Wittmann Edwards

Wittmann has a long tradition of uncompromising commitment to producing furniture of the highest quality. From its beginning, the Austrian company’s seating and bedroom furniture, such as armchairs and daybeds, have been fashioned from the most durable woods, like teak and oak, and upholstered in fine leather and fabrics. 

Wittmann started in 1896 as a saddlery. In the 1950s, under the direction of Franz Wittmann, it began creating upholstered furniture. The company quickly made a name for itself by manufacturing quality pieces, with a focus on seating and bedroom furnishings. 

Wittmann has regularly worked with major designers, with many collaborations leading to long-term partnerships. Austrian architect Johannes Spalt, French architect Jean Nouvel and Italian architect Paolo Piva have all had successful partnerships with the company.

The company’s most enduring collaboration was with Austrian designer Josef Hoffmann, a central figure in the modern furniture movement of the mid-20th century. Hoffmann moved away from extravagant ornamentation and embellishment in favor of showcasing the beauty of construction that shows through with a simple, well-crafted design. Though its mid-century modern furniture was intentionally simplistic, Wittmann incorporated color and texture into its offerings, providing some added flair compared to the popular Scandinavian modern works coming out of Denmark. 

Drawing on this rich heritage, Wittmann continues to hand-make furnishings. It has stores in Vienna, Hamburg and Seon in Switzerland, and exports over 15,000 pieces each year to over 50 countries worldwide.

On 1stDibs, explore Wittmann’s Austrian take on modern furniture with seating, tables, storage pieces and more.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Antique and vintage loveseats are functional and totally charming furniture in homes large and small these days. They first appeared in the 17th and 18th centuries, though they were not yet known by this endearing term.

These petite, two-seat sofas were originally intended to comfortably sit a woman clad in what were the era’s large and elaborate dresses — ornate hooped garments with copious folds of fabric, embroidery and lace. However, because the original seats featured just enough space for two, they quickly became popular for couples that were courting. Loveseats meant that the couples could engage in close conversation, but furniture makers ensured that there was enough space between sitters to prioritize modesty.

In the early days of loveseats, the furnishings were minimalist in appearance and could often be found in an s-shape, with the two sides facing each other. The spare seating was initially little more than a wooden bench, as loveseats weren’t yet upholstered or cushioned. Design of the seating evolved over time, and this wide chair was eventually padded and tufted for comfort. During the 1800s, loveseats were a luxurious addition to the homes of the wealthy, and even today, antique 19th-century loveseats are still quite alluring. In any lavishly decorated parlor of the Victorian era, you might find a pair of partygoers tucked into a particularly plush iteration of these cozy perches, one boasting arched crests of carved mahogany over its sculpted seats, with front cabriole legs resolving in paw feet.

In modern homes, loveseats — even antique Victorian loveseats — pair well with oversize sofas or are ideal replacements for sofas, particularly if you’re working on organizing and furnishing a smaller space. A loveseat is a stylish addition to a home library or a reading nook and can easily be situated at the foot of the bed in your bedroom. In the living room, you may wish to position your vintage loveseat and couch around a central focal point, such as a distinguishing architectural feature or a fireplace. But be sure to leave some walking room between your seating and any nearby coffee tables or side tables. Allow for around two feet for guests to pass between a couch and chair or loveseat and at least a foot between a loveseat and coffee table.

Find a wide variety of antique, new and vintage loveseats today on 1stDibs.