Realist Landscape Prints

This is an exclusive handprinted limited edition cyanotype. Exquisite landscape of a "Mystic Louisiana Marsh". Details: + Title: Mystic Louisiana Marsh + Year: 2025 + Edition Size:...

This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...

This is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam. Details: + Title: Sandy Shore with Foam + Edition Size: 100 + Stamped and Certificate of Aut...

This is an original 19th century duotone lithograph entitled "The Great Sphinx, Pyramids of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publ...

This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...

This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...

A peaceful image by Britian's first official war artist. Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...

This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...

This is an original 19th century duotone lithograph entitled "Side View of the Great Sphinx" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published ...

Richard Haas The Hugh O'Neill Building, 655-671 Sixth Avenue, New York City, 1974 Lithograph on Arches paper Signed, titled and annotated "TP" in graphite pencil on the front Edition...

This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...

HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...

This is an original 19th century duotone lithograph entitled "The Great Temple of Aboo Simble, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...

This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...

This is an original 19th century duotone lithograph entitled "The Ghawazees, or Dancing Girls of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition,...

This is an original 19th century hand-colored lithograph entitled "Pyramids of Geezeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in Lon...

John Basire & John Carter St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to st...

Pawel Kontny was born in Poland, he began with sketching wartime scenes combining abstract with realism. He exhibited throughout Europe. This piece is a part of my private collection...

Bernard BUFFET Buildings in New York, 1967 Original stone lithograph Printed signature in the plate Printed in Mourlot workshop 71 x 52 cm (c. 28 x 21 in) REFRENCES : Catalog raiso...

A high quality hand-signed limited edition print entitled 'New York Storm' on 42nd Street with the Chrysler Building by Leading British Urban Landscape Artist, Angela Wakefield. Part of her New York Series. The character of New York’s skyline and large residential districts is often defined by the skyscrapers, street scenes and elegant brownstone row houses, town houses, and shabby tenements that were built during a period of rapid expansion at the end of the 19th century. Angela has now produced over 100 paintings of New York City in her New York Series. “New York City’s five boroughs are home to some of the world’s most recognisable, cherished landmarks and attractions. Angela’s painting style perfectly encapsulates the mood of New York.” Angela Wakefield (Born 1978) has twice been on the front cover of ‘Art of England’ and featured in ARTnews – the most widely read art magazine in the world. Angela has attracted international attention with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and she is often favourably compared with Edward Hopper by collectors and art critics. Her work is held in private collections in Europe and the USA, and has been exhibited in London and across the United Kingdom. Angela's admirers include leading figures in international business, filmmaking and the media. Angela studied at UCLan in the UK, gaining a BA(Hons) in Fine Art. Working with acrylic paint on canvas or board, she is mainly associated with cityscapes and city street scenes, incorporating figurative elements of the landscape, architecture, transportation and the human figure. Angela Wakefield has undertaken several high-profile commissions: She was commissioned by the University of York to paint the high profile £800,000 renovation project 'Greg's Place', kindly funded by Greg Dyke, the former Chancellor of the University, FA Boss & Director General of the BBC. Angela was also commissioned by Stonyhurst College to paint the world-famous Grade 1 listed building. (Former Alumni inching JRR Tolkien...

This is an exclusive handprinted limited edition cyanotype. Stunning image of a breezy "Malibu Pine Sea View". Details: + Title: Malibu Pine Sea View + Year: 2025 + Edition Size: 50...

BUCK RUN BRIDGE is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe(b.1948 Ontario, Canada) printed in 1990 at JK Fine Art Editions Co. NYC, using hand lithography techniques on archival Arches paper, 100% acid free. Buck Run Bridge depicts a finely detailed drawing of a historic covered bridge in Chester County, Pennsylvania. BUCK RUN BRIDGE is an elongated horizontal composition, image measures 11.5 in. H x 36.75 in. W; a very appealing scenic Pennsylvania winter landscape with subtle details exhibiting fine line drawing and watercolor-like washes blending to form a wintry blue sky. The landscape captivating the viewer's eye with its delicate branches on bare trees, stone walls, split rail...

This vintage David Hockney poster features whimsical imagery and rich, bright color. Palm trees, boats in the ocean, a cafe, and a bodega with an elaborate iron-wrought balcony sit a...

This realistic coastal limited edition print by Michel Brosseau features a light blue and white palette and captures a large sailboat as it sails through the ocean, carrying four pas...

This coastal seascape limited edition print captures a cropped view of rolling ocean waves. Highly detailed and realistic, it balances the deep blues and sea greens of the ocean with...

This is an original 19th century duotone lithograph entitled "A Colossal Statue at the Entrance to the Temple of Luxor" by David Roberts, from his Egypt and Nubia volumes of the larg...

This is an original 19th century duotone lithograph entitled "Thebes" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The print depicts a view of the imposing pair of sitting...

This artwork "Mykonos, Greece II" c.1990 is an original color lithograph by noted French artist Jean Claude Carsuzan b. 1938. It is hand signed and numbered 116/150 in pencil by the artist. The image size is 10.25 x 14.25 inches, framed is 18.25 x 22.25 inches. It is custom framed in a wooden gold frame. The artwork is in excellent condition, the frame has some scratches. It will be replaced by a new similar one before shipping, which will bring the condition to excellent. About the artist: Jean Claude Carsuzan was born in Bordeaux, France in 1938. France. Hi interest for art began at an early age. He Attended the Bordeaux Art...

Alex Colville (1920-2013) is one of the titans of Canadian art. Working across mediums, Colville is a revered painter, draughtsman, engraver, and muralist. He is one of the few Canad...

Artist: Hans Figura (Austrian, 1898-1978) Title: Winter Landscape Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Plate mark (Image) size: 17.25 x 13.75 inches Framed size: 23 x 19.5 inches Signature: Hand signed in pencil by the artist Condition: very good Frame: Custom framed in a silver and gold frame About the artist. Hans Figura (Austrian, 1898-1978) was a noted painter and etcher, who was well known for his aquatint etchings on paper or satin of European and American landscape and cityscape scenes, as well as paintings of landscape and cityscape scenes, Tyrolean Alp scenes of villages and chalets, street scenes, harbor and marine scenes. Hans Figura was born January 22, 1898, in the small town of Nagy-Kikinda near the Austro-Hungarian border, to Austrian parents. His father was a railway official and he spent his childhood in various small villages along the railway line between Vienna and Hungary. He graduated from the highschool in Vienna and also studied at the Higher Graphical Federal Education and Research Institute, a vocational school there (Höhere Graphische Bundes-Lehr und Versuchsanstalt) As a young man, he served as an officer in the Austrian Army during WWI from 1916-18 on the Russian and Italian fronts. After the war he attended medical school at the University of Vienna for several years beginning in 1918, and seven semesters later, he passed his first state exam, but eventually decided that he preferred the arts to medicine. He also studied at the Academy of Fine Arts in Vienna (Akademie der bildenden Künste Wien) and by 1922 he had devoted himself to painting and etching, while also working in other artistic printing mediums, batik, illustration, bookbinding and working with leather. From 1923-28, Figura made numerous art study trips throughout Europe including; Germany, Italy, France, Belgium, Holland, England, Czechoslovakia and Hungary. His first major success came in 1924, when he won acclaim for his etchings exhibited in Italy and the United States. In 1929, he visited the United States and in 1930, he traveled back to France, Holland and also Switzerland. During this time, Figura maintained studios in both New York City and Vienna, Austria. Throughout the course of his career, he exhibited his paintings and prints in many of the large cities throughout Europe and the United States and many of his etchings and paintings were acquired by museums and galleries, including The Kulturamt, Vienna, Austria; the Landesmuseum of Lower Austria; as well as The Society of Art Lovers, Berlin and Munich. Select Exhibitions: 1924- Exhibitions in Italy and the United States. Circa Mid 1920's-1939- All the exhibitions at the Kunstlerhaus, Vienna, Austria. 1926- "Secession...

Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed winter landscape drawing depicting a snow covered hilltop with a lone, English style horseback rider and nature details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth. Print size - 32 x 27 inches, unframed, excellent condition, pencil signed by Peter Sculthorpe, inscribed PP#8(Printers Proof) aside from the edition of 275 Edition size - 275, plus proofs Year published - 1989 Printer - J K Fine Art Editions Co. NY Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...

This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...

A rich and tonal image of an icon of Manhattan architecture. Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...

Engraving by Albert Emil Kirchner Dutch artist born in 1813 and died on 1885 He have 176 registered auctions. The oldest was in 1989 and the most recent in 2022 The theme of the engraving is one of the most famous castle in Switzerland "le chateau...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Landscape, 1990 Original aquatint and aquatint signed by hand by the artist.. (mm. 450x540). Perfect specimen, imprinted on Hahnemühle paper in a total of 100 copies Perfect preserv...

Artist: Jacques Callot (French, 1592-1635) Title: The Feast, from the suite, les Bohemiens Year: 1620 Medium: Etching Paper: Laid paper Size of image: 4.65 x 9.15 inches Signature: S...

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents (Blue Border)" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell...

This coastal seascape limited edition print captures a scene from the porch of a beachfront property along the coast. A setting sun casts sharp light and cool blue-grey shadows across the porch, where two sets of shoes and two boat paddles...

This is an exclusive handprinted limited edition cyanotype. "Mediterranean Blue Sea Waves" is a handmade cyanotype print of the subtle tidal flow moving in on the Mediterranean Sea. ...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky. A very fine impression, in black ink on a thin Japan paper. Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat. Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames. It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...

BACKLAND is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the realist painter, Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. BACKLAND is a finely detailed drawing of a Bucks County...

This is an exclusive handprinted limited edition cyanotype. "Dark Beach Sunrise" is a handmade cyanotype print portraying beautiful sunrise reflection on the beach. Details: + Titl...

Rare Engraving "Cabane Des Hold, Terres Artiques, Fig CII," 1st edition "Description de l’Univers, page 281 This rare image depicts the Willem Barentsz expedition of 1597 to Novaya Zemlya, Russia. The engraving, with later hand-coloring, shows the cabin and ship of the Dutch arctic expedition of Barentsz on Novaya Zemlya (Nova Zembla), with the party being attacked (and in some cases apparently eaten) by bears and wolves. Dutch explorer, Willem Barentsz, reached the west coast of Novaya Zemlya in 1594, and in a subsequent expedition of 1596 rounded the northern point and wintered on the northeast coast. Barentsz died during the expedition, and may have been buried on the northern island. This artwork is a page from a book by 17th century cartographer and engineer, Allain Manesson Mallet (French, 1630-1706), "Description de L'Univers, contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern." Paris: Denys Thierry, 1683. Presented in an cream colored mat. Text on verso shown in images. Mat Size: 11.5"H x 9.07"W Paper Size: 8.25"H x 5.44"W Image Size: 5.63"H x 3.75"W Alain Manesson Mallet (French, 1630-1706) was a 17th century cartographer and military engineer. He started his career as a musketeer in the army of Louis XIV, became a Sergeant-Major in the artillery and an Inspector of Fortifications. He later served under Alfonso VI, King of Portugal...

This is an exclusive handprinted limited edition of a cyanotype print. This beautiful image shows the subtle afternoon light going through the woods during the summer. Details: + T...

SALVO (SALVATORE MANGIONE), Leonforte 1947 - Turin 2015 March, ca. 1990. Original aquatint and aquatint hand-signed by the artist. (cm. 53x48). Paper size: cm.80x60 Perfect specimen,...

This is a hand-colored antique engraving depicting the natural history of the Tortoise-shell Butterfly and Privet Hawk Moth, which is plate 2 from Moses Harris' publication "The Aure...

Landscape and figures. Signed on plate. Image Dimensions : 15x21 cm. Publisher : Editore Lovera Excellent conditions This artwork is shipped from Italy. Under existing legislation, ...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

Artist: David Smith-Harrison– American (1959-) Title: Orchard Year: circa 1988 Medium: Multiple Plate Intaglio etching Plate size: 19.75 x 27.5 inches. Sheet size: 26.5 x 35.5 inches. On Arches Cover White paper Matted size: 28.75 x 37.25 inches Framed Size: 31.25 x 38.75 inches Signature: Signed lower right Edition: 2nd state. Edition of 85. This one: 5/85 Condition: Very good This large etching is by the noted American artist David Smith-Harrison (1959-). It is framed with a light olive green linen mat. It is signed in the lower right and titled and numbered in the lower left margin, all in pencil. The print is in excellent condition, not examined out of the frame. The frame is in very good condition with a few very tiny, virtually invisible nicks. David Smith-Harrison’s approach to printmaking relies on drawing and alludes to past renaissance style architecture. He was awarded the Utah State Sterling Scholarship, before going on to be educated at the South Glamorgan Institute in Cardiff, Wales and at the University of Utah. He has participated in numerous shows, nationally and internationally. Juried exhibitions include Ashland University Printmaking Invitational Exhibition in Ohio, National Printmaking College of New Jersey, Trenton, Tokyo International Mini-Print Triennial, Japan, Society of American Graphic Artists at Federal Plaza, New York and US-UK Print Connection, Barbican Centre in London. COLLECTIONS (partial list) The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, San Francisco, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan The Cleveland Museum of Art, Cleveland Ohio EDUCATION 1984 University of Utah, Salt Lake City, Utah 1983 South Glamorgan Institute, Cardiff, Wales, U.K. 1977-78, 1981-83 Utah State University, Logan, Utah 1977 Utah State Sterling Scholar SOLO EXHIBITIONS 2014 Old Town Gallery, Park City, Utah 2007 Waterworks Gallery, Friday Harbor, WA 2006 The Dovetail Collection, Healdsburg, CA 2005 Couturier Gallery, Los Angeles, CA 2005 Tula Prints, Cordoba, Spain 1999 The Artful Eye, Calistoga, CA 1998 The Artful Eye, Healdsburg, CA Evolving Space, San Francisco, CA Hallside Gallery, Univerity Medical Center, Salt Lake City, UT 1997 Evolving Space, San Francisco, CA 1996 Couturier Gallery, Los Angeles, CA Evolving Space, San Francisco, CA 1995 Pioneer Memorial Theatre, University of Utah, Salt Lake City, Utah Rasmussen Art Gallery, Pacific Union College, Angwin, CA 1994 J.D. Neumann, San Francisco, CA 1993 Sala d'art Josep Bages, Torre Muntadas, El Prat de Llobregat, Barcelona, Spain LeCelle Gallery, San Anselmo, CA 1990 Loge Gallery, University of Utah, Salt Lake City, Utah 1988 Contemporary Realist Gallery, San Francisco, CA Old Town Gallery, Park City, Utah GROUP EXHIBITIONS (selected) 2004 Studio 7 Gallery, Pleasanton, CA 2003 Studio 7 Gallery, Pleasanton, CA Waterworks Gallery, Friday Harbor, WA The Hayward Arts Council, Hayward, CA 2002 Present Art IX, Couturier Gallery, Los Angeles, CA 1999 Richard Reed Armstrong, Chicago, Illinois Ashland University Printmaking Invitational Exhibition, Ashland University, Ashland, OH University of Dallas National Print Invitational, Waco, TX 1998 Waterworks Gallery, Friday Harbor, WA Religious and Spiritual Art of Utah, Springville Museum of Art, Springville, UT Printmaking: People and Process, The California Society of Printmakers, Contra Costa College, CA 1997 Long Beach Museum of Art, Long Beach, CA Pacific Edge Print Exhibition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beauty's Plea, Long Beach Museum of Art, Long Beach, CA Davidson Gallery, Seattle, WA Art and Architecture, Nortel Northern Telecom, Santa Clara, CA Beyond Boundaries Preview Exhibition, Bank of America Concourse Gallery, San Francisco, CA Printwork /96, Barrett House Galleries, Dutchess County Art Association, Poughkepsie, NY Network General, Architecture in Art Exhibit, Menlo Park, CA 1995 Present Art III, Couturier Gallery, Los Angeles, CA Synopsys Inc., Architecture in Art Exhibit, Mountain View, CA Waterworks Gallery, Friday Harbor, WA 1994 Gump's Gallery, San Francisco, CA Bartlett Gallery, Pleasanton, CA 1993 Evergreen Graphic Art Association, Taipei Cultural Center, Taipei, Taiwan Republic of China 1990 Gump's Gallery, San Francisco, CA 1989 Intaglio, New Mexico State University, Las Cruces, NM 1988 Contemporary Works on Paper, William Gallery, St. Helena, CA Ornamentation in Architecture, American Institute of Architects San Francisco Chapter, San Francisco, CA 1987 Intaglio, Lawson Galleries, San Francisco, CA Fine Print Exhibition, Convergence Gallery, San Francisco, CA JURIED EXHIBITIONS (selected) 2005 Impressions: Matrix and Image, Alameda Art Center, Alameda, CA 2004 Delta National Small Prints Exhibition, Arkansas State University 2003 Delta National Small Prints Exhibition, Arkansas State University 1999 Ashland University Printmaking Invitational Exhibition, Ashland, OH 1998 74th Utah Spring Solan, Springville Museum of Art, Springville, UT 1997 The 15th University of Dallas National Print Invitational, University of Dallas, Irving, TX From Coast to Coast, Center for Visual Arts, Oakland, CA Janet Turner National Print Competition, Janet Turner Print Gallery and CA State University, Chico, CA The Fantastic Image, the Art of Intaglio, CA Society of Printmakers, Vallejo Community Arts Foundation, Vallejo, CA 73rd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Edge Print Competition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beyond Boundaries, North America Printmaking Exhibition, San Francisco, CA Printwork 96, Barrett House Galleries, Dutchess County Art Association, Poughkeepsie, NY 72nd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Prints 1996, 8th Biennial Print Competition and Exhibition, Palo Alto, CA 1995 Janet Turner National Print Competition, Janet Turner Print Gallery and CSU Chico, CA Tokyo International Mini-Print Triennial '95, Tokyo, Japan Impressions: The Medium Extended, ProArts, Oakland, CA 71st Utah Spring Salon, Springville Museum of Art, Springville, UT Print & Draw: Biennial, Triton Museum of Art, Santa Clara, CA 1994 10th Annual Exhibition, Part II, Berkeley Art Center Association, Berkeley, CA 1st Internet Art...

Fine di settembre (Albairate, Pisani Dossi) Ref. 395 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian...

Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...

The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo Summer on the Ayase River by Hiroshige (Ando) Utagawa (Japan, 1797 - 1858 ). Woodcut circa 1856. Ima...

Richard Haas Hong Kong, 1990 Etching and Aquatint on wove paper Hand Signed, numbered 26/35 and dated on the front Frame included; held in the original vintage hand made wood frame ...

Christopher Pratt (1935–2022) is one of Canada’s most beloved and recognizable Maritime artists. Born in St. John’s, he dedicated the majority of his artistic practice to depicting s...

A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...

This is a hand-colored antique engraving depicting the natural history of the the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, the Scarce Mar...