Canvas Decorative Art

20th century Haitian oil on canvas of a village painted in hues of black, white, grey, and pale pink. Signed by the artist, bottom right, Nicolas Jose Perez and held in a wooden frame.

Decorative pair of French Pastoral painted panels on wood stretchers.

Mid-20th century Twiggy-inspired 1960s mod stylized portrait of a woman. The harlequinesque black and white figure is wearing a flowing coral b...

A pair of French Napoleon III period painted decorative panels with floral motifs from the mid-19th century, set inside giltwood frames. Each of this pair of decorative panels featur...

Exceptional oil painting on canvas by Haitian artist depicts lush green jungle with bright and vivid colorful parrots overlooking beautiful lush jungle, acrylic paint on canvas, with...

A red-yellow, antique French still life oil on canvas painting depicting a working table with a dark-blue vase with flowers, painted by Eugène Henri Cauchois in a hand carved, origin...

This large, old master still life painting is a perfectly balanced composition of fruit and game birds. In the foreground a rabbit is stretched out. A copper kettle and a basket are ...

A beautiful oil on canvas painting of a street scene in Paris, France. This painting perfectly depicts life in the "City of Lights" with its restaurants, busy streets, cafes and wond...

A green-brown, vintage Art Deco French oil on canvas painting of a slightly cloudy, sunny day at the Longchamp horse racing track, painted by Eugène Pechaubes in the original wooden ...

A fine original seascape painting in its original hand carved gilt wood frame. This large work of art is painted on canvas and has recently been cleaned to display its delightful det...

Large Signed Southwestern Desert Landscape Painting on board. Signed Jeanine 2003. Vast expansive view of the desert , its rolling clouds and its mountains in the background. Distres...

Oil on canvas. Signed lower right, Hermann Emil Pohle. The painting is a genre piece. A Renaissance style hunting scene. The hunting horn is blown before...

A fine oil on canvas painting in the manner of Georges Roualt's "le Vieux Roi or The Old King". This painting is marked on the back indicating that ...

Original oil painting of boat in harbor in the style of Bernard Buffet.

Monumental Sailboat Painting by Lee Reynolds of Vanguard studios. Minimalist design of sailboats in muted cream and brown tones. Framed in a gun metal colored frame. White glove ship...

This is a mid-century European school oil on canvas depicting a Paris street scene. It is signed somewhat illegibly. The framing is vintage and in good condition. Nicely done!

Richard Durando-Togo is a painter of Argentine origin who spent most of his life in Italy and France, in the latter country he settled permanently in 1934. He is a self-taught artist...

Original abstract painting, signed “Goldberg.” This piece parallels Abstract Expressionist work from the New York School active during the same period. We believe this painting was c...

Signed Oil on Canvas by Jean Hubert Gautier (1872-1930). Nice heavy impasto technique of a classic french riverscape. The composition includes heavy clouds with a basilica in the bac...

Measuring 24 inches in height and 32 inches in width unframed, this large oil on canvas painting from the early 20th century depicts a pastoral scene at the riverside. In the lower l...

Hand-sewed rice straw art by ARKO. Title: Composition Marcato (A) This is one of the series named "Composition XX" Her works have the feelings of...

A fine French oil on canvas painting titled "Les Peniches au Pont Neuf" signed by G. Denis. A beautiful decorative work of art in the manner of Edouar...

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Hand-sewed rice straw art by ARKO. Title: Composition Marcato (B) This is one of the series named "Composition XX" Her works have the feelings of...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Classical standing nude by American artist Jane White. Painted in the 1950s and once owned by the Estate of Eva Gabor. There is no provenance.

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

Original oil painting of boat in harbor in the style of Bernard Buffet.

Vintage Oil on Canvas: Jones's Diner, New York This stunning vintage oil on canvas captures the iconic Jones's Diner in New York City, showcasing a vibrant urban landscape filled w...

Charming original oil depicting a European water front village.

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different playful and joyous scenes of putti and a cherubs reminiscent of spring, love and peace. The center panel depicting a seated putto, crowned with flowers, a standing putto behind him holding a sack of arrows and a seated cherub facing him next to a watchful peace dove on top resting of a flower bouquet. The left panel depicting a seated putto next to a standing putto with a freshly harvested apple. The right side panel depicting a standing cherub holding a fig branches with leaves. All three-in-one panels within individually carved giltwood frames. All panels signed at the lower left: Ferd. Wagner, circa 1890. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr...

Original oil on canvas, tonal-style landscape painting by listed, deceased, famous artist, William Keith (1838-1911). Painting features a group of majestic trees near a pond of water...

Abstract Mid Century on Canvas. This custom frame has been painted white since being photographed. Nice bright colors make up this abstract modern composit...

Moroccan orientalist oil on canvas painting of a 19th century Moroccan rug market scene with an sellers seating on a pile of carpet and two other men wearing traditional colorful robes standing and checking the goods. The background depict an old house with wooden mucharabie and Moorish arches. Contemporary French oil on canvas orientalist painting of a Moroccan market...

This beautiful Painting titled “The Recital” by Ted Jones (Irish 1952-2017) depicts a young girl in Traditional Irish Costume seated beside her music teacher. Wonderful oil on Canvas...

Possibly late 18th century but most likely 19th century painted arched painted panel. Either a panel intended for a trumeau or to be inset into wall boiserie as a trumeau. The upper ...

American painting, Hudson river school, Oil on canvas.

19th Century Neoclassical Spanish Large Genre Painting attr. Stunning oil painting on a large-scale canvas features a Gypsy musician serenading a group of nobility, including elaborately dressed ladies. The scene takes place in a romanticized garden setting on an early evening. The background is adorned with colonnades, statues and additional people. This Spanish painting has distinctive characteristics of French and Italian influence of the Baroque and Neoclassical periods. The brilliant artist has mastered the perfect use of chiaroscuro, the interplay of light and dark. The subject and masterful technique indicates it was created by the hand of Jose Jimenez Aranda...

A large French 19th century oil on canvas (laid down on a masonite) "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré...

Pair of Elegant 19th Century Hand Painted French Boiserie Wall Panels. Panels are painted on canvas and later mounted on a board. Framed in simple white wooden frames. Each panel fea...

After Jean Antoine Watteau (Valenciennes, 1684-Nogent-sur-Marne, 1721), Disembarkation for the Island of Cythera, Pastel drawing, Framed, 19th or 20th century.

Iwan Albertovich Puni (Russian: Иван Альбертович Пуни; also known as Jean Pougny; April 3, 1890 – December 28, 1956) was a Russian avant-garde artist (Suprematism, Cubo-Futurism) who...

Vintage monochromatic red art by Tom Schmitt on three dimensional shaped canvas. Signed on reverse. circa 1968.

Jean Antoine Watteau (1684-1721) circle of. 18th century old master painting, France. With great pride we offer an extremely rare masterpiece from the 18th century, France. This painting is unsigned as most of his works. It has no provenance, but carries with it all the earmarks of the great Rococo style school of Watteau. It pictures one of his famous outdoor parties with a group of frolicking young people. In the background is a reference to a swing, a favored subject in his paintings. The composition of the painting, colors, brushstrokes (especially in the fabric) is clearly Watteau’s studio. This large 18th century canvas...

A beautiful oil on canvas painting titled "Montmartre rue de l'Abreuvoir" signed by G. Denis. This very decorative work of art is painted in the manner of Edouard Cortes that delig...

W.S. Lacey (British, 19th-20th century) oil on canvas "Tall Ship at Sail" sailing by a lighthouse and next to two steam boats, within an ebonized fra...

Superb traditional oil painting by living Artist Daniel Van der Putten, depicting an Irish rural snow scene near Kinvara in County Galway, a view of a Sixteenth Century Irish Castle ...

Nobody Could Sleep - Abstract painting by American artist Jim Condron The painting is one of a series based on the Maryland landscape where Condron reside...

Stunning large scale Mid-Century Modern tree grove landscape painting. The lovely brown, beige and burnt orange painting features a grove stand at dusk. Concentric wrings of white at...

A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...

A pink-yellow, antique French still life oil on canvas painting, depicting a white ceramic vase with many roses, painted by Dominique Hubert Rozier in a handcrafted, original gilded ...

Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 Maggio 1839 - Roma, 23 marzo 1891. Born i...

Pietro Gabrini (Italian, 1856-1926) a very fine and large oil on canvas "Three Singing Italian Beauties on The Road" depicting three cheerful Village young maidens walking through a ...

A large decorative American abstract giclee print, Hollywood Regency style. This very colorful artwork will enhance any contemporary space. Makes a gr...

The painting is a mid-century modern piece created by artist Frank Walcutt in the 1970s. The artwork features a homestead scene with houses, trees, and a serene landscape, showcasing...

The pair of vintage painted canvas panels, shown here, are notable for their beauty and condition. Depicting a bucolic outdoor scene, the imagery ...

We are calling this piece a painting as shorthand… the truth is, it’s so much more! The eye doesn’t know where to begin or where to end in this visual wonderland. “All Angles” was cr...

A large oil-on-canvas painting, representing an exotic dreamy palm tree on a colourful pastel backdrop. Entitled ‘Palm’s Parade’, and dated 1980, the painting borders a palm tree with a snapshot of three palm trees on the top right. This painting is the epitome of 1980s American interiors, with its bold pastel shades and abstract shapes. A true 1980s Florida/Palm Beach and Miami artwork...

Gorgeous and show-stopping art by Tom Hayward. 5 faces in a neutral palette with texture. Dimensions: 49"W × 2"D × 59"H Styles: Abstract, Figurative P...

Countryside children from the late 19th century playing and attacked by geese on a farm. 19th century style oil on canvas style painting. Stretched on a piece of wood frame. Left sid...

A charming later Victorian textured canvas applied to wood, study of Thomas Gainsborough's three-quarter portrait of the Welsh actress Sarah Siddons, presented in a period Ebonized c...

A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...

Beautiful oil on canvas of reclining blonde nude on a white bed sheet. Framed. Signed (see attached photo). 20th century. Painting dimensions: H. 20...

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

A lovely antique oil on linen painting from Spanish Colonial period late 18th-early 19th century. In the style of Classic Cuzco School, the painting depic...