Ciner Frog

What defines “fine” jewelry? For many aficionados, there’s a clear line separating the golden wheat from the gilded chaff. But the handcrafted pieces made by Ciner, a 128-year-old costume jewelry house with a glittering past to rival some of the hautest high jewelers, call into question our notions of what constitutes preciousness.

Quality? Craftsmanship? Painstaking detail? Vintage Ciner earrings, brooches, necklaces and other accessories have them all in spades.

Much of the Ciner’s allure can be traced to its origins in fine jewelry. Emanuel Ciner, an Austrian immigrant, founded the firm in Manhattan in 1892, crafting pieces from the traditional precious gems, gold and platinum. But World War I and the Great Depression caused purse strings to tighten and materials to become scarce. Rather than try to weather the economic downturn, which shuttered many other American jewelers, Ciner made the risky transition from fine jewelry to costume (or fashion) jewelry — virtually uncharted territory.

Emanuel Ciner’s sons, Irwin and Charles, introduced an array of innovations — rubber casting molds, which are especially durable and produce higher quality results, and white metal alloys, which affordably mimic the look of more precious materials — that would become the standard for costume jewelry. During World War II, Ciner’s advanced molding technology was utilized by the U.S. military to produce munitions and tools. This arrangement gave the firm access to the heavily rationed metals it needed for its jewels, enabling it again to endure conditions that drove others into bankruptcy.

The company hit its stride in the 1960s, when its jewelry was sold at some of the country’s toniest stores, even garnering an Andy Warhol–illustrated ad for Bonwit Teller. Its pieces were worn by the era’s brightest stars. In the famous 1957 Joe Shere photo of Sophia Loren sneering at Jayne Mansfield’s décolletage, Mansfield is resplendent in shoulder-grazing Ciner earrings.

Ciner is unique among costume jewelers in that its pieces aren’t imitations — they are coveted in their own right. Elizabeth Taylor, a voracious jewelry collector with a taste for the very finest, was a longtime client. Several suites of Ciner jewels were included in the 2011 Christie’s sale of Taylor’s collection, with one group of rhinestone-studded ear clips and a bracelet fetching $15,600 — more than 100 times the auction estimate. It’s a reminder of a time, not so long ago, when women of great style wore fine and costume jewelry with equal aplomb, often at the same time.

Today, Ciner — now run by Emanuel Ciner’s granddaughter Pat Ciner Hill and great-granddaughter Jean Hill — continues to adhere to the same exacting production specifications. It is the only jewelry house in New York, and likely the United States, that manufactures all its pieces entirely in-house. Each begins with dozens of elements that are cast in rubber molds and then individually filed and polished, plated in a particularly thick layer of 18-karat gold or rhodium, assembled on the bench and painted with enamel or set with stones. Every step is performed by hand by craftsmen, many of whom have been with the company for more than 30 years.

Find vintage Ciner clip-on earrings, choker necklaces, bracelets and other jewelry on 1stDibs.

For fashion lovers, the 1990s have become associated with styles adopted by today’s supermodels and influencers, who never wear the same thing twice. And because fast fashion didn’t yet exist, the design associated with 1990s fashion — vintage '90s handbags, clothing and accessories — has a quality appreciated by the millennial generation: authenticity.

If there was one concept unifying fashion in the 1990s, it was the lean silhouette. “Fashion is a game of proportion,” Alexander Fury wrote in the New York Times in 2016. “Narrow-shouldered and narrow-hipped, the ’90s were skinny.”

If it takes a practiced eye to identify that single concept, that’s because in truth, ’90s fashion was many things to many people. After the 1980s era of strong-shouldered working women, glossy aerobicized bodies and Madonna, fashion branched out.

The industry gained momentum from big-money relaunches of the great Paris houses Dior, Givenchy and Balenciaga, rescued at long last from the constraints of licensing. Japan and Belgium gave fashion new avant-garde ideas to play with. From America came denim, minimalism, '90s grunge fashion and hip-hop. From Italy came sex appeal. And Prada.

For the colorful corsets of her 1990 Portrait collection, audacious British designer Dame Vivienne Westwood drew on 18th-century oil paintings — her models donned the pearl choker necklaces that have become a social media star and a favorite of influencers and fashion lovers all over the world. For a jacket-and-shorts suit from her Fall/Winter 1996–97 Storm in a Teacup line, the designer used the extreme asymmetry of a tartan mash-up to confront, according to Westwood, “the horror of uniformity and minimalism.”

“The ethos of the time was, you could have style, you could be into all kinds of cool stuff. It wasn’t about money, it wasn’t about status,” says Katy Rodriguez, cofounder of Resurrection. In contrast, “our last 10 years have seen the domination of nonstop luxury, money and status.”

Vintage 1990s Chanel bags, for example, are among the most prized of the brand’s offerings — at Newfound Luxury, proprietor L. Kiyana Macon has "clients who only buy ’90s Chanel because they recognize that it is the best quality.” 

Things were different in the ’90s, and the difference is reflected in the clothes. Pull up any recent “How to Do the 1990s” fashion article (or look at photos of current supermodels Gigi, Kendall and Bella), and you’ll see iconic '90s outfits — knee socks, cardigans, fanny packs, fishnet stockings, slip dresses, flannel shirts and combat boots.

Rodriguez has recently noticed something similar happening. Before COVID, customers searched 1990s stock “for very sexy Galliano, Dior, Cavalli — that kind of thing,” she explains, noting that just a few months ago, “people were posting [on social media] the poshest things they could.” Now, in the age of shutdown, “that would just look out of touch.”

Instead, people are looking for “things that are cool but also easy and comfortable, not necessarily super-luxe,” Rodriguez continues. They’re “heading back to the more avant-garde, anti-fashion designers, like Helmut Lang, [Martin] Margiela and [Ann] Demeulemeester.”

Late designer Franco Moschino shocked and titillated the ’80s fashion elite with his whimsical, irreverent parodies of bourgeois finery. Whether emblazoning a sober blazer with smiley faces or embellishing a skirt suit with cutlery, Moschino rendered high style with a hearty wink. He famously said, “If you can’t be elegant, at least be extravagant” — words that, with all due respect to Susan Sontag, epitomize the essence of camp.

Vintage Moschino pants, jackets and other '90s Moschino garments remain so bold and fresh today that even the house's former creative director, Jeremy Scott, drew on the brand's past and the pop culture of the decade for his debut collection in 2014.

Find vintage 90s dresses, skirts, sweaters and other clothing and accessories on 1stDibs — shop Thierry Mugler, Miuccia Prada, Jean Paul Gaultier and more today.

Belts are far more than practical. Vintage and designer belts can prove pivotal to your ensemble, elevating even the most basic outfit with a modest dose of flair or, alternatively, outright flamboyance.

On 1stDibs, an extensive collection of modern and vintage belts can be found in a variety of styles and materials, including everything from iconic Gucci logo belts, which, emblazoned with the legendary Italian brand’s “GG” insignia, are ubiquitous among fashion lovers today, to stylish Hermès belts, which are part of a wide range of covetable leather fashion accessories from the family-owned luxury goods company. The interchangeable gold-plated belt buckle, now available in innumerable variations, is revered by Hermès enthusiasts. The world’s legion of collectors hunting down rare Kelly bags likely know this belt buckle and its history, which extends all the way back to 1967. It was crafted by Hungarian-born French fashion designer Catherine de Károlyi, who worked for Robert Piguet and Christian Dior before landing at Hermès, where she also designed the house’s first women’s ready-to-wear collection.

More akin to fine jewelry than to a practical fashion accessory, a vintage chain belt by Chanel can add understated charm to a blazer, cocktail dress or most any other garment, while a wide Louis Vuitton belt, on the other hand, made in the celebrated brand’s signature bold Damier Azur canvas, will bring pizzazz and panache to your formal wear.

Whether you’re looking to accessorize with simplicity or potentially stop traffic, find a variety of vintage and designer belts on 1stDibs.