Prints and Multiples

This Offset Lithographs is Hand Signed and Dated by the artist "Richter, 1969" in pencil at the lower right margins. It was co-published by Galerie Heiner Friedrich and Verlag G. v....

Philip Pearlstein The Complete Paintings, 1984 Hardback monograph with dust jacket Hand signed, dated and inscribed to Nadine by Philip Pearlstein 12 × 10 1/2 × 1 3/4 inches This i...

This does not appear to be signed. not examined out of frame. In the manner of Frans Masereel here is an old woodblock print of a Jewish religious scene of the induction of a new torah in a procession with a chuppah, wedding canopy. In the tradition of the Jewish European artists of the 19th and early 20th centuries, such as Moritz Oppenheim, Max Liebermann, Lesser Ury, Jakob Steinhardt, Jehudo Epstein, Artur Kolnik, Stanislaus Bender...

Three Cocker Spaniels is an original color etching by well known French sports artist Leon Danchin. The three Spaniels are in waiting mode with two lying down and one sitting ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

A signed Certificate of Authority will be included with all photographs. A nude boy faces the viewer siting in front of an open window. This impression is printed on Hahnemuhle arc...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

This portrait depicts Rivera's second wife, the artist Frida Kahlo (1907-54), sitting on a bed wearing stockings and shoes and fastening rows of beads around her neck. An accident wh...

This offset lithograph is hand signed and dated in pencil by the artist "Richter, 1969" at the lower right margins. It is hand numbered from the edition of 80 at the lower right marg...

This artwork titled "Heron Moon" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed, titled and numbered 58/150 in pencil by the artist. The artwork (image) size is 8.5 x 21 inches, framed size is 15.75 x 28.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible. About the artwork: This artwork required have 5 different carved wood blocks and 9 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

After WHISTLER, James Abbott McNeil. Photogravure 10x12 2/4" paper size, 7 1/2 x 9 1/2" image size Signed in pencil with artist’s butterfly monogram. This photogravure is from the...

St. Regis River Grasses, New York, a large Cibachrome Direct Positive Photograph - 8"x10" Deardorff Camera using Positive Slide Film. Powerful Large Cibachrome Photograph of the St Regis River, Adirondacks, New York by Nathan Farb (American, B- 1941). Working with a large 8" x 10" View Camera Nathan began a journey to really photograph his home in the mountains is his own way, rich in vibrant with exceptional detail. Cibachrome prints are a type of dye destruction print that use a photographic process to create a full-color image. The process involves selectively bleaching away color dyes embedded in the paper. The dyes are contained within emulsion layers, which give the print its characteristic color saturation. The base is a polyester triacetate, rather than fiber-based paper, which adds to the print's longevity Image, 29"H x 37"W Sheet, 30"H x 40"W x .05 Unmounted and unframed. Can be shipped rolled. Includes book "The Adirondacks" which contains similar photographs by the artist. In 1981, Farb returned to his childhood home in the Adirondack Mountains to recharge himself, spending a lot of time in the woods. Over the next 20 years, he produced three books published by Rizzoli cataloguing many of his finest 8”x10” negatives. That work has been excerpted by close to 100 magazines including The NY Times Magazine. NY Times Magazine then sent him to document the Exxon oil spill and the Yellowstone Fires, and to the Galapagos Islands twice. Searching for both his past and future, Nathan Farb bought his first camera and started shooting on the streets of NYC’s Lower East Side in 1966. This work was presented as “The Other Summer of Love,” in “Lens”, the NY Times’ photography blog in 2017. In 1971 his political multimedia work “Lockport” was shown at The Public Theater...

Audrey Flack Une Bouchee D'Amour, 2013 Mixed media: Digitized drawing with silkscreen Signed, titled and numbered recto (front) in graphite pencil Annotated presentation proof Frame included: in elegant vintage wood frame Print Club of New York, Publisher; Printer: Experimental Printmaking Institute, Lafayette College, Easton, PA Digitized drawing with silkscreen Flack's "Une Bouchee d'Amour" was the 2013 presentation print commissioned by The Print Club of New York, and it is accompanied by a COA issued by the Print Club of NY as well as Alpha 137...

Richard Haas Villard Courtyard, St. Patrick's Cathedral, New York City, 1983 Color lithograph 29 1/2 × 41 1/2 inches Edition 23/50 Hand signed, numbered, and dated with publisher's b...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you ca...

Leonard Tsuguharu FOUJITA Self Portrait With Children, 1960 Original woodcut On vellum 37 x 28 cm (c. 15 x 11 in) REFERENCES : Catalogue Raisonne Sylvie Buisson #60.109 Excellent ...

Audrey Flack A Course in Miracles, 1984 Kodachrome 35mm Color Dye Transfer Print Dry mounted to 4 ply 100% cotton fiber board\ Hand signed and titled by Audrey Flack on the front 20 ...

Peter Handel - "Judith On Stairs". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly ...

Richard Haas Manhattan View, Governor's Island (Szoke 87, 89), 1999 Aquatint & Photo Etching in Colors on Arches Cover Paper with full margins Pencil signed from the limited edition ...

Color etching and aquatint on wove paper. Signed, titled and numbered 56/100 in pencil. This etching is made after the painting of the same subject "Woman in Yellow Dress...

This artwork titled "Fleet Street, London" c.1925 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist estate at the lower center....

Great White Shark Richard Ellis, American (1938) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 500 Image Size: 18 x 25 inches Size:...

This artwork titled "Old City Hall, Munich, Germany" c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower cen...

Print on canvas with lotuses “STRENGTH. REBIRTH. PURIFY” in realism, which was painted by the artist Maria Matveyeva. The print size is 50x50cm plus ...

Robert Cottingham Blues, from the American Signs Portfolio (hand signed by Robert Cottingham), 2009 Screenprint in colors on wove paper Pencil signed, numbered 66/100, dated, and tit...

Peter Handel - "Vera 2". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into highl...

Peter Handel - "Karina In Front Of Porsche". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into highly realistic, subjective images. Light and shadow, plasticity and form are modulated with several layers as well as glazing application: The compositions refer to the person depicted and give her an individual presence, so that the person and not the object is accentuated here. A beautiful artwork that looks good in every room and especially in the living room or bedroom. About Peter Handel: Peter Handel is an artist of international format and was born in 1949 in Anklam, East Germany. 1968 - 1971 studied art and sports, 1977 - 1982 teaching position at the GHS Duisburg, since 1979 freelance artist. Handels' art developed out of the American photorealism movement of the 1970s, in which the visual reality of everyday life is depicted realistically, without the intervention of emotion. He transforms his nude photographs into hyper-realistic paintings and graphics that play with the mutual conditionality of reality-representing or reality-simulating images and media art. Through meticulous imitation, Handel thus reflects on the photographic image and its sign-like quality, often on an additional level of reality when there are apparently pasted or hung photographs next to the painted level. The encounter with the painter Peter Handel reveals an old-masterly skill. In the creative process of the highly realistic nudes, light and shadow, plasticity and form are modulated with several layers as well as by glazing application. Handel slowly approaches his painting and in a subjective way arrives at an independent result. Fascinated by the possibilities of painting, Handel confronts and discusses different levels of reality - realistic and idealistic - leaving behind the objective level of pure depiction. Peter Handel's works are represented in numerous exhibitions: 1972 - 1975 Wilhelm Lehmbruck...

Chuck Close, Richard Estes Picturing America (hand signed by both Chuck Close and Richard Estes), 2009 Hardback Monograph (hand signed by Chuck Close and Richard Estes) Boldly signed by Chuck Close and Richard Estes 9 1/4 × 10 × 1/2 inches We have not seen another hand signed by both Chuck Close and Richard Estes anywhere else in the world - ever. And none with such fine provenance: This highly collectible monograph was hand signed by Chuck Close for the present owner at a special event held by Artifex Press held at the New York Public Library; then signed by Richard Estes at his retrospective at the Museum of Design in New York Published on the occasion of the exhibition Picturing America: Photorealism in the 1970s/Picturing America: Fotorealismus der 70er Jahre. The book was signed for the present owner by Chuck Close at Artifex Press held at the New York Public Library on December 19, 2012, and by Richard Estes at the Museum of Design. About the monograph, which itself is a collectors item: Title: Picturing America Publisher: Deutsche Guggenheim, 2009 Hardcover, 176 pp. replete with full-color images of the photorealistic work of some of the most celebrated names in American realism painting...

Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into highly realistic, subjective ima...

Peter Handel - "Ute 1". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into highly...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Philip Pearlstein Untitled Nude, from Atelier International Portfolio, 1985 Etching. on wove paper Hand signed, numbered 78/85, and dated on the lower front with printer's and publisher's blind stamps. 30 × 22 1/2 inches Unframed This vintage (mid 1980s) etching by Philip Pearlstein is hand signed, numbered and dated from the edition of 85. The late Philip Pearlstein is one of the most renowned realist painters in the world, but has become best recognized of late as Andy Warhol's former roommate in Pittsburgh, who traveled together with Warhol to New York. The Warhol museum in fact hosted a show of the two unlikely artists and roommates. Philip Pearlstein Born in 1924 in Pittsburgh, Pennsylvania, USA, Philip Pearlstein died in 2022. He is considered to be one of the masters of new figuration and modernist realism. He has been examining the question of how the model is represented since the 1960s, his complex works straddling the line between naturalism, abstraction and hyperrealism. His still lives in oil feature nudes with mask...

Peter Handel - "On Staircase". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Hand signed limited edition print of an original graphite pencil drawing of Emmett Till framed in a black wood frame with UV plexiglass. Please note that f...

Peter Handel - "Stefanie 2". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into h...

PHILIP PEARLSTEIN Nude in New Mexico, 1984 Lithograph on art paper 31 3/5 × 40 3/4 inches Signed, titled, dated and numbered in graphite pencil from the limited edition of only 65. (48/65) Unframed Philip Pearlstein was born in Pittsburgh, PA, in 1924. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine's 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he studied with Robert Lepper, Balcomb Green and Samuel Rosenberg...

Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly into highly realistic, subjective ima...

Donald Sultan Tulips, 1990 Silkscreen on wove paper 23 × 22 inches Pencil signed, titled and dated and numbered 22/125 on the front margins Unframed Richly colored silkscreen of tuli...

This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artwork: This artwork required 3 different carved wood blocks and 7 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

This artwork titled "Asagiri" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 150/200 in pencil by the artist. The artwork (image) size is 11.25 x 23.25 inches, framed size is 18.65 x 30 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible. About the artwork: This artwork required 7 different carved wood blocks and 21 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

Two Color Offset Lithograph on Wove Paper Pencil signed, titled and numbered from the edition of 150 on the front This hand signed, titled and numbered lithograph was printed in 197...

Curtis C. Harmon (American, 20th century) Fishing Boats at Gloucester, Massachusetts etching signed Curtis C. Harmon (lower right) and titled (lower left) 10 x 12 inches. Discolorat...

THREE BALLET DANCERS is an original hand drawn lithograph by Moses Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. THREE BALLET DANCERS was hand...

Philip Pearlstein Olga Hirshhorn is 90, 2010 Lithograph on Aquarelle Arches Paper Pencil signed, dated and numbered 158/185 by the artist on the front 31 1/2 × 24 inches Unframed Thi...

This is an exclusive handprinted limited edition cyanotype. "Dark Beach Sunrise" is a handmade cyanotype print portraying beautiful sunrise reflection on the beach. Details: + Titl...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Pembroke College, Oxford (1705) Engraving 31 x 44 cm Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...

Shan Fannin's (US based) "1970 Porsche 917k" is an limited edition giclée print that depicts a 1970 Porsche 917k. Born 1969 in California, artist Shannon “Shan” Fannin brings vehicl...

Faberge Diamond Trellis Egg 24″X18″ Oil and Swarovski® crystals mosaic, epoxy on Canvas. Framed. 2016 The uniqueness of this piece is that the art is hand-embellished by mosaic of Swarovski crystals, each crystal installed individually by hand representing the exact design of original Faberge Egg. The interesting story behind this art is that artist, Oksana Tanasiv, was inspired by Faberge Eggs while she worked at the Faberge Inc company in Stamford, CT, during 2005-2009 years. She met Faberge's granddaughter Tatiana Faberge...

Richard ESTES The L Train, 2017 Woodcut, ed. of 49 image: 16 x 12 inches sheet: 21 x 16 inches

Garry Winogrand Portrait of Bob Pettis with official COA, 1982 Offset Lithograph Signed in graphite pencil by the artist on the front. Unnumbered. 24 inches (Vertical × 36 inches (h...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...

John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...

Jasper Johns and Phong Bui Offset lithograph card of portrait of Jasper Johns by Phong Bui (hand signed and dated by Jasper Johns), 2008 Card depicting a portrait of Jasper Johns by ...

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition

Shan Fannin's (US based) "1990 Ferrari F40" is an limited edition giclée print that depicts a close up view of the back side of a 1990 Ferrari F40. Born...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the plate size is ...

Ansel Adams and the West, 1979 Offset Lithograph Poster 23 × 36 inches Unframed This offset lithograph poster was created on the occasion of the Ansel Adams exhibition, Ansel Adams and the West, at the Museum of Modern Art in New York from September 8 - October 28, 1979. The photograph featured in this poster is Old Faithful...