Vintage Bubblegum Glass Necklace Trifari

Costume jewelry maker Trifari is widely loved for its fine craftsmanship and complex designs for necklaces, brooches and other jewelry and accessories.

The company was formed in New York during the early 1920s, when its partners Gustavo Trifari (who descended from a family of jewelers), Leo Krussman and Carl Fishel (business associates in hair-ornament manufacturing) recognized, as other designers during the Art Deco era such as Gabrielle “Coco” Chanel had, that fashion trends for affordable jewelry for everyday wear represented an opportunity (and that the popularity of shorter hairstyles didn’t bode well for their haircomb business).

Initially called Trifari, Krussman and Fishel Jewelry (T.K.F.), the trio eventually shortened their brand’s name, at the suggestion of an advertising professional, to Trifari in order to evoke the romance of Gustavo’s native Italy.

The hiring of French designer Alfred Philippe as head designer in 1930 was pivotal to Trifari’s success. A master craftsman who had worked with both Cartier and Van Cleef & Arpels, Philippe set about establishing the same high-quality standards of materials and craftsmanship in the design of fashion jewelry and trained other Trifari artisans to do the same. Settings were delicate; crystals were hand set; designs, which sometimes featured dazzling floral motifs or exquisite depictions of marine life, were sophisticated and elegant, having both the look and feel of fine jewelry. First Lady Mamie Eisenhower wore a Trifari parure of faux pearls to her husband’s presidential inauguration in 1953 and Trifari glass pearls to his inaugural ball in 1957.

Before retiring in 1968, Philippe created Trifari’s most recognizable designs. In the 1930s, when the company was custom-making accessories for the stars of Broadway musicals, it was the crown motif: These brooches became so often identified with the brand that a crown was eventually incorporated into the trademark. In the 1940s, the “Jelly Bellies” inspired affection as well as knockoffs; these were animals, birds and insects sporting a “belly” of clear Lucite. Clip-Mates were another favorite and a technical marvel — two dress clips that, joined together, created a brooch.

Find a wide range of vintage Trifari jewelry on 1stDibs.

Rooted in centuries of history of adornment dating back to the ancient world, modern jewelry reimagines traditional techniques, forms and materials for expressive new pieces. As opposed to contemporary jewelry, which responds to the moment in which it was created, modern jewelry often describes designs from the 20th to 21st centuries that reflect movements and trends in visual culture.

Modern jewelry emerged from the 19th-century shift away from jewelry indicating rank or social status. The Industrial Revolution allowed machine-made jewelry using electric gold plating, metal alloys and imitation stones, making beautiful jewelry widely accessible. Although mass production deemphasized the materials of the jewelry, the vision of the designer remained important, something that would be furthered in the 1960s with what’s known as the “critique of preciousness.”

A design fair called the “Exposition Internationale des Arts Décoratifs et Industriels Modernes” brought global attention to the Art Deco style in 1925 and gathered a mix of jewelry artists alongside master jewelers like Van Cleef & Arpels, Mauboussin and Boucheron. Art Deco designs from Cartier and Van Cleef & Arpels unconventionally mixed gemstones like placing rock crystals next to diamonds while borrowing motifs from eclectic sources including Asian lacquer and Persian carpets. Among Cartier’s foremost design preoccupations at the time were high-contrast color combinations and crisp, geometric forms and patterns. In the early 20th century, modernist jewelers like Margaret De Patta and artists such as Alexander Calder — who is better known for his kinetic sculptures than his provocative jewelry — explored sculptural metalwork in which geometric shapes and lines were preferred over elaborate ornamentation.

Many of the innovations in modern jewelry were propelled by women designers such as Wendy Ramshaw, who used paper to craft her accessories in the 1960s. During the 1970s, Elsa Peretti created day-to-night pieces for Tiffany & Co. while designers like Lea Stein experimented with layering plastic, a material that had been employed in jewelry since the mid-19th century and had expanded into Bakelite, acrylics and other unique materials.

Find a collection of modern watches, bracelets, engagement rings, necklaces, earrings and other jewelry on 1stDibs.

We are fortunate to know much of the world’s long and dazzling history of necklaces, as this type of jewelry was so treasured that it was frequently buried with its owners.

Lapis lazuli beads adorned necklaces unearthed from the royal graves at the ancient Iraqi civilization of Sumer, while the excavation of King Tut’s burial chamber revealed a sense of style that led to a frenzy of Art Deco designs, with artisans of the 1920s seeking to emulate the elegant work crafted by Ancient Egypt’s goldsmiths and jewelry makers. 

In ancient times, pendant necklaces worn by royalty and nobles conferred wealth and prestige. Today, wearing jewelry is about personal expression: Luxury diamond necklaces exude confidence and can symbolize the celebratory nature of a deep romantic relationship, while paper-clip chain-link necklaces designed by the likes of goldsmith Faye Kim are firmly planted in the past as well as the present. Kim works exclusively with eco-friendly gold, and these fashionable, fun accessories owe to the design of 19th-century watch fobs. 

For some, necklaces are thought of as being a solely feminine piece, but this widely loved accessory has been gender-neutral for eons. In fact, just as women rarely took to wearing a single necklace during the Renaissance, men of the era layered chains and valuable pendants atop their bejeweled clothing. In modern times, the free-spirited hippie and counterculture movements of the 1960s saw costume-jewelry designers celebrating self-expression through colorful multistrand necklaces and no shortage of beads, which were worn by anyone and everyone. 

Even after all of these years, the necklace remains an irrefutable staple of any complete outfit. Although new trends in jewelry are constantly emerging, the glamour and beauty of the past continue to inform modern styles and designs. In a way, the cyclical history of the necklace differs little from its familiar looped form: The celebrated French jewelry house Van Cleef & Arpels found much inspiration in King Tut, and, now, their Alhambra collection is a go-to for modern royals. Vintage necklaces designed by David Webb — whose work landed him on the cover of Vogue in 1950, two years after opening his Manhattan shop — were likely inspired by the ornamental styles of ancient Greece, Mesopotamia and Egypt. 

On 1stDibs, browse top designers like Cartier, Tiffany & Co. and Bulgari, or shop by your favorite style, from eye-catching choker necklaces to understated links to pearl necklaces and more.