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To many people, postmodern design is synonymous with the Memphis Group. This Italian collaborative created the most radical and attention-getting designs of the period, upending most of the accepted standards of how furniture should look.

The Memphis story begins in 1980, when Ettore Sottsass, then a beacon of Italian postmodernism, tapped a coterie of younger designers to develop a collection for the Milan Furniture Fair the next year, determined that all the new furniture they were then seeing was boring. Their mission: Boldly reject the stark minimalism of the 1970s and shatter the rules of form and function. (Sottsass’s Ultrafragola mirror, designed in 1970, embodied many of what would become the collective’s postmodern ideals.)

The group decided to design, produce and market their own collection, one that wouldn’t be restricted by concerns like functionality and so-called good taste. Its debut, at Milan’s 1981 Salone del Mobile, drew thousands of viewers and caused a major stir in design circles.

So as a record of Bob Dylan’s “Stuck Inside of Mobile” played on repeat, they took their name from the song, devised their marketing strategy and plotted the postmodern look that would come to define the decade of excess — primary colors, blown-up proportions, playful nods to Art Deco and Pop art. A high-low mix of materials also helped define Memphis, as evidenced by Javier Mariscal’s pastel serving trays, which feature laminate veneer — a material previously used only in kitchens — as well as Shiro Kuramata’s Nara and Kyoto tables made from colored glass-infused terrazzo.

An image of Sottsass posing with his collaborators in a conversation pit shaped like a boxing ring appeared in magazines all over the world, and Karl Lagerfield furnished his Monte Carlo penthouse entirely in Memphis furniture. Meanwhile, members like Andrea Branzi, Aldo Cibic, Michele de Lucchi, Nathalie du Pasquier, Kuramata, Paola Navone, Peter Shire, George Sowden, Sottsass and his wife, journalist Barbara Radice, went on to enjoy fruitful careers.

Some people think of the Milan-based collective as the design equivalent to Patrick Nagel’s kitschy screenprints, but for others Memphis represents what made the early 1980s so great: freedom of expression, dizzying patterns and off-the-wall colors.

Eventually, the Reagan era gave way to cool 1990s minimalism, and Memphis fell out of fashion. Sottsass left the group in 1985, and by 1987, it had disbanded. Yet decades later, Memphis is back and can be traced to today’s most exciting designers.

“As someone who was born in the 1980s, Memphis at times feels like the grown-up, artsy version of the toys I used to play with,” says Shaun Kasperbauer, cofounder of the Brooklyn studio Souda. “It feels a little nostalgic, but at the same time it seems like an aesthetic that’s perfectly suited to an internet age — loud, colorful and utilizing forms that are graphic and often a little unexpected.”

Find a collection of vintage Memphis Group seating, tables, decorative objects and other furniture on 1stDibs.

Well-crafted antique and vintage table lamps do more than provide light; the right fixture-and-table combination can add a focal point or creative element to any interior.

Proper table lamps have long been used for lighting our most intimate spaces. Perfect for lighting your nightstand or reading nook, table lamps play an integral role in styling an inviting room. In the years before electricity, lamps used oil. Today, a rewired 19th-century vintage lamp can still provide a touch of elegance for a study.

After industrial milestones such as mass production took hold in the Victorian era, various design movements sought to bring craftsmanship and innovation back to this indispensable household item. Lighting designers affiliated with Art Deco, which originated in the glamorous roaring ’20s, sought to celebrate modern life by fusing modern metals with dark woods and dazzling colors in the fixtures of the era. The geometric shapes and gilded details of vintage Art Deco table lamps provide an air of luxury and sophistication that never goes out of style.

After launching in 1934, Anglepoise lamps soon became a favorite among modernist architects and designers, who interpreted the fixture as “a machine for lighting,” just as Le Corbusier had reimagined the house as “a machine for living in.” The popular task light owed to a collaboration between a vehicle-suspension engineer by the name of George Carwardine and a West Midlands springs manufacturer, Herbert Terry & Sons. 

Some mid-century modern table lamps, particularly those created by the likes of Joe Colombo and the legendary lighting artisans at Fontana Arte, bear all the provocative hallmarks associated with Space Age design. Sculptural and versatile, the Louis Poulsen table lamps of that period were revolutionary for their time and still seem innovative today. 

If you are looking for something more contemporary, industrial table lamps are demonstrative of a newly chic style that isn’t afraid to pay homage to the past. They look particularly at home in any rustic loft space amid exposed brick and steel beams.

Before you buy a desk lamp or table lamp for your living room, consider your lighting needs. The Snoopy lamp, designed in 1967, or any other “banker’s lamp” (shorthand for the Emeralite desk lamps patented by H.G. McFaddin and Company), provides light at a downward angle that is perfect for writing, while the Fontana table lamp and the beloved Grasshopper lamp by Greta Magnusson-Grossman each yield a soft and even glow. Some table lamps require lampshades to be bought separately.

Whether it’s a classic antique Tiffany table lamp, a Murano glass table lamp or even a bold avant-garde fixture custom-made by a contemporary design firm, the right table lamp can completely transform a room. Find the right one for you on 1stDibs.