Prints and Multiples

Ellsworth Kelly Blue / Yellow / Red, 1992 Color lithograph on Rives BFK paper Signed lower right and numbered 51/80 lower left Frame Included: held in original hand made gold leaf frame with UV plexiglass (labels verso) Dazzling large (over three and a quarter feet framed) Ellsworth Kelly lithograph...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872-1949) Bodleian Library, University of Oxford Signed and numbered 110, published by Stafford Gallery with blind stamp Lithograph 28 x 34.5cm Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...

This portrait depicts Rivera's second wife, the artist Frida Kahlo (1907-54), sitting on a bed wearing stockings and shoes and fastening rows of beads around her neck. An accident wh...

This artwork titled "Salzburg View" c. 1970 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate m...

Chaloner Smith (Engraver not ascertained, Class III) 9. Published by C. Shepherd, Oct. 31, 1775 London. Inscribed in plate lower center: "Charles Lee, Efq. / Major General of the Con...

Esser’s Giverny series revisits Monet’s famous garden from an unexpected angle, whereby the common visual memory of this iconic art destination is deconstructed and recreated in an a...

Tony Delap Florian, Child of Air, 1977 Lithograph on Arches cover paper Pencil signed, titled, annotated and dated on the front This lithograph, "Fluorine, Child of the Air", is by C...

Richard Phillips Miss Parkett for Parkett 71, 2004 5 Color Lithograph on Somerset White paper Hand signed, numbered 37/70 and dated on lower front 25 4/5 × 20 inches Unframed This 5-...

Ansel Adams and the West, 1979 Offset Lithograph Poster 23 × 36 inches Unframed This offset lithograph poster was created on the occasion of the Ansel Adams exhibition, Ansel Adams a...

Sol Lewitt (1928 – 2007) Five Pointed Star Color Screenprint on Arches wove paper, c. 1992 Sheet size: 32 3/4” x 22 ¼” Signed by artist and numbered Edition 104 of 250] Printed by Keizo Tasaka, Watanabe Studio, Ltd., Brooklyn Published by Puma Trading, Paris or Editiones Catalanes, Barcelona, for the International Olympic Committee, with blind stamp lower center Sol LeWitt was born on September 9th, 1928, in Hartford, Connecticut to Eastern European immigrants. LeWitt received a BFA from Syracuse University in 1949 (where he made his first prints) and then was drafted in the Korean War in 1951. During his service, he made posters for the Special Services and spent time in Japan, where he bought the first works that became the basis of a large personal art collection. In 1953, he moved to New York City, where he studied at the Cartoonists and Illustrators School (now the School of Visual Arts) and worked for Seventeen Magazine...

Faberge Diamond Trellis Egg 24″X18″ Oil and Swarovski® crystals mosaic, epoxy on Canvas. Framed. 2016 The uniqueness of this piece is that the art is hand-embellished by mosaic of Swarovski crystals, each crystal installed individually by hand representing the exact design of original Faberge Egg. The interesting story behind this art is that artist, Oksana Tanasiv, was inspired by Faberge Eggs while she worked at the Faberge Inc company in Stamford, CT, during 2005-2009 years. She met Faberge's granddaughter Tatiana Faberge...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Asa Cheffetz Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929 Wood-engraving Pencil signed, numbered 27/100 and titled by the artist on the front 13 × 10 1/4 inches Unframed - affixed to matting De-accessioned from the collection of the Denver Art Museum Asa Chaffetz, "the engraver's engraver" This is the original numbered wood engraving from 1929; not a later re-print This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929 Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example) Asa Cheffetz Biography: Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White Irises on Blue Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 41 x 23...

Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectural and cultural importance, some open to the public, others not easily accessi...

"Les Patineurs" is a signed etching by James Ensor. It is from the Loÿs Delteil 65 volume XIX and depicts a multitude of skaters on a frozen pond. "Les Patineurs" is the French word ...

"Le Rhone a Avignon" is an original hand colored etching signed by the artist Armand Coussens. This incredibly rare print depicts a church in Avignon, where Pablo Picasso had one of ...

Two Nudes Posing With Armchair is an original hand drawn stone lithograph attributed to the American Pop artist Mel Ramos, printed at Bank Street Atelier NYC circa 1970 using black, olive, tan and orange inks on Buff color ARCHES paper 100% acid free. Two Nudes Posing With Armchair is an unusual, almost surreal composition depicting two nude young women; one seated with knees bent, sitting sideways on top of a tan and orange print armchair; the other woman is scooched down underneath the chair. Two mysterious stiletto heel shoes are visible - one below the chair and one above in the seated woman's hands adding to the intrigue of this interior setting. Print size - 16.5 x 12 inches, unframed, excellent condition, full bleed image no margins, rare unsigned Printers Proof/Trial Proof from an unknown early edition, fine hand printed impression. Historic Note on Bank Street Atelier - Bank Street Atelier was founded in 1969 by George J. Goodstadt (Fine Arts Publisher) along with Jacques Mourlot, third generation of the famous Mourlot print shop in Paris, France. Bank Street Atelier became one of the premier lithography print studios in NYC at that time and became a major graphic center, which attracted many of the Modern American Masters of the 1970’s, including Alexander Calder, Willem deKooning, Red Grooms, Al Hirschfeld, Ellsworth Kelly, Romare Bearden, Fairfield Porter, Jasper Johns, Frank Stella, Alex Katz and many more. The resulting prints were produced with the highest quality and earned a reputation in the art world for professionalism and excellence in lithographic printmaking. About the artist - Mel Ramos(1935 - 2018, California) Mel Ramos is an American Pop artist best known for his female nudes painted alongside brand logos. The artist’s coupling of women with familiar products like martini glasses and bananas serves as a commentary on the ways in which capitalism has employed the female body. “I make sure that my pictures are not too erotic and that they always have a trace of humor,” he said of his work. “I make sure they are ‘in good taste.’ Either you understand it or not.” Born on July 24, 1935 in Sacramento, CA, Ramos like Roy Lichtenstein and Andy Warhol, found inspiration through the comic books Wonder Woman and Superman growing up and later pinup posters...

April Greiman 1984 Olympic Games Print (Hand Signed by both April Greiman and Jayme Odgers), 1982 Offset Lithograph Poster Signed in graphite pencil on the front. Accompanied by a letter of authenticity from the publisher 36 x 24 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic letterhead. This is one of 750 hand signed lithographic posters (though fewer than 200 said to be extant), published in 1982 to celebrate the 1984 Los Angeles Olympics . The Olympic Committee commissioned 15 nationally known artists, including April Greiman and Jayme Odgers to create unique designs to promote the event. The complete list of artists is: Sam Francis, David Hockney, Richard Diebenkorn, Carlos Almaraz, Robert Rauschenberg, Jennifer Bartlett, Jonathon Borofsky, Roy LIchtenstein, April Gornik, Raymond Saunders, Martin Puryear, John Baldessari, Lynda Benglis, Billy Al Bengston and Garry Winogrand. This was Greiman and Odger's contribution to the portfolio. In 2017, the Olympic Museum in Lausanne Switzerland...

This is an original etching representing an important monument in Geneva during the 19th century. The work is sold framed. Total size with the frame 34x31 cm. Signed C. Bernier

Regina Silveira (Brazil, 1939) 'Tenedor from Portfolio ""Eclipses""', 2005 photoengraving on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: SIL1692-002-106...

‘En Dedans Pirouette Avec Les Fleurs (white)’ depicts the silhouette of a ballet dancer, caught mid-pirouette. As if snipped from the pure white background, Agent X creates the illus...

Carl August Walther (1880 Leipzig - 1956 Dresden): The avenue, 20th century, Etching Technique: Etching on Paper Inscription: Inscribed below the image on the left and signed on th...

Regina Silveira (Brazil, 1939) 'Gafas from Portfolio ""Eclipses""', 2005 photoengraving on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: SIL1692-002-106_8...

Regina Silveira (Brazil, 1939) 'Huella from Portfolio ""Eclipses""', 2005 photoengraving on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: SIL1692-002-106_...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Paris: Jules Géruzet, 1860. Etching on cream laid paper, 3 1/2 x 5 inches (88 x 121 mm), full margins. Minor uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.24...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Emery Walker (1851 – 1933) after Edmund Hort New (1871 – 1931) Wadham College, Oxford Photogravure 27 x 41 cm New produced a series of pen-and-ink drawings of Oxford colleges, of which this is one. They paid homage to the artist David Loggan, often using the same aerial viewpoint as him, but showing the colleges two hundred years later. Emery Walker turned...

Edition of 15

Untitled, 1973 Ellsworth Kelly Screenprint, on BFK Rives wove Signed and numbered from the edition of 300 With the artist's copyright inkstamp verso From The New York Collection fo...

Regina Silveira (Brazil, 1939) 'Gancho from Portfolio ""Eclipses""', 2005 photoengraving on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: SIL1692-002-106_...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 89 / 200. There are 200 pieces in the edition all signed and numbered by...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Joel Shapiro For the Archives, 2008 Epson inkjet print on cotton etching paper Hand-signed by artist, Hand signed and numbered 171/175 by Joel Shapiro on the front Frame Included Mea...

Carl August Walther (1880 Leipzig - 1956 Dresden): Piazza Duomo in San Gimignano, 2 Probedruck, 20th century, Etching Technique: Etching on Paper Inscription: Monogrammed in the pr...

Richard Serra Marilyn Monroe - Greta Garbo Poster (Hand Signed), 1982 Offset Lithograph poster published by Leo Castelli Gallery Hand signed on lower front in black marker by Richard...

Carl August Walther (1880 Leipzig - 1956 Dresden): Portrait of Vera, The Artist's Wife, proof print, 1908, Etching Technique: Etching on Paper Inscription: Signed and dated in the ...

Paper Size: 21 x 19.25 inches ( 53.34 x 48.895 cm ) Image Size: 14.25 x 13.5 inches ( 36.195 x 34.29 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: 27 color silkscreen printed by Pamplemousse Press. Hand signed, titled and numbered out of 175 by Gretchen Dow Simpson...

Carl August Walther (1880 Leipzig - 1956 Dresden): The mill fire, proof with border incursion, 20th century, Etching Technique: Etching on Paper Inscription: Inscribed and signed b...

"Les Bucoliques X" is an original black and white lithograph signed in stone by the artist Henri Fantin-Latour. It depicts two figures spending free time in bucolic nature. This prin...

Carl August Walther (1880 Leipzig - 1956 Dresden): Mill backlit, 1913, Etching Technique: Etching on Paper Inscription: Monogrammed and dated in the printing plate, inscribed, numb...

This artwork titled "Wien Opernring" 1921, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mar...

As a graffiti pioneer in his native Czech Republic, Jan Kalab made his name in the late 90s. As his work developed, he found a new way to push his own limits and challenge himself by making 3-D Graffiti. Under the name of Point, he sculpted huge abstract letters...

Brenda Zlamany Blu on Red, 2013 Limited Edition special giclee print. Hand signed and dated by the artist on the front 19 1/2 × 19 1/2 inches Unframed Gorgeous giclee print based up...

Great White Shark Richard Ellis, American (1938) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 500 Image Size: 18 x 25 inches Size:...

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko brings his vivid dreams ...

Carl Andre Letter from Dusseldorf to the Artist's sister (Postcard), 1991 Vintage Handwritten and hand signed letter on stamped, postmarked (franke...

This artwork titled "Seebenstein Castle, Austria" 1920 is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at ...

NV23 is an original minimalist print by Jonathan Moss. The N.V series of unique, one-off, relief prints find their origin in his videos of fl...

HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Dark grey snowy skies set the scene in HEARTLAND with its finely detailed drawing depicting a rural winter landscape in Bucks County, Pennsylvania featuring historic stone farm houses, a weathered wood barn, wood spoke wheeled wagon, cows and bare trees standing in the snowy landscape. Painterly washes, subtle tones of greys, browns, black, yellow, light red. Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley in Chester County, Pennsylvania. Trained at the prestigious Pennsylvania Academy of Fine Art, Peter Sculthorpe’s painting style is detailed and precise, his masterful use of watercolor as choice medium gives his paintings a remarkable, natural feeling. Large horizontal landscape...

Paul Pedulla hand-signed and numbered limited edition (edition number 2/100) archival ink digital pigment print published by Northeast Digital Imaging on Lexjet Premium Archival matt...

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey was born on Nov. 17, 1930, in Council Bluffs, Iowa. His father, Willard, worked in radio advertising and moved the family from city to city in the Midwest. Bill was in his early teens when his father died. His mother, Marjorie (Cheyney) Bailey, was a homemaker who later worked as an accountant for her second husband, Fred...

Bernar Venet Acute Uneven Angles (A), 2016 Direct gravure, aquatint, burnishing and drypoint. Pencil signed and numbered 27 from the limited edition of 75 by the artist on the front ...

Carl Maria Plückebaum (1880 Düsseldorf - 1952 ibid.), Der Talismann (sog. Dukatenscheisser), partly colored etching, 11.5 x 8.5 cm (plate size), 26.5 x 20 cm (sheet size), signed by hand below the image on the right "C. Plückebaum" and inscribed by hand at lower left "Der Talismann". - left and right side of the sheet with browned stripes, otherwise good copy - The philosopher's stone - About the artist Here, Carl Plückebaum gives free rein to his anti-academic impulses and turns the subtle humor of his pictures into crudeness. Following Adrian Ostade's peasants as they go about their needy business, we see a cowardly fellow in a squatting position. His excrement, however, is not the organic remains of digestion, but - like the golden donkey in the Grimm fairy tale - ducats. However, they appear more brown than golden, which is emphasized by the discreet hand-coloring of the picture. The unattractive accumulation is countered by the blossoms decorating the crouching man's hat. Totally absorbed in his action, his activity is evident in the strained expression on his face, giving Plückebaum a whole new verisimilitude to the concept of naturalism. The title "The Talisman" then turns naturalism back to the miraculous, formulating in a humorous way that these legacies are also a "miracle of nature". About the artist Coming from a poor background, Carl Plückebaum, who had a walking disability and was of short stature, initially worked as a church restorer. He also took private drawing lessons. In 1901 he won the first prize of the Düsseldorf Museum of Decorative Arts, which enabled him to finance his studies at the Düsseldorf Academy. There he was a pupil of Eduard von Gebhardt and Peter Janssen the Elder, but began to doubt the academic teaching. In 1906 he took part in a group exhibition at the Städtische Kunsthalle Düsseldorf, which violated the academy's statutes and led to his dismissal. However, the extraordinary success with the public confirmed him as an artist and provided him with the financial means for a study trip to Italy. Enchanted by Florence, he retired to the Franciscan monastery of Fisole, where he worked as a fresco painter. Back in Düsseldorf, he turned increasingly to children's and animal drawings, and in 1907 he was a founding member of the Niederrhein Secessionist Artists' Group. In 1910 he travelled to Italy again, accompanied by his painter friends Walter Ophey and Carl Schmitz-Pleis, visiting Rome and Naples in particular. He then stayed in Munich to study the Old Masters at the Pinakothek. It was in the artistic circles of Schwabing that he met his future wife, the painter Meta Weber. In Düsseldorf, Carl and Meta Plückebaum...

4-color lithograph Sheet: 12 x 14 in. (30.5 x 35.6 cm) Edition of 150 Signed and numbered in pencil Published by Gemini G.E.L., Los Angeles

Paper Size: 36 x 29 inches ( 91.44 x 73.66 cm ) Image Size: 28 x 21 inches ( 71.12 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: 28 Color silkscreen printed by Pamplemousse Press. Hand signed, titled and numbered out of 125 by Gretchen Dow Simpson...

This artwork titled "Schubert's Birthplace, Vienna, Austria" c.1925 is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the a...