1960s Prints and Multiples

Lithograph, 1969 After a drawing by Robert Delaunay reprinted in 1969, numbered, titled, annotated ‘pour Robert Delaunay 1926-1969’ and signed by Sonia Delaunay Edition : 60/75 Publ...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXI...

Marcel Duchamp and by Takiguchi Rrose Sélavy (Marcel Duchamp) in Wilson-Lincoln System (Schwarz, 344), 1967 Lenticular print on thin white board. Hand signed by Marcel Duchamp. Date, title and number on label verso. 12 7/10 × 10 1/10 inches Edition 8/60 Hand-signed by artist, Hand signed by Marcel Duchamp in blue ink recto. Sticker label verso bears printed title, edition number, year and description. Printed by Shuzo Takiguchi, published in Tokyo. Catalogue Raisonne Reference: "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344 Provenance: This was part of the Deluxe Artist portfolio, "To and From Rrose Sélavy"; this will be the first time the work has been separated from the portfolio Please refer to the attached video to see this 3-D piece in person Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy (aka Marcel Duchamp)." The present work - Takiguchi's own piece, a lenticular double portrait - combines Rrose Sélavy's signature with Man Ray's 1930 profile of Duchamp. Its subject, Marcel Duchamp, then signed this work in pencil. Its title, "Rrose Sélavy in the Wilson-Lincoln System", refers to Duchamp's Green Box note describing a two-way, changeable portrait of presidents Abraham Lincoln and Woodrow Wilson. Rrose Selavy is, famously, Marcel Duchamp's pseudonym and alter ego. Duchamp died before Takiguchi's book was completed, so this print is one of the very last graphic works that has been hand signed by Marcel Duchamp. It was published in Japan, and is a very elusive work stateside. Another edition of this work is in the permanent collection of the Museum of Modern Art. The National Portrait Gallery and other major institutional collections. This work is fully referenced in the catalogue raisonne "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344, describing the work as follows: "Rrose Selavy in the Wilson Lincoln System (a double image plastic plate with, on the background, Man Ray's portrait of Duchamp, and superimposed,, Rrose Selavy's autograph signature repeated four times, signed lower right in blue ink: Marcel Duchamp, an original embossed print...." More about Marcel Duchamp: Henri-Robert-Marcel Duchamp was born July 28, 1887, near Blainville, France. In 1904, he joined his artist brothers, Jacques Villon and Raymond Duchamp-Villon, in Paris, where he studied painting at the Académie Julian until 1905. Duchamp’s early works were Post-Impressionist in style. He exhibited for the first time in 1909 at the Salon des Indépendants and the Salon d’Automne in Paris. His paintings of 1911 were directly related to Cubism but emphasized successive images of a single body in motion. In 1912, he painted the definitive version of Nude Descending a Staircase; this was shown at the Salon de la Section d’Or of that same year and subsequently created great controversy at the Armory Show in New York in 1913. Duchamp’s radical and iconoclastic ideas predated the founding of the Dada movement in Zurich in 1916. By 1913, he had abandoned traditional painting and drawing for various experimental forms, including mechanical drawings, studies, and notations that would be incorporated in a major work, The Bride Stripped Bare by Her Bachelors, Even (1915–23; also known as The Large Glass). In 1914, Duchamp introduced his readymades—common objects, sometimes altered, presented as works of art—which had a revolutionary impact upon many painters and sculptors. In 1915, Duchamp traveled to New York, where his circle included Katherine Dreier and Man Ray, with whom he founded the Société Anonyme in 1920, as well as Louise and Walter Arensberg, Francis Picabia, and other avant-garde figures. After playing chess avidly for nine months in Buenos Aires, Duchamp returned to France in the summer of 1919 and associated with the Dada group in Paris. In New York in 1920, he made his first motor-driven constructions and invented Rrose Sélavy, his feminine alter ego. Duchamp moved back to Paris in 1923 and seemed to have abandoned art...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue no. 161) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 555 mm). There is a ce...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 6.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (2018...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

Nassos Daphnis Structures (Rare Leo Castelli Gallery invitation), 1963 Offset Lithograph poster/invitation 22 × 16 inches Publisher Leo Castelli Gallery Accompanied by gallery issued...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Klaus Bendixen Untitled Geometric Abstraction Color Silkscreen Year: 1965 Signed and numbered by hand Edition: 100 Size: 10.4 × 8.2 inches COA provided Ref.: 924802-784 Klaus Bendi...

"Pravda la Survireuse" emerges as an experimental comic strip created in Paris by the Belgian artist Guy Peellaert. Serialized from January to December 1967 in the monthly magazine H...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Woodcut on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, décembre 1966, Cahiers d'Art pu...

André LANSKOY (1902-1976) Composition Lithographic poster Editor: Mourlot Dimensions: 58.5 x 47.5 cm André Lanskoy was one of the great painters o...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract prints in a variety of colors. Neumann lived through revolutionary changes in the art world of prewar and postwar Germany. He was a prolific artist in Germany during a time of the country’s unprecedented academic and intellectual growth. His early work shows the influence of both French masters like Cezanne and the contemporary style that was then being developed by German Expressionists like Kirchner. A master printmaker, Neumann was also inspired by the works of Albrecht Durer, whose allegorical subject-matter and unmatched drawing technique Neumann would emulate throughout his career. A lifetime preoccupation with the human figure informs his work, with frieze-like human figures recalling ancient Greek art...

Etching and aquatint, 1961 Handsigned by the artist in pencil and numbered 30/75 Publisher : Maeght (Paris) Printer : Maeght (Paris) Catalog : [Vallier 166, p.235] 75.00 cm. x 56.50 ...

Medium: serigraph / silkscreen. Printed in 1964 on thin wove paper by Imprimerie Mazarine and published in Paris by Galerie Denise Rene for the rare exhibition catalogue "Hard Edge"....

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Axsom, Richard H., and Ellsworth Kelly. The Pri...

Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 9.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Du...

Original Matson to Hawaii vintage travel poster from the 1960s. This poster is in excellent condition, ready to frame. Matson Resorts Afloat To and From Hawaii. Circa 1960s. Cruis...

Vintage Peter Max Poster – 1967 Original Psychedelic Artwork – Rare Collectible Vintage Wall Decoration Introduce a piece of 1960s pop culture...

Femme au Clown (Woman with Clown) is an artwork belonging to the Series "Faust" (La Nuit de Walpurgis), and realized in 1968/69. Etching, Drypoint, Watercolor and Roulette on Japon ...

Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 9.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Du...

Concordancia is a beautiful lithograph realized by Eduardo Chillida in 1960. Lithograph on vellum BFK Rives. Editions Maeght, Paris. Hand-signed and numbered by the artist on the l...

Artist: Warrington Colescott Title: A Wild West: Home on the range Year: 1969 Print - Lithograph   23'' x 31'' Edition: signed and numbered in pencil 32/75 Unframed Warrington Wic...

Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva, Peintres d'aujourd'...

Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, André Lanskoy, Peintres d'aujourd'hu...

Héliogravure on vélin paper. Paper Size: 10.5 x 14.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

Pulled from Volume II of the Lithographs of March Chagall. Published by Mourlot on 1960 Éditions André Sauret, Monte-Carlo. Unsigned and unnumbered, as issued Artist: Marc Chagall, Russian (1887 - 1985) Title: Angel Bay Year: 1960 Medium: Lithograph Size: 12 in. x 9 in. (30.48 cm x 22.86 cm) Frame: 20 x 17 inches Editor: Andre Sauret Publisher: George Braziller...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Original Lithograph by Jean Cocteau Title: Jean Monnet's Vision Signed in the stone/printed signature Dimensions: 33 x 46 cm Edition: 200 Luxury print edit...

Alexander Calder (1898-1976, American ) The Black Line 1967 Lithograph 22 1/2 x 30 1/8 in. Edition of 60 Pencil signed and numbered Alexander Calder (July 22, 1898 – November 11, 19...

Jean COCTEAU (1889-1963) Spain, Captivating Flamenco, 1971 Original Lithograph Signed in the plate Limited edition of 200 unnumbered copies INFORMATION: Original lithograph publis...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Etching and aquatint, 1967 Handsigned by the artist in pencil and numbered 46/75 Publisher : XXe siècle, Paris Printer : S. Esmeraldo, Paris Catalog : [Schneider XXXI] 75.00 cm. x 56...

Lithograph, stencil on vélin paper. Paper Size: 9.24 x 11.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Jo...

Full-page, colour pochoir of costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

David Hockney drew this portrait for his Six Fairy Tales from the Brothers Grimm illustrations. The princess, who has stated that she will marry no one but he who can hide from her s...

Colour lithograph on BFK Rives paper, published in 1963. Limited edition of 100 copies. Although the work is not signed and numbered, only 100 copies were made on BFK Rives paper, a...

KIYOSHI SAITO (Japanese 1907 - 1997) KYOTO (B) 1966 Color woodcut, signed, titled, dated and no. 5/100 in pencil. Edition 100. Image 14 3/4 x 20 5/8 inches. Full margins with deckle...

Antoni tàpies, 1968 "Marron diagonal" lithography Signed and numbered by hand print run of 75 copies Catalogue Raisonné Tàpies Vol.I - Galfetti nº156

A very good impression of this scarce, early lithograph on Rives BFK. Artist's proof, aside from the edition of 100. Initialed, dated and inscribed "a. p. II" in ink, lower margin. P...

Artist: Alberto Giacometti Title: 'Derriere Le Miroir - Cover' Year: 1961 Medium: Original Lithograph on vélin paper Dimensions: 15in. by 11in. Edition: From the rare limited edition...

To see our other original vintage travel posters, many of which are from Switzerland, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...

Salvador DALI Alice in Wonderland : The Rabbit Sends in a Little Bill, 1968 Heliogravure and Woodcut Handsigned on pencil Printed signature in the plate Justificated E.A (artist pro...

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-glass...

Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...

Medium: original lithograph. Printed in 1962 for the art revue Derriere le Miroir (issue number 131) and published in Paris by Maeght. Size: 15 x 22 inches (378 x 558 mm). There is a...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 162, 1966. Published by Maeght É...

Pablo Picasso (1881-1973) - Peintre et modèle au fume-cigarette Etching and aquatint from 1968. The edition of 35/50. Dimensions of work: 41.9 x 50.5 cm. Hand signed. Publisher:...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 18.75 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Lettre à mon...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961....

Michael Rothenstein Clench – 1969 Print – Colour linocut, photo screenprint black 23” x 31.25” Edition: Signed in pencil and marked 44/125 Unframed in Good Condition. Condition no...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIIe Année, N° 16, Mai...

JOAN MIRÓ 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Bougrelas and his Mother III, from: Series for King Ubu Bougrelas et sa Mère III, from: Suites pour Ubu Roi, 1966 ...

Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 18.75 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, L...

Antoni Clavé - GUERRERO (WARRIOR) Date of creation: 1966 Medium: Etching on paper Edition number: 17/50 Size: 78 x 56,5 cm Condition: In very good conditions and never framed Observa...