Eugene Maziarz Art

Antonio Gritón (Mexico City, 1953) Lives and works in Mexico City. Antonio Griton is a visual artist and tireless promoter of Mexican culture. He captures a visual discourse that r...

Broadway (?), 1952, oil on Masonite, signed and dated lower left, 15 x 18 inches, inscription verso may say "Broadway", presented in its original frame Jean Dominique van Caulaert w...

Landscape painting of The Trossachs, Scottish Highlands, 20th century is after renowned landscape artist Alfred De Breanski, Jnr, (1877-1955). As in this painting, De Breanski established a reputation for his distinctive vivid greens and color in impressionistic style within realism of his subject. This mountain scene with lake and watering cattle demonstrates the oeuvre of this artist, and also his father Alfred de Breanski Sr. This is a particularly beautiful landscape painting of Scotland, in a favorite natural region by Perthshire. 'The Trossachs' shows fine brushstrokes in the clouds, and area of raised paint over the ground. Light is captured on misty hillsides, and reflected in the water. De Breanski studied at St Martins School of Art, England, but had the benefit of his father, his mother and his Uncle who were all successful artists of their time, and their work continues to be highly sought after for the detail and light captured in plein art...

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Mid 20th Century French Expressionist oil on canvas of a lake in its frozen landscape by Jacques Pinon. The painting is signed bottom right and is titled on the stretcher and signed to the back of the canvas. Pinon was noted as an artist in various mediums as well as painting, including tapestry and stained glass. His appreciation of colours and forms are very evident in this painting where he has captured a winter landscape but with subtle colours and forms giving movement and a jewel like feeling to the composition. The cold frosty light of the day animating a rural landscape, his use of layers of colour against raw canvas giving the feeling of the glassy lake. Jacques Pinon was a 'Renaissance Man', accomplished in many aspects of art and literature. he painted, worked in stained glass as well as sculpture and tapestry - he studied and worked at the National School of Decorative Art of Aubusson. He was also a poet and published writer. “All the forms of expression of the artist Jacques Pinon are brought together. A journey of fabulous encounters for this artist, his work is impressive, not to mention his work in collaboration with very great artists." Pinon exhibited extensively and internationally including a major exhibition in PARIS in 1954. “JAZZ.HOT” alongside Dali – Courtaud – (les) Delaunays – Dubuffet – Duffy – Leger and Mondrian. He also an exhibited at the Museum of Modern Art – Sacred Art Salon in 1960 in PARIS, at the Salomon Guggenheim Museum in New York and the Foundation Royaumont. His tapestries were exhibited in France in 1969 in the city of Lyon at the Galerie Verrières with GilioliI and Lurcat. His painting and sculpture are at the crossroads of several universes. Lively and luminous like a Corrida afternoon, the light reminds us of the work the artist did for the stained glass windows, he plays with both using different techniques and styles and his thirst for discovering new forms of expression. He came from a noted family of artist and artisans. His great-uncle was Alfred de Musset; his great-grandfather and his grandfather both Courtots from the Gobelins factory in Paris, and his family were all friends of Rodin. In 1952, his meeting with the architect Le Corbusier was a close collaboration around projects carried out with Lucien Herve...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Untitled Riverscape, an original oil on canvas by George Thompson Pritchard, is a piece for the true collector. An impressively calming nature of this plein-air painting draws you in...

Lake Street, c. 1920 -30s, oil on board, 12 x 9 inches, signed lower right and verso, titled verso About the Painting At the center of Oscar Daniel Soellner’s Lake Street, we see the stairway leading to an elevated railway station on what is now Chicago’s Green Line route. When its first section opened in 1893 as the second permanent elevated rapid transit line in Chicago, this route was known as the Lake Street Elevated Railroad. Chicago’s “L,” like the New York subway and rapid transit system, played an instrumental role in the development of the urban economy and the overall look and feel of the city. The formal aspects of urban railroads and the role they played in efficiently moving large number of everyday citizens across America’s growing metropolises were catnip for many American Scene painters during the first half of the 20th Century. Here, Soellner uses the techniques of the impressionists and the palette of the Ash Can School, to convincingly depict a classic Chicago scene...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...

Fine work by celebrated 19th century artist, Colin Hunter (1841-1904) ARA, RI, RSW, RE. 'Highland Bridge' shows one of the old stone bridges in the Scottish countryside with horse an...

A Summer’s Day by William Miller Frazer (1864-1961) depicts a tranquil countryside scene of sheep grazing and resting. Frazer’s sheep find numerous ways to enjoy the pleasantries of ...

Large contemporary expressionist oil on cotton canvas of a sunset over a Provençal landscape by Dutch artist Bernadette Van Baarsen. Signed and ...