Craft Associates On Sale

In its inaugural days, iconic mid-century modern furniture brand Craft Associates was largely the work of founder and forward-thinking designer Adrian Pearsall and his wife, Dorie. The pair assembled sexy, stylish furniture in their Pennsylvania basement that they later sold from the back of a truck to the era’s marquee department stores in Philadelphia and New York City.

The New York–born Pearsall (1925–2011) served in the Navy before earning his architectural engineering degree from the University of Illinois in 1950. He abandoned architecture after only a couple of years and turned instead to furniture design, opening Craft Associates in 1952 to sell his sophisticated living room seating, dining room furnishings and more. Flush with dynamic angles and clean lines, Pearsall’s sculptural, expressive designs — coffee tables, luxurious lounge chairs and more — helped define the style of the Atomic Age. With the help of Dorie and working in partnership with his brother Richard, Pearsall oversaw the expansion of Craft Associates into a leading employer of Wilkes-Barre, Pennsylvania, with popular furniture including architecturally striking tables as well as plush beanbag chairs.

From Craft, there was Pearsall’s low-slung Gondola sofa, which embraces the sitter with its enveloping, geometrically rich form, his range of glass-topped tables — most boasting provocatively shaped wood slabs that serve as bases — as well as his skinny, high-backed upholstered walnut armchairs. Pearsall drew on his background in architecture for the organic and eye-catching structures of these pieces in addition to his larger scale work. One of his biggest projects was the complete design of his family’s 10,000-square-foot Pennsylvania home in Forty Fort, which boasted an indoor pool, sauna, tennis court and ice cream bar.

After growing his business to 800 employees, Pearsall sold Craft Associates in 1968 to Lane Furniture, which continued producing his pieces into the late 1970s before halting production. With business partner John Graham, Pearsall established a new company, Comfort Designs, in the 1970s, while also devoting time to his lifelong hobbies of sailing and restoring classic yachts.

A company called New Craft Associates revived Pearsall’s brand’s name, referencing mid-century-era furniture design in its current projects while not formally associated with Pearsall or his family. Restoration Hardware has also reissued some of his Craft Associates designs, with Pearsall and his company’s distinctive furniture remaining popular statement pieces adaptable to any home.

Find a range of vintage Craft Associates furniture on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.