Expressionist Prints and Multiples

22" x 32" Unframed Limited Edition Giclee with Hand Embellishment of 195 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

KARL SCHMIDT-ROTTLUFF 1884-1976 Rottluff, Germany 1884 - 1976 Berlin (German) Title: Animated Autumn Landscape Bewegte Herbstlandschaft, 1967 Technique: Signed and Dated Brush, I...

A very good impression of this scarce, early lithograph on Japan paper. Signed in pencil by Pechstein.

. "La priere." Chassidic Rabbi, Rabbi praying with open book. Judaica, Jewish scenes from a ghetto. Saul Yaffie, a.k.a. Paul Jeffay, (1898–1957) was a Scottish Jewish artist. Known...

"Probleme ardu." Chassidic boy, Yeshiva student with open book. Judaica, Jewish scenes from a ghetto. Saul Yaffie, a.k.a. Paul Jeffay, (1898–1957) was a Scottish Jewish artist. Know...

20" x 16" Unframed Limited Edition Giclee on Canvas with Hand Embellishment of 100 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrast...

18" x 32" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors...

24" x 14" Unframed Limited Edition Giclee with Hand Embellishment of 100 Hand Signed by Todd White 2021 Todd white captures restaurant, night and Hollywood scenes with contrasting c...

"Fir Tree" (Artist's #1516) is an original color silkscreen by Ruth Grotenrath. The artist signed the piece with her initials lower left. This artwork depicts a white fir tree branch in white on red. 4 1/4" x 5 3/8" art 12" x 13" frame "The paintings of Ruth...

Mixed media variable edition print. Silkscreen, embroidery, cyanotype, collage and paper weaving. A study on textures inspired by the painter Edouard V...

Lester Johnson Girls Walking State 3 etching 1986. Designated edition number 8 of 21 in pencil lower left recto. Signed in pencil "Lester Johnson" lower right recto.

33.75" x 17.5" Unframed Limited Edition Giclée with Hand Embellishment of 135 Hand Signed by Todd White “Definitely a painting about the ones you know are a total mistake from the ...

“This painting started off as a commentary on the dating world. No matter what age you’re at, starting out in your 20’s, going through life. If you get back out there in the 40’s it’...

25" x 16" Unframed Limited Edition Giclee of 100 Hand Signed by Todd White 2021

Includes a Certificate of Authenticity

21” x 11” Unframed Original Acrylic on Canvas Board Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’...

24" x 14" Unframed Limited Edition Giclee with Hand Embellishment of 100 Hand Signed by Todd White 2021 Todd white captures restaurant, night and Hollywood scenes with contrasting co...

Helio-etching on hand-made paper, 1922 by Paul Klee. Signatur is printed, lower center: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 8 Image: 7.56 x 5.63 in ( 19...

40" x 16" Unframed Limited Edition Giclee on Canvas of 5 Hand Singed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the vie...

40.75" x 11.25" Unframed Limited Edition Giclée on Canvas with Hand Embellishment Numbered of 80 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

30" x 18" Unframed Limited Edition Giclee of 45 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s ey...

32" x 16" Unframed Limited Edition Giclée with Hand Embellishment of 50 Hand Signed by Todd White “This is an unusual piece for me. There is definitely a divide but it seems to fal...

20" x 40" Unframed Limited Edition Giclee on Canvas Hand Signed by Todd White "A perfect example of White's interpretation of human expression and character is seen in Colorful keys...

26" x 24" Unframed Limited Edition Giclée with Hand Embellishment of 135 Hand Signed by Todd White “These Cost is a satirical piece on the fact that a beautiful woman has never paid...

17" x 40" Unframed Limited Edition Giclee with Hand Embellishment of 195 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Portrait of a Young Lady, ca. 1938 Technique: Original Signed Double-Sided Waterc...

20" x 30" Unframed Limited Edition Giclee On Canvas Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s ...

20" x 30" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

This is a vintage museum exhibition poster from the Max Beckmann Retrospective at the Saint Louis Art Museum, 1984. Max Beckmann was...

27" x 34" Unframed Limited Edition Giclee with Hand Embellishment of 75 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors ...

Helio-etching on hand-made paper, 1923 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 14 Image: 5.51 x 7.48 in ( 14 x 19 cm ), Framed: 10.71 x 12.8 in ( 2...

29" x 16.5" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

Ronald Katz was born in South Africa in 1939 to parents who emigrated from Germany. His first ten years were spent there. Arriving in the United States of ...

Complete size of diptych: H:100cm x W:100cm x D:0.1cm Hills 12 and Hills 4 are a limited edition diptych by artist Susan Brown. Limited edition giclee pri...

Helio-etching on hand-made paper, 1927 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 40 Image: 7.48 x 5.91 in ( 19 x 15 cm ), Framed: 15.16 x 13.46 in ( ...

Artist: Estelle Ginsburg, American Title: Women in Interior #7 Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Image Siz...

Valley of Gold By Chris Keegan [2021] limited edition Screen print Edition of 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:54 cm x W:54 cm x D:0.1cm Sold U...

Helio-etching on hand-made paper, 1930 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 67 Image: 5.43 x 7.32 in ( 13,8 x 18,6 cm ), Framed: 15.16 x 13.46 i...

A vintage helio-etching on hand-made paper, 1949, after a 1923 drawing by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 59 Image: 7.36 x 5.31 in ( 18,7 x 1...

This is a one of a kind original expressionist seascape monoprint by Southern California artist, Lenore Simon. It is framed as pictured. Its fra...

A vintage helio-etching on hand-made paper, 1926 after a drawing by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 29 Image: 7.36 x 5.2 in ( 18,7 x 13,2 cm ...

Helio-etching on hand-made paper, 1925 by Paul Klee. It's signed in the print, lower left: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 24 Measurements: Image: 6...

Helio-etching on hand-made paper, 1926 by Paul Klee. Signatur is printed, top right: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 34 Image: 7.6 x 5.79 in ( 19,3 ...

Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscre...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...

Helio-etching on hand-made paper, 1929 by Paul Klee. Signatur is printed, lower center: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 50 Image: 4.72 x 7.56 in ( 1...

Helio-etching on hand-made paper, 1923 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 17 Image: 5.43 x 7.48 in ( 13,8 x 19 cm ), Framed: 13.46 x 15.16 in ...

An original drypoint monotype by American female artist Kathleen Sherin.

Helio-etching on hand-made paper, 1928 by Paul Klee. Signatur is printed, lower center: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 48 Image: 4.13 x 7.56 in ( 1...

Helio-etching on hand-made paper, 1927 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 37 Image: 5.12 x 7.48 in ( 13 x 19 cm ), Framed: 13.46 x 15.16 in ( ...

Uzarski’s expressionist lithograph advertises a stage production of Tristram and Ysoli (Tristan and Isolde) at the Düsseldorf city-theatre in 1919. This example was published c. 1919...

Helio-etching on hand-made paper, 1927 by Paul Klee. Signatur is printed, top right: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 43 Image: 5.79 x 7.48 in ( 14,7...

A vintage helio-etching on hand-made paper, 1930 after a drawing by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 70 Image: 5.12 x 7.48 in ( 13 x 19 cm ), ...