Horizontal Abstract Prints

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Lithograph on vélin d’Arches paper. Paper Size: 28 x 20 inches. Inscription: Hand signed and numbered, 163/175, as issued. Notes: Published by London Arts, Inc., Detroit; printed by ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

Lithograph on vélin paper. Paper Size: 11.181 x 14.173 inches. Inscription: Signed in the plate and unnumbered, as issued. From the folio, Hans Hartung: Peintres d'aujourd'hui, 1962....

Joan MIRÓ - Maravillas con variaciones Acrósticas en el jardin de Miro 5 Original lithograph, signed in the plate Year: 1975 Edition of 1500 copies on Guarro paper. Dimensions of th...

LANDLINES is an original limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett, printed using hand lithography techniques on archival...

This linocut is all about the tradition of a farm pond, often used by cattle, but in this case it is full of waterlilies at the edge of a field. The sun was glinting on the water and...

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (201...

80 x 94 cms (31.5 x 37 ins) Edition of 100

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

"Miró Lithographe II - Plate I" is a lithograph realized by Joan Miró in 1975. Perfect conditions. It comes from the set of 11 lithographs realized for the catalog "Miró Lithograph ...

Albert Rafols Casamada (Spain, 1923-2009) 'Mediterráneo', 2004 silkscreen on paper Rives BFK 300 g. 9.9 x 12.1 in. (25 x 30.5 cm.) Edition of 60 Unframed

CAMO XXL-3C-M1 By Invader Invader is a French street artist best known for creating pixelated mosaic artworks inspired by the 1978 video game Space Invaders. His real identity rema...

This coastal linocut was inspired by light on water and the tumble of floats on the ramp. The source was the East Anglian harbour at Southwold. I also wanted to use bright red and or...

Artist: Howard Hodgkin Title:Tropic Fruit Medium: Color screenprint Year: 1981 Initialed and dated lower center 'HH 81' and numbered lower right, '80/100' aside from the artist's pro...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 13 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (2018)...

Hsiao Chin 蕭勤 - Nuvola - hand-signed Silk-screen on paper - 130 x 160 cm, 1980 Additional information: Material: Silk-screen on paper, edited in 1980 Limited edition of 75 copies pl...

’Discrete’ By Harvey Daniels Medium - Lithograph Signed - Yes Edition - 4/70 Size - 890mm x 670mm Condition - 10 Colour of print may not be accurate when viewed on a monitor. Harve...

ANTONIO SAURA "Serie Abierta" 1989 Silkscreen on paper. Copy 48/99. Signed and justified in pencil. 75 x 104cm.

Joan Miró -- Lithograph I, Plate IV, 1972 Color Lithograph Publisher: Ediciones Poligrafa, S.A., Barcelona Catalogue: Mourlot 866 Size: 42.5 × 60 cm Unsigned FREE SHIPPING

Etching realized by Fausto Maria Franchi in 2006. Edition of 23/200. Hand signed and numbered in pencil. Excellent condition.

Klint / reDux / chrm is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch. Individually signed and numbered From an edition of 48 prints, plus 4 APs Image size ⋅ 50.8cm H x 66cm W Sheet size ⋅ 65cm H x 80cm W . Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works on paper in 2015. Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous. The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life. The first piece I drew, ACDH (acid house...

The first crop to ripen is usually the barley. Hares can be seen running through it as it gives good cover for them. You need a keen eye to see these fast creatures, but a glance at ...

Jasper Johns VIOLA (Viola Farber, Founding Member of Merce Cunningham Dance Company), Field 162, 1972 Color lithograph on Angoumois à la Main paper with full margins and deckled edge...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Minna Citron, 'Flight to Tomorrow', aquatint and engraving, edition unknown but small, 1948. Signed, titled, dated, and annotated 'engr & aqua' in pencil. A superb, richly-inked impression with selectively wiped plate tone, on heavy cream wove paper, the full sheet with margins (1 3/4 to 3 1/2 inches), in excellent condition. Image size 6 7/8 x 8 7/16 inches (175 x 214 mm); sheet size 11 1/8 x 14 7/8 inches (283 x 378 mm). Matted to museum standards, unframed. Literature: The Women of Atelier 17, Modernist Printmaking in MidCentury New York, Christina Weyl, Yale University Press, 2019, p. 186. Collections: Davis Museum (Wellesley), Five Colleges and Historic Deerfield Museum Consortium, Harvard Art Museums, Museum of Fine Arts, Boston, Palmer Museum of Art (Penn State...

Lithograph and screenprint with collage (silver foil) Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm) Published by Multiples...

During the 60’s Dzubas became associated with the Color field painting and Lyrical Abstraction movements. During this period his works were more hard-edged blocks of color. However, he would return his more expressive and improvised manner later in his career. Dzubas’ technique involved applying thick layers of color over washes, scrubbing the Magna paint he used into the unprimed canvas. He would then use various methods, often including staining and brushing, to apply more color to the canvass. Many of Friedel Dzubas hang in the permanent collections of some of the most prestigious art institutions in the world; including, the Whitney Museum, NY, the Guggenheim, the Smithsonian American Art Museum, and the Albright-Knox. “Night Star...

Screen Print in colors on Museum Board, #15 from Edition of 100 Signed and Dated, Lower Right Published by International Images, Inc. Putney, Vermont Provenance: Private Collection,...

Untitled is an original artwork realized by Sam Francis in 1992. Mixed colored lithograph on velin paper. Hand signed and numbered oon the lower margin. Edition of 12/50 The Litho...

In Signs of Twilight color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. Light te...

Gottfried Honegger Composition 4 3D squares (orange, green, black, yellow) 2015 Silkscreen print signed in pencil and numbered on 30 copies by the artist. Dry stamp of the publisher...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 127,...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 127,...

Edition of 50 71 x 76 cm (28 x 30 ins) RSE023

Colored lithograph on archival paper by Joan Miro. Part of the “Lizard with the Golden Feathers series. Signed in pencil “Miro” lower right. “H.C.” lower left. (See details below) ...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Tonneau-Ryckelynck,...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Jean Arp, Dreams and Projects, 19...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Damien Hirst, The Currency 7383. so let’s go, 2016 (With original HENI Frame) Enamel paint, handmade paper, watermark, microdot, hologram, pencil 20 x 30 cm Hand-signed on the re...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (201...

Maria Sanmartin-Bodegon started painting in 1947. She was encouraged by her son Antoni Clave' who also was a great painter. She exhibited in salons throughout Europe including Paris,...

Nedo (1926-2001) Composition 1969. Serigraph on paper, signed, dated 1969 and numbered 12/25 lower left, sheet size 48 x 66 cm. After attending the Commercial and Technical Instit...

Maurice de Vlaminck (French 1876 - 1958), "Le Petit Pont" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with trifold, as issued. Notes: From the volume, Miró, Oiseau Solaire...

Philip Guston, Joan Mitchell, Cy Twombly, Jim Dine, Roberto Matta, Sam Francis, Mark Rothko, Franz Kline, Kenneth Noland, Robert Rauschenberg, Jasper Johns, Helen Frankenthaler, John Hultberg, Adolph Gottlieb, Paul Jenkins, Hassel Smith, Jack Youngerman, Ray Parker, Robert Motherwell, Louise Nevelson, Larry Rivers, Mark Tobey, David Budd, Hans Hofmann, Various Artists, Jackson Pollock, Arshile Gorky. La Grande Occassione Della Pittura Americana Milano (Hand Signed by Jim Dine), 1963 Offset Lithograph invitation poster (hand signed by Jim Dine) Hand signed by Jim Dine on the front -signed in person for the present owner, so provenance is direct. 12 1/4 × 16 3/4 inches Unframed Uniquely signed. The gallery acquired this historic 1963 invitation and then Jim Dine graciously signed it years later in black marker - as he was/is the only artist of the entire group who was still alive. We know of no other one in the entire world with any hand signature by any of the artists exhibited. This very rare invitation/poster was published on the occasion of this important 1963 exhibition of American painting at the Galleria Ariete, Mostra n. 94, in Milan, Italy. The roster of artists represented is literally a Who's Who of American Abstract Expressionists of the era. The Galleria dell'Ariete in Milan, Italy, opened in 1955, and ran an active exhibition until its closing in the mid-1980s. It was among the most important galleries in Italy for contemporary art, and had extensive connections with dealers, collectors, artists, and critics in Europe, the United States, and Japan. Beatrice Monti della Corte opened the Galleria dell'Ariete at Via San Andrea, 5, Milan, Italy in 1955, when she was twenty-five years old, principally as a showplace for modern art; Galleria dell'Ariete rapidly became one of the foremost Italian galleries...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Aquatint, lift-ground etching and aquatint on German Etching paper 53.3 x 73.7 cms (21 x 29 ins) Edition of 50

Untitled (Bits and Pieces No.5) by Wendy Pasmore, 1988 Additional information: Medium: screenprint on heavy paper 18 1/4 x 19 1/8 in 46.2 x 48.5 cm signed with initials, dated and n...

Peter Saul Golden Gate Bridge, 1968 Five color lithograph on German etching paper with deckled edges with collectors press chop mark Hand signed, titled and numbered "Artist Proof" lower front; also bears Collector's Press chop mark, and chop mark of master printer Tony Ko Frame Included: floated and framed in the original wood frame Provenance: from the Estate of the legendary California artist, Roy DeForest Accompanied by a copy of the publisher's documentation sheet (see image) Also accompanied by gallery issued Certificate of Guarantee This work is one of three hand signed Artist's Proofs, aside from the regular edition of 50. It is one of Peter Saul's most celebrated prints; the not so subtle at all symbolism speaks for itself, such as the gigantic dollar sign and wagging tongue (money talks loudly), set against San Francisco's iconic Golden Gate bridge. This print does not often appear on the market, as so many from this edition are already in the permanent collection of major museums and institutions. Other examples of this work were featured in the exhibitions: "Print Retrospective, 1966-2010", from September 16 – December 22, 2011 at the Carl Solway Gallery in Ohio, and "Peter Saul: Prints and Drawings, 1960 -1975", from February 26 – April 11, 2009, at The George Adams Gallery...

Image dimensions: 38 x 46.5 cm. Abstract Composition is an original color lithograph on paper realized around the 1970's. Signed in pencil on lower right margin. Signature not comp...

Artist: Larry Rivers (1923-2002) Title: Dutch Masters Year: 1991 Medium: Lithograph and silkscreen on wove paper Edition: 23/500, plus proofs Size: 25 x 3...

’Labyrinth’ By William Crozier Medium - Carborundum printmaking, collagraph process Edition - 47/80 Signed - Yes Size - 509mm x 407mm Date - 2007 Condition - Excellent. 10 out of 10....

A work based on the idea of heat and fire. :: Digital :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signe...