Howard Miller Digital Clock

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Antique grandfather clocks and longcase clocks are staples of old-world design sensibilities, and, along with their storied history, these statuesque timepieces can bring a feeling of warmth to living rooms, dining rooms and other areas of your home.

Longcase clocks, which originated in England and were manufactured in the United States beginning in the 1700s, refer to tall clocks with a face and clock works positioned high in the housing while a large swinging pendulum movement is tucked inside the case, which is supported by a carved base called a plinth.

While guests making their way through your foyer (another ideal location for such a furnishing) might typically refer to your longcase clock as a “grandfather clock,” there are actually three varieties of these stylish floor clocks, which include granddaughter clocks (the shortest, generally not one solid piece of wood and around three to five feet tall), grandmother clocks (the slimmer middle ground, between five feet and six feet tall) and grandfather clocks, which are typically between six and seven feet tall.

Sculptural and statement-making, antique grandfather clocks created by the likes of the Seth Thomas Clock Company, the Howard Miller Clock Company, Hermle or other clockmakers are an alluring choice in filling up space in a room, while the shorter longcase clocks are just as useful if you need an element that is comparatively muted or you’re working with limited space.

Each generation of artisan clockmakers, working in various furniture styles over time, contributed its own flourishes to the design of longcase clocks. Antique grandfather clocks in the Georgian style share commonalities with neoclassical design. They were often made in dark woods such as mahogany and feature intricate carving. Mahogany is also common for Victorian-era grandfather clocks, although examples of this style can be found in oak and walnut too. Designers of contemporary grandfather clocks are using a range of materials.

It’s easy to get confused when determining the origins or value of an antique grandfather clock or other vintage longcase clock. While an antique appraiser will be able to tell quickly, searching for a manufacturer’s name engraved on the face and dial of the clock may be an easy way to learn about the history of your clock.

Find a distinctive variety of antique grandfather clocks and longcase clocks on 1stDibs, and browse our collection of unusually beautiful clocks, wall clocks, desk clocks and other vintage clocks too.