20th Century Sculptures

EDITION Monogrammed inside on the nickel silver plaque: FXL Bears the date-stamp (19)75 in blue from the Manufacture de Sèvres and the mentions in hollow JB 919 P AA9 inside the base...

Interesante conjunto de 15 figuras en barro policromado del prestigioso ceramista brasileño manuel eudocio (caruaru - pe alto do moura, 1931 - 2016) Se trata de una banda o orquesta...

Pablo Picasso Visage (A. R. 611), 1969 Numbered 293/500 and incised Edition Picasso and Madoura, with the Edition Picasso and Madoura stamps Partially glazed and painted in colours...

Fabulous copper metal Curtis Jere wall sculpture signed and dated either 1983 or 1987. Measures approximately 51 inches long by 18. C...

"Raku Vase with Concentric Rings" is a ceramic piece signed on the bottom by the artist Marty Marcus. The vase has a variety of gorgeous color variations. 7 1/4" height; 8 1/2" dia...

Amazing landscape assemblage in brushed aluminum, copper and bronze with applied patina by TX artist Stuart Mathews in collaboration with his son. Hand signed and executed in 1982. P...

Iron sculpture realized by Wu De-Chun in 1990s. One-of-a-kind. Very good condition.

This frosted fused glass is an expressionist sculpture that's organic in shape. The analogous colors create a serene design. Signature inscribed 'Nivet'.

Tribute to Jean Arp. This decorative piece has been painted by hand on glazed porcelain with an intense red color. Jean Arp Sargadelos Porcelain Vase. last quarter 20th Century sign...

Artist: Michael Stevens, American (1942 - 1989) Title: Chased Year: 1980 Medium: Hand-Carved and Painted Wood Sculpture, signed, titled and dated under base Size: 17.75 x 37 x...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

The bronze sculpture "Owl" is an exaggerated rendition of an owl that emphasizes the bird's most prominant characteristics - a big fluffy round body and large unblinking eyes making it a charicature of the bird. It is very touchable and calls for one to pet its rounded back. Tom Brun, the sculptor and zookeeper, is well-known for his wood, stone, marble, ceramics and ivory sculptures. One of them, a large hippopotamus, carved from walnut wood travelled the world in the State Department collection. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. This owl, too, seems destined to be caressed. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...

American sculptor Joseph Martinek was born in Chicago in 1915. He was a second generation apprentice to Auguste Rodin. He studied sculpture at the State Industrial School of Art, Pra...

Rare and remarkable pair of mid century lions in repose hand carved, in a stylized modern form, from the Cammatillo tree or Kingwood grown in the Minas Gerais region of Brazil.

A beautiful, high polished sculpture of a goose with outstretched wings by Dale Eugene Schoth (American, 1925-1984). Appropriate to view in the round. Signed and dated by the artist "Dale Schoth '79" on the base. He was a carpenter and wood carver in Twin Falls Idaho. His grave stone...

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

Artist: Paul Von Ringelheim, Austrian/American (1933 - 2003) Title: Bust of Alberto Giacometti Year: Circa 1970 Medium: Painted Plaster Size: 29.5 x 13 x 17.5 inches

Ena Rottenberg (1893-1952) art glass sculpture titled "Modell.” Made in Czechoslovakia. Marked “Rottenberg” 13" H. This piece was awarded the Grand Prix at the World’s Fair Paris, 19...

Brother Mel experimented with various forms of sculpture throughout his 45-year career. This painted-steel wall piece reflects the style that emerged later in his career but the same bold colors and geometric shapes for which Brother Mel is best known. About the Artist: Creating an estimated 10,000 artworks, Brother Mel Meyer...

This sculptural head, crafted from heavy soapstone —a naturally occurring metamorphic rock —depicts a serene Southeast Asian-style figure with softly closed eyes, arched brows, and a...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Jack Schuyler (1912-2002) Polished Metal Sculpture "Abstract Figural Composition" Hand signed and Dated 1982. Measures 27" x 26-1/2" x 10.5" inches. There is not much known about t...

This painted wood sculpture by the Belgian artist Corneille, circa 1980, is an expressionist rendering of a two nudes. Corneille was influenced by Miró, Picasso and Paul Klee but cl...

Eric Rhein “Leaf Winged Male” 1999 Signed, verso Wire, paper, and found objects 26.25 x 21 x 3.25 inches (53.3 x 8.3 cm), framed This work is offered by CLAMP in New York City.

Artist: Stefan Matty Vladescu, Romanian/American (1952 - ) Title: Pandora's Box Year: 1993 Medium: Bronze Sculpture, signature and date inscribed Size: 34.5 in. x 10 in. x 10 in. (87...

Striking bronze organic sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the ...

Modern abstract sculpture of a woman and goat by renowned artist Reuben Nakian. The work features a female nymph figure lying back as a goat figure approaches in Nakian's iconic bloc...

Unique. Signed and dated -66 on the right side. Provenance: Galerie Bonnier, Genève Size with socle: 74x38x17 cm Arman explores reality. He strives to transform and sublimate art...

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York. Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch...

Tony Berlant (b. 1941) is an American artist renowned for his painterly collages and intricate metal sculptures. His work combines various source materials notably fragments of metal...

From small limited edition of 7, this is a signed and dated hollow cast bronze sculpture. Provenance: Important Miami Beach estate that included many paintings and sculpture by Post Impressionist masterpieces and works by Latin American masters. Felipe Castaneda (Mexican, b.1933) was born in 1933 in La Palma in the state of Michoacan, Mexico. His artistic career began at the National Museum of Anthropology in Mexico City where he became an assistant to the renowned sculptor Francisco Zúñiga (French, 1867–1947), Zuniga helped the artist realize his aptitude for sculpting and carving. Castañeda finished his studies in 1963, and by 1970, he was showing his work in exhibitions. Castañeda experimented with many media in order to master molding clay for his sculptures, preferring to work in marble, onyx, and bronze. The heavy influence of pre-Columbian artifacts...

Hayward Oubre The Trap, c. 1960 Painted wire sculpture 40 H. x 16 1/2 W. x 21 D. inches Provenance: Estate of the Artist Deeply attached to his Souther...

Secretary Bird Life Size 43H x45L x 11D Marble Base 24x16 inches Bronze sculpture indoor or outdoor. Vintage Modern life size bronze sculpture...

Vita Birgitte Thymann, Boy playing the flute, between 1952 and 1957. model number 2344. First choice. Porcelain with underglaze painting. 13 cm (height) x 11 cm (length) x 12 cm (dep...

"Synopsis" by Elsbeth Halvorsen Vever (American, b. 1929). Box sculpture combines aluminum, sand, bone, glass and a magnifier. Signed "Elsbeth Vever 1982" on verso. Image, 24.50"L x 13.75"H x 4"W. Using bone as the central image Elsbeth has assembled an optical and visual experience. One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's a hologram effect. The first image shows clearly the hologram effect available to the eye of the viewer. From a review of her show of box constructions in Providence, Rhode Island: "Viewing her box constructions is a lot like a walk in the moonlight. What we know, or think, to be true in the hard brightness of daytime reality dissolves into an amorphous space of multiple possibilities and perspectives." Born in Purdys, New York, Elspeth Halvorsen is the daughter, granddaughter, and mother of professional artists. She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière. In 1955, she moved to Provincetown, Massachusetts, establishing her home and studio in the former residence of Mark Rothko. Provincetown not only remains her home but also acts as a personal, social, and artistic source of inspiration for her work. Shortly after arriving in Provincetown, Halvorsen and her husband, the late Tony Vevers...

Marble free form sculpture by Chrissy Harris. Composition is cipollino green marble from Greece. Signed on base of marble sculpture. American School....

Minna Rothenberg Harkavy (1895-1987) Estonian-American This is not signed bronze portrait bust Provenance: Estate of the artist by descent Minna Harkavy (1887 – 1987) (birth occasio...

"Transcendent" Dimensions: 19" x 11" x 9" Medium: Clear Acrylic Resin Edition 96/350 Frederick Hart's 1991 “Transcendent” lucite sculpture is imbued with a truly sublime presence. Female and male figures emerging from the Lucite seem to appear and disappear within the work. This ghostly effect is created through Hart’s unique process of embedment, which involves casting one acrylic work within another. It is a technique the artist patented in 1982, marking the end of a decade of constant experimentation and progression and the beginning of a period of precise refinement. Consistent with his unique poetic vision, the inner, emotional, intellectual, and spiritual forces dominate the work. Imbued with a distinct sense of grace, this piece is a testament to Hart’s remarkable technical abilities and devotion to the craft. Frederick Hart's "Transcendent" is signed by the artist and includes a gallery certificate of authenticity. It is from an edition of 350 (+ 60 AP) and the current gallery retail price for the piece is over $40,000. About Frederick Hart As one of America’s greatest representational artists, Frederick Hart left a lasting and unique mark in the world of modern sculpture. Born in Atlanta, Georgia in 1943, he studied at the University of South Carolina and after protesting alongside black students during the Civil rights movement, he moved to Washington D.C. to continue his studies at the Corcoran School of Art. Fascinated with the human figure and the classical approach, he started developing his career in 1966 as a stone carver apprentice at the National Cathedral in Washington D.C. Leaving the Cathedral in 1971, Hart started his own studio practice but had little success in the first years. In 1974, he was awarded the project by the Cathedral to create a contemporary interpretation of The Creation, an event that would change his life. Soon, Hart’s career took a turn for the better, and in the upcoming decades, he rose to national prominence, becoming a government art advisor in 1985 and receiving the prestigious Henry Hering...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Schmidt mainly worked in cast iron and bronze. This work reflects the influences of ancient cultures, natural forms, and the machinery of the modern age. Synthesizing these elements,...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Silvana Cenci, internationally renowned explosive sculptor, died October 1, 2000 at her home in Gray. Ms. Cenci, who was born in Florence, Italy, before World War II, married Stuart Church and moved to the U.S. permanently in 1959. She lived in Boston for many years, where she was a founder of the Brookline Art Center and a founding member of Summerthing. She exhibited widely throughout Europe and the U.S., and her work is in many museums and public and private collections. After moving to the States, Ms. Cenci began working with new technologies from the aircraft industry, and with explosives. She moved to Northwood, NH, in the early 60s, and pursued and perfected her revolutionary experimentation with explosive sculpture in stainless steel. A native of Italy, she lived most of her life in America where she became internationally known, primarily for using dynamite to blast images into stainless steel and finishing some pieces with pure gold. The pieces created with dynamite were often utilized by architects. One piece titled “Wheels in Motion” hung in Boston’s South Station. Education and Training Accademia di Belle Arti, Florence, Italy Academie de la Grande Chaumiere, Paris Lewis and Clark College, Portland, Oregon Selected Individual Exhibitions Galleria Numero, Florence, Italy Galleria San Carlo, Naples, Italy Galleria d'Arte Totti, Milan, Italy Galeria Beno, Zurich, Switzerland Nova Gallery, Boston Weeden Gallery, Boston Capricorn Gallery, New York City Roach-Hoffman Gallery, Naples, Florida Bristol Art Museum, Bristol, Rhode Island, retrospective Frank Tanzer Gallery, Boston Symphony Hall, Boston Musica Viva, Cambridge, Massachusetts Los Llanos Gallery, Santa Fe, New Mexico Northern Arizona University, Flagstaff Selected Group Exhibitions "Oregon Artists," Lincoln County Art Center, Lincoln, Oregon "Exhibition of Painting and Sculpture," Henry Art Gallery, Seattle, Washington "West Coast Sculptors," Portland Art Museum, Portland, Oregon "Mostra Nazionale del Bianco e Nero," Museo Civico Castello Urasino, Catania, Italy "New England Art Today," Northwestern University, Boston "New England Sculptors Association," Boston City Hall, Boston "Silvana Cenci and Calvin Libby," Bristol Art Museum, Bristol, Rhode Island "Adele Seronde and Silvana Cenci," Weeden Gallery, Boston "Contemporary Italian Art-Italian Heritage," Boston City Hall, Boston, catalog "Explosion of Form, Color, Imagination: Works by Silvana Cenci Selected Awards First Honorable Mention, "Design in Transit," Massachusetts Bay Transportation Authority Competition, Institute of Contemporary Art, Boston, Massachusetts Research in Creative Art Grant, Blanche E. Colman Foundation, Boston, Massachusetts Statue of Victory, World Culture Prize for Letters, Arts and Sciences, Centro Studi e Ricerche delle Nazioni, Salsomaggiore Terme, Italy Harvard-pedigreed architect Harlow Carpenter built the Bundy in 1962. The venue's first decade was lively with exhibitions that featured a large cast of artists, including Dino Basaldella, Judith Brown, Silvana Cenci, Xavier Corbero...

Ilana Goor is an individualistic, autodidactic, intuitive and multifaceted artist. As an artist who knows no boundaries and whose art transcends any conventions, her creations are a blend of vitality and obsession, functional simplicity alongside expressive complexity bordering on surrealism. Her sources of inspiration are neither time nor place-dependent. They create a personal statement, a journey replete with meaning and they succeed in touching and moving people the world over. Goor was born in Tiberias to an educated and distinguished family of highly respected doctors and artists. She never studied art or design in any formal setting. She developed her artistic techniques on her own from an early age, when she used various parts to create small statues. She is considered to be an international multidisciplinary artist. Her works encompass sculptures, furniture, judaica, lighting fixtures, jewelry and fashion items which are displayed in well known galleries worldwide and are distinguished by their powerful, dominant presence. She first came to the United States in her 20s and captured the hearts of the locals with her large-buckle belts for men which paved her artistic path in North America. Since then Ilana Goor was requested to install statues in major public locations and exhibited her works in museums throughout Europe, America, Japan and Israel. Ilana Goor designed jewelry, buckles and sold belts to most major department stores in America including I Magnin, Neiman Marcus, Bloomingdale's, Macy's, Saks Fifth Ave. and in Japan. In 1986 Ilana Goor introduced a collection of iron furniture and accessories to the American marketplace as limited editions signed by the artist. She was awarded the Roscoe award for Best Design in residential seating in 1988. Her works are presently displayed in sixteen decorator and designer showrooms throughout the United States. Her iron furniture collection was displayed in the Israel Museum, Jerusalem in1987 and in 1993 Ilana Goor introduced her collection of furniture in Japan...

Edition 3 of 12, signed "R Holmes 3/12" on back edge of kneeling figure, and "Kneeling 3/12" on underside of base. Robert Holmes's sculpture has been exhibited over the past thirt...

Bronze heron by American sculptor Wayne Williams. Signed and dated 1993. Edition 2/2. Mounted on a walnut base. From Finger Lakes Magazine 2001: Art is everywhere in the Finger Lakes. Inspired by the region’s diverse scenery and lifestyles, artists pursue their creativity outdoors, in studios and in workshops. In the many well-established museums and galleries or at the newer fledgling arts organizations, a wide array of artistic styles and talents are represented. Often the artists, like Wayne Williams, share their artistic skill and passion through teaching at local colleges. Williams, who is retired after a 35-year career at Finger Lakes Community College, found his calling there. “I didn’t want to teach in public schools,” explains Williams of his career choice. “I wanted to be at the college level. CCFL (the Community College of the Finger Lakes, as it was then known) was literally creating a college, right from scratch.” The year was 1968 and Williams was charged with coordinating the new college’s art program. Rand Darrow, a CCFL student in that first year, remembers attending Williams’ art classes in a commercial building on Main Street just south of the railroad tracks in Canandaigua. Darrow appreciated his instructor’s relaxed manner. “He was a great teacher,” recalls Darrow, “cracking jokes all the time.” Darrow graduated with a major in Liberal Arts and continued on to SUNY Oswego where he earned a BA in fine arts. He taught art to elementary and middle school students for 30 years. These days Williams and Darrow typically cross paths at the Wayne County Arts Council in Newark where Williams and his wife, Marleen, are heavily involved. Williams offers classes in figure drawing and sculpture and hangs the gallery’s shows, including his former student’s “Slavic Tales of Novgorod” this past August. “I’d like to take a sculpture class from him,” says Darrow. In 2003 when Williams retired, the college honored him and another retiring art professor, Tom Insalaco, by renaming its art gallery the Williams-Insalaco Art Gallery. It was known formerly as Gallery 34 to recognize its origins at 34 North Main Street in Canandaigua. Williams held professor’s rank from 1976 and served as director of the art gallery beginning with its opening in 1983. Williams, who was born and raised in Newark, New York, says he began doing art at about age 8. By the time he was in junior high school his career direction seemed clear. He received local and national awards for his art and a scholarship to Syracuse University, from which he graduated in 1958 with a Bachelor of Fine Arts in sculpture. He continued with graduate work at Syracuse, receiving an MFA in sculpture in 1962. He worked full time as a sculptor until he began teaching. At one point Williams admits he wanted to be a painter, but didn’t want to adopt the abstract expressionist style in vogue in the 1950s, preferring to pursue the realist tradition. He advises any would-be artist to “do what you do because you love it.” After graduation he traveled abroad, spending time in Belgium, the land of his ancestors. “My family’s name was originally Willems,” explains the 73-year old who still relishes the time spent in the Flemish countryside. Williams speaks excitedly about art, referencing the lives of great artists. He acknowledges that American artists do not have the same stature as those in Europe, where Old Masters like Brueghel and Rembrandt are national heroes. These days the energetic Williams, known primarily as a sculptor, is active at the Phelps Arts Center where he is on the board of directors. In mid-September when a group of visitors on a motor coach tour explored artworks displayed in the beautiful church-turned- gallery, they were treated to a large number of Williams’ bronze and metal sculptures, along with his charcoal drawings. “I’ve always loved his work because he deals with things, people, and animals you understand,” says the center’s Director Emeritus Marion Donnelly, who has known him for many years. Outside the Phelps Community Historical Society, Williams’ life-size figure of a farmer raises his pitchfork above a colorful flower garden on the front lawn. Inspired by the peasants working the fields in Europe, the metal figure is shown with wooden shoes. This is Williams’ largest copper piece, loaned to the Phelps museum in connection with Artistry in Sculpture, a community exhibition in 2009. Williams added a new base using a metal wagon...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 28" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

Sleeping Nude Large cast handmade paper, artist signed AP 10/20, 1981 62x52x5.5 wood, linen and lucite box frame. Stunning art wall sculpture by Fran...

Titled "In G-d We Trust" signed dated and titled verso. there is also a gallery label. Mixed Media wall hanging in a pop art style. Background of pennies and then the foreground is l...

Modern Cubist sculpture by Pearl Amstel of a Horse and Rider. Artist: Pearl Amsel (1931 - ) Title: Untitled - Horse and Rider Year: 1974 Me...

Carved Oak, 20th Century European School Nude Statue Height: 21 3/4 inches

EDITION Monogrammed, stamped and dated on reverse: C.L ; Lalanne ; 87

Rocks (1985), Wool, Post-Modern Abstract Landscape Woven Tapestry, Textile Sculpture. Zofia Butrymowicz (1904-1987) was born in Warsaw, Poland. Artis...

A Modern figurative sculpture by Bruno Lucchesi of a man reading his even paper with fascination. Evening Paper Bruno Lucchesi, Italian (1926) Date: 1961 Bronze Sculpture, signed Si...

This is original hand carved wood carving used to produce a woodcut print. Hand colored with painting. signed woodblock (unique piece, not a print) by Jacob Steinhardt 1887-1968 "Reuben Offering Food and Drink to Joseph" Hand carved and painted surface, painted in relief. Signed LR, dated LL. In thin wood painted frame, woodcut panel approx. 1/2" thick, raised on frame. panel within gold painted wood liner 16"H x 12.5 framed 22.5 x 18.75 Judaica biblical scene. Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting...

Adrian Paul Allinson Bronze Portrait of a Lady Patinated bronze, signed and dated '24 lower base Dimensions: 8 3/4 x 15 1/2 inches (21 x 39.5 cm) This fantastic bronze depicts a lad...

Earthenware, 1986 Publisher : Atelier de Segries (Moustiers-Sainte-Marie) Diameter: 25cm The energy of the artist's gesture can be seen in the peta...

Dudley Vaill Talcott, American (1899-1986), circa 1965. With signature stamp underside: "DVT". From the estate of the artist. In fine condition. Exhibited: Aetna Life Insurance...

Pierre Casenove (French) Silver patina bronze table lamp having a column form and various stamped patterns to the body, stamped signed mark to back of bas...

Figures like these appear in the annual celebrations of Jo, an association of initiated men and women living near the towns of Bougouni and Dioïla in southern Mali. They also appear ...