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Prints and Multiples For Sale
Artist: Pablo Picasso
Artist: Gerard Razzia
The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
Located in Greenwich, CT
The Lizard is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inch...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur
Located in Aventura, FL
Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur, from « 347 Series » Aquatint on paper. Hand signed and numbered by the artist...
Category

1960s Cubist Prints and Multiples

Materials

Paper, Aquatint

Torero y Señorita from "Le Carmen des Carmen"
Located in Laguna Beach, CA
A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...
Category

20th Century Modern Prints and Multiples

Materials

Lithograph

The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
Located in Greenwich, CT
The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Pablo Picasso 'Scène de tauromachie' (A. R. 410) Bullfighting Scene Plate 1959
Located in Miami, FL
PABLO PICASSO (1881-1973) Scène de tauromachie (A. R. 410) Terre de faïence dish, 1959, Inscribed Exemplaire Editeur, partially glazed and painted, with the Empreinte Originale de Picasso...
Category

1950s Modern Prints and Multiples

Materials

Ceramic

The Wasp, 1942 (Histoire Naturelle - Textes de Buffon, B.351)
Located in Greenwich, CT
The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

David and Bathsheba (After Lucas Cranach) II Religious Jewish Modern
Located in London, GB
This lithograph is hand signed in pencil by the artist "Picasso" at the lower right margin. It is also hand numbered in pencil, from the edition of 50 at the lower left margin. It is...
Category

1940s Post-War Prints and Multiples

Materials

Lithograph

MAMELOUK ENLEVANT UNE FEMME, ATTAQUE PAR UN MOUSQUETAIRE (BLOCH 1586)
Located in Aventura, FL
Aquatint on wove paper. Hand signed and numbered by Pablo Picasso. Plate 106, from the serie "347 gravures" (B. 1586; BA. 1602 II B b 1). Published by Galerie Louise Leiris, Paris. ...
Category

1960s Cubist Prints and Multiples

Materials

Paper, Engraving

The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Reclining Man and Crouching Woman
Located in London, GB
PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Reclining Man and Crouching Woman Homme couché et femme accroupie, 1956 Technique:...
Category

1950s Cubist Prints and Multiples

Materials

Lithograph

Pablo Picasso 'Colombe mate' (A. R. 77) Dove Madoura Plate 1948
Located in Miami, FL
PABLO PICASSO (1881-1973) Colombe mate (A. R. 77) Terre de faïence plate, 1948, from the edition of 450, partially glazed and painted, with the Edition Picasso and Madoura stamps.
Category

1960s Modern Prints and Multiples

Materials

Ceramic, Earthenware

NU II: ONE PLATE FROM ESTAMPES ORIGINALES, ALBUM A (BLOCH 805)
Located in Aventura, FL
Nu II: One Plate from Estampes originales, Album A (B. 805; Ba. 956). Drypoint, on Montval. Hand signed in red crayon by the artist. Edition of 20 (from the total edition of 70 wi...
Category

1950s Cubist Prints and Multiples

Materials

Paper, Drypoint

The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

La Danse des Faunes
Located in San Francisco, CA
Artist: Pablo Picasso (Spanish, 1881-1973) Title: La Danse Des Faunes Year: 1957 Medium: Original zinc plate two colors lithograph Edition: Unumbered of 1000 Paper: Arches Ima...
Category

Mid-20th Century Cubist Prints and Multiples

Materials

Lithograph

In the Arena: Young Man Putting the Minotaur to Death, from The Vollard Suite
Located in Castle Cary, GB
This etching comes from the Vollard Suite, created in 1933. This highly sought after series is the most significant edition of prints made by Pablo Picasso. It was commissioned by A...
Category

1930s Prints and Multiples

Materials

Etching

Salomé from La Suite des Saltimbanques, Modern Etching by Pablo Picasso
Located in Long Island City, NY
This black and white composition by Pablo Picasso is part of the Suite des Saltimbanques series of works from 1905. Prepared by the artist early in his career, the work demonstrates ...
Category

Early 1900s Modern Prints and Multiples

Materials

Etching, Drypoint

Courtisane au lit avec un visiteur (Bloch 1553), Modern Etching by Pablo Picasso
Located in Long Island City, NY
This captivating portrait by Pablo Picasso features an artist in the foreground rendered in profile while a nude model reclines against a bed with her leg crossed over her knee and h...
Category

1960s Modern Prints and Multiples

Materials

Etching

Modele et Grande Sculpture de Dos (Bloch 186), Modern Etching by Pablo Picasso
Located in Long Island City, NY
Standing before the large nude sculpture, the model admires the statue before her in this work by Pablo Picasso. Nude like herself, the model's presence in the studio creates a balan...
Category

1930s Modern Prints and Multiples

Materials

Etching

Woman, Clown and Monkey
Located in New York, NY
Pablo Picasso’s Woman, Clown, and Monkey, a lithograph published by Verve in 1954, exemplifies the artist’s ability to distill complex emotions and narratives into strikingly simple ...
Category

1950s Modern Prints and Multiples

Materials

Lithograph

Tetes: Le Vieux Buffon (Bloch 1104), Signed Picasso Linocut
Located in New York, NY
Linoleum cut printed in colours, 1963, on Arches woven paper, signed in pencil and numbered 30/50. Printed by Hidalgo Arnéra, and published by Galerie Louise Leiris, Paris.
Category

1960s Modern Prints and Multiples

Materials

Linocut

Le Peintre et son Modèle, Pablo Picasso Signed Lithograph in Colors
Located in New York, NY
Pablo Picasso’s Le Peintre et son Modèle (The Painter and His Model) is a striking lithograph created in 1954. This work embodies Picasso’s fascination with the dynamic relationship ...
Category

20th Century Modern Prints and Multiples

Materials

Lithograph

Le Vase de Fleurs (BL. 914; Baer 1242), Pablo Picasso Signed Linocut
Located in New York, NY
Pablo Picasso (1881-1973) Le Vase de Fleurs (BL. 914; Baer 1242), 1959 Hand-signed in pencil Linocut in colors on Arches paper Image: 25 ¼ x 21 in. (641 x 533 mm.) Sheet: 29 5/8 x 24...
Category

1950s Prints and Multiples

Materials

Linocut

Musée Municipal D’Art Moderne Céret
Located in Laguna Beach, CA
Signed and numbered to lower margin ‘46/125 Picasso’. This work is number 46 from the edition of 125 printed by Arnéra, Vallauris and published by Musée Municipal d'Art Moderne, Cére...
Category

Mid-20th Century Prints and Multiples

Materials

Linocut

Visage de Marie-Thérèse
Located in Castle Cary, GB
This early lithograph drawing by Pablo Picasso was created in 1928, depicting the artist's lover and muse, Marie-Thérèse Walter. It is printed on Japanese paper and a proof edition HC 16 of 25 aside from an edition of 120. There was also a numbered edition of 75 with larger margins. It is signed by Picasso in pencil bottom right. Public Collections: Museum of Modern Art, New York (Gift of Mrs John D. Rockerfeller National Museum of Modern Art, Tokyo National Gallery of Canada This work is referenced in the following publications: Georges Bloch, ‘Pablo Picasso’, Bern 1984, Volume I, page 46, No. 95 illustrated proof. Geiser, Bernhard and Brigitte Baer, ‘Catalogue raisonné de l’oeuvre grave et des monotypes, 7 volumes. Patrick Cramer, ‘Pablo Picasso: The Illustrated Books’ Number 16 Richardson, John, ‘Picasso and Fraçoise Gilot: Paris-Vallauris, 1943 – 1953 (Gasgosian Gallery, New York, May 2 – June 30 2012). P. 167. Printed By: Les Editions G. Gress & Cie / André Level, Paris 1928. Provenance: 1. André Level’s (the publisher) private collection 2. Private Collection, Paris (by descent) 3. Private Collection, London (by descent) 4. David Simon...
Category

1920s Prints and Multiples

Materials

Lithograph

Peintre Dessinant et Modéle Nu au Chapeau. Original linocut.
Located in Castle Cary, GB
This linocut was created by Picasso in 1965 and printed and published by Arnéra, Vallauris, France. It is in immaculate condition, an Hors Commerce edition and is signed by Pablo Pic...
Category

1960s Prints and Multiples

Materials

Linocut

L'écuyère (The Horsewoman)
Located in Fort Lauderdale, FL
Artist: Pablo Picasso (Spanish, 1881-1973) Title: "L`Ecuyère (The Horsewoman)" *Unsigned edition, though signed by Picasso in the plate (printed signature) lower right Year: 1960 Med...
Category

Mid-20th Century Modern Prints and Multiples

Materials

Archival Paper, Lithograph

La Dame à la Collerette (Portrait de Jacqueline à la fraise)
Located in New York, NY
A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...
Category

1960s Modern Prints and Multiples

Materials

Color, Linocut

Flûtiste et Jeune Fille au Tambourin, from The Vollard Suite
Located in London, GB
A rare etching, extensively hand-coloured in red ink by the artist, 1934, on wide margin Montval laid paper, signed, inscribed ‘For Lacourière’ and numbered 16/15 in the same red ink, 46 x 35.2 cm. (18.1 x 13.8 in). Brigitte Baer states that Picasso signed and numbered...
Category

1930s Abstract Prints and Multiples

Materials

Ink, Color, Etching

Pablo Picasso Madoura 'Vase deux anses hautes' (A. R. 141) Vase with Handles
Located in Miami, FL
PABLO PICASSO (1881-1973) Vase deux anses hautes (A. R. 141) Terre de faïence vase, 1952, from the edition of 400, partially glazed and painte...
Category

1950s Modern Prints and Multiples

Materials

Ceramic, Earthenware

Pablo Picasso 'Service scènes de corrida' A. R. 416 - 423
Located in Miami, FL
PABLO PICASSO (1881-1973) Service scènes de corrida (A. R. 416 - 423) The complete set, comprising eight terre de faïence plates, painted in colors and partially glazed, 1959, eac...
Category

1950s Modern Prints and Multiples

Materials

Ceramic

Pablo Picasso 'Etoile de mer' Unique
Located in Miami, FL
PABLO PICASSO (1881-1973) Etoile de mer (Unique) Terre de faïence bowl, painted and partially glazed, circa 1952-62, unqiue, stamped Madoura plein feu on the underside. Claude Pica...
Category

1950s Prints and Multiples

Materials

Ceramic

Personnages et Nu (Characters and Nude)
Located in Laguna Beach, CA
Discover the artistic brilliance of Pablo Picasso through his iconic artwork, Personnages et Nu (Characters and Nude), created in 1960. This captivating piece centers around a female...
Category

Mid-20th Century Modern Prints and Multiples

Materials

Etching

Femme a la Mantille- Carmen, from "Le Carmen des Carmen"
Located in Laguna Beach, CA
A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...
Category

Mid-20th Century Modern Prints and Multiples

Materials

Aquatint

Homme barbu couronné feuilles de vigne
Located in Palo Alto, CA
Created in 1962, this linocut on Arches wove paper is hand-signed by Pablo Picasso (Malaga, 1881 - Mougins, 1973) in pencil in the lower right margin and is numbered from the edition of 50 in the lower left margin. Catalogue Raisonné: Pablo Picasso Homme barbu couronné feuilles de vigne...
Category

1960s Modern Prints and Multiples

Materials

Lithograph

Picador Au Repos, from "Le Carmen Des Carmen"
Located in Laguna Beach, CA
A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...
Category

Mid-20th Century Modern Prints and Multiples

Materials

Drypoint

Pierrot (Massine en Pierrot)
Located in London, GB
Signed in pencil, from the edition of 20 to 25 that accompanied Max Jacob's 'Le Phanérogame' in December 1918. With wide margins (the version issued with the...
Category

1910s Cubist Prints and Multiples

Materials

Etching

Little-Headed Pitcher (R.222)
Located in Missouri, MO
Turned Pitcher Edition of 76/300 White Earthenware Clay, Oxidized Paraffin Decoration, White Enamel, Black 5.12 x 5.71 inches
Category

1950s Modern Prints and Multiples

Materials

Ceramic

Reflexion du Peintre sur la Vie (Reflection of the Painter on Life)
Located in Laguna Beach, CA
Drypoint, 1967. 350x300 mm; 13 5/8x11 5/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 38/50 in pencil, lower left. A very good impression. ...
Category

1960s Cubist Prints and Multiples

Materials

Drypoint

Torero, from "Le Carmen des Carmen"
Located in Laguna Beach, CA
A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developme...
Category

Late 20th Century Modern Prints and Multiples

Materials

Aquatint

Nature Morte, Compotier - Etching and Drypoint by Pablo Picasso - 1909
Located in Roma, IT
Nature Morte, Compotier is a rare black and white drypoint on laid ivory-colored paper, realized by Pablo Picasso in 1909. Edition of 100. Hand-signed in pencil on the lower right m...
Category

Early 1900s Cubist Prints and Multiples

Materials

Etching, Drypoint

Diurnes (Femme Assise En Pyjama De Plage II)
Located in Missouri, MO
Pablo Picasso "Diurnes" (Femme Assise En Pyjama De Plage II) 1962 Linocut printed in ochre and brown, 1962, on Arches paper Inscribed "Epreuve D'Artist" (Artist Proof) lower left, as...
Category

1960s Modern Prints and Multiples

Materials

Linocut

Picasso, Minotaure aveugle guidé par Marie-Thérèse, 1934 Signed Etching
Located in Long Island City, NY
A fabulous impression of this scarce Picasso etching from the Vollard Suite published in 1939. In an excellent hand-carved museum frame with all acid-free conservation materials. ...
Category

1930s Modern Prints and Multiples

Materials

Etching, Aquatint

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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