18th Century and Earlier Prints and Multiples
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Period: 18th Century and Earlier
The Artist's Mother
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: The Artist's Mother
Year: 1631
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 3.35 x 2.5 inches
Framed size. 22...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Death of the Virgin - Etching by Rembrandt - 1639
Located in Roma, IT
The Death of the Virgin is an etching by Rembrandt executed in 1639.
Signed and dated in the plate.
The state of preservation is good. Foxings and browning of the paper due to the ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
$4,355 Sale Price
25% Off
'Adam and Eve Expelled from Eden' by Albrecht Dürer, Woodcut Print
Located in Oklahoma City, OK
This 18.75" x 15.75" framed, woodblock print was produced by German Renaissance artist, Albrecht Dürer, circa 1511. The 5.75" x 4.63" print floats on white mat board and is presented...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Woodcut
Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino)
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Handmade Paper, Engraving
The Archangel Raphael Leaving Tobias' Family - Etching by Rembrandt - 1641
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
$13,747 Sale Price
20% Off
The Beheading of St. John the Baptist - Etching by Rembrandt - 1640
Located in Roma, IT
Beautiful proof of I state on III before the white space under the sword is covered.
Without Margins.
Very good condition.
Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Harbour with a Round Tower
Located in Middletown, NY
1641. Etching on cream wove paper, 5 1/16 x 7 11/16 inches (128 x 195 mm), narrow margins. Printed 19th century on a remainder which has a partially trimmed, printed image of a Virgi...
Category
French School 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Etching
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Watercolor
Beggar man and woman coming from behind a bank – after Rembrandt van Rijn
Located in Middletown, NY
Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Etching
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching, Aquatint
'Star', A running horse belonging to His Grace the Duke of Bridgewater
Located in Stoke, Hampshire
James Seymour (1702-1752)
'Star', A running horse belonging to His Grace the Duke of Bridgewater
Mezzotint by R. Houston
Image size 10 x 14 in
Framed size 13 x 17 in
James Seymour w...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Mezzotint
Peter and John Healing the Cripple at the Gate... - Etching by Rembrandt - 1659
Located in Roma, IT
Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line.
Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Young Man in a Velvet Cap (Ferdinand Bol) by James Bretherton, after Rembrandt
Located in Middletown, NY
Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling.
[Björklund's second state ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius)
Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving
The Triumph of Caesar: Plate IV of IX
By Andrea Mantegna
Located in Middletown, NY
Andreani, Andrea, after Andrea Mantegna
The Triumph of Caesar: Plate IV of IX
1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Laid Paper, Ink, Woodcut
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Appearance - Etching by C.N. Cochin the Elder - 1750s
Located in Roma, IT
Appearance is a black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754) in 1750s.
Good condition.
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Donkey - Etching by Pierre Charles Baquoy - 1771
Located in Roma, IT
The donkey is an etching realized by Pierre Charles Baquoy in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
Pa...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Rococo 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
A Man of Mangea 1784 final voyage of Captain Cook by John Webber
By John Webber
Located in Paonia, CO
A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Novissima et Accuratissima Totius.. - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Novissima et Accuratissima totius Italiae, Corsicae et Sardiniae, was realized by the cartographer Frederick de Wit for ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
The Giant Wheel (Carceri IX), (2nd State)
Located in Chicago, IL
This is a second state impression from three states.
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
Located in Soquel, CA
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...
Category
Northern Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching, Aquatint, Laid Paper
Bellos Consejos (Wonderful Advice)
Located in Chicago, IL
An impression from the 1st edition published in 1799, the only edition published during Goya's lifetime.
References: Los Caprichos Plate 15; Delteil 52; Harris 50 III.1
Prado ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Aquatint, Etching
Le Leopard - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Leopard is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching, Aquatint
The Well, Carcere XIII - Etching by G.B.Piranesi - 1750s
Located in Roma, IT
Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50
Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Canal with a large Boat and Bridge – after Rembrandt van Rijn
Located in Middletown, NY
Heliogravure on cream laid paper, 3 1/4 x 4 1/4 inches (80 x118 mm), thread margins. In good condition with a soft vertical crease and minor uniform toning. Printed early 19th centur...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Photogravure
Le Chat Sauvage - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Chat Sauvage is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good conditions.
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Ship of Fools Diptych, Old Masters Woodcut and Engraving by Albrecht Dürer
Located in Long Island City, NY
Albrecht Dürer, German (1471 -1528) - Diptych from First Edition of The Ship of Fools, Year: 1494, Medium: Woodcut and Engraving, Image Size: 7 x 12.25 inches, Frame Size: 10.75 ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving, Woodcut
20. Curious shells
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Pigment
Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768).
Original Etching on Laid paper...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Windmill by François Vivares, after Rembrandt
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Pair of Hand-colored Romantic French Engravings after Francois Boucher
By (After) Francois Boucher
Located in Alamo, CA
A pair of French classical romantic prints original created in the 18th century by Jacques-Firmin Beauvarlet (1731-1797) after paintings by Francois Boucher (1703-1770), utilizing ...
Category
Romantic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
Southern & Eastern Europe: A Large 17th C. Hand-colored Map by Sanson & Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Estats de L'Empire des Turqs en Europe, ou sont les Beglerbeglicz our Gouvernements" was originally created by Nicholas Sanson d'Abbeville and this version was published by Hubert Jaillot in "Atlas Nouveau" in Paris in 1692. It depicts the territories of the Ottoman Empire in Europe, predominantly Eastern Europe. Highlights include, the Mediterranean Sea, the Adriatic Sea, the Black Sea, the Dalmation Coast including present day Croatia, Bosnia and Herzegovina, Montenegro, Serbia, Slovenia, Italy, Greece, North Macedonia, Turkey, Romania, Hungary, Albania, Kosovo, Bulgaria, Transylvania, Moldova and southern portions of France, Switzerland, Germany, and Poland..
The map consists of two sheets joined as one along a vertical joint. The map has original hand-coloring. It is printed on antique hand-made laid, chain-linked paper with wide margins. The sheet measures 24.88" high and 38" wide. There is a central vertical joint, as issued. The map is in very good condition.
Nicholas Sanson d'Abbeville (1600-1667) was one of the greatest French cartographather of French cartography. Sanson opened his first printing business in Paris in 1638. The king recognized his skill and knowledge and made him the official geographer to the court. He eventually served two kings in this capacity. Sanson was succeeded by his sons and son...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Le Margay - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Margay is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulièr...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Erotic scene from the series "Koshuko zue juni ko".
A courtesan with a customer under a kimono stand...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Paper, Woodcut
$2,322 Sale Price
30% Off
Carte Pour Servir a l'Histoire Philosophique.. - Etching by Rigobert Bonne- 1780
Located in Roma, IT
Etching on paper.
From Guillaume-Thomas Raynal, Histoire philosophique et politique des établissemens et du commerce des Européens dans les deux Indes, Geneva 1780.
This interestin...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Utagawa Hiroshige II -- The Beach at Takanawa
Located in BRUCE, ACT
Utagawa Hiroshige II
The Beach at Takanawa from Toto sanjurokkei 東都三十六景 (Thirty-six Views of the Eastern Capital), 1862
Woodblock
Oban
Signed Hiroshige ga and published by Sagamiya ...
Category
18th Century and Earlier Prints and Multiples
Materials
Woodcut
Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Orobanche, Cicuta Maxima, Sparganium (Bur Reed, Water Hemlock, Broomrape) ", depicting a flowering Bur Reed, Water Hemlock, Broomrape plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There us spotting and some discoloration, most prominently in the upper and lower margins. There is irregularity and some loss along the right paper edge. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 21.5" high and 17.25" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Plan of the Park, Garden and Plantations of Goodwood, 18th century engraving
Located in Melbourne, Victoria
Plan of the Park, Garden and Plantations of Goodwood in Sussex the Seat of his Grace the Duke of Richmond and Lenox &c
Copper-line engraving with later hand-colouring by Hendrik Hul...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Engraving
Chiesa Dedicata a Sant'Ignacio - Etching by G.B. Falda
Located in Roma, IT
Chiesa dedicata a Sant’Ignatio is a wonderful black and white etching on cream-colored paper realized in the second half of the XVII century by Giovanbattista Falda.
Signed on plate on the lower left margin "Giò Batta...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Landscape - Original Etching by Adam Pérelle - 18th Century
By Adam Perelle
Located in Roma, IT
Landscape is an etching realized by Adam Pérelle in 18th Century.
Good conditions.
Signed on Plate.
The artwork is depicted through confident strokes.
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Le Fer a Cheval - Etching by Juste Chevillet - 1771
Located in Roma, IT
Le Fer a Cheval is an etching realized in 1771 by Juste Chevillet (1729–1802)
Signed in plate.
The piece belongs to the suite "Histoire naturelle, géné...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Venice: An 18th Century Etched View of the Grand Canal & Rialto Bridge by Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Munchen, Antique Map from "Civitates Orbis Terrarum" - 1572-1617
Located in Roma, IT
Wonderful black and white aquatint showing an antique view of Munchen, capital of Bavaria.
From the collection by Braun G. and Hogenberg F., "Civitates Orbis Terrarum", Cologne, T. ...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Ancient Roman Bust - Original Etching by Filippo Morghen - Late 18th Century
Located in Roma, IT
Ancient Roman Bust, from the Series Antiquities of Herculaneum is an original etching on paper realized by Filippo Morghen.
Signed on the plate, on the lower right.
Good conditions ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Mejor es Holgar from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Mejor es holgar from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and a...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching, Aquatint
The Actors Nakajima Wadaemon as Bōdara Chōzaemon and Nakamura Konozō as Gon of t
Located in Middletown, NY
Two minor villains from "Medley of Tales of Revenge" square off, as performed at the Kiri theatre, Tokyo, in May of 1794.
Toyko: Tsutaya Juzaburo, 1794.
Woodblock (nishiki-e) with ...
Category
Edo 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Handmade Paper, Woodcut
The Quebec and the Surveillante [an animated naval battle scene]
Located in Middletown, NY
Engraving with extensive handcoloring, on laid paper with a Fleur de Lys watermark, with margins. Plate 11 13/16 x 15 3/4 (300 x 400 mm); Sheet: 12 1/2 x 16 3/8 inches (317 x 415 mm)...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving, Laid Paper
![The Quebec and the Surveillante [an animated naval battle scene]](https://a.1stdibscdn.com/balthasar-friedrich-leizelt-prints-works-on-paper-the-quebec-and-the-surveillante-an-animated-naval-battle-scene-for-sale/a_19792/a_147281421719894824799/1567_1_master.jpg?width=240 "Balthasar Friedrich Leizelt - The Quebec and the Surveillante [an animated naval battle scene]")
Tu que no puedes - Etching by Francisco Goya - 1799
Located in Roma, IT
Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799.
The work is an etching and aquat...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching, Aquatint
Judith Grasping The Head Of Holofernes... by Giovanni A. Sirani after Guido Reni
By Guido Reni
Located in Middletown, NY
Judith Grasping The Head Of Holofernes By The Hair And Looking To The Left, and Old Woman to the Right. circa 1640
Etching on cream laid paper with a foolscap watermark, 10 x 7 inche...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Etching
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Engraving
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