Woodcut Prints and Multiples

The Siren of the Dream -  "The Divine Comedy" - Song 19 -  Purgatory  is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante ...

Third planet -  "The Divine Comedy" - Song 14 -  Purgatory is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. ...

Venus and Mars (Venere e Marte) is an Artwork realized by Mino Maccari  (1924-1989) in 1943. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled o...

Joan Miro, Spanish (1893 - 1983) - A Toute Epreuve (D 220), Year: 1958, Medium: Woodcut on Arches, Edition: 130, Size: 12.75 x 10 in. (32.39 x 25.4 cm), Printer: Jacques Frelaut and...

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

Proustian (Proustiana) is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 1/89 specimens and t...

This is among the very few prints known by Spanner. It's the epitome of joie de vivre. It is signed, numbered, and annotated 'Hand print,' in pencil. The numbering indicates an edit...

Gerald Coles - Original 1958 Woodcut. Signed and dated in pencil lower left corner. On Japan paper. Numbered 1/30. In fine condition. Gerald Anthony Co...

A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...

Jean Arp (1886-1966) Title 1: Masken Title 2: Es schneit nach oben Year of creation: 1958 Medium: Set of 2 woodcut prints on paper Dimensions: 38 x 27 cm Edition of 180: Not signed, ...

Ex Libris - Jaroslav Cerveny is an Artwork realized in Mid 20th Century. Etching. Good conditions. The artist wants to define a well-balanced composition, through preciseness.

Jack Davidson davidelvisandi, 2016 Woodcut 24 1/2 x 17 in (62.2 x 43.2 cm) Edition of 20

Breton Peasant is a woodcut print realized by Paul Emile Colin (1867-1949). Good condition on a little paper, included a cream colored cardboard pass...

The Heaven of Fixed Stars - Song 25 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.25 ...

Signed and numbered color woodcut from the edition of 22. Modern woman with umbrella in the Shinjuku ward of Tokyo; Mount Fuji can be seen in the distance above the rooftops Art Hazelwood calls himself artist, instigator and impresario to define the three intertwining areas of his practice. He uses printmaking within a range of political allegory and satire making work from political posters to fine press edition artist books. He has curated and organized a range of exhibitions at venues from museums to immigrant centers. He has worked for over 20 years with homeless rights groups; creating prints, and street posters, and has authored one book and contributed to another on art and homelessness. He has been a regular visiting guest artist at San Quentin State Prison and teaches currently at the San Francisco Art Institute. He organized the San Francisco Poster...

Ex Libris - Monique Van Paeschen is a Modern Artwork realized in Mid 20th Century. Ex Libris. B/W woodcut on ivory paper. The work is glued on cardboard. Total dimensions: 20....

Joan Miro, Spanish (1893 - 1983) - A Toute Epreuve (D 222), Year: 1958, Medium: Woodcut on Arches, Edition: 130, Size: 12.75 x 10 in. (32.39 x 25.4 cm), Printer: Jacques Frelaut and...

Prodigality, Hell Plate 21, is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Good...

Comic Poems ("Seven illustrated books in one volume") is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1829/1830. Published by Johnston, London. Original First Edition. Seven books bound in one volume (Tom Thumb, The real Devil’s Walk, Monsieur Tonson, The March of intellect, The Devil’s Walk, Steamers v. Stages and The Epping Hunt). Format: in 12°. The book includes Fortyfive etchings and woodcuts. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Blackcap is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name...

Eli Jacobi: 1898-1984. Very important artist who was born in Kharkov Ukraine. His art studies began at the Bezalel Art Institute in Palestine. He was impris...

The Traitors - Hell, Plate- 33 - Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed...

This artwork titled "The Key to the Virgin Mary" 1975, is an original colors woodcut on thin paper by noted Austrian artist Bernd Kroeber, b.1942. It is hans signed, titled, dated an...

Ex-Libris - Sireho Schmidta is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed in pencil. Good conditions.

New school is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 1/89 specimens and titled on the...

The Long wait is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled on ...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Great Bustard is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. ...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Ex-Libris - Music is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Stephen White - Red Coat, Year: 1982, Medium: Woodblock on Japon, signed, dated, titled and numbered in pencil, Edition: AP 9/20, Size: 37 x 24.5 in. (93.98 x 62.23 cm)

Wigeon is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by London, Bell...

This artwork titled " Horse pulling a Sledge" c.1950 is an original woodcut on paper by noted Japanese artist Kaoru Kawano, 1916-1965. It is hand signed in pencil by the artist, with...

Specchio (Mirror) is an original woodcut on paper realized by G. Guerrini. Very good condition. Included passepartout: 40 x 30 cm.

Edward Gordon Craig (British, 1872 – 1966) Army of Fortinbras Woodcut Signed with monogram (lower right) 4.3/4 x 8.1/4 in. (12 x 20.8cm.) A beauti...

 Ex Libris - Maria Schotte is a Modern Artwork realized in the mid-20th Century. Woodcut print on paper.  The work is glued on a cardboard. Good conditions

Landscape from "Fugaku hyakkei" is an original modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849). Original Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). From the second posthumous edition 1878. Passepartout is included. Publisher Eiraku Toshiro. Sheet dimensions: 24 x 26 cm. Good conditions. Signs of age and wear. Hokusai created the monumental Thirty-Six Views of Mount Fuji both as a response to a domestic travel boom in Japan and as part of a personal obsession with Mount Fuji. Landscape from "Fugaku hyakkei" is an original modern artwork realized by Katsushika Hokusai (31 October 1760 – 10 May 1849) in the Second half of the XIX Century. Katsushika Hokusai (31 October 1760 – 10 May 1849) known simply as Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Hokusai is best known for the woodblock print series Thirty-Six Views of Mount Fuji which includes the internationally iconic print The Great Wave off Kanagawa...

Henri Laurens, French (1885 - 1954) - Suite Des Boise Pour Homer L’Odyssee. Year: 1952, Medium: 14 Woodblocks on thin wove paper in original portfolio cover, Edition: 125, Image Size...

Historical Scene is an original print realized by Mino Maccari in the Mid-20th Century. Beautiful black and white woodcut print on ivory-colored paper. Included a passport: 35 x 28 ...

The Castle is an original Woodcut realized by Giorgio Wenter Marini in 1925. Good conditions. The artwork is depicted through perfect hatching ...

Dalmatian Regulus is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 18...

The Sodomites - Hell Plate 19 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited e...

Woodcut Print Cat is a woodcut print realized by Simon Haret in the Mid-20th Century. Good condition with minor foxing. Monogrammed on a plate.

Angel of Mercy - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued....

Ex-Libris is an Artwork realized in Mid 20th Century. Lithograph on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness .

Little Owl is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colo...

Pink-Footed Goose is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by L...

Heaven Canto 23 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame. Cataloging: M...

Amoureux de Molière is an original artwork realized by Robert Bonfils (1886-1972). Original woodcut print on paper, realized on early-20th century, hand signed in pencil by the artis...

Ex Libris - Armida Rumina is an Artwork realized in Mid 20th Century. Woodcut. Good conditions. The artist wants to define a well-balanced composition, through preciseness.

Brunetto Latini - Hell Plate 34 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on ...

Ex Libris - J-H  Hunckler is an Artwork realized in 1946, by the French Artist Charles Favet (1899-1982).  Woodcut print on ivory paper. Hand Signed on the right margin. The work i...

Ex Libris -A. Formenti is an Artwork realized in 1937,  by the Italian Artist Fabio Mauroner (1884-1947) Etching print on ivory paper. Hand Signed on t...

Le Cerisier is an artwok realized in  1902  by the French Artist  Paul Emile Colin . Black and white woodcut on paper. Hand Signed on the left corner. The artwork is attached on pa...

Ex-Libris - Over Goethe is an Artwork realized in Mid 20th Century. Etching on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Ex-Libris - Hubert Dewez is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Albert Abramovitz was working in New York in the 1930s when he made wood engravings of the construction of the Moscow subway. This image, The Wagonette, is a wrenching testament to t...

Ex-Libris -Fascismo is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Ex Libris - Attilii Vicentini is an Artwork realized in 1930 s. by the Italian Architect Luigi Angelini(1884-1969)  Woodcut print on ivory paper. Hand Signed on the right corner and...

Figures is a woodcut print on paper realized by Charles Sterns in the Early 20th Century. Good conditions. The artwork is depicted through soft strokes in a well-balanced composition.