled edges Pencil signed and numbered 21/32 by Sam Francis on the front 27 1/2 × 40...

The Upper Red (SF-48) from 1963 is a lithograph on paper, image size 19.75 x 25.75 inches, signed 'Sam Francis' and annotated lower right, framed in a contemporary, light wood frame....

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Edition of 250. There were also 50 artist’s proofs. Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alexan...

Sam Francis Two Abstract Expressionist lithographs from the Deluxe [signed] edition of the 1 Cent Life Portfolio (hand signed twice, #85/100, from the Estate of Robert Indiana), 1964 Two Lithographs on wove paper splayed across one sheet (each hand signed on the front) Pencil signed twice by Sam Francis on the front; numbered 85/100 on the portfolio colophon (copy of the colophon page affixed to the verso of frame) Acquired from original, complete 1 Cent Life Portfolio, # 85/100 (Artists & Collaborators) from the Estate and Collection of Robert Indiana Frame included: elegantly floated and framed in a museum quality frame with UV plexiglass About 1 Cent Life "1 Cent Life" began as a simple idea by artist Walasse Ting in 1962, developed during talks he had with his friend the artist Sam Francis. Ting wanted to combine international artists and different styles into a single book, linking them together in one collective spirit alongside his own art and poetry. It was a landmark publication from 1964, and now a somewhat rare collectible portfolio based on the impressive artwork it contains. It was a revolutionary tract for a collective aesthetic; an assembled vision of Pop and European abstraction, featuring flat hard-edged and splatter painting; biomorphic art, splashing florescent colors and monochromes all meeting up in a single loud and dynamic package. "1 Cent Life" is among the most beautifully conceived and artistic book-works of the 1960s, unlike anything published before or after. "1 Cent Life" is a large elephant-folio unbound book containing 62 lithographs made by 28 European and American artists with 62 letterpress poems by Ting and set in multi-colored inks. The lithography was realized and printed in Paris by Maurice Beaudet and the typography carried out in handset letterpress by George Girard. The book was published by E. W. Kornfeld, Bern, Switzerland in 1964, and edited by artist Sam Francis. In addition to the original printing of 1900 unsigned copies, there was a numbered portfolio edition of 100 signed copies. These two Sam Francis signed...

Skulls (FS.II.159) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 50/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame. Catalogue - Feldman Schellmann, #159 (II.159 Skulls 1976) Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc. Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...

Skulls (FS.II.157) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 36/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame. Catalogue - Feldman Schellmann, #157 (II.157 Skulls 1976) Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc. Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...

SAM FRANCIS Affiche Moderna Museet Stockholm (Catalogue Raisonne L-16, p.66), 1960 Color lithograph on Rives BFK Paper with deckled edges Pencil signed lower right of center; numbered 39/75 lower left of center Published by Kornfeld and Klipstein, Bern; printed by Emil Matthieu at Emil Matthieu Atelier, Zurich (Catalogue Raisonne L-16, p.66) 37 1/4 × 27 inches Provenance: Estate of Wolf Kahn and Emily Mason Unframed Editions of this iconic Sam Francis work have been exhibited in museums throughout the world over the past half center; many remain in the permanent collection of major museum and institutions . In addition to this pencil signed and numbered lithograph, there was, separately a poster edition of 500 (unsigned) published by Moderna Museet featuring the same image on different paper. About Sam Francis B. 1923, SAN MATEO, CALIFORNIA; D. 1994, SANTA MONICA, CALIFORNIA Samuel Lewis Francis was born on June 25, 1923, in San Mateo, California. He began painting in 1944 after being diagnosed with spinal tuberculosis, resulting from a U.S. Army Air Corps accident. In 1947 he studied privately with painter David Park, and soon gave up his intended medical studies, earning a BA in 1949 and an MA in 1950 at the University of California, Berkeley. He experimented with the dominant and emerging styles of the late 1940s, particularly Abstract Expressionism and Surrealism, eventually developing a personal style of abstraction focused on dripping, cell-like forms, an allover instability, and sensitivity to color and light, as in Opposites (1950). In 1950 Francis moved to Paris and attended the Atelier Fernand Léger, where he was exposed to the work of Pierre Bonnard and Henri Matisse, which reinvigorated his interest in light and vibrant color, visible in his 1953 painting Big Red. Producing such work led to his association with Art Informel, although Francis never fully associated with any movement. A visit to Japan in 1957 coincided with an opening up of expanses of white space in much of his work, and his subsequent move to a larger studio in Paris resulted in the production of large-scale paintings and mural commissions, including a 1959 painting...

Lithograph in colors, on Rives BFK paper, 1973 Signed in pencil, numbered 16/30 Published by The Litho Shop, Inc. California with their blindstamp Very good condition Sam Francis w...

Untitled (SF-343) from 1990 is a lithograph on paper, image size 46.5 x 30 inches, signed 'Sam Francis' lower left and annotated lower right. From the edition of 60, numbered 17/50 (...

This aquatint has implied movement shown by a blues and red palette. Sam Francis was an American artist known for his exuberant large-scale abstract paintings. His practice incorpor...

An original abstract expression 1984 Olympic poster by Sam Francis (American, 1923-1994). Featuring a red background with geometrical abstract des...

Artist: Sam Francis Title: Pink Venus Kiki Portfolio: 1 Cent Life Medium: Lithograph Year: 1964 Edition Size: 2000 Frame Size: 20 5/8" x 28 3/4" Sheet Size:...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alex...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. 242/250 (there were also 50 artist’s proofs). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alexander He...

Untitled, 1981, unique embossed monotype print on handmade paper. Created at the Institute of Experimental Printmaking by lauded American artist, Sam Francis (1923-1994). The Sam Fra...

ANDY WARHOL (1928-1987) Portrait of Patty Raynes and Son signed and dated ‘Andy Warhol 85’ (on the overlap) acrylic and silkscreen ink on canvas 40 ⅛ x 40 ⅛ in. (101.9 x 101.9 cm.) E...

Andy Warhol's original poster for the 1982 film "Querelle" is a fascinating fusion of two artistic worlds: cinema and pop culture art. Directed by German filmmaker Rainer Werner Fass...

Working Trial Proof Silkscreen Serigraph Includes Documentation and Official Stamps Please note this artwork is not hand signed or editioned

Andy Warhol Rare broadside for Gotham Bookmart exhibition "Andy Warhol His Early Works, 1947 - 1959", 1971 Offset lithograph poster 18 × 12 1/2 inches Unframed (not signed) This pos...

Andy Warhol's original poster for the 1982 film "Querelle" is a fascinating fusion of two artistic worlds: cinema and pop culture art. Directed by German filmmaker Rainer Werner Fass...

An original hard copy of Andy Warhol's Brillo book. 11.25" h x 8.75" w. Wear consistent with age and use. Some wear at corners, as in the images. Andy Warhol, an American artist,...

1986 Andy Warhol record art featuring Debbie Harry. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987, a Catalog Raisonne' by Warhol scholar Paul Marechal. Off-se...

Andy Warhol 1967: Film Culture magazine, 1967 featuring cover art by Andy Warhol. Warhol designed the cover using portraits taken in a photo booth ...

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Frame in...

"Electric Chair" F. & S. 81, is a screenprint in colors on wove paper by Andy Warhol. The work is signed verso. This piece is from an edition of 250 + 50 AP, and is one from a portfo...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

Artist: Andy Warhol (1928-1987) Title: Campbell's Soup II, Cheddar Cheese (F&S II.63) Year: 1969 Edition: 250, plus 26 proofs Medium: Silkscreen on wove paper Size: 35 x 23 inches Co...

Aquatint in colours, 1991, on Fabriano paper, signed in pencil, numbered from the edition of 66, printed by Valter & Eleonora Rossi at Vigna Antoniniana Stamperia d'Arte, Rome, publi...

Movie Poster Flesh is a 1968 American film directed by Paul Morrissey. It features Joe Dallesandro as a hustler working the streets of New York. It fe...

Artist: Sam Francis (American, 1923-1994) Title: "Untitled (SF-348) (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...

Artwork size : 72 × 102 cm Frame size : 92 x 121 x 3 cm Signed and numbered AP (Artist proof) Edition of 40 + Proofs 8 Artists Proof, 6 Trial Proof, 6 State Proof. Sam Francis Archive Number: SF-106A. Literature: Lembark L108. Museum glass anti-reflective. Free shipment worldwide. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publications (like Harper's Bazaar) and elegant shops (such as Bonwit Teller) in addition to many smaller independent fashion companies. Throughout the decade, Warhol received numerous awards and accolades for his illustrations - yet he found it difficult to surpass the designation of “commercial artist”. It wasn’t until the mid-1950s when Warhol completed a successful campaign for shoe retailer Miller & Sons, that he was finally granted widespread recognition for his renderings. "A + P Surprise" is a delightful paradigm from this era. This whimsical lithograph is an output from Warhol's self-published cookbook, "Wild Raspberries...

Very nice original lithograph of Sam Francis. Samuel Lewis Francis (1923-1994) known as Sam Francis, is an American painter, famous for his non-figurative painting. He developed in...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled (SF-341), 1989 Technique: Original Hand Signed, Inscribed and Numbered Lithograph in...

Art print on heavy paper Based on the original from 1985 In good condition

LOT:20230614S01 Andy Warhol [Sam, from 25 Cats Name[d] Sam and One Blue Pussy] Offset lithograph and watercolor on paper Edition of 190 Catalogue Raisonné: Feldman & Schellmann, no. ...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Artist: Sam Francis, American (1923 - 1994) Title: Untitled (SF-208) Year: 1976 Medium: Lithograph on BFK Rives, signed and numbered in pencil Edition: 25/30 Size: 33 x 25 in. (83.82...

1982 1st pressing, Querelle vinyl album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Marechal: Andy Warhol, The Complete Commissioned Record Covers. Cover: Off-set print of Warhol's original screen print from the same year. 12 x 12 Inches (30.48 x 30.48 cm). Minor shelf-wear; otherwise very good overall vintage condition. Record included in very good condition. Warhol credit appears in the lower section of verso (image 3). Looks super cool framed. Further Background: The soundtrack for the Rainer Werner Fassbinder film based on Jean Genet's novel "Querelle de Brest." In 1982 Warhol designed a silk-screen image which was issued as a print, used on the poster for the movie, and as cover art for the soundtrack. Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories Gay interest. Andy Warhol record art. Warhol vinyl record album. Warhol nude. Warhol men.

Screen Print on Lenox Museum Board Stamped by Estate, Sticker, Label, Unsigned, Authenticated by AWAAB, with COA

Sam Francis A Sail, 1969 is an exciting expression of color and movement formatted in a landscape orientation. Emblematic of two of the artist’s most recognized approaches, A Sail, 1...