Prints and Multiples

Demolitions pour le Percement de la Rue des Ecoles is a black and White etching realized by Maxime Lalanne in the 1860s.  Titled in the lower. Image size: 24x32. Very good impress...

Village de Tremereuc is a black and White etching realized by Michel-Amédée Besnus in the 1860s.  Titled in the lower. Image size: 23x32. Very good impression with wide margins an...

Canards et Poules is a black and White etching realized by Francisco Gimenez in the 1860s.  Titled in the lower. Image size: 32x13. Very good impression with wide margins and a ve...

Truands de Campagne is a black and White etching realized by Jules Laurens in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wide margins and a very...

Bacchante Ivre is a black and White etching realized by Jules Chevrier in the 1860s.  Titled in the lower. Image size: 32x23. Very good impression with wide margins and a very fre...

Vue de Varennes en Argonne is a black and White etching realized by Alphonse Beaujoint in the 1860s.  Titled in the lower. Image size: 23x31. Very good impression with wide margin...

Villeneuve la Carenne is a black and White etching realized by Alfred Taiée in the 1860s.  Titled in the lower. Image size: 10x28. Very good impression with wide margins and a ver...

Repos is a black and White etching realized by Auguste Mathieu in the 1860s.  Titled in the lower. Image size: 24x32. Very good impression with wide margins and a very fresh inkin...

Entree d'Okelle is a black and White etching realized by E. Dufeu in the 1860s.  Titled in the lower. Image size: 32x23. Very good impression with wide margins and a very fresh in...

Moulins dans le pas de Calais is a black and White etching realized by A. Sogé in the 1860s.  Titled in the lower. Image size: 23x31. Very good impression with wide margins and a ...

A Cadart & Luquet is a black and White etching realized by Ferdinand Roybet in the 1860s.  Titled in the lower. Image size: 34x24. Very good impression with wide margins and a ver...

La Lettre is a black and White etching realized by Smits in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wide margins and a very fresh inking. Re...

Les  Etrennes du Bebe is a black and White etching realized by Armand Queyroy in the 1860s.  Titled in the lower. Image size:21x28. Very good impression with wide margins and a ve...

Vue de Saragosse is a black and White etching realized by Henry Charles Landrin in the 1860s.  Titled in the lower. Image size: 17x32. Very good impression with wide margins and a...

Charles Garabedian’s “Cultural Escape - Thumps” (1988) is an evocative etching that continues the artist’s exploration of cultural and abstract themes through his signature use of vi...

Robert Rauschenberg’s “Democratic Party” is a compelling lithograph that embodies the artist's innovative approach to blending political commentary with his unique visual style. This...

Procede by Georges Manzana Pissarro (1871-1961) Coloured monotype with gold, silver and pencil 24 x 30 cm (9¹/₂ x 11³/₄ inches) Signed lower right, Manzana Artist biogaphy Like all ...

'Coral Bank in the Red Sea' Antique English late 19th century chromolithograph. Sheet 18cm by 26cm, image 12cm by 20cm.

Set of four Regency era coloured engravings by Rowlandson. Four framed coloured engravings of Regency London landmarks including the Corn Exchange, by Rowlandson, circa 1808. Dimensi...

Robert Rauschenberg's "Museum of Modern Art" is a compelling offset lithograph from 1976 that reflects the artist's pioneering approach to contemporary art. Known for his inventive c...

Charles Garabedian’s “Cultural Escape - Inquisitions” (1988) is a vibrant and thought-provoking etching that encapsulates the artist’s exploration of history, culture, and the human ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 4 3/4 x 7 1/2 inch...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/4 inches (...

Carroll Dunham’s “Places and Things I” (1992) is a vivid and dynamic work that exemplifies the artist’s exploration of abstraction and figurative forms through bold colors and graphi...

Medium: Lithograph with tint stone Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16" Publisher: G. Engelmann References And Exhibitions: Published by G. Engelmann Reference: Beraldi p. 17Medium: Lithograph with tint stone Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16" Publisher: G. Engelmann References And Exhibitions: Published by G. Engelmann Reference: Beraldi p. 17 Medium: Lithograph with tint stone Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16" Publisher: G. Engelmann References And Exhibitions: Published by G. Engelmann Reference: Beraldi p. 17 Joseph Louis Hippolyte Bellangé (17 January 1800 – 10 April 1866) was a French battle painter and printmaker. His art was influenced by the wars of the first Napoleon, and while a youth, he produced several military drawings...

Chevaliers et Sorcieres is a black and White etching realized by Charles Amédée De Boret in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wide marg...

Charles Garabedian’s “Cultural Escape - Samurai” (1988) is a compelling etching that masterfully combines abstract forms with cultural references, reflecting the artist’s deep engage...

Charles Garabedian’s “Cultural Escape - Collective Logic” (1988) is an intriguing and vibrant etching that exemplifies the artist’s ability to blend abstract and figurative elements ...

Charles Garabedian’s “Cultural Escape - Behavior” (1988) is a bold and expansive etching that captures the artist’s unique approach to exploring cultural themes through abstract and ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 5 x 8 inches (129 ...

This is a hand-colored aquatint and engraving entitled "Part of the New City of Alexandria, with the Light House", published in London by R. Bowyer from 1802-1805. The print was crea...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Aldate's From Carfax (1813) Aquatint with original hand colouring 27 x 21 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Woodcut engraving on Vergé Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Feu de Joie, 1920. Published and printed by Au Sans Pareil, édi...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 4 3/4 x 7 7/8 inch...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Augustus Charles Pugin (1762 - 1832) All Souls...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 4 1/2 inches (...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 5 x 8 inches (125 ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 4 3/4 inches (...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (202 ...

Francesco Bartolozzi after Hans Holbein. Depicting Henry Howard, Earl of Surrey. Inscribed with artist and printer. Presented in a black varnished frame. On paper.

Framed characters of Bordeaux. Ten elegant hand coloured French engravings of personages / vocations Bordelais stamped 1820 under celadon matting with rippled antique glass in a Rege...

Gilt-framed view of Besançon. Lemon gilt framed engracing of early 19th century view of Besançon France, 19th century Dimensions: 13.5” W x 7.5” H x .88” D; sight 11.5” x 5.5”.

The 1895 original poster by Fernand Fau for the Salon des 100 14th Exhibition is a fascinating piece of art that captures the spirit of the Belle Époque in France. The Salon des 100 ...

Francesco Bartolozzi after Hans Holbein. Presented in a black varnished frame with a gold card mount. On paper.

'Streptocarpus' Antique English flower botanical chromolithograph.

The 1925 original document by Mikhail Larionov for the "Bal de la Grande Ourse" represents a fascinating intersection of Russian émigré culture and the vibrant Parisian art scene of ...

Francesco Bartolozzi after Hans Holbein. Artist and engraver inscribed. Presented in a black varnished frame with a gold card mount. On paper.

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 7 3/4 x 5 1/4 inch...

'Clematis' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

Marcel Gromaire, French (1892 - 1971) - Vers un Monde Volage II, Year: 1926, Medium: Suit of 10 Etchings on thin laid paper with gilt edges, Edition: 270, Image Size: 6.75 x 5.5 inc...

Auguste Rodin, French (1840 - 1917) - Aristophane, Medium: Etching on BFK Rives, signed in the plate, Image Size: 6.5 x 4.5 inches, Size: 11 x 9 in. (27.94 x 22.86 cm), Description:...

'Trumpet Daffodils and Poet's Narcissus' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

Alfred Sisley (1839 - 1899) - Bords du Loing, Year: 1890, Medium: Etching, Image Size: 5.25 x 8.5 inches, Size: 7 x 11.25 in. (17.78 x 28.58 cm), Printer: Gazette des Beaux-Arts, Pa...

Jean Pierre Marie JAZET Paris, 1788 - Paris, 1871 (after Nicolas POUSSIN) Color engraving 46 x 63.5 cm (59 x 74 cm for the sheet)

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 4 3/4 x 8 inches (...