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John Baldessari On Sale

John Baldessari-Double Bill (Part 2)...And Ernst-24.5" x 20.5"-Poster-2012-Pop
By John Baldessari
Located in Brooklyn, NY
Sku: CB7448 Artist: John Baldessari Title: Double Bill (Part 2)...And Ernst Year: 2012 Signed: No Medium: Offset Lithograph Paper Size: 24.5 x 20.5 inches ( 62.23 x 52.07 cm ) Image ...
Category

2010s Prints and Multiples

Materials

Offset

People Also Browsed

Man, Dog (Blue), Canoe/Shark Fins (One Yellow), Capsized Boat
By John Baldessari
Located in New York, NY
It is hard to characterize John Baldessari’s varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his ap...
Category

21st Century and Contemporary Conceptual Figurative Prints

Materials

Etching

Two Figures (One with Shadow), from Hegel's Cellar Portfolio
By John Baldessari
Located in Miami, FL
TECHNICAL INFORMATION: John Baldessari Two Figures (One with Shadow), from Hegel's Cellar Portfolio 1986 Photogravure and sugar-lift acquatint on torn Rives BFK deckle, printed almo...
Category

1980s Conceptual Prints and Multiples

Materials

Photogravure

Untitled (Hell 1/2 Way Heaven promo)
By Ed Ruscha
Located in Washington , DC, DC
A play on the phrase "halfway between heaven and hell," this fully authorized color reproduction of the original print was printed on quality paper and originally included as a fold-...
Category

1980s Contemporary More Art

Materials

Paper

John Baldessari 'Panel #2' with Parrot, Signed, Limited Edition Print
By John Baldessari
Located in San Rafael, CA
John Baldessari (1931–2020) Panel #2 , 1997 From series Two Horses with Riders (with Blue Parrot) Lithograph in colors on Rives BFK paper Signed, dated and numbered to lower edge ‘8/...
Category

1990s Contemporary Animal Prints

Materials

Lithograph

Signed John Baldessari print 1991 (Baldessari Love and Work)
By John Baldessari
Located in NEW YORK, NY
John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Clas...
Category

1990s Surrealist Photography

Materials

Aquatint, Photogravure, Lithograph, Screen

John Baldessari: in collaboration with among others Kaws, Ed Ruscha and Ai Weiei
By John Baldessari
Located in Stamford, CT
VISIONAIRE/64 ART: JOHN BALDESSARI This project by Visionaire in collaboration with John Baldessari exploits the current ease of digital assemblage and self-portraiture. Visionair...
Category

2010s American Modern Prints

Materials

Paper

Deborah Kass Save The Country Now Limited Edition Print
By Phaidon
Located in New York City, NY
Print Print made with archival pigments on fine art rag paper with matte finish Measures: 16.00 x 12.00 in 40.6 x 30.5 cm Edition of 150 This work is signed and numbered by the ...
Category

2010s American Prints

Materials

Paper

Richard Serra 'Stop B S' Signed, Limited Edition Print
By Richard Serra
Located in San Rafael, CA
Richard Serra (American, B. 1938) Stop B S (G. 2024), 2004. From the portfolio 'Artists Coming Together' Lithograph on wove paper Signed in pencil and numbered 127/250 (there were al...
Category

Early 2000s Abstract Abstract Prints

Materials

Lithograph

Brutus Killed Caesar.
By John Baldessari
Located in New York, NY
BALDESSARI, John. Brutus Killed Caesar. [4] pp. Illustrated with 33 photographic tryptichs. Oblong 8vo., 100 x 275 mm, bound in publisher's spiral-bound wrappers. Preserved in t...
Category

1970s More Art

Materials

Paper

Flies and Frog
By Ed Ruscha
Located in London, GB
ED (Edward) RUSCHA (born 1937) 1937 Omaha, Nebraska (American) and KENNETH PRICE (1935-2012) Los Angeles 1935-2012 Arroyo Hondo (American) Title: Flies and Frog, 1969 Technique...
Category

1960s Contemporary Animal Prints

Materials

Lithograph

Flies and Frog
Flies and Frog
H 22.92 in W 33.94 in
Double Play: Feelings -- Screen Print, Artists for Obama, Dog by John Baldessari
By John Baldessari
Located in London, GB
Double Play: Feelings, 2012 John Baldessari Screenprint in colours, on wove paper Signed, dated and numbered from the edition of 150 From Artists for Obama Printed and published b...
Category

2010s Contemporary Animal Prints

Materials

Screen

Swarm of Red Ants, from: Insects
By Ed Ruscha
Located in London, GB
ED (Edward) RUSCHA (born 1937) 1937 Omaha, Nebraska (American) Title: Swarm of Red Ants, from: Insects, 1972 Technique: Original Hand Signed, Dated and Numbered Screenprint on Wove...
Category

1970s Pop Art Animal Prints

Materials

Screen

Turbo Tears -- Print, Lithograph, Text Art by Ed Ruscha
By Ed Ruscha
Located in London, GB
Turbo Tears, 2020 Ed Ruscha Lithograph in colours, on grey BFK Rives Signed, dated and numbered from the edition of 120 Printed by Hamilton Press, California Sheet: 60 × 76 cm (23.6...
Category

2010s Pop Art More Prints

Materials

Lithograph

Why Draw? 500 Years of Drawings and Watercolors from Bowdoin College, 1st Ed
Located in valatie, NY
Why Draw? 500 Years of Drawings and Watercolors from Bowdoin College, by Joachim Homann. Bowdoin College Museum of Art, Brunswick ME 2017. 1st Ed hardcover with dust jacket. An intim...
Category

2010s American Books

Materials

Paper

Ruscha 342 Fat Lava Vase Organic Western Germany Ceramics Signed 1960s-70s
By Ed Ruscha
Located in Clifton Springs, NY
Classic Ruscha 342 vase was heavily featured in first retrospective exhibition of West German ceramics of the 1960s-1970s in the Graham Cooley Collection that brought Fat Lava ceram...
Category

Mid-20th Century German Mid-Century Modern Vases

Materials

Ceramic

Hollywood Fruit-Metrecal
By Ed Ruscha
Located in Miami, FL
TECHNICAL INFORMATION: Ed Ruscha Hollywood Fruit-Metrecal 1971 Silkscreen with grape and apricot jam and Metrecal 15 x 42 in. Artist’s Proof (one of 18 artist’s proofs, apart from t...
Category

1970s Pop Art Landscape Prints

Materials

Mixed Media, Screen

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John Baldessari for sale on 1stDibs

Although Conceptual artist John Baldessari is best known for the richly provocative juxtapositions of photographic images and text that characterize his prints and paintings, he actually had something of a traditional art world upbringing — if such a thing exists.

Born in Southern California, Baldessari earned several art degrees, from art education to art history to painting. He also taught art at various institutions such as the California Institute of the Arts throughout his life. Among his many students were David Salle, Tony Oursler, Jim Shaw and Mike Kelley. While helping to shape the art world in Los Angeles, he simultaneously developed his own name as an artist.

In the 1950s, Baldessari’s works were primarily semiabstract paintings, but during the late 1960s, he began to distance himself from painting, as he bristled at the idea of limiting art to a single medium. Baldessari decided to take his career in a dramatically different direction. He burned all his paintings at a funeral home in San Diego, then incorporated the ashes into cookie dough, producing (nonedible) baked goods for an exhibition at the Museum of Modern Art in New York City.

“It was a very public and symbolic act,” he said, “like announcing you’re going on a diet in order to stick to it.”

From that point on, Baldessari took on an MO of experimentation, dabbling in mediums from video to printmaking to sculpture. “I just stare at something and say: Why isn’t that art? Why couldn’t that be art?” he said in an interview in 2008.

The works for which Baldessari is most highly regarded, however, are striking collages of images and text — many of which are seemingly nonsensical — such as Tom’s Hand Grips the Steering, Wheel… (2015), in which the title’s text is displayed beneath a hippopotamus. As such is his body of work: bringing a sense of joviality to the sometimes too-serious world of Conceptual art.

Before he died in 2020, Baldessari was honored with the 2014 National Medal of Arts Award, the Americans for the Arts Lifetime Achievement Award, the Venice Biennale’s Golden Lion for Lifetime Achievement and more.

Find original John Baldessari art on 1stDibs.

Finding the Right Prints and Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.