Julie Bell Art

A brilliant landscape of the Alpine lake and forest in foreground, surrounded by mountains. The servant guarding the horses peacefully dozed off under a picturesque tree on shore of ...

Dog Portrait of a Terrier "Sugar Nose" Carl Friedrich Deiker (German, 1836-1892) Circa 1870 Oil on wood panel Circa 12 1/2 x 11 1/12 ​Having mastered the feat of posing terriers with ​sugar cubes balanced carefully at the very tip of his sitter's noses, Deiker displayed the skill of an artist who deeply loved his subjects. Carl Friedrich Deiker specialized in depicting animal and hunting motifs. From 1864 until his death, he lived in Düsseldorf. His specialty was painting big game and wild boar and he was also skilled at the depictions of deer fights, fleeing big game – being pursued by the hunter - and the like. He also treated vultures and falcons, scenes from the life of foxes with excellent results. His painting, Sauhatz-Sow Hunt (1870), is in the Museum in Cologne. He has also supplied numerous drawings of hunting scenes for illustrated journals and hunting books. With his dramatic depictions of the hunt and his connection to the painting of the Rubens School, he is regarded as an important source of inspiration for the animal paintings of the Düsseldorf School. The highly regarded British animal painter Louis Henry Weston Klingender was a student of Deiker as was the remarkable Swedish animal painter Bruno Liljefors...

This superb horse portrait with rider is by keen Scottish horse artist and rider, Doris Zinkeisen. Painted circa 1960 the rider is Miss Margaret 'Moggy' Hennesey. Moggy, well known and highly regarded as a rider, producer and trainer enjoyed countless major wins in her competition days and is now much in demand as a judge on the show circuit. She is pictured riding her hunter in a landscape. A superb painting of a very successful female rider and trainer, painted by a keen Scottish horse woman and artist. Signed Doris Zinkeisen lower right. Provenance. Wiltshire estate. Condition. Oil on canvas, image size 36 inches by 28 inches and in good condition. Frame. Housed in a gilt frame, 44 inches by 36 inches and in good condition. Doris Clare Zinkeisen (1898-1991) was a Scottish theatrical stage and costume designer, painter, commercial artist, and writer. She was best known for her work in theatrical design. Doris Zinkeisen was born in Clynder House in Rosneath, Argyll, Scotland. Her parents were Welsh-born Clare Bolton-Charles and Victor Zinkeisen, a timber merchant and amateur artist from Glasgow. Her father's family were originally from Bohemia and had been settled in Scotland for two hundred years. She had a younger sister, Anna Zinkeisen, who also became an artist. The family left Scotland and moved to Pinner, near Harrow in 1909. Zinkeisen attended the Harrow School of Art for four years and won a scholarship to the Royal Academy Schools in 1917 together with her sister Anna. During World War I Zinkeisen served as a Voluntary Aid Detachment at a hospital in Northwood, Middlesex.Zinkeisen shared a studio in London with her sister during the 1920s and 1930s from where she embarked on her career as a painter, commercial artist, and theatrical designer.Zinkeisen's realist style made her popular as a portraitist and she became a well-known society painter. The subject matter of her paintings, society portraiture, equestrian portraiture, and scenes from the parks of London and Paris reflect the lifestyle of the upper class at the time. An early success was her 1925 portrait of the actor Elsa Lanchester.She also worked widely in other media as an illustrator and commercial artist including producing advertising posters for several British mainline railway companies and murals for the RMS Queen Mary. A 1939 poster for the London Underground, At the Theatre, was printed but never issued due to the start of World War II. In 1944, Doris and her sister Anna were commissioned by United Steel Companies (USC) to produce twelve paintings that were reproduced in the trade and technical press in Britain, Canada, Australia and South Africa. The images were subsequently collated in a book, This Present Age, published in 1946. Zinkeisen produced a number of posters for London and North Eastern Railway (LNER), Southern Railway (SR), and the London, Midland and Scottish Railway (LMS) in the 1930s. The posters often featured historical themes such as Berwick-upon-Tweed by LNER (1930) which shows Isabella MacDuff, Countess of Buchan being punished by Edward I for crowning Robert the Bruce at Scone in 1306. In 1935, John Brown and Company Shipbuilders of Clydebank commissioned both of the Zinkeisen sisters to paint the murals in the Verandah Grill, a restaurant and night-club on the ocean liner the RMS Queen Mary. The murals, on the theme of entertainment, depicted circus and theatre scenes and can still be seen on the ship, now permanently moored in Long Beach, California. Zinkeisen was also involved in planning the interior decoration which featured a parquet dance floor surrounded by black Wilton carpets, star-studded red velvet curtains and a sweeping illuminated balustrade whose colours changed in time with the music. Writing in Vogue in 1936, Cecil Beaton described the Verandah Grill as By far the prettiest room on any ship – becomingly lit, gay in colour and obviously so successful that it would be crowded if twice its present size. The largest mural was damaged during World War II by gunnery officers tacking charts to the poster board covering the mural. After the war, Zinkeisen restored the mural and reportedly painted a mouse in the mural so there would always be a mouse on the Queen Mary, a dig at Cunard, which prided itself on having no rodents on their ships. Both sisters also contributed murals to the RMS Queen Elizabeth in 1940. Zinkeisen exhibited at the Royal Academy in 1929, at the Royal Society of Portrait Painters in London and in Paris and the United States. She received Bronze (1929), Silver (1930) and Gold (1934) Paris Salon medals for her work. By 1929 she had been elected a member of the Royal Institute of Oil Painters (ROI). Zinkeisen was a successful stage and costume designer for plays and films. Despite her success as a painter and commercial artist she was best known as a theatrical designer. During World War II, Zinkeisen joined the St John Ambulance Brigade and worked as a nurse in London helping wartime Blitz casualties having first trained as a Voluntary Aid Detachment (VAD) nurse during World War I. She worked in the casualty department in St Mary's Hospital, Paddington. Zinkeisen worked in the casualty department in the mornings and painted in the afternoons, recording the events of the day. Following the liberation of Europe in 1945, Zinkeisen was commissioned by the War Artists' Advisory Committee as a war artist for the North West Europe Commission of the Joint War Organisation of the British Red Cross Society and the Order of St John...

Monogrammed lower left: Johan Philip Korn (1728 - 1796), was a Swedish painter. A beautiful landscape, with a backwater in which carefree ducks swim, hunters and their dogs in passion, in the background you can see a city with a bell tower. Old masters have been depicting animals in their paintings since the Renaissance. In those days, hunting scenes were popular - there is always a share of emotional participation in them. Here it is necessary to understand that in previous centuries people looked at hunting as a means of obtaining food, therefore naturalism dominates in the painting of the old masters. Old oil painting on wooden panel, in a non-original frame of the 19th century. Size app.: 49 x 64 cm (roughly 19.3 x 25.2 in) and nice golden gesso frame ca 65.5 x 81.5 cm (roughly 25.8 x 32.1 in). Very Good condition, age wear, cracks on a wooden board, minor losses, retouches, cleared and conserved. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 6.4 kg is going to measure some 10 kg volume weight packed for shipment. Johan Philip Korn first began his career as a decorative painter. He was a student of artist Johan Sevenbom (1721-1784). After further studies he changed to landscape painting in the Rococo style of French artist François Boucher (1703–1770) and often after Dutch copper engravings. In 1759, Korn became master of the Stockholm...

This beautiful 19th century Dutch oil painting is by noted artist Willem or more often Willy Martens. Painted circa 1890 it is very much in the style of ...

This charming British Victorian genre oil painting is by noted exhibited artist John Morgan. Painted circa 1870 the composition is two young girls, one dark haired one blonde, who are sat on the floor in front of a fire with a cat between them. They are both barefoot and in simple clothes, suggesting they may not have a lot in life, but they have this cat! The cat, on the other hand looks as if it would prefer to be left in peace, perhaps explaining the title on the plaque, Mee i ow! Morgan liked to paint children, often playing and this romanticised image of childhood is a lovely example of his work. He is a much sought after Victorian artist and very successful in his day. Signed lower centre. Named and titled to frame plaque. Provenance. Alex Haworth label verso. Private collection. Condition. Oil on canvas, image size is 36 inches by 24 inches and in good condition. Frame. Housed in an ornate gilt frame, 43 inches by 31 inches framed and in good condition. John Morgan (1823-1886) was born in Pentonville, London. He was married to Henrietta (nee Clare) and had three children. The 1861 census recorded the family as living in Church Yard, Aylesbury and described Morgan as an 'Artist Subject Painter in Oils'. His wife, Henrietta, was described as an 'Artist's Counsellor'. By the 1870s the family had moved to Guildford and here Morgan painted a number of works including The Storm. Whilst studying at the London School of Design, Morgan was also apprenticed as a wood carver and designer to the furniture makers, Gillow, Jackson and Graham...

Yookan Westfield Orange Cat's Thoughts, 2022 Oil on linen painting 24 × 24 × 2/5 inches Hand signed on the front; bears artist's handwritten label on the ba...

Besides producing still-lifes rich with glowing colors, liquid surfaces and meaning, Olga Antonova also paints bust-length self-portraits in which she appears dressed for the occasio...

The painting is monogram signed lower right: scratched in fresh oils “C.K.1839”. The genre plot from rural life away from the upheavals of big cities with its traditional elements: a...

"Matriarch to Be" by Tony Pridham Oil on Canvas 18x24" image, 28x34" framed Pridham photographed and sketched this gazelle while at Tarangire National Park in Tanzania, then painted from those references in his studio in Australia upon his return from the trip. ABOUT THE ARTIST: As the grand-nephew of Sidney Nolan...

"Grant's Gazelle" by Tony Pridham Oil on Canvas 20x10" image size, 26x16" framed in black and gold Pridham photographed and sketched this gazelle while ...

Christy Stallop's (US based) "Mil Máscaras" is an oil painting that depicts a Grackle bird wearing a luchador wrestling mask.