Horizontal Prints and Multiples

A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941. London: Rudolph Ackerm...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 14-78 Year: 1978 Medium: Silkscreen, Signed and numbered in pencil Edition: 120, 25 AP Size: 32 in. x 38 in. (81.28 cm x 9...

London Bestiary by Mychael Barratt Limited Edition Etching: Edition of 100 Image Size: H 66m x W 99.7cm Complete size of Sheet: H 76.9cm x W 112.1cm x D 0.1cm Signed and titled Sold ...

"Bathers" is an abstract figurative Impressionist monotype with gouache on paper work by Paul Gauguin in 1902. The artwork is 8 7/8 x 10 3/4 inches and is 17 3/4 x 23 3/4 x 7/8 inche...

1STDIBS EXCLUSIVE American Horse Power by Shane Russeck "Icon is a brand I’ve admired and respected for years. They are the pinnacle of the custom car world. Being a huge vintage ca...

Large Marine Scene Dutch or Flemish, 20th century color print on canvas, framed framed: 27 x 34 inches canvas: 20 x 27.5 inches provenance: private collection, UK condition: very goo...

Alexander CALDER Flying Colors : Plane under Red Sun, 1976 Original lithograph Printed signature in the plate On light vellum 58 x 83 cm (c. 23 x 33 in) INFORMATION : Calder create...

Etching, aquatint and sugarlift print of a Still-Life on a table. Edition of 100.

This architectural drawing showcases the intricate details of a classical column and entablature, focusing on the ornate pediment and frieze. The original plate was created in 1757 ...

Ada in Blue Hat By Alex Katz 2004 Etching and aquatint in colors on paper. 85.1 × 170.2 cm Edition of 75 (edition number 56) Signed, dated and numbered

Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

"Home from the Fair" Wagon and Horses Print on Canvas Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints. Hand signed in gold pen lower right "Jack Terry 108/250" Also signed in print "Jack Terry 1988" Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print" Brass plaque center on linen "Home From the Fair" Image, 16"H x 20"W Frame, 24"H x 28"W x 2.5"D Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time. Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”. A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity. In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year. In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies. In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas. In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”. Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...

Medium: original serigraph. Printed in 1975 for the art revue XXe Siecle (issue number 44) and published in Paris by San Lazzaro. Sheet size: 12 1/4 x 18 1/4 inches (310 x 464 mm). T...

This artwork "Untitled #1" 1970 is an original silkscreen on Wove paper by noted British artist Ian Tyson, born 1933. It is hand signed, dated and numbered 60/75 in pencil by the art...

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University). ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...

Richard Serra (born 1939) Videy Afangar #6, from Videy Afangar Series, 1991 Etching on Hahnemühle paper Signed and dated in pencil lower right Edition 73/75 (there were also 20 artis...

Salvador Dali Dionysus, 1967 Colour etching and aquatint Hand signed lower right Numbered 52/300 lower left Sheet size: 76 x 56 cm Image size 36 x 48 cm. Reference Michler/Löpsinger ...

DeLoss McGraw Leaving Home (97-301), 1997 Five color lithograph on tan Rives BFK paper with deckled edges Signed and numbered 3/75 in graphite pencil on the front 17 × 24 3/25 inches...

Titled in lower left corner ("Coast July No. 2") Numbered lower center ("9/23") Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63") Presented in a cream colored mat with foamcore backing. Mat size: 24"H x 28"W Paper size: 20"H x 26"W Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926. After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany. Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...

Construction d’un temple – Plate n. 9  is a b/w original etching realized in 1972 (as stated on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction ...

Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...

Ver Sacrum (meaning "Sacred Spring" in Latin) was conceived by Gustav Klimt, Max Kurzweil and Ludwig Hevesi. During its six years of activity, 471 original drawings were made specifi...

untitled (Returning Home with Supplies) Signed in pencil by the artist lower right (see photo) Signed by his printer, Otto Felsing lower left ((see photo) Annotated in pencil: "In kupfer geschnitten von einen Lapplander" Printed by Otto Felsing, one of Germany's master printers of the era One of several engravings Hagemann made based upon actual drawings given to him by Laplanders. Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony. He fought in the First World War between 1914-1918. After the war he studied art from 1920...

Medium: original lithograph. Catalogue reference: Lust 100. Printed for Derriere le Miroir (issue number 98) and published in Paris in 1957 by Maeght. Sheet size: 15 x 22 inches. The...

"Dodge Rebellion Girls" - 1967 Silkscreen on Paper 1967 color silkscreen depicting the Dodge Rebellion Girls by Marc Foster Grant (American, b. 1947). A silhouette of the 'dodge gi...

This is an original rare and extremely collectible first octavo edition John James Audubon hand colored lithograph entitled "Brown Pelican, Young First Winter", No. 85, Plate 424, fr...

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...

Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Medium: original lithograph. Catalogue reference: M 234. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Size: 9 x 15 inche...

The circa 1950 original poster by Lucien Boucher, Air France Réseau Aérien Mondial, is a notable example of mid-20th-century commercial art designed to promote the global air routes of Air France. Lucien Boucher, a renowned French illustrator and poster artist, became closely associated with Air France due to his series of beautifully crafted world map posters, often referred to as "planispheres." These maps were produced between the 1930s and 1960s, highlighting the growing reach of Air France as international air travel expanded after World War II. Boucher's work is known for its combination of cartographic precision and artistic creativity. His Air France posters were not just functional tools for navigation but were also designed to evoke a sense of adventure and the allure of global travel. They capture the optimism of an era when air travel was becoming more accessible and increasingly viewed as the future of international transportation. In this particular poster, Boucher uses artistic elements like vibrant colors, symbolic depictions of different regions, and various modes of transportation to showcase Air France’s extensive global routes. The poster's style reflects the influence of both Art Deco and traditional mapmaking, blending modernity with classical touches. The planes are seen flying across the map, connecting continents, while small details like ships, animals, and historical figures embellish the poster, each representing the diverse cultures and histories of the regions Air France serviced. These posters were often printed by French lithography studio Perceval, known for its high-quality production, further enhancing the visual appeal of Boucher’s work. The Réseau Aérien Mondial map posters are not just travel advertisements but also collectible pieces of art, highly valued by collectors of vintage aviation...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Artist: Corneille, Belgian (1922 - 2010) Title: Les Femmes de la Bible IV Year: 2000 Medium: Terragraph, Signed and numbered in ink Edition: 120 Size: 21 x 24 inches

This Blue Dog work consists of a blue dog Sitting on a desert-like earthy colored background with cacti and a moon in the background. The dog has soulful yellow eyes. This pop art ...

Groupe avec vieillard à la torche sur un âne amoureux, femme et arlequin (Ref: Bloch 1484 ) etching on Rives wove paper, Edited in 1968 Limited edition of 50 copies Current copy num...

Set of four lithographs enhanced with gouache by Maurice Dufrene. Four original plans from "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906. These four plans ar...

This vintage postcard, estate authorized and produced in 1998, features an iconic design by Keith Haring, showcasing his signature style and playful themes. Titled Fold 'n Please Car...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** Celebrating the CALIFORNIA wild life with this unique piece by Mauro Oliveira. **IMPORTANT: This is a Limited edition of 30 museum quality...

This red panorama photograph brings a fantastic pop of colour to a room and the details in it take you on the journey with the photographer. Whilst in Darjeeling Richard became fasci...

Alfred Manessier Construction of the Bridge in Red Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 50 x 65 cm (c. 20 x ...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Artist: Ralph Steadman Title: City of Refuge Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes: Custom ...

"Divide" black and white soft ground etching and aquatint by April Gornik. Edition 23 of 30. Image size: 33 1/2 x 31 1/2 inches. Published by The S...

RHINOCEROS (state II) by Tammy Maclay. Edition of 20. Photopolymer print with hand painted gold detail. 22.2 H x 29.5 W (inches) 56.4 H x 75 W (CM) Dürer’s iconic Rhinoceros print w...

Canadian Geese in Flight Drypoint printed with plate tone in the sky c. 1940's Signed in pencil lower right Condition: Excellent Image/Plate size: 8 3/8 x 10 1/4 inches Provenanc...

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK I...

Offset lithograph on Rives paper. 1,000 signed in felt pen vertically along the right margin by Andy Warhol and numbered in pencil lower center. There is also a small printed signa...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue and earth-toned palette and captures a l...

Artist: Alex Katz Title: Purple Tulips 1 Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100; signed...

Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: (from les Enfants Trouvés) Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of original paintin...

Artist: Andy Warhol Title: Untitled (Plate 5) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Sheet Size: 8 1/2" x 11" Signatu...

Emilio Sanchez (1921-1999) created this color lithograph entitled “LA BANDERA DE CUBA” in 1980. This impression is signed, titled, and inscribed “Seis” [six] in pencil. The printed ...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Nu a la Guitarre (Serenade) from the Nudes Suite Year: 1970 Medium: Lithograph on Rives, Signed and numbered in Pencil Edition: C...

Damien Hirst, Wrapping Paper set of 2 double-sided sheets. 2006. Published by Agnes B and Edited by Hans-Ulrich Obrist. A rare and sought-after vintage Damien Hirst collectors set t...

Joan Miró "M.1067" from Maravillas con variaciones acrósticas Original lithograph in colors on Vélin de Rives paper Hand signed by the artist and numbered III/XV from an edition of f...