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Medium: Woodcut
La Peche lithograph (woodcut)
Located in Belgrade, MT
Raoul Dufy was an important multifaceted French artist who worked in a variety of media including painting, print making, mural design, theatre and costume design, upholstery, wall paper, ceramics, and fabric. In his paintings he often depicted the circus, equestrian scenes, Parisian cafe life, yachting scenes, colorful views of the French Riviera, and musical events in a distinctive style that combined the various artistic trends of the day, most notably Fauvism. Born in 1877 in Le Havre France, and after a year of military service in 1900, Dufy won a scholarship to the Ecole Nationale superieure des Beaux-Arts, in Paris, studying under Othon Friesz. He exhibited extensively throughout Paris and France at the various salons, including the Salon des Tuileries. For the 1937 Exposition Internationale in Paris, Dufy completed one of the largest paintings ever conceived, a 250...
Category

Early 20th Century Fauvist Woodcut Prints and Multiples

Materials

Lithograph, Woodcut

Lovers - Woodcut after Ikkeisai Yoshichika - Mid-20th Century
Located in Roma, IT
Lovers with a Bird Cage is a woodcut print realized in the mid-20th Century after a 1789 woodcut print by Suzuki Harunobu. Good conditions. The artwork is depicted through soft li...
Category

1860s Woodcut Prints and Multiples

Materials

Woodcut

Farmers Eating - Woodcut Print by Katsushika Hokusai - 1814
Located in Roma, IT
Farmers Eating is an original modern artwork realized by Katsushika Hokusai in 1814. Woodcut print double page of a book. B/W print with light gray and red. From one of the manga v...
Category

19th Century Modern Woodcut Prints and Multiples

Materials

Woodcut

Le Paradis XXVII (Field 189-200; M/L 1039-1138), La Divine Comédie
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...
Category

1960s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

Le Purgatoire XV (Field 189-200; M/L 1039-1138), La Divine Comédie
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...
Category

1960s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

"Fieldwork" Large 5+-Foot Original Woodcut on Paper by Roger Herman, Framed
By Roger Herman
Located in Encino, CA
"Fieldwork," an original woodcut on paper by Roger Herman, is a piece for the true collector. This spectacular woodcut cannot be properly communicated digitally – it is a far more impactful and meaningful experience in person. This work of art would definitely enhance most homes or professional settings, perfect for those who have an affinity for abstracts, Neo-Expressionism, modernist paintings, or postmodern art. This woodcut was printed by Hans-Fuss and published by the Graphic Arts Council at LACMA. Work is outfitted with custom, conservation frame. Art historian Howard Singerman's words from the December 1982 ArtForum Magazine: "...Herman's expressionistic style... with its roots in German Expressionism and the New York School, is previously painted. His mean colors, thick pigment, and quick strokes are not a direct record of emotion and activity, they are not painting outside language, but signs for that painting, for an emotion and an activity that are no longer available. The expressionist act is recast as romantic aspiration; in his inscription, Herman evokes painting's past and admits his need for its aura... ...Herman's distance even undermines the emblematic immediacy of his expressionism, which he uses to attain more distance still. Unlike the flattened, aggressive figures that push to, and threaten to push through, the surfaces of most new painting, Herman's figures are situated in middle ground and buried beneath the paint..." Artist: ROGER HERMAN (1947-) Title: FIELDWORK Medium & Surface: ORIGINAL WOODCUT ON PAPER (framed) Signed/Numbered: HAND-SIGNED, NUMBERED, AND TITLED BY ARTIST Number: 36 of 75 Year Created: 1984 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 48 INCHES Paper Dimensions: 38 x 62 INCHES Frame Dimensions:* 41.25 x 65.25 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY ROGER HERMAN – PRINTED BY HANS-FUSS WITH BLIND STAMP LOWER RIGHT. PUBLISHED BY THE GRAPHIC ARTS COUNCIL AT LACMA. FEATURES CUSTOM CONSERVATION FRAME. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Roger Herman, a German painter and ceramic artist, has become well known for the broad range of styles encompassed within his work across multiple mediums. Roger Herman was born in Germany in 1947, where he began his studies at the Kunstakademie in Karlsruhe. In 1976, he was offered a fellowship from the German Academic Exchange Service (DAAD), which took him across the world to San Francisco. It was here, in California, that his career began to flourish. He started by creating paintings of phenomenal proportion, soon christened as the West Coast parallel of the 80s Neo-expressionist movement. It was highly referential work, drawing on his knowledge of art history, as well as his famed sense of humor. With loose, facile brushwork, his art is reminiscent of the figurative German painters who emerged in the 1970s—like Markus Lüpertz (who taught at the Kunstakademie), Rainer Fetting...
Category

1980s Neo-Expressionist Woodcut Prints and Multiples

Materials

Woodcut

Les Collines 1908
Located in Belgrade, MT
This black and white wood cut print is part of my private collection. It is artist signed and approved and a limited edition.
Category

Early 20th Century Woodcut Prints and Multiples

Materials

Woodcut

Le lièvre et la tortue, Vingt fables de La fontaine, Jean Picart Le Doux
Located in Auburn Hills, MI
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category

1960s Modern Woodcut Prints and Multiples

Materials

Woodcut

"Follow Me", Abstract Patterns, Geometric Abstraction, Woodcut Monotype on Panel
Located in Philadelphia, PA
This piece titled "Follow Me" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 9.5"h x 14.5"w. Born in Mexico City, ...
Category

21st Century and Contemporary Contemporary Woodcut Prints and Multiples

Materials

Panel, Monoprint, Woodcut

Die Neue Stadt - Rare Book Illustrated by Otto Rudolph Schatz - 1926
Located in Roma, IT
Die neue stadt is an book written by J. Luitpold and illustrated by Otto Rudolph Schatz (Wien, 1900 - Wien, 1961) in 1926. Original First Edition. Published by Buchergilde Gutenberg, Berlin. Format: In Folio. The dimensions of the book are indicative. The book includes 38 pages with 12 Woodcuts. Good conditions. This Book has been illustrated by Otto Rudolf Schatz...
Category

1920s Symbolist Woodcut Prints and Multiples

Materials

Paper, Woodcut

Surimono - Original Woodcut Print by Yashima Gakutei - 1820/1846
By Yashima Gakutei
Located in Roma, IT
Surimono is a beautiful color woodcut with white and silver gold embossing, made between 1820 and 1846 by the Japanese artist Yashima Gakutei. A young woman is squatting on the floor, holding a musical instrument, the favorite subject of the Japanese master. With a layer of dust, a small hole in the upper margin to the right and some fading, the original print is still in good condition and retains its incredible charm. Really the surimonos are a genre of Japanese woodblock prints, privately commissioned for special occasions. Being produced in a small edition for a mostly educated audience, surimono were often more experimental in subject matter and treatment, and extravagant in printing technique, than commercial prints. Good conditions except a minor fading on top and some brushing of paper. Yashima Gakutei (c. Osaka, 1786 - 1868) The Japanese artist and poet was a pupil of both Totoya Hokkei...
Category

Early 19th Century Modern Woodcut Prints and Multiples

Materials

Woodcut

Fegefeuer III (Field 189-200; M/L 1039-1138), Die Göttliche Komödie
Located in Auburn Hills, MI
Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...
Category

1970s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

KCHO (Alexis Leyva Machado), ¨Untitled (Triptych)¨, 2019, Woodcut, 44.7x93.3 in
Located in Miami, FL
Alexis Kcho Leiva (Cuba, 1970) 'Untitled (Triptych)', 2019 woodcut on paper Velin Arches 300 g. 44.7 x 93.4 in. (113.5 x 237 cm.) Edition of 30 ID: KCH-118 Unframed
Category

2010s Contemporary Woodcut Prints and Multiples

Materials

Paper, Woodcut, Ink

Orleans (New Orleans) - Original Woodcut - 1848
Located in Roma, IT
Image dimensions: 8.3 x 13.7 cm. Orleans is a beautiful black and white xylograph on paper, realized in 1848 by Biyandt. Signed on plate on the lower right margin. Title in German on plate, on lower margin at the center and in Gothic font. With an excellent game of lights and shadows and a good final effects of tones, this original print representing a colonial building in the New Orleans city...
Category

1840s Modern Woodcut Prints and Multiples

Materials

Woodcut

Composition, Così fan tutte, Balthus
Located in Auburn Hills, MI
Woodcut in colors on vélin paper. Paper Size: 19 x 18 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Così fan tutte. Dramma giocoso in due atti. Musi...
Category

Early 2000s Modern Woodcut Prints and Multiples

Materials

Woodcut

Depositare Vibrazioni 2 - Woodcut by Tommaso Cascella - 1990s
Located in Roma, IT
Engraving with wood carving matrix on paper 310 gr/m2, paper-work size 130cm x 49cm. Excellent condition, no defects. Grafica Lombardi guarantee stamp worknumbering 06/75 dry stamp ...
Category

20th Century Contemporary Woodcut Prints and Multiples

Materials

Woodcut

Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Woodcut Prints and Multiples

Materials

Woodcut

Composition (Arntz 148-175; Hagenbach A 25; Bolliger 54), Dreams and Projects
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt Valentin, New York; printed by Fequet et Baudier, Paris. Excerpted from the folio, Text and 28 original woodcuts by Jean Arp printed...
Category

1950s Modern Woodcut Prints and Multiples

Materials

Woodcut

Le Purgatoire XX (Field 189-200; M/L 1039-1138), La Divine Comédie
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...
Category

1960s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

Flint - Woodcut by Maurits Cornelis Escher - 1931
Located in Roma, IT
Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....
Category

1930s Modern Woodcut Prints and Multiples

Materials

Woodcut

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Woodcut Prints and Multiples

Materials

Woodcut

Composition, Così fan tutte, Balthus
Located in Auburn Hills, MI
Woodcut in colors on vélin paper. Paper Size: 19 x 18 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Così fan tutte. Dramma giocoso in due atti. Musi...
Category

Early 2000s Modern Woodcut Prints and Multiples

Materials

Woodcut

Hölle XIII (Field 189-200; M/L 1039-1138), Die Göttliche Komödie
Located in Auburn Hills, MI
Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...
Category

1970s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

Paradies XIII (Field 189-200; M/L 1039-1138), Die Göttliche Komödie
Located in Auburn Hills, MI
Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...
Category

1970s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

'Der Gartner' (The Gardener) — German Expressionism
Located in Myrtle Beach, SC
Karl Michel, 'Der Gartner' (The Gardener), woodcut, c. 1925. Signed, titled, and numbered '15/50' in pencil. Signed in the block, lower left and right. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 5 1/4 x 3 7/8 inches (133 x 98 mm); sheet size 10 x 7 3/4 inches (254 x 198 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919 - 1933). In 1920, his work was featured in the influential German graphic design magazine Das Plakat...
Category

1920s Expressionist Woodcut Prints and Multiples

Materials

Woodcut

'Church with House and Tree' – Artist's Personal Letterhead, 1940s Modernism
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'. A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce. Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted. Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category

1930s Bauhaus Woodcut Prints and Multiples

Materials

Woodcut

The Purgatory, Canto 6 - Les Morts par violence
Located in OPOLE, PL
Salvador Dali (1904-1989) - The Purgatory, Canto 6 - Les Morts par violence Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publish...
Category

1960s Modern Woodcut Prints and Multiples

Materials

Woodcut

Purple Martin - Woodcut Print by Alexander Francis Lydon - 1870
Located in Roma, IT
Purple Martin is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Han...
Category

1870s Modern Woodcut Prints and Multiples

Materials

Woodcut

Ex-Libris - Rethyistvan - Woodcut - Mid 20th Century
Located in Roma, IT
Ex-Libris - Rethyistvan is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness .
Category

Mid-20th Century Modern Woodcut Prints and Multiples

Materials

Woodcut

The Romance - Original Woodcut print by Fernand Siméon - Early 20th Century
Located in Roma, IT
The Romance is an original woodcut print realized by Fernand Siméon. The state of preservation is very good. Included a Passepartout: 30 x 24 m. Fernand Siméon (1884 - 1928) was a...
Category

Early 20th Century Modern Woodcut Prints and Multiples

Materials

Woodcut

Fishing - Animal Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Black ink on buff Japanese rice paper. This image came from watching the sea birds on Kauai, Hawaii. Soaring along the bluffs on the north shore and diving for fish in the sea. Fish...
Category

2010s Contemporary Woodcut Prints and Multiples

Materials

Woodcut

Something American, Woodcut Print by David Preston
By David Preston
Located in Long Island City, NY
Artist: David Preston Title: Something American Medium: Woodcut, signed, numbered, dated, and titled in pencil Image Size: 40 x 30 inches Paper Size: 47 x 32 in. (119.38 x 81.28 cm)
Category

1990s Pop Art Woodcut Prints and Multiples

Materials

Woodcut

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Woodcut Prints and Multiples

Materials

Engraving, Woodcut

The Paradise, Canto 26 - Dante Recovers his Sight
Located in OPOLE, PL
Salvador Dali (1904-1989) - The Paradise, Canto 26 - Dante Recovers his Sight Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publi...
Category

1960s Modern Woodcut Prints and Multiples

Materials

Woodcut

Sergio Hernández, 'Untitled', 2016, Woodcut, 46.9x82.7 in
Located in Miami, FL
Sergio Hernández (Mexico, 1957) 'Untitled', 2016 woodcut on paper 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 Unframed
Category

2010s Contemporary Woodcut Prints and Multiples

Materials

Paper, Woodcut

Elements - Surfing Art - Figurative -
Located in Carmel, CA
Elements - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in t...
Category

2010s Contemporary Woodcut Prints and Multiples

Materials

Woodcut

Frame with Separation
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

21st Century and Contemporary Minimalist Woodcut Prints and Multiples

Materials

Woodcut

Poèmes, Planche II (trial proof)
Located in OPOLE, PL
Marc Chagall (1887-1985) - Poèmes, Planche II (trial proof) Woodcut print from 1968. Double-sided (front-verso) trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimen...
Category

1970s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

1912 Napoleon Bonaparte 'Bataille D'Esling- Mort De Montebello'
Located in Brooklyn, NY
Paper Size: 19.5 x 25.5 inches ( 49.53 x 64.77 cm ) Image Size: 13 x 21 inches ( 33.02 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...
Category

1910s Baroque Woodcut Prints and Multiples

Materials

Woodcut

Le Paradis XXX (Field 189-200; M/L 1039-1138), La Divine Comédie
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...
Category

1960s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

Divine Erato - 1978
Located in Roma, IT
Divine Erato  is a woodcut print on Arches Paper realized in 1978 to illustrated "L'Art d'Aimer" (The Art of Love) by Ovid. Hand signed and numbered in pencil. Dali's Drystamp. Pub...
Category

1970s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

'Church with Star' – Artist's Personal Letterhead, Bauhaus Modernism
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category

1930s Bauhaus Woodcut Prints and Multiples

Materials

Woodcut

Paradies XXXII (Field 189-200; M/L 1039-1138), Die Göttliche Komödie
Located in Auburn Hills, MI
Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...
Category

1970s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

Deux femmes se reposant, Vingt fables de La fontaine, Constantin Terechkovitch
Located in Auburn Hills, MI
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category

1960s Modern Woodcut Prints and Multiples

Materials

Woodcut

"Breeze Before the Leap", Rooster Iconography, Patterns, Woodcut Print
Located in Philadelphia, PA
This piece titled "Breeze Before the Leap" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 44.25"h x 31.25"w fr...
Category

21st Century and Contemporary Contemporary Woodcut Prints and Multiples

Materials

Woodcut, Ink

Guet-Apens, par Gill; Cover Illustration from L'Eclipse, 17 March, 1872
Located in Middletown, NY
Paris: L'Eclipse, 1872. Woodcut engraving with handcoloring on light-weight wove paper, 13 3/4 x 11 5/8 inches (347 x 294 mm), margins trimmed. Illustrated in Histoire de la révolut...
Category

19th Century French School Woodcut Prints and Multiples

Materials

Watercolor, Woodcut

Le Paradis XI (Field 189-200; M/L 1039-1138), La Divine Comédie
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...
Category

1960s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

Woman in Green - Woodcut by Otto Lange - 1916
By Otto Lange b.1879
Located in Roma, IT
Woman in Green is a Colored print on paper, realized by Otto Lange in 1916  Woodcut on paper. Good conditions.
Category

1910s Modern Woodcut Prints and Multiples

Materials

Woodcut

Agave Break
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. Valley House began showing his multi-articulated, painted w...
Category

1990s Contemporary Woodcut Prints and Multiples

Materials

Woodcut

"Mine Shaft", Soviet Union: An Early 20th C. Woodcut Engraving by Abramovitz
Located in Alamo, CA
This is a signed woodcut engraving entitled "Mine Shaft" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts two Russian workers constructing a mine sh...
Category

1930s Woodcut Prints and Multiples

Materials

Woodcut

Héron au bord de la riviè, Vingt fables de La fontaine, Henri de Waroquier
Located in Auburn Hills, MI
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category

1960s Modern Woodcut Prints and Multiples

Materials

Woodcut

Hölle XXIX (Field 189-200; M/L 1039-1138), Die Göttliche Komödie
Located in Auburn Hills, MI
Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...
Category

1970s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

The Simonists - Woodcut print - 1963
Located in Roma, IT
The Simonists - hell 19 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...
Category

1960s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

THE SUNFLOWER
Located in Santa Monica, CA
ANDERS ALDRIN (Swedish /American 1889 – 1970) THE SUNFLOWER ca. 1935 (Newark Museum 9) Color woodcut, edition c. 150. Signed, unnumbered, but dedicat...
Category

1930s American Modern Woodcut Prints and Multiples

Materials

Woodcut

The Giants - Woodcut print - 1964
Located in Roma, IT
The Giants - Hell Plate 2 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editi...
Category

1960s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

Le Paradis VI (Field 189-200; M/L 1039-1138), La Divine Comédie
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...
Category

1960s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

Paradies II (Field 189-200; M/L 1039-1138), Die Göttliche Komödie
Located in Auburn Hills, MI
Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...
Category

1970s Surrealist Woodcut Prints and Multiples

Materials

Woodcut

Peacock Nebula
Located in San Francisco, CA
This artwork titled "Peacock Nebula" c.2000, is an original colors woodcut on thin rice paper paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed and titled in pen...
Category

Late 20th Century Abstract Expressionist Woodcut Prints and Multiples

Materials

Woodcut

A 1928 Woodcut on Paper, Self-Portrait of Notable Chicago Modernist Emil Armin
By Emil Armin
Located in Chicago, IL
A 1928 woodcut on paper of a self-portrait of Notable Chicago Modernist artist Emil Armin. artowrk size: 10 1/2" x 8". Archivally matted to: 12 1/2" x 14 1/2. Edition 7/30. Emil Armin was born in Radautz, Austria in 1883. By the age of 10, Armin was orphaned and was raised by his older siblings. He supported himself by working in restaurants and drew in his spare time. In 1905, at the age of 21, Armin immigrated to Chicago. He began studying at the Art Institute of Chicago in 1907, but financial difficulties forced him to start and stop a number of times, finally graduating in 1920. He studied with George Bellows and Randall Davey. Armin was an integral part of Chicago’s 57th Street Art Colony and exhibited in both the more avant-garde Chicago No-Jury Society Shows, as well as the more formal and conventional Chicago Society of Artists Exhibitions, the Chicago Renaissance Society and Art Institute of Chicago (1922-1949) exhibitions. He taught at Hull House...
Category

1920s American Modern Woodcut Prints and Multiples

Materials

Paper, Woodcut

''Hyacinth'' Contemporary Woodcut with Blue Hyacinths in interior
Located in Utrecht, NL
Vincent van Ojen is a true master of the woodcut technique. Through years of dedication and research, he has perfected this ancient medium, resulting in works of remarkable depth and...
Category

1990s Contemporary Woodcut Prints and Multiples

Materials

Woodcut

Find Original Woodcut Prints for Your Home

Original woodcut prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.

Woodcut is a type of relief print that is made by carving a block of wood with a knife or gouge. The surface is then inked with a roller and pressed onto paper. Unlike with intaglio techniques, the section of the surface that has not been incised is what appears in the print. 

Woodcut printmaking is one of the oldest printing techniques, first used in 9th-century China, mastered by Albrecht Dürer during the Northern Renaissance and famously associated with the ukiyo-e artists of 17th- and 18th-century Japan. (For concision, power and delight, it’s hard to beat a Japanese woodblock print, the product of an artistic tradition that is aging very well indeed.)  

Elsewhere, German Expressionists like Emil Nolde and Ernst Ludwig Kirchner embraced the medium for its bold, graphic power in the 1920s, and artists continue to use it today.

OK, so what is the difference between a woodcut print and an intaglio print?

“[Intaglio] is the opposite of relief printing — woodcut, linoleum cut, letterpress, and rubber or metal stamping,” says Rhea Fontaine of Paulson Fontaine Press. “With relief printing, the raised areas of the printing surface are inked and printed, while the areas that have been cut away do not pick up the ink. Often these prints are made by hand.”

Find original woodcut prints by Katsushika Hokusai, Suzuki Harunobu, M.C. Escher, Mino Maccari and many other artists on 1stDibs.

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