Tubular chrome Bauhaus flower stand - 1940s
Located in Praha, CZ
- wooden parts restored - polished jr
Category
Vintage 1940s Czech Bauhaus Flooring
Materials
Aluminum
Tubular Chrome Flower Stand
Tubular chrome Bauhaus flower stand - 1940s
Located in Praha, CZ
- wooden parts restored - polished jr
Category
Vintage 1940s Czech Bauhaus Flooring
Materials
Aluminum
Chromed Tubular Flower Stand by Emile Guyot
By Emile Guyot
Located in Banská Štiavnica, SK
Chromed tubular flower stand by Emile Guyot with black glass.
Category
Vintage 1930s Slovak Art Deco Side Tables
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Bauhaus Chrome-Plated Tubular Steel Étagère / Flower Stand, 1930s
$529Sale Price|23% Off
H 24.02 in W 45.28 in D 10.24 in
Bauhaus Chrome-Plated Tubular Steel Étagère / Flower Stand, 1930s
Located in Lucenec, SK
Chrome-plated tubular steel étagère made in the 1930s with glass shelves. Chrome plating is in
Category
Vintage 1930s Bauhaus Shelves
Materials
Steel, Chrome
Tubular steel flower stand H 54 by Jindřich Halabala
$997Sale Price|20% Off
H 40.56 in W 19.69 in D 15.75 in
Tubular steel flower stand H 54 by Jindřich Halabala
By Up Závody, Jindřich Halabala
Located in PRAHA 5, CZ
its minimalist design and functionality. It features a round wooden base and chrome plated tubular
Category
Vintage 1930s Czech Bauhaus Shelves
Materials
Steel, Chrome
Recent Sales
Tubular Steel Flower Stand Bauhaus, 1930´s, Czechoslovakia
Unavailable
H 42.92 in W 23.63 in D 10.63 in
Tubular Steel Flower Stand Bauhaus, 1930´s, Czechoslovakia
Located in Prague 8, CZ
An example of the Czechoslovak functionalist period – a chrome-plated flower stand made of bent
Category
Mid-20th Century Czech Bauhaus Side Tables
Materials
Chrome
Bauhaus Tubular Steel Flower Stand, 1930´s, Central Europe
Unavailable
H 20.08 in W 31.5 in D 11.82 in
Bauhaus Tubular Steel Flower Stand, 1930´s, Central Europe
Located in Prague 8, CZ
Czechoslovak functionalistchrome- plated flower stand. The stand is made of bent tubes and glass
Category
Mid-20th Century Czech Bauhaus Side Tables
Materials
Chrome
Bauhaus Chrome-Plated Tubular Steel Étagère / Flower Stand, 1930s
Sold
H 38.98 in W 41.34 in D 13.39 in
Bauhaus Chrome-Plated Tubular Steel Étagère / Flower Stand, 1930s
By Emile Guyot, Thonet-Mundus
Located in Lucenec, SK
Chrome-plated tubular steel étagère designed by Emile Guyot and made in the 1930s with glass
Category
Vintage 1930s Bauhaus Shelves
Materials
Steel, Chrome
Bauhaus Chrome-Plated Tubular Steel Étagère / Flower Stand, 1930s
Sold
H 38.98 in W 41.34 in D 13.39 in
Bauhaus Chrome-Plated Tubular Steel Étagère / Flower Stand, 1930s
By Emile Guyot, Thonet-Mundus
Located in Lucenec, SK
Chrome-plated tubular steel étagère designed by Emile Guyot and made in the 1930s with glass
Category
Vintage 1930s Bauhaus Shelves
Materials
Steel, Chrome
Bauhaus Chrome-Plated Tubular Steel Étagère / Flower Stand, 1930s
Sold
H 35.83 in W 41.34 in D 12.21 in
Bauhaus Chrome-Plated Tubular Steel Étagère / Flower Stand, 1930s
By Emile Guyot, Thonet-Mundus
Located in Lucenec, SK
Chrome-plated tubular steel étagère designed by Emile Guyot and made in the 1930s with opaxite
Category
Vintage 1930s Bauhaus Shelves
Materials
Steel, Chrome
Tubular Steel Flower Stand Bauhaus, 1930´s, Czechoslovakia
Located in Prague 8, CZ
This chrome flower stand is a good example of the Czechoslovak functionalist period It was made
Category
Mid-20th Century Czech Bauhaus Shelves
Materials
Metal, Chrome
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Tubular Chrome Flower Stand For Sale on 1stDibs
At 1stDibs, there are many versions of the ideal tubular chrome flower stand for your home. A tubular chrome flower stand — often made from metal, chrome and glass — can elevate any home. Your living room may not be complete without a tubular chrome flower stand — find older editions for sale from the 20th Century and newer versions made as recently as the 20th Century. Each tubular chrome flower stand bearing Art Deco or mid-century modern hallmarks is very popular. Many designers have produced at least one well-made tubular chrome flower stand over the years, but those crafted by Emile Guyot, Jindřich Halabala and Thonet are often thought to be among the most beautiful.
How Much is a Tubular Chrome Flower Stand?
The average selling price for a tubular chrome flower stand at 1stDibs is $884, while they’re typically $419 on the low end and $2,431 for the highest priced.
A Close Look at Bauhaus Furniture
The Bauhaus was a progressive German art and design school founded by the architect Walter Gropius that operated from 1919 to 1933. Authentic Bauhaus furniture — sofas, dining chairs, tables and more — and the school’s followers married industrial and natural materials in simple, geometric forms. The goal of the Bauhaus was to erase the distinction between art and craft while embracing the use of new technologies and materials.
ORIGINS OF BAUHAUS FURNITURE DESIGN
- Art and design school established in Germany in 1919
- Promotion of a union of art, craft and technology
- Design intended for mass production
- School’s workshops focused on cabinetry, metalworking, typography, textiles and more
- Informed by De Stijl, Constructivism, Art Nouveau, Arts and Crafts, and modernism; influenced mid-century modernism, Scandinavian modernism
CHARACTERISTICS OF BAUHAUS FURNITURE DESIGN
- Emphasis on craft
- Simplicity, order, clarity and a prioritization of functionalism
- Incorporation of geometric shapes
- Minimalist and refined, little to no ornamentation
- Use of industrial materials such as tubular chrome, steel and plastic as well as leather, cane and molded plywood in furniture and other products
BAUHAUS FURNITURE DESIGNERS YOU SHOULD KNOW
- László Moholy-Nagy
- Ludwig Mies van der Rohe
- Anni Albers
- Josef Hoffmann
- Marcel Breuer
- Marianne Brandt
AUTHENTIC BAUHAUS FURNITURE ON 1STDIBS
The name Bauhaus is derived from the German verb bauen, “to build.” Under the school’s innovative curriculum, students were taught the fine arts, such as painting and sculpture, as well as practical skills like carpentry and metalworking.
The school moved from Weimar in 1925 to the city of Dessau, where it enjoyed its heyday under Gropius, then Hannes Meyer and Ludwig Mies van der Rohe. The period from 1932 to 1933 when it operated in Berlin under Mies was its final chapter. Despite its brief existence, the Bauhaus has had an enduring impact on art and design in the United States and elsewhere, and is regarded by many as the 20th century’s chief crucible of modernism.
The faculty roster at the Bauhaus reads like a who’s who of modernist creative genius — it included such artists as Paul Klee, Wassily Kandinsky and László Moholy-Nagy along with architects and designers like Mies and Marcel Breuer, who became known for his muscular brutalist-style concrete buildings in the postwar years. In 1925, while he was head of the Bauhaus carpentry workshop, Breuer gave form to his signature innovation: the use of lightweight tubular-steel frames for chairs, side tables and sofas — a technique soon adopted by Mies and others. Breuer’s Cesca chair was the first-ever tubular steel frame chair with a caned seat to be mass produced, while the inspiration for his legendary Wassily chair, a timeless design and part of the collection crafted to furnish the Dessau school, was the bike he rode around campus.
Bauhaus design style reflects the tenets by which these creators worked: simplicity, clarity and function. They disdained superfluous ornament in favor of precise construction. Seating pieces such as side chairs, armchairs or club chairs for example, were made with tubular metal or molded plywood frames, and upholstery was made from leather or cane. Above all, designs in the Bauhaus style offer aesthetic flexibility. They can be the elements of a wholly spare, minimalist space, the quiet foundation of an environment in which color and pattern come from one’s own collection of art and artifacts.
Today, from textiles to typefaces, architecture, furniture and decorative objects for the home, Bauhaus creations continue to have an outsize influence on modern design.
Find a collection of authentic Bauhaus furniture on 1stDibs.
Read More
The Creative Genius of Bauhaus Master Herbert Bayer Knew No Boundaries
An exhibition at Manhattan's Cooper Hewitt Smithsonian Design Museum shows the German artistic polymath in a new light.
How Chicago, Mies van der Rohe’s Adopted Home, Remembers the Architect
The Windy City's Matthew Rachman Gallery takes a deep dive into the designer's practice.
William Monaghan’s Industrial Canvases Speak of a Lost America
The New Orleans–based artist possesses the increasingly rare skills of a highly trained artisan and the eye of an experienced scavenger, as is evident in a new museum exhibition and in his own Crescent City home.
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