Early 2000s Abstract Prints

Artist/Designer: Takashi Murakami (Japanese, b. 1962) Marking(s); notes: signed; ed. 67/300; 2003 Materials: lithograph Dimensions: 27″h, 27″w; 33″h, 33″w frame Additional Informatio...

Signed Original print with a vintage feel by artist John Douglas on heavy paper with deckled edges

Bhavini Zaveri Tadi (b. India) is an artist and printmaker. Maharaja Sayajirao University. An Artist Proof Serigraphy by Bhavini Zaveri Tadi, Titled "Darkness Of The Spatial Memories"

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

The Easy Dark poster for Julie Mehretu’s exhibition at the Louisiana Museum of Modern Art is a remarkable piece that embodies the energy and complexity of Mehretu’s work. Printed in ...

The Easy Dark poster for Julie Mehretu’s exhibition at the Louisiana Museum of Modern Art is a remarkable piece that embodies the energy and complexity of Mehretu’s work. Printed in ...

Sean Scully Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001 Offset lithograph poster (hand signed by Sean Scully) 29 3/4 inches (vertica...

One screen print in colors on wove paper, 2009, signed in pencil, dated and numbered, Edition of 117 (total edition includes 18 artist's proofs), image: 769 by 769 mm 30 1/4 by 30 1/...

Kenneth Noland Untitled Target, 2004 Lithograph on hand made paper with deckled edges Signed and numbered in pencil from the limited edition of 75 on the lower front; bears the artis...

SHEPARD FAIREY Bureau of Public Works (on Wood), 2004 Silkscreen on wood panel. Hand signed and annotated on both the recto and verso. In original handmade artist's frame. 24 × 18 in...

RECITALS is mixed media limited edition print by the renowned African American artist Sam Gilliam, created using Archival Inkjet, Relief, and Stencil techniques. This vertical, rainb...

Brice Marden Distant Muses 2000 Screenprint 23 1/2 x 19 1/8 inches; 60 x 49 cm Edition of 300 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...

Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...

Damien Hirst Opium, 2000 Lambda C-Type print on Gloss Fuji Archive paper. Signed by the artist, lower right on recto Numbered on verso 48 x 43.7 cm 52 x 48 cm (framed) Edition 391 of...

Limited edition 'Pinocchio' screen print by Pop Art icon, Jim Dine (b. 1935) Published by Lincoln Center for the Performing Arts 41 x 29.5 inches in black frame Seven color screen ...

Artist: Takashi Murakami (b. 1962) Marking(s); notes: marking(s); 2002 Country of origin; materials: Japan; screenprint on wallpaper Dimensions: 39.5″h, 29.5″w; 44.5″h, 34.25″w frame Additional Information: Provenance: Vertu Fine Art...

A darkening sky is illuminated by the eclipsed view of a bold deep blue moon in this contemplative piece by Otto Rogers. He was seen as a ‘big attack painter’ by the renowned art cri...

"In that I have selected a variety of mathematical / geometric concepts as the basis for the work, it is my intent to form a complex integration by graphing an x,y axis, asymptote sy...

In this black and white monotype on rice paper, geometric shapes complement a monochromatic background that transitions through a grayscale from gray at the bottom to pale gray, almo...

Artist: Roberto Matta Title: The Eld of The World Medium: Color Etching and Carborundum on Handmade Paper Signed: Hand Signed Edition Number: 81/125 Measurements: 47.12" x 40" F...

Luis Gordillo (Spain, 1934) 'Sin título', 2000 engraving on paper 15 x 10.7 in. (38 x 27 cm.) Edition of 75 ID: GOR1205-013-000_2 Hand-signed by author

Joni Mitchell “Green Flag Song,” Published by Lev Moross Gallery. Los Angeles, CA From an exhibition of 60 large photographic triptychs. When Mitchell’s television set broke, it b...

Title: “THE NEXT WAVE” Artist: JOHN VAN HAMERSVELD Medium: 4 color SERIGRAPH Substrate: COVENTRY RAG 320 GSM Edge: DECKLED Paper Size: 44″ x 34.25” Image Size: 40” x 30” Signed and Numbered Edition: 134/150 Year: 2009 John Van Hamersveld (born September 1, 1941) is an American graphic artist and illustrator who designed record jackets for pop and psychedelic bands from the 1960s onward. Among the 300 albums[3] are the covers of Magical Mystery Tour by the Beatles, Crown of Creation by Jefferson Airplane, Exile on Main Street by the Rolling Stones, and Hotter Than Hell by Kiss. His first major assignment, in 1963, was designing the poster for the surf film The Endless Summer, after which he served as Capitol Records' head of design from 1965 to 1968. During that time, he worked on the artwork for albums by Capitol artists such as the Beatles and the Beach Boys.[5] He also oversaw the design of the psychedelic posters for the Pinnacle Shrine exposition.[6] The Endless Summer The Endless Summer (John Van Hamersveld illustration) In 1963, Van Hamersveld was hired by director and filmmaker Bruce Brown to design the iconic Endless Summer movie poster using a photograph taken by Bob Bagley, general manager and camera man for Bruce Brown Films. In the staged photograph originally taken at Salt Creek, Brown is positioned in the foreground with his surfboard on his head and the movie's two stars, Robert August...

This contemporary geometric abstract monotype on archival paper layers shapes on a blue background transitioning from deep cobalt on the bottom to teal at the top. A red orange recta...

Flower is an original colored lithograph print, hand retouched realized by Tomaso Binga. On the back, the label of the certificate of authenticity by the...

Richard Serra Torqued Spirals, Toruses and Spheres, 2001 Offset lithograph poster (Hand signed by Richard Serra) Boldly signed in black marker on the front 28 × 20 inches Unframed This poster was published on the occasion of Serra's October 2001 exhibition at the Gagosian Gallery - one month after 9/11; The posters were sold for the benefit of the Twin Towers Fund and a certain quantity were hand signed by the artist. Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture...

Frank Stella Frank Stella Prints 1980 - 2008 (Hand Signed), 2008 Offset Lithograph Hand signed and dated on the front, in innk with inscription that read...

Artist: (after) Ellsworth Kelly (American, 1923-2015) Title: "Fondation Maeght (Red, Yellow, Blue)" *Issued unsigned Year: 2005 Medium: Original Litho...

Offset Lithograph 50 × 50 cm - paper size 66 x 66 cm - framed size Frame included Edition of 300 Hand-signed and numbered

Avraham Inlender Stones III Color Offset Lithograph Year: 2003 Size: 5.9 x 5.5 inches (15 x 14 cm) Signed in pencil COA provided Avraham Inlender (1932–2003) was a Polish-born arti...

ROSS BLECKNER (American, b. 1949) "D Loop," 2002 Limited Edition Print : Color Aquatint With Spit Bite Aquatint And Gampi Chine-Collé on Somerset Paper Approximate dimensions - Frame 29.5 X 28,.5 inches, sheet 27 x 26 inches. Edition lower left: 2/20, Hand signed lower right. Publishers blind stamp lower right margin: Paulson Press. Ross Bleckner draws inspiration from science, psychology, and his own personal experience. The title of this print, D Loop, refers to molecular biology and DNA repair abstracted in vivid blue and yellow. Ross Bleckner (born May 12, 1949) is an American artist. He currently lives and works in New York City. His artistic focus is on painting, and he held his first solo exhibition in 1975. Bleckner grew up in Brooklyn, New York and he grew up Jewish. In an interview, Bleckner commented that he was fortunate to have supportive parents. In 1961, Bleckner and his family moved to a more affluent town in Hewlett Harbor, New York, where he attended George W. Hewlett High School. In 1965, Bleckner saw his first art exhibition, The Responsive Eye, at the Museum of Modern Art, which went on to have a huge impact on his artwork. Eventually, this was a time when he realized that he wanted to become an artist. Bleckner went on to study at New York University, where he studied alongside fellow artist Sol LeWitt and Chuck Close. During college, Bleckner worked in an art supply store and drove a taxi. He received his Bachelor of Fine Arts (B.F.A) from New York University (1971), and later received his Master of Fine Arts (M.F.A) at California Institute of the Arts. In 1974, when Bleckner moved back to New York, he moved into a Tribeca loft building. Three of the floors were rented to the painter Julian Schnabel and from 1977 to 1983 the Mudd Club, a nightclub frequented by musicians and artists, was in the same building. In 2004 Bleckner sold the building. He held his first solo exhibition in 1975 at Cunningham Ward Gallery in New York. Then In 1979 he began what was to become a long association with Mary Boone Gallery in New York. In 1981 Bleckner met Thomas Ammann, who was an influential Swiss art dealer who went on to collect Bleckner's work. Early 1990s, Bleckner did his first abstract painting called Cell painting which showed an example of human body cell diseases. Since either the 1980s or 1990s as an openly gay artist, his art has been largely an investigation of change, loss, and memory, often addressing the subject of AIDS. Bleckner uses symbolic modernist imagery rather than direct representation, and his work is visually elusive, with forms that constantly change focus. While much of Bleckner's work can be divided into distinct groups or series with motifs repeated from painting to painting, he is also in the habit of redeploying and combining old motifs. Bleckner has posited that a painting is never finished, provided it is still in his studio, because it can always be improved. In 2009, Bleckner published a book of his theoretical art statements entitled Examined Life: Writings, 1972-2007 that was published by Edgewise Press. In 1995, the Solomon R. Guggenheim Museum had a major retrospective exhibition of his works from the last two decades of exhibitions at acclaimed institutions such as San Francisco Museum of Modern Art, Moderna Museet in Stockholm, and the Carnegie Museum of Art. He was one of the youngest artists to be featured at the Guggenheim. Bleckner's works are held in collections around the world including Museum of Modern Art, New York, (he was included in the show Contemporary Works from the Collection, MoMA along with Carl Andre, Richard Artschwager, Marcel Broodthaers, Jim Dine, Howard Hodgkin, Jasper Johns, Donald Judd, Anish Kapoor, Ellsworth Kelly, Robert Mangold...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Color and Space Medium: Agamograph, signed and numbered in ink Year: circa 2000 Edition: 99 Size: 15 in. x 14 in. (38.1 cm x 35.56 cm) F...

Louise Bourgeois I Have Been to Hell and Back Handkerchief, 2007 Embroidery on 100% Cotton Handkerchief With the artist's silkscreened initiala Han...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego IV', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-121 Unframed

Louise Bourgeois Red Room (Parents) detail (double sided work), 2009 Screenprint and embroidery on two sided pillowcase with plate signature, artist's copyright and printed name 21 ×...

Signed, titled and numbered in pencil, #2 from the edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics,...

A very good impression of this color woodcut and lithograph diptych. Signed and dated in pencil by Dine. From a limited edition of 12.

Richard Serra Double Level I, 2009 Etching 67 1/2 x 65 inches (171.5 x 165.1 cm) Edition of 12/22 Signed

Untitled, Olympic Games Beijing 2008 is a colored lithograph realized by Sandro Chia in occasion of the Olympic Games held in Beijing in 2008.  It is a part of the portfolio The Uni...

JOHN CHAMBERLAIN Untitled, 2006 Digitally manipulated and assembled images, monoprint on canvas and mounted on wood. Unsigned. W 81 1⁄2” x H 90 1⁄2” Chamberlain began to explore p...

Jasper Johns Sun on Six, 2000 Color linoleum cut on Gampi Torinoko paper Pencil signed, dated and numbered 4/26 on the front Published by Z Press, Calais, Vermont Frame included: ele...

Screen print on paper realized by Carla Accardi in 2000. Hand signed and numbered. Edition of 71/99. Includes a metal grey frame. Very good condition.

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

Waterpolo is a lithograph realized by Tommaso Cascella. This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games an...

Ross Bleckner (American, b. 1949), "Pathways", Etching and Aquatint in Colors on Paper, 2002, marked "TPD" lower left, signed in pencil and dated lower right, part of a limited editi...

In this geometric abstract monotype on paper, colored shapes complement a background that transitions from pale yellow to sky blue. A pointed star shape in dark navy contrasts circul...

JOHN CHAMBERLAIN Untitled Self-Portrait, 2006 Digital monoprint on canvas, mounted on wood. Unsigned. W 27” x H 90 1⁄2” Chamberlain began to explore photography in the late 1960s...

From In a Spin, the Action of the World on Things, Volume II. Etching in color on 350gsm Hahnemühle paper. Hand signed lower right by Damien Hirst. From the edition of 68. Sheet ...

Raul Anguiano (Mexico, 1915-2006) 'Salomé', 2003 Engraving, sugarlift on Deponte handmade heavy-weight paper of 650 g. 19.3 x 15 in. (49 x 38 cm.) ID: ANG-108 Hand-signed by author

Signed, titled and numbered from the edition of only 10 prints. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, s...

Engraving, 2002 Edition : 20/50 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (image) Handsigned by the artist in pencil Ref : LCD...

Cheryl Warrick (American, b. 1956), "Peace Makes Plenty" Color etching, soft ground, white ground, drypoint, and chine colle, on Hahnemuhle Copperplate...

This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...

Artist: James Coignard (French, 1925-2008) Title: "Deux Bleus Sur Noir (Two Blues on Black)" *Signed by Coignard in pencil lower right Year: 2006 Medium: Original Hand-Embellished Ca...

Robert Rauschenberg I Love New York, 2001 (LARGE) Plate signed on the front Offset lithograph on high quality wove paper 39.25" x 25 inches (This ships rolled in a tube measuring 37...

Frank Stella Frank Stella, Royal Academy of Arts (Hand Signed), 2000 Offset Lithograph poster on thin Boldly hand signed and dated by Frank Stella in ink on the front 29 3/4 x 20 inches Unframed Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery This Frank Stella poster...

A very good impression of this color lithograph on light gray Rives BFK. It is signed, dated and numbered 119/120 in pencil by Brown. Printed and published by Gemini, G.E.L., Los Ang...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper - Artist Authorized reproduction Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Acrylic and silkscreen ink on triple primed canvas. Hand signed, dated, titled and numbered "P/P" on verso by Robert Indiana. Printer's Proof edition. Total of 4 panels. Each pan...

Tracey Emin Tate Gallery poster, 2004 Offset lithograph 27 1/2 × 19 1/2 inches unframed This offset lithograph poster was published by the Tate Gal...

Trojan Horse Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

JOHN CHAMBERLAIN Untitled, 2006 Digitally manipulated and assembled images, monoprint on canvas and mounted on wood. Unsigned. W 72 1⁄2” x H 90 1⁄2” Chamberlain began to explore p...

"Kosmos 06" is an original, hand-signed lithograph on hand-made paper from 2003 by internationally acclaimed German ZERO group artist Günther Uecker. E...

Artist: James Rosenquist Title: Israel Flag at the Speed of Light Year: 2006 Medium: Lithograph, Signed and numbered in Pencil Edition: 50 Size: 33.5 x 22 ...