Matte Huggies

Since Faye Kim first took up her goldsmith tools, she’s amassed a shelf full of awards, established a reputation for producing highly wearable, heirloom-quality jewels and acquired a devoted following of collectors, many of whom have purchased her work from the beginning. 

As an undergrad, Kim dutifully pursued an economics degree to meet the expectations of her immigrant parents, and she worked for her father’s accounting office for a time. But she quickly found herself “restless,” she says, yearning to do something more creative.

Kim’s mother, having always supported her daughter’s creativity, encouraged her to attend the Gemological Institute of America (GIA) in New York as a way to address her impulse for change. 

As a newly minted graduate, Kim hopscotched from a job at a jewelry wholesaler to become a pearl buyer for Tiffany & Co. She eventually became a jewelry buyer at the luxury department store Bergdorf Goodman, where she was exposed to the work of modern masters like Angela Cummings and Barry Kielselstein-Cord and to antique treasures from Kentshire. 

Kim enrolled in classes as a hobby. The process enthralled her. “I loved being at the bench. I could sit there for hours on end,” she says. “I fell in love with the granulation process and making everything by hand.” 

Kim immediately gravitated to working with 18-karat gold, especially in an alloy with a subtle green cast. When she decided to return to work, in 2003, she opened an eponymous boutique in downtown Westport, Connecticut, a bedroom community outside New York City, and it became her livelihood. 

Kim established her stylistic signatures early on. Single pieces are weighty enough to hold their own but not too big to stack with others for a more imposing look, modern silhouettes are combined with old-world techniques like granulation and bezel setting, and virtually everything bearing her name is made entirely by artisans in her studio. 

Sizable dome rings are much loved. And a stack composed of a gemstone ring flanked by gold bands is another mainstay for Kim’s true believers. Earrings dangling perfectly proportioned baroque-pearl or diamond drops that softly sway from hinged mountings are bestsellers.

Today, Kim is setting the groundwork for focusing on designs that challenge and excite her.

Find Faye Kim jewelry on 1stDibs.

Contemporary jewelry is inextricably linked with the moment in which it is created, frequently reflecting current social, cultural and political issues such as environmental consciousness, identity and sustainability. It’s informed by fashion trends, from the chokers of the 1990s to the large chain necklaces of the early 2000s.

Jewelry is one of the oldest forms of adornment. Lockets made of silver or gold have been treasured gifts for hundreds of years, for example, and charm bracelets, which have existed since prehistoric times, didn’t become especially popular until the 19th-century reign of Queen Victoria. For many centuries, fine jewelry was used primarily to express wealth or status through lavish materials. Then, in the 1960s, a concept known as the “critique of preciousness” emerged, with jewelers creating pieces that did not get their value from gemstones or precious metals. Instead, it was the jeweler’s artistic vision that was prized and elevated.

This shift still informs Contemporary jewelry being made by artists today. Whether they are using cheap, found materials and working with provocative geometric shapes or seeking out the rarest stones, they are imbuing their work with meaning through their skills, techniques and ideas. Innovative designers such as Elsa Peretti, who popularized sculptural sterling-silver jewelry for Tiffany & Co., and David Yurman, who twisted metal into the simple yet striking Cable bracelet, have also influenced the direction of Contemporary jewelry’s forms and aesthetics.

Meanwhile, technological advancements like metal alloys and laser engraving have led to new possibilities in jewelry design. Now, edgy makers and brands as well as minimalist designers are pushing Contemporary jewelry forward into the 21st century.

Find a collection of Contemporary rings, earrings, necklaces and other jewelry on 1stDibs.

It is almost impossible to overstate how popular hoop earrings are today. They are routinely seen adorning the ears of high-profile women, ranging from Michelle Obama and Alexandria Ocasio-Cortez to Jennifer Lopez and Cardi B.

The roots of the hoop-earring phenomenon literally stretch back to the dawn of civilization. On view in the Metropolitan Museum of Art’s Ancient Near Eastern Art gallery is a pair of simple gold hoops from Mesopotamia dating to 2,600–2,500 B.C. that experts agree is among the oldest known examples. Hoop earrings can also be found in the Met’s Egyptian art gallery as well as in the museum’s displays of Greek and Roman art.

What inspired the original hoop design and why it was adopted by so many jewelers in the ancient world are unknown. It doesn’t have an origin story, feeling rather like the jewelry equivalent of the wheel. There just seems to be a logic to a circle that goes from the front to the back of the lobe.

“Hoops have been worn for millennia because they are unfathomably chic,” says Annabel Davidson, the editor of Vanity Fair UK’s special jewelry edition. “The way they accentuate the jawline, elongate the face and add a touch of flamboyance to a look is clearly a timeless expression of confidence, femininity and sartorial savvy.”

Throughout the ages, there have been countless decorative variations of hoop earrings. While the style can be found in just about every era, it was far more popular in some periods than others. Certain looks from yesteryear reflect cultural interests, while others are purely glamourous.

On 1stDibs, shop vintage diamond hoop earrings, gold hoop earrings, contemporary hoops and many more varieties of this wildly popular accessory.